[Top][Contents] |
LilyPond — Changes
This document lists changes and new features in LilyPond version 2.25.21 since 2.24. |
Note: LilyPond releases can contain syntax changes, which may
require modifications in your existing files written for older
versions so that they work in the new version. To upgrade files,
it is strongly recommended to use the convert-ly
tool distributed with LilyPond, which is described in
Updating files with convert-ly. convert-ly
can
perform almost all syntax updates automatically. Frescobaldi users can
run convert-ly
directly from Frescobaldi using
“Tools > Update with convert-ly…”. Other editing
environments with LilyPond support may provide a way to run
convert-ly
graphically.
Major changes in LilyPond | ||
New for musical notation | ||
New for specialist notation | ||
Miscellaneous improvements |
[ << Top ] | [Top][Contents] | [ New for musical notation >> ] |
[ < Top ] | [ Up : Top ] | [ Notes for source compilation and packagers > ] |
Major changes in LilyPond
- Margins are now wider by default following the general layout of
several publishers (and the recommendations of Elaine Gould).
In order to switch back to the previous settings (e.g., to keep the same layout when upgrading an existing score to version 2.25.21), add the following code:
\paper { top-margin = 5\mm bottom-margin = 6\mm top-system-spacing.basic-distance = 1 top-markup-spacing.basic-distance = 0 left-margin = 10\mm right-margin = 10\mm inner-margin = 10\mm outer-margin = 20\mm binding-offset = 0\mm }
- Instead of generating PostScript or SVG output by itself, LilyPond
can now use the Cairo library to produce its output. This is
referred to as the ‘Cairo backend’, and can be turned on using
the
-dbackend=cairo
command-line option. This works for all output formats (PDF, SVG, PNG, PostScript), and brings speed and rendering fidelity improvements in SVG output in particular. However, keep in mind that this backend does not yet implement all features of the default backends. Among the features not currently supported are PDF outlines, the-dembed-source-code
option for PDF, and theoutput-attributes
property for SVG. - The distances between clefs and time signatures, together with the
distances between clefs and key signatures, are now calculated
differently. As a consequence, you will get better spacing for
extra-wide clefs (like
\clef "GG"
) or extra-slim clefs (like\clef "petrucci-c3"
).In the following image, both old and new positions are shown. The percentage gives the width difference of clef plus time signature and clef plus key signature, respectively.
Note that, as before, the widest clef in a staff group determines the horizontal position of all clefs in a system; this means, for example, that a piano score containing a treble and an alto clef doesn’t change at all.
If you want to restore the previous default values for whatever reason, add
\override Staff.Clef.space-alist.time-signature = #'(minimum-space . 3.5) \override Staff.Clef.space-alist.key-cancellation = #'(minimum-space . 3.5) \override Staff.Clef.space-alist.key-signature = #'(minimum-space . 4.2)
to your score.
- The LilyPond major mode for the GNU Emacs text editor provided by the
Emacs Lisp package
lilypond-mode.el
has been renamed fromLilyPond-mode
tolilypond-mode
. The namespace prefix for the package is changed to all lowercaselilypond-
fromLilyPond-
, meaning all its functions, variables, etc., now have the all-lowercase prefix. This change is made to comply with the idiomatic Emacs naming convention, most importantly, having the major mode name be the same as the package name that provides it. Therefore, this also makes it easier for new users to set up LilyPond in Emacs.As a result, this will break some existing Emacs configurations for the end users. However, it only requires minimal changes to the Emacs initialization file. Here’s an example of setting up
lilypond-mode
using the built-inuse-package
macro in Emacs:(use-package lilypond-mode :ensure nil :mode "\\.\\(ly\\|ily\\)$")
[ << Major changes in LilyPond ] | [Top][Contents] | [ New for musical notation >> ] |
[ < Major changes in LilyPond ] | [ Up : Major changes in LilyPond ] | [ New for musical notation > ] |
Notes for source compilation and packagers
This section is aimed at enthusiasts compiling LilyPond from source and packagers preparing LilyPond for distribution. If you are not part of either group, you can skip over this section.
- LilyPond now requires Guile 3.0.7. As before, it is still strongly
recommended to compile the .scm files into bytecode by first
running
make bytecode
during compilation and thenmake install-bytecode
in addition tomake install
.
[ << Major changes in LilyPond ] | [Top][Contents] | [ New for specialist notation >> ] |
[ < Notes for source compilation and packagers ] | [ Up : Top ] | [ Pitches improvements > ] |
New for musical notation
Pitches improvements | ||
Rhythm improvements | ||
Expressive mark improvements | ||
Repeat improvements | ||
Editorial annotation improvements | ||
Text and font improvements |
[ << New for musical notation ] | [Top][Contents] | [ New for specialist notation >> ] |
[ < New for musical notation ] | [ Up : New for musical notation ] | [ Rhythm improvements > ] |
Pitches improvements
[ << New for musical notation ] | [Top][Contents] | [ New for specialist notation >> ] |
[ < Pitches improvements ] | [ Up : New for musical notation ] | [ Expressive mark improvements > ] |
Rhythm improvements
-
\slashedGrace
now prints slashed beams.{ \slashedGrace { d'16 e' d' } c'1 \slashedGrace { d16 e'' d' } c'1 }
Using
beam::slashed-stencil
arbitrary beams may be slashed. Settingdetails.slash-side
toRIGHT
the slash is printed at right side of the beam.{ \override Beam.stencil = #beam::slashed-stencil \cadenzaOn c'16^[ a' c''] c''^[ a' c'] c'_[ a' c''] c''_[ a' c'] \override Beam.details.slash-side = #RIGHT c'16^[ a' c''] c''^[ a' c'] c'_[ a' c''] c''_[ a' c'] }
The appearence of the slash may be customized by overrides of the
details
subpropertiesover-beam-height
,slash-slope
,slash-side
,slash-stem-fraction
,slash-thickness
, andslash-X-positions
. - It is now possible to right-align different types of bar lines.
\new StaffGroup << \new Staff { \textMark "default" b1 } \new Staff { b1 \section } >> \new StaffGroup << \new Staff { \textMark "right-aligned" b1 } \new Staff { b1 \override StaffGroup.BarLine.right-justified = ##t \section } >>
- Bar checks (
|
) now implicitly create contexts. The developers deem this unlikely to impact real-world scores. Please report a bug if you find a problem without an obvious workaround. - The new option
span-all-note-heads
may be used to make tuplet brackets span all note heads (not just the stems) as recommended by Gould and Ross. - Automatic beam subdivision has been reworked. Previously, many
imperfections could be found in the results of automatic subdivision of
many complex beaming patterns due to overreliance of the value of
baseMoment
. Now, LilyPond can correctly subdivide most beaming patterns and no longer uses the value ofbaseMoment
to limit beam subdivision. Simply settingsubdivideBeams
to#t
now automatically subdivides all intervals by default. 3 new properties have been introduced to tune automatic beam subdivision:minimumBeamSubdivisionInterval
,maximumBeamSubdivisionInterval
andrespectIncompleteBeams
.minimumBeamSubdivisionInterval
limits subdivision intervals the same way as howbaseMoment
previously did (reducing frequency of subdivided beams).maximumBeamSubdivisionInterval
limits the number of beamlets removed at subdivisions in general.respectIncompleteBeams
limits the number of beamlets at subdivisions where the remaining length would not complete the metric value of the subdivision. SettingminimumBeamSubdivisionInterval
to the value ofbaseMoment
at all times, even whenbaseMoment
implicitly changes, preserves old behavior. - New ‘stacked’ flag glyphs are available. All flag elements of a
flag glyph have the same width but are vertically more compact.
Use
\flagStyleStacked
to access them; with\flagStyleDefault
you can switch back to the standard flag style. - The
TimeSignature
style'single-digit
has been renamed to'single-number
.
[ << New for musical notation ] | [Top][Contents] | [ New for specialist notation >> ] |
[ < Rhythm improvements ] | [ Up : New for musical notation ] | [ Repeat improvements > ] |
Expressive mark improvements
- Hairpins in the style of Ferneyhough now support al niente circles.
{ \override Hairpin.circled-tip = ##t \override Hairpin.stencil = #flared-hairpin b1\< b\> b\> b2 b\< b2 b\! }
- Two new variant glyphs for breathing signs are available:
‘laltcomma’ and ‘raltcomma’. These glyphs represent the old
shapes of ‘lcomma’ and ‘rcomma’, respectively, before changing
them to more common shapes.
{ \override BreathingSign.text = \markup { \musicglyph "scripts.raltcomma" } f'2 \breathe f' | }
- The wavy part of a
TrillSpanner
grob needs less vertical space now.
[ << New for musical notation ] | [Top][Contents] | [ New for specialist notation >> ] |
[ < Expressive mark improvements ] | [ Up : New for musical notation ] | [ Editorial annotation improvements > ] |
Repeat improvements
-
\repeat volta
alternative endings no longer create invisible bar lines. This may affect line breaking, horizontal spacing, andVoltaBracket
extent where an alternative begins or ends without a bar line. In the case of an undesired change, try adding\bar ""
or another command that creates aBarLine
at that point. - Using the new
printInitialRepeatBar
property, it is possible to make a start repeat bar line automatically printed even at the beginning of the piece. - The volta number position relative to the the volta bracket can
now be adjusted with the
volta-number-offset
property ofVoltaBracket
.
[ << New for musical notation ] | [Top][Contents] | [ New for specialist notation >> ] |
[ < Repeat improvements ] | [ Up : New for musical notation ] | [ Text and font improvements > ] |
Editorial annotation improvements
-
NoteName
grobs are now horizontally centered by default.
[ << New for musical notation ] | [Top][Contents] | [ New for specialist notation >> ] |
[ < Editorial annotation improvements ] | [ Up : New for musical notation ] | [ New for specialist notation > ] |
Text and font improvements
- A new
\bar-line
markup command to print bar lines in text is now available.\markup { \override #'(word-space . 2) \line { Examples \fontsize #-5 \translate-scaled #'(0 . 2) { \bar-line ":|." \bar-line ".|:" \bar-line ";!S!;" \bar-line "]{|}[" } } }
- The syntax for customizing text and music fonts has been changed.
Instead of
\paper { #(define fonts (set-global-fonts #:music "Name of music font" #:brace "Name of music brace font" #:roman "Name of serif font" #:sans "Name of sans-serif font" #:typewriter "Name of typewriter font")) }
or
\paper { #(define fonts (make-pango-font-tree "Name of serif font" "Name of sans-serif font" "Name of typewriter font" factor)) }
the new syntax is
\paper { property-defaults.fonts.music = "Name of music font" property-defaults.fonts.serif = "Name of serif font" property-defaults.fonts.sans = "Name of sans-serif font" property-defaults.fonts.typewriter = "Name of typewriter font" }
Unlike the previous syntax, the new syntax does not interfere with font sizes, which should be set separately using
set-global-staff-size
orlayout-set-staff-size
.There is no
brace
key in the fonts alist; braces glyphs now always default to the music font. However, it is still possible to override this by using an extra font family, as shown in this example (which requires the LilyJAZZ font):\layout { \context { \Score \override SystemStartBrace.fonts.music = "lilyjazz" } } \new PianoStaff << \new Staff { c' } \new Staff { c' } >> \markup \override #'(fonts . ((music . "lilyjazz"))) \left-brace #20
Because
fonts
is simply a property, it is possible to override it on a per-grob basis, e.g.,\layout { \override Score.SectionLabel.fonts.roman = "Custom font" }
This is preferable over the already existing
font-name
property, since the latter makes commands such as\bold
ineffective, instead requiring to include “Bold” in thefont-name
string. Usingfonts
does not have such effects. - The
\lookup
markup command can now only be used for braces; for other glyphs, use the\musicglyph
command. Instead of\lookup
, it is also generally recommended to use\left-brace
. - In markup, when a music font is used (such as for dynamic markings), a
glyph absent from the music font was previously rendered in a normal
text font. This is no longer the case; a warning about the missing glyph
is output instead. In order to use a text font, use the
\serif
,\sans
or\typewriter
markup commands. For example:dolceP = #(make-dynamic-script #{ \markup { \serif \normal-weight dolce p } #}) { c'\dolceP }
- Small caps are now achieved by overriding
font-variant
tosmall-caps
instead of overridingfont-shape
tocaps
. Sincefont-shape
is primarily for achieving italics, this change makes it possible to use small caps and italics at the same time. - The
font-series
property is now more flexible and allows to specify values such assemibold
andlight
instead of onlynormal
andbold
.The
medium
value is now an intermediate value betweennormal
andbold
rather than an equivalent ofnormal
. Accordingly, the\medium
markup command has been renamed to\normal-weight
. - The new
font-stretch
property allows selecting a condensed or expanded font. - The text of a
VoltaBracket
grob, as set by\override Score.VoltaBracket.text = …
or\set Score.repeatCommands = …
, is no longer automatically typeset in a music font; use the\volta-number
markup command on those parts that need to be. For example, convert\set Score.repeatCommands = #'((volta "2, 5"))
to
\set Score.repeatCommands = #`((volta ,#{ \markup { \concat { \volta-number 2 , } \volta-number 5 } #}))
- In markup, fingerings (
\markup \finger
) and bass figures (\markup \figured-bass
) now get scaled along with normal text when using\fontsize
.myText = \markup { The fingering \finger { 5-4 } for a \figured-bass { 7 "6\\" } … } \myText \markup\fontsize #6 \myText
The previous behavior can be restored by setting the global variables
legacy-figured-bass-markup-fontsize
andlegacy-finger-markup-fontsize
to#t
, respectively:#(set! legacy-figured-bass-markup-fontsize #t) #(set! legacy-finger-markup-fontsize #t) myText = \markup { The fingering \finger { 4-5 } for a \figured-bass { 5+ 6 } … } \myText \markup\fontsize #6 \myText
- For best clarity, the
\roman
markup command has been renamed to\serif
. Likewise, to cancel a setting of thefont-family
property tosans
ortypewriter
, it should now be set toserif
, notroman
. - The
\text
markup command has been removed. Instead, the\serif
,\sans
or\typewriter
markup commands should be used. These commands used to set the font style only if a normal text font was used (not a musical font, such as for dynamics), but now they both set the font style and make a normal text font used. - The font size used by the
\volta-number
markup command has been reduced to make it better fit with surrounding text. At the same time, the size for the volta bracket number (which uses\volta-number
for formatting by default) has been increased by the opposite amount, thus compensating the change in the normal use case. - Some glyphs like ‘one’ or ‘accidentals.hufnagelM1’ in the Emmentaler font had too large glyph bounding boxes due to a bug in the font production chain. This is fixed now; be warned, however, that you might experience typesetting differences because tighter bounding boxes often lead to tighter typesetting.
- New markup commands to print the textual representation of accidentals are
added:
\text-doubleflat
,\text-flat
,\text-natural
,\text-sharp
,\text-doublesharp
and the general\text-accidental
.\markuplist \override #'(padding . 1) \table #'(-1 -1 -1 -1 -1 -1) { "Accidentals for text:" \text-doubleflat \text-flat \text-natural \text-sharp \text-doublesharp "Accidentals for music:" \doubleflat \flat \natural \sharp \doublesharp }
[ << New for musical notation ] | [Top][Contents] | [ Miscellaneous improvements >> ] |
[ < Text and font improvements ] | [ Up : Top ] | [ Miscellaneous improvements > ] |
New for specialist notation
- For orthogonality with other ancient clefs, five new mensural
clefs are available:
"mensural-f2"
,"mensural-f3"
,"mensural-f4"
(same as"mensural-f"
),"mensural-f5"
,"mensural-g1"
,"mensural-g2"
(same as"mensural-g"
). - The default time signature and accidental style in a
PetrucciStaff
context is now the same as inMensuralStaff
. - White mensural ligatures now support some rare ligatures
(semibreves alone or in the middle),
and allow tweaks to show some non-necessary stems.
\score { \relative { \set Score.timing = ##f \set Score.measureBarType = #'() \override NoteHead.style = #'petrucci \override Staff.TimeSignature.style = #'mensural \clef "petrucci-c4" \[ a1 g f e \] \[ a1 g\longa \] \[ \once \override NoteHead.left-down-stem = ##t a\breve b \once \override NoteHead.right-down-stem = ##t g\longa \] \[ \once \override NoteHead.right-down-stem = ##t b\maxima \once \override NoteHead.right-up-stem = ##t g\longa \] } \layout { \context { \Voice \remove Ligature_bracket_engraver \consists Mensural_ligature_engraver } } }
- The use of the gregorian.ly is deprecated. While still
working for backward compatibility, it should be replaced with a
VaticanaScore
context together with some manual\layout
changes (if necessary): code like\include "gregorian.ly" \score { \new VaticanaStaff { ... } }
should become
\new VaticanaScore { \new VaticanaStaff { ... } } \layout { indent = 0 ragged-last = ##t }
- LilyPond’s ‘arabic’ note name language is deprecated. While still working for backward compatibility (if you load hel-arabic.ly), it is recommended to use ‘english’, ‘italiano’, or your preferred note name language instead.
- Defaults for fret diagram fret labels have changed.
- The default value for
fret-label-vertical-offset
is set to -0.5, which centers the label in the fret space. - The default number format is now
'custom
, with a format string of"~dfr"
(resulting in ‘3fr’, for example), instead of'roman-lower
.
- The default value for
- Command
\autoBeamOff
now stops auto-beaming immediately. Previously, its effect was delayed if a beam generated by the auto-beamer engraver was still active. - It is no longer necessary to switch off auto-beaming while using
\crossStaff
. - The
\upbow
and\downbow
signs are now properly inverted if used below a staff. As a consequence, the glyphsscript.upbow
andscript.downbow
have been renamed toscript.uupbow
andscript.udownbow
, respectively, and the new inverted glyphs are namedscript.dupbow
andscript.ddownbow
.\relative c' { f4^\downbow f^\upbow f_\downbow f_\upbow }
[ << New for specialist notation ] | [Top][Contents] | [ >> ] |
[ < New for specialist notation ] | [ Up : Top ] | [ > ] |
Miscellaneous improvements
- Embedding PNG images is now supported using the new
\image
markup command. This supplements the existing\epsfile
command for EPS images.\image
works for both PNG and EPS images. For EPS images, the difference between using\image
and\epsfile
is that\image
adds a white background by default, while\epsfile
does not. - The new
\qr-code
markup command inserts a QR code of the specified size for the specified URL. This can be used to link to, e.g., the website of a composer or publisher, the LilyPond source files for the score, recordings, etc.\markup \qr-code #10 "https://lilypond.org"
- Parentheses for text markup have been added to the Emmentaler fonts, which harmonize with digits (in contrast to the already available parentheses for accidentals).
- A figure-dash glyph (U+2012) and an en-dash glyph (U+2013) have been added to the Emmentaler fonts.
- A figure space (U+2007), a thin space (U+2009), and a hair space (U+200A) have been added to the Emmentaler fonts.
- The
-dinclude-settings
option can now be given multiple times to include several stylesheets. - In the LaTeX backend of
lilypond-book
, all inline images are now vertically shifted. The amount can be controlled globally with command-line option --inline-vshift and locally with an argument to the snippet optioninline
. - Two new command-line options -dfirst and -dlast
have been introduced; they are equivalent to setting
showFirstLength
andshowLastLength
, respectively, in a LilyPond input file. For example, sayinglilypond -dlast=R1*5 ...
makes LilyPond render only the last five measures (assuming a 4/4 time signature).
- A visual index of all LilyPond graphical objects (grobs) is now available as a manual. This is based on Joram Berger’s work for LilyPond 2.19.
- The printing of arpeggios has been improved, using new, different
default values for the
Arpeggio.positions
property. Adjustments of this property must probably be updated. - LilyPond provides support for in-notes, i.e., footnote-like annotations between music systems. This isn’t new (it was actually available since version 2.15.17, published in 2011) but it had some flaws and wasn’t documented until now.
- The
lilysong
script has been removed. Besides lacking any documentation, it hasn’t been maintained for a long time. Additionally, it has been using an external speech synthesis program calledfestival
, which is no longer maintained either. - Two new spacing styles are available for the
space-alist
grob property:shrink-space
andsemi-shrink-space
; these spaces only shrink and don’t stretch. They are also used directly in LilyPond, improving the formatting of tightly spaced staves. - The
lilypond
binary has a new command-line option -dstaff-size to set the global staff size, equivalent to settingset-global-staff-size
in a LilyPond input file. - Instead of the functions
\bookOutputName
and\bookOutputSuffix
we now recommend to use the paper variablesoutput-filename
andoutput-suffix
(which are not new but stayed undocumented until now). While the former will work unchanged, the latter is more coherent and easier to understand, especially if combined with predefined paper variables. - The
Stem.details.lengths
property now also accepts pairs as list elements, allowing to set the length for up and down stems separately. - The
ly:self-alignment-interface::aligned-on-x-parent
function (used by many grobs to compute the x-offset) now listens to a newPaperColumn
property calledX-alignment-extent
. Set by default, it provides a fallback width for thePaperColumn
grob in case it doesn’t contain note heads. This helps align dynamic scripts that are attached to spacer rests, for example.music = \new Staff << { f'2 g'2 } { s4\f s\f s\f s\f } >> \score { \music } \score { \music \layout { \context { \Score \override PaperColumn.X-alignment-extent = ##f } } }
-
BassFigureContinuation
grobs now supporthorizontal-line-spanner-interface
; thepadding
property has been replaced with the corresponding sub-properties inbound-details
. - The
\align-on-other
markup command now accepts#f
as a value for the alignment, indicating a markup’s reference point. - A new function
\withRelativeDir
is now available for markup commands that include files, and where such files should be found relative to the input file. Example:\markup { \image #X #3 \withRelativeDir "test.png" }
- The positioning of horizontal (analysis) brackets has been
improved; in particular, the
HorizontalBracket
grob now has anoutside-staff-priority
value of 800. As a consequence, however, nested horizontal brackets might be positioned differently than before. You can fix this by adjustingoutside-staff-priority
values with\tweak
(where the outermost bracket should get the highest priority value). - A new Scheme function
to-staff-space
is provided to convert absolute dimensions (in various units) to staff-space units. Examples:top-markup-spacing.basic-distance = #(to-staff-space 2 'cm) % default unit is pt \markup \override #`(baseline-skip . ,(to-staff-space 20)) \column { foo bar }
- Two new markup functions
\abs-hspace
and\abs-vspace
are available to provide absolute dimensions that stay the same regardless of the current staff size. - The data emitted by the command-line option -dshow-available-fonts is now sent to standard output.
- Function
ly:font-config-display-fonts
got an optional argument to select the output port. - The Scheme command-line option handling is now more robust. In
course of the new implementation, some minor changes were
necessary.
- On the command line, the argument for the -dpaper-size
option no longer needs to be extra-quoted, i.e., a call like
-dpaper-size=a3
works just fine. - The pixmap-format option now expects a string as a value,
not a symbol. No change on the command line, but a call like
#(ly:set-option 'pixmap-format 'pngalpha)
must be changed to
#(ly:set-option 'pixmap-format "pngalpha")
The same holds for options separate-page-formats and tall-page-formats. Note that
convert-ly
can handle this automatically.
- On the command line, the argument for the -dpaper-size
option no longer needs to be extra-quoted, i.e., a call like
- The
side-position-interface
got two new properties,X-padding
andminimum-X-space
, to control the horizontal padding and minimum distance to a grob’s parent object, independently of the vertical padding and minimum distance. This is useful for grobs likeFingering
that can be attached either horizontally or vertically to note heads, and which need different padding values for the X- and Y-axis, respectively. -
\pushContextProperty
and\popContextProperty
are two new commands for manipulating context properties. The first one pushes the current value to a stack and sets a new value, while the second one pops off the value from the stack and uses it to restore the previous value.{ c' \pushContextProperty Staff.fontSize 3 c' \pushContextProperty Staff.fontSize 6 c' \popContextProperty Staff.fontSize c' \popContextProperty Staff.fontSize c' }
For older news, go to https://lilypond.org/doc/v2.22/Documentation/changes/, or go back to the Documentation index.