Guida alla Notazione di LilyPond: 2.1.7 Canti salmi e inni

Notazione per canti e salmi · singoli

stemOff = { \hide Staff.Stem }

\relative c' {
  \stemOff
  a'4 b c2 |
}

\score {
  \new StaffGroup <<
    \new Staff {
      \relative {
  a'4 b c2 |
  a4 b c2 |
  a4 b c2 |
      }
    }
    \new Staff {
      \relative {
  a'4 b c2 |
  a4 b c2 |
  a4 b c2 |
      }
    }
  >>
  \layout {
    \context {
      \Staff
      \remove Bar_engraver
    }
  }
}

\score {
  \new ChoirStaff <<
    \new Staff
    \with { \remove Bar_engraver } {
      \relative {
  a'4 b c2 |
  a4 b c2 |
  a4 b c2 |
      }
    }
    \new Staff {
      \relative {
  a'4 b c2 |
  a4 b c2 |
  a4 b c2 |
      }
    }
  >>
}

\relative a' {
  a4 b c2 |
  \cadenzaOn
  a4 b c2
  a4 b c2
  \bar ""
  a4 b c2
  a4 b c2
  \cadenzaOff
  a4 b c2 |
  a4 b c2 |
}

\relative a' {
  a4
  \cadenzaOn
  b c2
  a4 b c2
  \bar "'"
  a4 b c2
  a4 b c2
  \bar ";"
  a4 b c2
  \bar "!"
  a4 b c2
  \bar "||"
}

divisioMinima = {
  \once \override BreathingSign.stencil = #ly:breathing-sign::divisio-minima
  \once \override BreathingSign.Y-offset = #0
  \breathe
}
divisioMaior = {
  \once \override BreathingSign.stencil = #ly:breathing-sign::divisio-maior
  \once \override BreathingSign.Y-offset = #0
  \breathe
}
divisioMaxima = {
  \once \override BreathingSign.stencil = #ly:breathing-sign::divisio-maxima
  \once \override BreathingSign.Y-offset = #0
  \breathe
}
finalis = {
  \once \override BreathingSign.stencil = #ly:breathing-sign::finalis
  \once \override BreathingSign.Y-offset = #0
  \breathe
}

\score {
  \relative {
    g'2 a4 g
    \divisioMinima
    g2 a4 g
    \divisioMaior
    g2 a4 g
    \divisioMaxima
    g2 a4 g
    \finalis
  }
  \layout {
    \context {
      \Staff
      \remove Bar_engraver
    }
  }
}

\score {
  \new Staff {
    \relative {
      a'4 b c2 |
      a4 b c2 |
      a4 b c2 |
    }
  }
  \layout {
    \context {
      \Staff
      \remove Bar_engraver
      \remove Time_signature_engraver
      \remove Clef_engraver
    }
  }
}

SopranoMusic = \relative {
  g'1 | c2 b | a1 | \bar "||"
  a1 | d2 c | c b | c1 | \bar "||"
}

AltoMusic = \relative {
  e'1 | g2 g | f1 |
  f1 | f2 e | d d | e1 |
}

TenorMusic = \relative {
  c'1 | c2 c | c1 |
  d1 | g,2 g | g g | g1 |
}

BassMusic = \relative {
  c1 | e2 e | f1 |
  d1 | b2 c | g' g | c,1 |
}

global = {
  \time 2/2
}

% Si usa un blocco markup per centrare il canto sulla pagina
\markup {
  \fill-line {
    \score { % centered
      <<
  \new ChoirStaff <<
    \new Staff <<
      \global
      \clef "treble"
      \new Voice = "Soprano" <<
        \voiceOne
        \SopranoMusic
      >>
      \new Voice = "Alto" <<
        \voiceTwo
        \AltoMusic
      >>
    >>
    \new Staff <<
      \clef "bass"
      \global
      \new Voice = "Tenor" <<
        \voiceOne
        \TenorMusic
      >>
      \new Voice = "Bass" <<
        \voiceTwo
        \BassMusic
      >>
    >>
  >>
      >>
      \layout {
  \context {
    \Score
    \override SpacingSpanner.base-shortest-duration = #(ly:make-moment
    1/2)
  }
  \context {
    \Staff
    \remove Time_signature_engraver
  }
      }
    } % End score
  }
} % End markup

stemOff = \hide Staff.Stem
stemOn  = \undo \stemOff

\score {
  \new Staff \with { \remove "Time_signature_engraver" }
  {
    \key g \minor
    \cadenzaOn
    \stemOff a'\breve bes'4 g'4
    \stemOn a'2 \section
    \stemOff a'\breve g'4 a'4
    \stemOn f'2 \section
    \stemOff a'\breve^\markup { \italic flexe }
    \stemOn g'2 \fine
  }
}

\include "gregorian.ly"

chant = \relative c' {
  \set Score.timing = ##f
  f4 a2 \divisioMinima
  g4 b a2 f2 \divisioMaior
  g4( f) f( g) a2 \finalis
}

verba = \lyricmode {
  Lo -- rem ip -- sum do -- lor sit a -- met
}

\score {
  \new GregorianTranscriptionStaff <<
    \new GregorianTranscriptionVoice = "melody" \chant
    \new GregorianTranscriptionLyrics = "one" \lyricsto melody \verba
  >>
}

\markup {
  \fill-line {
    \column {
      \left-align {
  \line { O come let us sing | unto the | Lord : let }
  \line { us heartily rejoice in the | strength of | our }
  \line { sal- | -vation. }
      }
    }
  }
}

tick = \markup {
  \raise #1 \fontsize #-5 \musicglyph "scripts.rvarcomma"
}
\markup {
  \fill-line {
    \column {
      \left-align {
  \line { O come let us sing \tick unto the \tick Lord : let }
  \line {
    us heartily rejoice in the \tick strength of \tick our
  }
  \line { sal \tick vation. }
      }
    }
  }
}

dot = \markup {
  \raise #0.7 \musicglyph "dots.dot"
}
tick = \markup {
  \raise #1 \fontsize #-5 \musicglyph "scripts.rvarcomma"
}
\markup {
  \fill-line {
    \column {
      \left-align {
  \line {
    O come let us sing \tick unto \dot the \tick Lord : let
  }
  \line {
    us heartily rejoice in the \tick strength of \tick our
  }
  \line { sal \tick vation. }
      }
    }
  }
}

dot = \markup {
  \raise #0.7 \musicglyph "dots.dot"
}
tick = \markup {
  \raise #1 \fontsize #-5 \musicglyph "scripts.rvarcomma"
}
\markup {
  \fill-line {
    \column {
      \left-align {
  \line { Today if ye will hear his voice * }
  \line {
    \concat { \bold hard en }
    | not your | hearts : as in the pro-
  }
  \line { vocation * and as in the \bold day of tempt- | }
  \line { -ation | in the | wilderness. }
      }
    }
  }
}

tick = \markup {
  \raise #2 \fontsize #-5 \musicglyph "scripts.rvarcomma"
}
\markup {
  \fill-line {
    \column {
      \left-align {
  \line {
    O come let us \concat {
      si \combine \tick ng
    }
    | unto the | Lord : let
  }
  \line {
    us heartily \concat {
      rejo \combine \tick ice
    }
    in the | strength of | our
  }
  \line { sal- | -vation. }
      }
    }
  }
}

Timeline = {
  \time 4/4
  \tempo 4=96
  \partial 2
  s2 | s1 | s2 \breathe s2 | s1 | s2 \caesura \break
  s2 | s1 | s2 \breathe s2 | s1 | s2 \fine
}

SopranoMusic = \relative g' {
  g4 g | g g g g | g g g g | g g g g | g2
  g4 g | g g g g | g g g g | g g g g | g2
}

AltoMusic = \relative c' {
  d4 d | d d d d | d d d d | d d d d | d2
  d4 d | d d d d | d d d d | d d d d | d2
}

TenorMusic = \relative a {
  b4 b | b b b b | b b b b | b b b b | b2
  b4 b | b b b b | b b b b | b b b b | b2
}

BassMusic =  \relative g {
  g4 g | g g g g | g g g g | g g g g | g2
  g4 g | g g g g | g g g g | g g g g | g2
}

global = {
 \key g \major
}

\score {  % Start score
  <<
    \new PianoStaff <<  % Start pianostaff
      \new Staff <<  % Start Staff = RH
        \global
        \clef "treble"
        \new Voice = "Soprano" <<  % Start Voice = "Soprano"
          \Timeline
          \voiceOne
          \SopranoMusic
        >>  % End Voice = "Soprano"
        \new Voice = "Alto" <<  % Start Voice = "Alto"
          \Timeline
          \voiceTwo
          \AltoMusic
        >>  % End Voice = "Alto"
      >>  % End Staff = RH
      \new Staff <<  % Start Staff = LH
        \global
        \clef "bass"
        \new Voice = "Tenor" <<  % Start Voice = "Tenor"
          \Timeline
          \voiceOne
          \TenorMusic
        >>  % End Voice = "Tenor"
        \new Voice = "Bass" <<  % Start Voice = "Bass"
          \Timeline
          \voiceTwo
          \BassMusic
        >>  % End Voice = "Bass"
      >>  % End Staff = LH
    >>  % End pianostaff
  >>
}  % End score

\markup {
  \fill-line {
    ""
    {
      \column {
        \left-align {
          "This is line one of the first verse"
          "This is line two of the same"
          "And here's line three of the first verse"
          "And the last line of the same"
        }
      }
    }
    ""
  }
}

\layout {
  \context {
    \Score
    caesuraType = #'((bar-line . "||"))
    fineBarType = "||"
  }
}

\paper {  % Start paper block
  indent = 0     % don't indent first system
  line-width = 130   % shorten line length to suit music
}  % End paper block

articulate

[ << Notazione specialistica ]	[Inizio][Contenuti][Indice]	[ Input e output >> ]
[ < Dialogo sopra la musica ]	[ Su : Musica vocale ]	[ Riferimenti per canti e salmi > ]

Riferimenti per canti e salmi
Impostare un canto
Salmi
Misure parziali nei motivi degli inni

[ << Notazione specialistica ]	[Inizio][Contenuti][Indice]	[ Input e output >> ]
[ < Canti salmi e inni ]	[ Su : Canti salmi e inni ]	[ Impostare un canto > ]

[ << Notazione specialistica ]	[Inizio][Contenuti][Indice]	[ Input e output >> ]
[ < Riferimenti per canti e salmi ]	[ Su : Canti salmi e inni ]	[ Salmi > ]

[ << Notazione specialistica ]	[Inizio][Contenuti][Indice]	[ Input e output >> ]
[ < Impostare un canto ]	[ Su : Canti salmi e inni ]	[ Misure parziali nei motivi degli inni > ]

2.1.7 Canti salmi e inni

Riferimenti per canti e salmi

Vedi anche

Impostare un canto

Frammenti di codice selezionati

Notazione per canti e salmi

Modello per notazione antica – trascrizione moderna di musica gregoriana

Vedi anche

Salmi

Vedi anche

Misure parziali nei motivi degli inni

Modello per inno

LilyPond — Guida alla Notazione v2.24.4 (ramo stabile).