Repeats
[ << Repeats ] | [Top][Contents] | [ Simultaneous notes >> ] |
[ < Repeats ] | [ Up : Repeats ] | [ Repeats: Centered measure numbers > ] |
Adding volta brackets to additional staves
The Volta_engraver
by default resides in the Score
context, and brackets for the repeat are thus normally only printed
over the topmost staff. This can be adjusted by adding the
Volta_engraver
to the Staff
context where the brackets
should appear; see also the “Volta multi staff” snippet.
<< \new Staff { \repeat volta 2 { c'1 } \alternative { c' } } \new Staff { \repeat volta 2 { c'1 } \alternative { c' } } \new Staff \with { \consists "Volta_engraver" } { c'2 g' e' a' } \new Staff { \repeat volta 2 { c'1 } \alternative { c' } } >>
[ << Repeats ] | [Top][Contents] | [ Simultaneous notes >> ] |
[ < Repeats: Adding volta brackets to additional staves ] | [ Up : Repeats ] | [ Repeats: Changing the default bar lines > ] |
Centered measure numbers
Scores of large ensemble works often have bar numbers placed beneath
the system, centered horizontally on the measure’s extent. This
snippet shows how the Measure_counter_engraver
may be used to
simulate this notational practice. Here, the engraver has been added
to a Dynamics
context.
This snippet presents a legacy method: starting from LilyPond 2.23.3,
\set Score.centerBarNumbers = ##t
is enough.
\layout { \context { \Dynamics \consists #Measure_counter_engraver \override MeasureCounter.direction = #DOWN \override MeasureCounter.font-encoding = #'latin1 \override MeasureCounter.font-shape = #'italic % to control the distance of the Dynamics context from the staff: \override VerticalAxisGroup.nonstaff-relatedstaff-spacing.padding = #2 } \context { \Score \remove "Bar_number_engraver" } } pattern = \repeat unfold 7 { c'4 d' e' f' } \new StaffGroup << \new Staff { \pattern } \new Staff { \pattern } \new Dynamics { \startMeasureCount s1*7 \stopMeasureCount } >>
[ << Repeats ] | [Top][Contents] | [ Simultaneous notes >> ] |
[ < Repeats: Centered measure numbers ] | [ Up : Repeats ] | [ Repeats: Cross-staff tremolos > ] |
Changing the default bar lines
Default bar lines can be changed when re-defined in a score context.
% http://lsr.di.unimi.it/LSR/Item?id=964 %%=> http://lists.gnu.org/archive/html/lilypond-user/2014-03/msg00126.html %%=> http://lilypond.1069038.n5.nabble.com/Changing-the-default-end-repeat-bracket-tc169357.html \layout { \context { \Score %% Changing the defaults from engraver-init.ly measureBarType = #"!" startRepeatBarType = #"[|:" endRepeatBarType = #":|]" doubleRepeatBarType = #":|][|:" } } %% example: { c'1 \repeat volta 2 { \repeat unfold 2 c' } \repeat volta 2 { \repeat unfold 2 c' } \alternative { { c' } { %% v2.18 workaround \once\override Score.VoltaBracket.shorten-pair = #'(1 . -1) c' } } \bar "|." }
[ << Repeats ] | [Top][Contents] | [ Simultaneous notes >> ] |
[ < Repeats: Changing the default bar lines ] | [ Up : Repeats ] | [ Repeats: Engraving tremolos with floating beams > ] |
Cross-staff tremolos
Since \repeat tremolo
expects exactly two musical arguments for
chord tremolos, the note or chord which changes staff within a
cross-staff tremolo should be placed inside curly braces together with
its \change Staff
command.
\new PianoStaff << \new Staff = "up" \relative c'' { \key a \major \time 3/8 s4. } \new Staff = "down" \relative c'' { \key a \major \time 3/8 \voiceOne \repeat tremolo 6 { <a e'>32 { \change Staff = "up" \voiceTwo <cis a' dis>32 } } } >>
[ << Repeats ] | [Top][Contents] | [ Simultaneous notes >> ] |
[ < Repeats: Cross-staff tremolos ] | [ Up : Repeats ] | [ Repeats: Isolated percent repeats > ] |
Engraving tremolos with floating beams
If a tremolo’s total duration is less than a quarter-note, or exactly a
half-note, or between a half-note and a whole-note, it is normally
typeset with all beams touching the stems. Certain engraving styles
typeset some of these beams as centered floating beams that do not
touch the stems. The number of floating beams in this type of tremolo
is controlled with the 'gap-count
property of the Beam
object, and the size of the gaps between beams and stems is set with
the 'gap
property.
\relative c'' { \repeat tremolo 8 { a32 f } \override Beam.gap-count = #1 \repeat tremolo 8 { a32 f } \override Beam.gap-count = #2 \repeat tremolo 8 { a32 f } \override Beam.gap-count = #3 \repeat tremolo 8 { a32 f } \override Beam.gap-count = #3 \override Beam.gap = #1.33 \repeat tremolo 8 { a32 f } \override Beam.gap = #1 \repeat tremolo 8 { a32 f } \override Beam.gap = #0.67 \repeat tremolo 8 { a32 f } \override Beam.gap = #0.33 \repeat tremolo 8 { a32 f } }
[ << Repeats ] | [Top][Contents] | [ Simultaneous notes >> ] |
[ < Repeats: Engraving tremolos with floating beams ] | [ Up : Repeats ] | [ Repeats: Measure counter > ] |
Isolated percent repeats
Isolated percents can also be printed.
makePercent = #(define-music-function (note) (ly:music?) "Make a percent repeat the same length as NOTE." (make-music 'PercentEvent 'length (ly:music-length note))) \relative c'' { \makePercent s1 }
[ << Repeats ] | [Top][Contents] | [ Simultaneous notes >> ] |
[ < Repeats: Isolated percent repeats ] | [ Up : Repeats ] | [ Repeats: Numbering groups of measures > ] |
Measure counter
This snippet provides a workaround for emitting measure counters using transparent percent repeats.
<< \context Voice = "foo" { \clef bass c4 r g r c4 r g r c4 r g r c4 r g r } \context Voice = "foo" { \set countPercentRepeats = ##t \hide PercentRepeat \override PercentRepeatCounter.staff-padding = #1 \repeat percent 4 { s1 } } >>
[ << Repeats ] | [Top][Contents] | [ Simultaneous notes >> ] |
[ < Repeats: Measure counter ] | [ Up : Repeats ] | [ Repeats: Percent repeat count visibility > ] |
Numbering groups of measures
This snippet demonstrates the use of the
Measure_counter_engraver
to number groups of successive
measures. Any stretch of measures may be numbered, whether consisting
of repetitions or not.
The engraver must be added to the appropriate context. Here, a
Staff
context is used; another possibility is a Dynamics
context.
The counter is begun with \startMeasureCount
and ended with
\stopMeasureCount
. Numbering will start by default with
1
, but this behavior may be modified by overriding the
count-from
property.
When a measure extends across a line break, the number will appear twice, the second time in parentheses.
\layout { \context { \Staff \consists #Measure_counter_engraver } } \new Staff { \startMeasureCount \repeat unfold 7 { c'4 d' e' f' } \stopMeasureCount \bar "||" g'4 f' e' d' \override Staff.MeasureCounter.count-from = #2 \startMeasureCount \repeat unfold 5 { g'4 f' e' d' } g'4 f' \bar "" \break e'4 d' \repeat unfold 7 { g'4 f' e' d' } \stopMeasureCount }
[ << Repeats ] | [Top][Contents] | [ Simultaneous notes >> ] |
[ < Repeats: Numbering groups of measures ] | [ Up : Repeats ] | [ Repeats: Percent repeat counter > ] |
Percent repeat count visibility
Percent repeat counters can be shown at regular intervals by setting
the context property repeatCountVisibility
.
\relative c'' { \set countPercentRepeats = ##t \set repeatCountVisibility = #(every-nth-repeat-count-visible 5) \repeat percent 10 { c1 } \break \set repeatCountVisibility = #(every-nth-repeat-count-visible 2) \repeat percent 6 { c1 d1 } }
[ << Repeats ] | [Top][Contents] | [ Simultaneous notes >> ] |
[ < Repeats: Percent repeat count visibility ] | [ Up : Repeats ] | [ Repeats: Positioning segno and coda (with line break) > ] |
Percent repeat counter
Measure repeats of more than two repeats can get a counter when the convenient property is switched, as shown in this example:
\relative c'' { \set countPercentRepeats = ##t \repeat percent 4 { c1 } }
[ << Repeats ] | [Top][Contents] | [ Simultaneous notes >> ] |
[ < Repeats: Percent repeat counter ] | [ Up : Repeats ] | [ Repeats: Setting the double repeat default for volte > ] |
Positioning segno and coda (with line break)
If you want to place an exiting segno sign and add text like “D.S. al Coda” next to it where usually the staff lines are you can use this snippet. The coda will resume in a new line. There is a variation documented in this snippet, where the coda will remain on the same line.
{ \relative c'' { c4 c c c c c c c c c c c \repeat segno 2 { c4 c c c c c c c \alternative { \volta 1 { c4 c c c c c c c c c c c % If you don't use \break at Coda, use \noBreak here % and after \bar "" below. \noBreak \section % double bar line \cadenzaOn % pause bar count \stopStaff % remove staff lines % Increasing the unfold counter will expand the staff-free space \repeat unfold 6 { s1 \bar "" } % Place JumpScript where the staff would normally be. \once \override Score.JumpScript.outside-staff-priority = ##f \once \override Score.JumpScript.Y-offset = 0 \startStaff % resume bar count \cadenzaOff % show staff lines again } } } \sectionLabel "Coda" % Show Coda on a new line \break \repeat unfold 8 { c4 c c c } \fine } }
[ << Repeats ] | [Top][Contents] | [ Simultaneous notes >> ] |
[ < Repeats: Positioning segno and coda (with line break) ] | [ Up : Repeats ] | [ Repeats: Shortening volta brackets > ] |
Setting the double repeat default for volte
There are three different styles of double repeats for volte, that can
be set using doubleRepeatBarType
.
\relative c'' { \repeat volta 2 { c1 } \set Score.doubleRepeatBarType = #":..:" \repeat volta 2 { c1 } \set Score.doubleRepeatBarType = #":|.|:" \repeat volta 2 { c1 } \set Score.doubleRepeatBarType = #":|.:" \repeat volta 2 { c1 } }
[ << Repeats ] | [Top][Contents] | [ Simultaneous notes >> ] |
[ < Repeats: Setting the double repeat default for volte ] | [ Up : Repeats ] | [ Repeats: Volta below chords > ] |
Shortening volta brackets
By default, the volta brackets will be drawn over all of the
alternative music, but it is possible to shorten them by setting
voltaSpannerDuration
. In the next example, the bracket only
lasts one measure, which is a duration of 3/4.
\relative c'' { \time 3/4 c4 c c \set Score.voltaSpannerDuration = #(ly:make-moment 3/4) \repeat volta 5 { d4 d d } \alternative { { e4 e e f4 f f } { g4 g g } } }
[ << Repeats ] | [Top][Contents] | [ Simultaneous notes >> ] |
[ < Repeats: Shortening volta brackets ] | [ Up : Repeats ] | [ Repeats: Volta multi staff > ] |
Volta below chords
By adding the Volta_engraver
to the relevant staff, volte can be
put under chords.
\score { << \chords { c1 c1 } \new Staff \with { \consists "Volta_engraver" } { \repeat volta 2 { c'1 } \alternative { c' } } >> \layout { \context { \Score \remove "Volta_engraver" } } }
[ << Repeats ] | [Top][Contents] | [ Simultaneous notes >> ] |
[ < Repeats: Volta below chords ] | [ Up : Repeats ] | [ Repeats: Volta text markup using repeatCommands > ] |
Volta multi staff
By adding the Volta_engraver
to the relevant staff, volte can be
put over staves other than the topmost one in a score.
voltaMusic = \relative c'' { \repeat volta 2 { c1 } \alternative { d1 e1 } } << \new StaffGroup << \new Staff \voltaMusic \new Staff \voltaMusic >> \new StaffGroup << \new Staff \with { \consists "Volta_engraver" } \voltaMusic \new Staff \voltaMusic >> >>
[ << Repeats ] | [Top][Contents] | [ Simultaneous notes >> ] |
[ < Repeats: Volta multi staff ] | [ Up : Repeats ] | [ Simultaneous notes > ] |
Volta text markup using repeatCommands
Though volte are best specified using \repeat volta
, the
context property repeatCommands
must be used in cases where the
volta text needs more advanced formatting with \markup
.
Since repeatCommands
takes a list, the simplest method of
including markup is to use an identifier for the text and embed it in
the command list using the Scheme syntax
#(list (list 'volta textIdentifier))
. Start- and end-repeat
commands can be added as separate list elements:
voltaAdLib = \markup { 1. 2. 3... \text \italic { ad lib. } } \relative c'' { c1 \set Score.repeatCommands = #(list (list 'volta voltaAdLib) 'start-repeat) c4 b d e \set Score.repeatCommands = #'((volta #f) (volta "4.") end-repeat) f1 \set Score.repeatCommands = #'((volta #f)) }
[ << Repeats ] | [Top][Contents] | [ Simultaneous notes >> ] |
[ < Repeats: Volta multi staff ] | [ Up : Repeats ] | [ Simultaneous notes > ] |