A.7.1 Transcription de musique mensurale
Dans le cadre de la transcription de musique mensurale, un « incipit »
en début de pièce permet d’indiquer tonalité et tempo originaux. Si les
musiciens sont aujourd’hui habitués aux barres de mesure qui mettent en
évidence la structure rythmique, elles n’étaient pas courantes à
l’époque – le mètre variait souvent après quelques notes. Dans une
forme de compromis, les barres de mesures sont régulièrement imprimées
entre les portées.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% A short excerpt from the Jubilate Deo by Orlande de Lassus
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\header { = ##f }
global = {
\set Score.skipBars = ##t
\key g \major
\time 4/4
% the actual music
\skip 1*8
% let finis bar go through all staves
\override Staff.BarLine.transparent = ##f
% finis bar
\bar "|."
}
discantusIncipit = {
\clef "neomensural-c1"
\key f \major
\time 2/2
c''1.
}
discantusNotes = {
\transpose c' c'' {
\clef "treble"
d'2. d'4 |
b e' d'2 |
c'4 e'4.( d'8 c' b |
a4) b a2 |
b4.( c'8 d'4) c'4 |
\once \hide NoteHead
c'1 |
b\breve |
}
}
discantusLyrics = \lyricmode {
Ju -- bi -- la -- te De -- o,
om -- nis ter -- ra, __ om-
"..."
-us.
}
altusIncipit = {
\clef "neomensural-c3"
\key f \major
\time 2/2
r1 f'1.
}
altusNotes = {
\transpose c' c'' {
\clef "treble"
r2 g2. e4 fis g |
a2 g4 e |
fis g4.( fis16 e fis4) |
g1 |
\once \hide NoteHead
g1 |
g\breve |
}
}
altusLyrics = \lyricmode {
Ju -- bi -- la -- te
De -- o, om -- nis ter -- ra,
"..."
-us.
}
tenorIncipit = {
\clef "neomensural-c4"
\key f \major
\time 2/2
r\longa
r\breve
r1 c'1.
}
tenorNotes = {
\transpose c' c' {
\clef "treble_8"
R1 |
R1 |
R1 |
% two measures
r2 d'2. d'4 b e' |
\once \hide NoteHead
e'1 |
d'\breve |
}
}
tenorLyrics = \lyricmode {
Ju -- bi -- la -- te
"..."
-us.
}
bassusIncipit = {
\clef "mensural-f"
\key f \major
\time 2/2
r\maxima
f1.
}
bassusNotes = {
\transpose c' c' {
\clef "bass"
R1 |
R1 |
R1 |
R1 |
g2. e4 |
\once \hide NoteHead
e1 |
g\breve |
}
}
bassusLyrics = \lyricmode {
Ju -- bi-
"..."
-us.
}
\score {
<<
\new StaffGroup = choirStaff <<
\new Voice = "discantusNotes" <<
\set Staff.instrumentName = "Discantus"
\incipit \discantusIncipit
\global
\discantusNotes
>>
\new Lyrics \lyricsto discantusNotes { \discantusLyrics }
\new Voice = "altusNotes" <<
\set Staff.instrumentName = "Altus"
\global
\incipit \altusIncipit
\altusNotes
>>
\new Lyrics \lyricsto altusNotes { \altusLyrics }
\new Voice = "tenorNotes" <<
\set Staff.instrumentName = "Tenor"
\global
\incipit \tenorIncipit
\tenorNotes
>>
\new Lyrics \lyricsto tenorNotes { \tenorLyrics }
\new Voice = "bassusNotes" <<
\set Staff.instrumentName = "Bassus"
\global
\incipit \bassusIncipit
\bassusNotes
>>
\new Lyrics \lyricsto bassusNotes { \bassusLyrics }
>>
>>
\layout {
\context {
\Score
%% no bar lines in staves or lyrics
\hide BarLine
}
%% the next two instructions keep the lyrics between the bar lines
\context {
\Lyrics
\consists "Bar_engraver"
\consists "Separating_line_group_engraver"
}
\context {
\Voice
%% no slurs
\hide Slur
%% Comment in the below "\remove" command to allow line
%% breaking also at those bar lines where a note overlaps
%% into the next measure. The command is commented out in this
%% short example score, but especially for large scores, you
%% will typically yield better line breaking and thus improve
%% overall spacing if you comment in the following command.
%%\remove "Forbid_line_break_engraver"
}
indent = 6\cm
incipit-width = 4\cm
}
}