LilyPond — Manuel d’initiation

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Annexes

{ c' }

\version "2.25.21"

{ c' }

\version "2.25.21"

{ c' }

/.../lilypond-x.y.z/bin/lilypond fichier.ly

\version "2.25.21"

{ c' }

\version "2.25.21"
{
  c' e' g' e'
}

{
  c' e' g' e'
}

{ c' d' e' f' g' a' b' c''
  g c' e' g' c'' e'' g'' c''' }

\relative {
  c' d e f
  g a b c
}

\relative {
  d' f a g
  c b f d
}

\relative {
  e'' c a c
}

\relative {
  b' c % c is 1 staff space up, so is the c above
  b d  % d is 2 up or 5 down, so is the d above
  b e  % e is 3 up or 4 down, so is the e above
  b a  % a is 6 up or 1 down, so is the a below
  b g  % g is 5 up or 2 down, so is the g below
  b f  % f is 4 up or 3 down, so is the f below
}

\relative {
  a' a, c' f,
  g g'' a,, f'
}

\relative {
  a'1
  a2 a4 a8 a
  a16 a a a a32 a a a a64 a a a a a a a a2
}

\relative {
  a' a a4. a8
  a8. a16 a a8. a8 a4.
}

\relative {
  a' r r2
  r8 a r4 r4. r8
}

\relative {
  \time 3/4
  a'4 a a
  \time 6/8
  a4. a
  \time 4/4
  a4 a a a
}

\relative {
  \time 3/4
  \tempo "Andante"
  a'4 a a
  \time 6/8
  \tempo 4. = 96
  a4. a
  \time 4/4
  \tempo  "Presto" 4 = 120
  a4 a a a
}

\relative {
  \clef treble
  c'1
  \clef alto
  c1
  \clef tenor
  c1
  \clef bass
  c1
}

\relative {
  \clef bass
  \time 3/4
  c,2 e8 c'
  g'2.
  f4 e d
  c4 c, r
}

\version "2.25.21"

{ c4 d e}

{ c4       d e }

{ c4                       d
                   e   }

{
  c4 d e
}

a4 a a a
% ce commentaire fait référence aux deux si ci-dessous
b2 b

% voici les notes de "ah vous dirai-je maman"
c4 c g' g a a g2

%{
   Ces lignes et les notes qui suivent
   seront ignorées, car elles se trouvent
   dans un bloc de commentaire.

   f f e e d d c2
%}

\relative c'' {
  …collez ici votre exemple…
}

\relative { g'1 e1 \bar "||" c2. c'4 \bar "|." }

\relative {
g'1 | e1 | c2. c' | g4 c g e | c4 r r2 |
}

Avertissement : échec du contrôle de mesure (bar check) à 1/2
 g'1 | e1 | c2. c'
                   | g4 c g e | c4 r r2 |

\relative { cis''1 ees fisis, aeses }

\relative {
  \key d \major
  d'4 fis a c |
  \bar "||" \key c \minor
  c,4 ees g b |
}

\relative {
  \key d \major
  cis''4 d e fis
}

\relative {
  \key aes \major
  aes'4 c b c
}

\relative { g'4~ g c2~ | c4~ c8 a~ a2 | }

\relative { g'4~ 4 c2~ | 4~ 8 a~ 2 | }

\relative { d''4( c16) cis( d e c cis d) e( d4) }

\relative { g'4\( g8( a) b( c) b4\) }

\relative { c''4(~ c8 d~ 4 e) }

\relative {
  c''4-^ c-- c4-> c-. c2-_
}

\relative { c''4-3 e-5 b-2 a-1 }

\relative { c''4_-^1 d^. f^4_2-> e^-_+ }

\relative { c''2\ff c\mf c\p c\pp }

\relative { c''2\< c\ff\> c c\! }

\relative { c''2^"espr" a'_"legato" }

\relative {
  c''2^\markup { \bold espr }
  a2_\markup {
    \dynamic f \italic \small { 2nd } \hspace #0.1 \dynamic p }
}

\relative { a'8 ais d ees r d c16 b a8 }

\relative { a'8[ ais] d[ ees r d] c16 b a8 }

\relative {
  \autoBeamOff
  a'8 c b4 d8. c16 b4 |
  \autoBeamOn
  a8 c b4 d8. c16 b4 |
}

\relative {
  \partial 8 f''8 |
  c2 d |
}

\relative {
  \tuplet 3/2 { f''8 g a }
  \tuplet 3/2 { c8 r c }
  \tuplet 3/2 { f,8 g16[ a g a] }
  \tuplet 3/2 { d4 a8 }
}

\relative {
  c''2 \grace { a32 b } c2 |
  c2 \appoggiatura b16 c2 |
  c2 \acciaccatura b16 c2 |
}

a'4

\relative { a'4 g4 }

\relative { { a'4 g } f g }

1
1 + 2
(1 + 2) * 3
((1 + 2) * 3) / (4 * 5)

<<
  \relative { a'2 g }
  \relative { f'2 e }
  \relative { d'2 b }
>>

\relative {
  c''2 <<c e>> |
  << { e2 f } { c <<b d>> } >> |
}

<<
  \new Staff { \clef treble c''4 }
  \new Staff { \clef bass c4 }
>>

<<
  \new Staff { \clef treble \key d \major \time 3/4 c''4 }
  \new Staff { \clef bass c4 }
>>

\new PianoStaff <<
  \new Staff …
  \new Staff …
>>

\new PianoStaff <<
  \new Staff \relative { \time 2/4 c''4 e | g g, | }
  \new Staff \relative { \clef bass c4 c' | e c | }
>>

\relative { r4 <c'' e g> <c f a>2 }

\relative {
  r4 <c'' e g>~ <c f a>2 |
  <c e g>8[ <c f a> <c e g> <c f a>]
     <c e g>8\>[ <c f a> q q]\! |
  r4 <c e g>8.\p q16( q4-. <c f a>) |
}

\relative { c'8 <e g>8 q q g, q q q }

\relative {
  \key g \major
  \time 6/8
  d''4 b8 c4 a8 | d4 b8 g4
}

<<
  \relative {
    \key g \major
    \time 6/8
    d''4 b8 c4 a8 | d4 b8 g4
  }
  \addlyrics {
    Girls and boys come out to play,
  }
>>

<<
  \relative {
    \key g \major
    \time 6/8
    d''4 b8 c4 a8 | d4 b8 g4 g8 |
    a4 b8 c b a | d4 b8 g4. |
  }
  \addlyrics {
    Girls and boys come out to play,
    The moon doth shine as bright as day;
  }
>>

<<
  \relative {
    \key g \major
    \time 6/8
    d''4 b8 c4 a8 | d4 b8 g4 g8 |
    a4 b8 c( b) a | d4 b8 g4. |
  }
  \addlyrics {
    Girls and boys come out to play,
    The moon doth shine as bright as day;
  }
>>

<<
  \relative {
    \key g \major
    \time 6/8
    d''4 b8 c4 a8 | d4 b8 g4 g8 |
    a4 b8 c([ b]) a | d4 b8 g4. |
  }
  \addlyrics {
    Girls and boys come out to play,
    The moon doth shine as bright as day;
  }
>>

<<
  \relative {
    \key g \major
    \time 6/8
    d''4 b8 c4 a8 | d4 b8 g4 g8 |
    a4 b8 c[ b] a | d4 b8 g4. |
  }
  \addlyrics {
    Girls and boys come out to play,
    The moon doth shine _ as bright as day;
  }
>>

<<
  \relative {
    \key g \minor
    \time 3/2
   g'2 a bes | bes2( a) b2 |
    c4.( bes8 a4. g8 fis4.) g8 | fis1
  }
  \addlyrics {
    When I am laid,
    am laid __ in earth,
  }
>>

<<
  \relative {
    \key g \major
    \time 3/4
    \partial 4
    d'4 | g4 g a8( b) | g4 g b8( c) |
    d4 d e | c2
  }
  \addlyrics {
    A -- way in a __ man -- ger,
    no __ crib for a bed, __
  }
>>

<<
  \relative {
    \clef bass
    \key c \major
    \time 6/8
    c'4.~ 8 d b | c8([ d]) b c d b | c8
  }
  \addlyrics {
    Lar -- go_al fac -- to -- tum del -- la cit -- tà
  }
>>

<<
  \relative {
    \key f \major
    \time 6/8
    \partial 8
    c''8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4
  }
  \addlyrics {
    Let flee -- cy flocks the hills a -- dorn, __
  }
  \relative {
    \key f \major
    \time 6/8
    \partial 8
    r8 | r4. r4 c'8 | a'8([ g]) f f([ e]) d | e8([ d]) c bes'4
  }
  \addlyrics {
    Let flee -- cy flocks the hills a -- dorn,
  }
>>

musiqueToto = { … }

violin = \new Staff {
  \relative {
    a'4 b c b
  }
}

cello = \new Staff {
  \relative {
    \clef bass
    e2 d
  }
}

{
  <<
    \violin
    \cello
  >>
}

tripletA = \tuplet 3/2 { c,8 e g }
barA = { \tripletA \tripletA \tripletA \tripletA }

\relative c'' {
 \barA \barA
}

maLargeur = 60   % un nombre transmis à une variable \paper
                 % (unité = millimètre)
monNom = "Wendy" % une chaîne transmise à un markup
aCinqPapier = \paper { #(set-paper-size "a5") }

\paper {
  \aFivePaper
  line-width = \maLargeur
}

{
  c4^\monNom
}

\version "2.25.21"

\header {
  title = "Symphonie"
  composer = "Moi"
  opus = "Op. 9"
}

{
 … la musique …
}

{
  \clef bass
  c'4 b g, g, |
  g,4 f, f c' |
}

{
  \key a \major
  \time 6/8
  cis''8. d''16 cis''8 e''4 e''8 |
  b'8. cis''16 b'8 d''4 d''8 |
}

\fixed c'' {
  \key a \major
  \time 6/8
  cis8. d16 cis8 e4 e8 |
  b,8. cis16 b,8 d4 d8 |
}

\relative {
  \key a \major
  \time 6/8
  cis''8. d16 cis8 e4 e8 |
  b8. cis16 b8 d4 d8 |
}

\relative { c'4 \relative { f'' g } c }

\relative {
  c'4 \fixed c { f'' g'' } c |
  c4 \fixed c'' { f g } c
}

\version "2.25.21"

\header { }

\score {
   … expression musicale composite …   % c'est là qu'est la musique !
  \layout { }
  \midi { }
}

\relative {
  c''4 a b c
}

\book {
  \score {
    \new Staff {
      \new Voice {
        \relative {
          c''4 a b c
        }
      }
    }
    \layout { }
  }
}

{
  \new StaffGroup <<
     … collez ici la partition complète d'un opéra de Wagner… 
  >>
}

\score {
  { c'4 a b c' }
  \header { }
  \layout { }
  \midi { }
}

melodie = \relative {
  c'4 a b c
}

\score {
  { \melodie }
}

\score {
  {
    <<
      \new Staff = "chanteur" <<
      >>
      \new PianoStaff = "piano" <<
      >>
    >>
  }
  \layout { }
}

\score {
  <<
    \new Staff = "singer" <<
      \new Voice = "vocal" { c'1 }
      \addlyrics { And }
    >>
    \new PianoStaff = "piano" <<
      \new Staff = "upper" { c'1 }
      \new Staff = "lower" { c'1 }
    >>
  >>
  \layout { }
}

\relative {
  r4 d''8\noBeam g, c4 r
}

melody = \relative { r4 d''8\noBeam g, c4 r }
words   = \lyricmode { And God said, }
upper  = \relative { <g' d g,>2~ <g c, g> }
lower  = \relative { b,2 e2 }

\score {
  <<
    \new Staff = "singer" <<
      \new Voice = "vocal" { \melody }
      \addlyrics { \words }
    >>
    \new PianoStaff = "piano" <<
      \new Staff = "upper" { \upper }
      \new Staff = "lower" {
        \clef "bass"
        \lower
      }
    >>
  >>
  \layout { }
}

\new Staff {
  \relative {
    r4 g'8 g c4 c8 e |
    <<
      { c4 c }
      \new Staff {d4 c }
    >>
    r2 |
  }
}

\new Staff = "main" {
  \relative {
    r4 g'8 g c4 c8 e |
    <<
      { c4 c }
      \new Staff \with {
        alignAboveContext = "main"
      } { d4 c }
    >>
    r2 |
  }
}

{ c'8-1--(~^\markup{"annotation textuelle"} c' d') }

\relative { g'8\( a b[ c b\) a] g4 }

\relative {
  r16[ g' \tuplet 3/2 { r16 e'8] }
  g,16( a \tuplet 3/2 { b16 d) e }
  g,8[( a \tuplet 3/2 { b8 d) e~] } |
  \tuplet 5/4 { e32\( a, b d e } a4.\)
}

\relative {
  \key g \major
  <d' g>4 <d fis> <d a'> <d g>
}

\relative {
  \key g \major
  %    Voice = "1"              Voice = "2"
  << { g'4 fis8( g) a4 g } \\ { d4 d d d }  >>
}

\key d \minor
%    Voice = "1"           Voice = "2"
<< { r4 g g4. a8 }    \\ { d,2 d4 g }       >> |
<< { bes4 bes c bes } \\ { g4 g g8( a) g4 } >> |
<< { a2. r4 }         \\ { fis2. r4 }       >> |

<<
  \key d \minor
  \relative { % Voice = "1"
    r4 g' g4. a8 |
    bes4 bes c bes |
    a2. r4 |
  } \\
  \relative { % Voice = "2"
    d'2 d4 g |
    g4 g g8( a) g4 |
    fis2. r4 |
  }
>>

\new Staff \relative {
  % Main voice
  c'16 d e f
  %  Voice = "1"   Voice = "2"             Voice = "3"
  << { g4 f e } \\ { r8 e4 d c8~ } >> |
  << { d2 e }   \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
}

\new Staff \relative {
  % Main voice
  c'16 d e f
  %  Voice = "1"   Voice = "2"
  << { g4 f e } \\ { r8 e4 d c8~ } >> |
  \voices 1,3,2
  %  Voice = "1"   Voice = "3"    Voice = "2"
  << { d2 e }   \\ { s4 b c2 } \\ { c8 b16 a b8 g~ 2 } >> |
}

\new Staff \relative {
  % Main voice
  c'16 d e f
  <<  % Bar 1
    { \voiceOneStyle g4 f e }
  \\
    { \voiceTwoStyle r8 e4 d c8~ }
  >> |
  <<  % Bar 2
    % Voice 1 continues
    { d2 e }
  \\
    % Voice 2 continues
    { c8 b16 a b8 g~ 2 }
  \\
    { \voiceThreeStyle s4 b c2 }
  >> |
}

\relative c' { noteA << <noteB noteC> \\ noteD >> noteE }

\relative { noteA … }
<<
  \relative { <noteB noteC> … }
\\
  \relative { noteD … }
>>
\relative { noteE … }

\new Staff \relative {
  \key aes \major
  <<
    { c''2 aes4. bes8 } \\ { <ees, c>2 des } \\ { aes'2 f4 fes }
  >> |
  <c ees aes c>1 |
}

\new Staff \relative {
  \key aes \major
  \voices 1,2,4   % Omit voice three
  <<  % Voice one
    { c''2 aes4. bes8 }
  \\  % Voice two
    { <ees, c>2 des }
  \\  % Voice four
    { aes'2 f4 fes }
  >> |
  <c ees aes c>1 |
}

\new Staff {
  \relative {
    << { e'4 f g a } \\ { c,4 d e f } >>
  }
}

\new Staff <<
  \new Voice = "1" { \voiceOne \relative { e'4 f g a } }
  \new Voice = "2" { \voiceTwo \relative { c'4 d e f } }
>>

\relative {
  % Default behavior or behavior after \oneVoice
  c'4 d8~ 8 e4( f | g4 a) b-> c |
}

\relative {
  \voiceOne
  c'4 d8~ 8 e4( f | g4 a) b-> c |
  \oneVoice
  c,4 d8~ 8 e4( f | g4 a) b-> c |
}

\relative {
  \voiceTwo
  c'4 d8~ 8 e4( f | g4 a) b-> c |
  \oneVoice
  c,4 d8~ 8 e4( f | g4 a) b-> c |
}

\new Staff \relative {
  \voiceOneStyle
  % This section is homophonic
  c'16^( d e f
  % Start simultaneous section of three voices
  <<
    % Continue the main voice in parallel
    { g4 f e | d2 e) | }
    % Initiate second voice
    \new Voice {
      % Set stems, etc., down
      \voiceTwo r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
    }
    % Initiate third voice
    \new Voice {
      % Set stems, etc, up
      \voiceThree s2. | s4 b c2 |
    }
  >>
}

\new Staff \relative {
  \new Voice = "main" {
    \voiceOneStyle
    % This section is homophonic
    c'16^( d e f
    % Start simultaneous section of three voices
    \voices "main",2,3
    <<
      % Continue the main voice in parallel
      { g4 f e | d2 e) | }
      % Initiate second voice
    \\
      % Set stems, etc., down
      { r8 e4 d c8~ | 8 b16 a b8 g~ 2 | }
    \\
      % Initiate third voice
      % Set stems, etc, up
      { s2. | s4 b c2 | }
    >>
  }
}

\new Staff \relative {
  c'16^( d e f
  <<
    { g4 f e | d2 e) | }
    \new Voice {
      \voiceTwo r8 e4 d c8~ |
      <<
        { c8 b16 a b8 g~ 2 | }
        \new Voice {
          \voiceThree s4 b c2 |
        }
      >>
    }
  >>
}

\new Staff \relative <<
  % Initiate first voice
  \new Voice {
    \voiceOne c'16^( d e f g4 f e | d2 e) |
  }
  % Initiate second voice
  \new Voice {
    % Set stems, etc, down
    \voiceTwo s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
  }
  % Initiate third voice
  \new Voice {
    % Set stems, etc, up
    \voiceThree s1 | s4 b c2 |
  }
>>

<<
  \new Voice = "one" {
    \relative {
      \autoBeamOff
      \time 2/4
      c''4 b8. a16 | g4. f8 | e4 d | c2 |
    }
  }
  \new Lyrics \lyricsto "one" {
    No more let | sins and | sor -- rows | grow. |
  }
>>

global = { \key f \major \time 6/8 \partial 8 }

SopOneMusic = \relative {
  c''8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
}
SopOneLyrics = \lyricmode {
  Let | flee -- cy flocks the | hills a -- dorn, __
}
SopTwoMusic = \relative {
  r8 | r4. r4 c'8 | a'8([ g)] f f([ e)] d | e8([ d)] c bes'
}
SopTwoLyrics = \lyricmode {
  Let | flee -- cy flocks the | hills a -- dorn,
}

\score {
  \new ChoirStaff <<
    \new Staff <<
      \new Voice = "SopOne" {
        \global
        \SopOneMusic
      }
      \new Lyrics \lyricsto "SopOne" {
        \SopOneLyrics
      }
    >>
    \new Staff <<
      \new Voice = "SopTwo" {
        \global
        \SopTwoMusic
      }
      \new Lyrics \lyricsto "SopTwo" {
        \SopTwoLyrics
      }
    >>
  >>
}

keyTime = { \key c \major \time 4/4 \partial 4 }

SopMusic   = \relative { c'4 | e4. e8 g4  g    | a4   a   g  }
AltoMusic  = \relative { c'4 | c4. c8 e4  e    | f4   f   e  }
TenorMusic = \relative  { e4 | g4. g8 c4.   b8 | a8 b c d e4 }
BassMusic  = \relative  { c4 | c4. c8 c4  c    | f8 g a b c4 }

VerseOne =
  \lyricmode { E -- | ter -- nal fa -- ther, | strong to save, }
VerseTwo   =
  \lyricmode { O | Christ, whose voice the | wa -- ters heard, }
VerseThree =
  \lyricmode { O | Ho -- ly Spi -- rit, | who didst brood }
VerseFour  =
  \lyricmode { O | Tri -- ni -- ty of | love and pow'r }

\score {
  \new ChoirStaff <<
    \new Staff <<
      \clef "treble"
      \new Voice = "Sop"  { \voiceOne \keyTime \SopMusic }
      \new Voice = "Alto" { \voiceTwo \AltoMusic }
      \new Lyrics \lyricsto "Sop" { \VerseOne   }
      \new Lyrics \lyricsto "Sop" { \VerseTwo   }
      \new Lyrics \lyricsto "Sop" { \VerseThree }
      \new Lyrics \lyricsto "Sop" { \VerseFour  }
    >>
    \new Staff <<
      \clef "bass"
      \new Voice = "Tenor" { \voiceOne \keyTime \TenorMusic }
      \new Voice = "Bass"  { \voiceTwo \BassMusic }
    >>
  >>
}

\relative { cis''4 cis2. | a4 a2. | }

\new type expression-musicale

\score {  % start of single compound music expression
  <<  % start of simultaneous staves section
    \time 2/4
    \new Staff {  % create RH staff
      \key g \minor
      \clef "treble"
      \new Voice {  % create voice for RH notes
        \relative {  % start of RH notes
          d''4 ees16 c8. |
          d4 ees16 c8. |
        }  % end of RH notes
      }  % end of RH voice
    }  % end of RH staff
    \new Staff <<  % create LH staff; needs two simultaneous voices
      \key g \minor
      \clef "bass"
      \new Voice {  % create LH voice one
        \voiceOne
        \relative {  % start of LH voice one notes
          g8 <bes d> ees, <g c> |
          g8 <bes d> ees, <g c> |
        }  % end of LH voice one notes
      }  % end of LH voice one
      \new Voice {  % create LH voice two
        \voiceTwo
        \relative {  % start of LH voice two notes
          g4 ees |
          g4 ees |
        }  % end of LH voice two notes
      }  % end of LH voice two
    >>  % end of LH staff
  >>  % end of simultaneous staves section
}  % end of single compound music expression

\new type = nom expression-musicale

\set ContexteNommé.propriétéNommée = valeur

<<
  \new Staff \relative {
    \set Staff.clefGlyph = "clefs.C"
    c''4 c
 }
  \new Staff \relative {
    \set clefGlyph = "clefs.F"  % Wrong!
  d'4 d
 }
>>

<<
  \new Staff \relative {
    aeses'2 aes
  }
  \new Staff \relative {
    \set Staff.extraNatural = ##f
    aeses'2 aes
  }
>>

<<
  \new Staff \relative {
    aeses'2 aes
  }
  \new Staff \relative {
    \set Score.extraNatural = ##f
    aeses'2 aes
  }
>>

\relative {
  c'4 d
  % make note heads smaller
  \set fontSize = -4
  e4 f |
  % make note heads larger
  \set fontSize = 2.5
  g4 a
  % return to default size
  \unset fontSize
  b4 c |
}

\new Staff \with { extraNatural = ##f }

<<
  \new Staff
    \relative {
      gisis'4 gis aeses aes
    }
  \new Staff \with { extraNatural = ##f } {
    \relative {
      gisis'4 gis aeses aes
    }
  }
>>

\score {
  \new Staff {
    \relative {
      cisis''4 e d cis
    }
  }
  \layout {
    \context {
      \Staff
      extraNatural = ##t
    }
  }
}

\score {
  <<
    \new Staff {
      \relative {
        gisis'4 gis aeses aes
      }
    }
    \new Staff {
      \relative {
        gisis'4 gis aeses aes
      }
    }
  >>
  \layout {
    \context {
      \Score
      extraNatural = ##f
    }
  }
}

\new Staff \with {
  \remove Staff_symbol_engraver
}
\relative {
  c'4 d
  \set fontSize = -4  % make note heads smaller
  e4 f |
  \set fontSize = 2.5 % make note heads larger
  g4 a
  \unset fontSize     % return to default size
  b4 c |
}

\consists Nom_du_graveur

\new Staff <<
  \new Voice \with {
    \consists Ambitus_engraver
  } {
    \relative {
      \voiceOne
      c''4 a b g
    }
  }
  \new Voice {
    \relative {
      \voiceTwo
      c'4 e d f
    }
  }
>>

\new Staff \with {
  \consists Ambitus_engraver
}
<<
  \new Voice {
    \relative {
      \voiceOne
      c''4 a b g
    }
  }
  \new Voice {
    \relative {
      \voiceTwo
      c'4 e d f
    }
  }
>>

\score {
  <<
    \new Staff {
      \relative {
        c''4 a b g
      }
    }
    \new Staff {
      \relative {
        c'4 a b g
      }
    }
    \new Staff {
      \clef "G_8"
      \relative {
        c'4 a b g
      }
    }
    \new Staff {
      \clef "bass"
      \relative {
        c4 a b g
      }
    }
  >>
  \layout {
    \context {
      \Staff
      \consists Ambitus_engraver
    }
  }
}

\version "2.25.21"

melodie = \relative {
  \clef "treble"
  \key c \major
  \time 4/4
  a4 b c d
}

texte = \lyricmode {
  Aaa Bee Cee Dee
}

\score{
  <<
    \new Voice = "un" {
      \autoBeamOff
      \melodie
    }
    \new Lyrics \lyricsto "un" \texte
  >>
  \layout { }
  \midi { }
}

\version "2.25.21"

melodie = \relative {
  \clef "treble"
  \key c \major
  \time 4/4
  a4 b c d
}

\score {
  \new Staff \melodie
  \layout { }
  \midi { }
}

\version "2.25.21"

sopranoMusique = \relative {
  \clef "treble"
  \key c \major
  \time 4/4
  a4 b c d
}

sopranoParoles = \lyricmode {
  Laaa Siii Dooo Rééé
}

violoncelleMusique = \relative {
  \clef "bass"
  \key c \major
  \time 4/4
  d4 g fis8 e d4
}

\score{
  <<
    \new Voice = "un" {
      \autoBeamOff
      \sopranoMusique
    }
    \new Lyrics \lyricsto "un" \sopranoParoles
  >>
  \layout { }
  \midi { }
}

\new Staff \musiqueVioloncelle

\score {
  <<
  <<
    \new Voice = "un" {
      \autoBeamOff
      \sopranoMusique
    }
    \new Lyrics \lyricsto "un" \sopranoParoles
  >>
  \new Staff \violoncelleMusique
  >>
  \layout { }
  \midi { }
}

sopranoMusic = \relative {
  \clef "treble"
  \key c \major
  \time 4/4
  a4 b c d
}

sopranoLyrics = \lyricmode {
  Aaa Bee Cee Dee
}

celloMusic = \relative {
  \clef "bass"
  \key c \major
  \time 4/4
  d4 g fis8 e d4
}

\score {
  <<
    <<
      \new Voice = "one" {
        \autoBeamOff
        \sopranoMusic
      }
      \new Lyrics \lyricsto "one" \sopranoLyrics
    >>
    \new Staff \celloMusic
  >>
  \layout { }
  \midi { }
}

\new ChoirStaff <<
  \new Staff = "sopranos"
  \with { instrumentName = "Soprano" }
  <<
    \new Voice = "sopranos" {
      \global
      \sopranoMusic
    }
  >>
  \new Lyrics \lyricsto "sopranos" {
    \sopranoWords
  }
  \new Staff = "altos"
  \with { instrumentName = "Alto" }
  <<
    \new Voice = "altos" {
      \global
      \altoMusic
    }
  >>
  \new Lyrics \lyricsto "altos" {
    \altoWords
  }
  \new Staff = "tenors"
  \with { instrumentName = "Tenor" }
  <<
    \new Voice = "tenors" {
      \global
      \tenorMusic
    }
  >>
  \new Lyrics \lyricsto "tenors" {
    \tenorWords
  }
  \new Staff = "basses"
  \with { instrumentName = "Bass" }
  <<
    \new Voice = "basses" {
      \global
      \bassMusic
    }
  >>
  \new Lyrics \lyricsto "basses" {
    \bassWords
  }
>>  % end ChoirStaff

\new PianoStaff \with { instrumentName = "Piano" }
<<
  \new Staff = "upper" \superieur
  \new Staff = "lower" \inferieur
>>

<<  % combine ChoirStaff and PianoStaff one above the other
  \new ChoirStaff <<
    \new Staff = "sopranos" <<
      \new Voice = "sopranos" {
        \global
        \sopranoMusic
      }
    >>
    \new Lyrics \lyricsto "sopranos" {
      \sopranoWords
     }
    \new Staff = "altos" <<
      \new Voice = "altos" {
        \global
        \altoMusic
      }
    >>
    \new Lyrics \lyricsto "altos" {
      \altoWords
    }
    \new Staff = "tenors" <<
      \clef "G_8"  % tenor clef
      \new Voice = "tenors" {
        \global
        \tenorMusic
      }
    >>
    \new Lyrics \lyricsto "tenors" {
      \tenorWords
    }
    \new Staff = "basses" <<
      \clef "bass"
      \new Voice = "basses" {
        \global
        \bassMusic
      }
    >>
    \new Lyrics \lyricsto "basses" {
      \bassWords
    }
  >>  % end ChoirStaff

  \new PianoStaff \with { instrumentName = "Piano" }
  <<
    \new Staff = "upper" \upper
    \new Staff = "lower" \lower
  >>
>>

global = { \key d \major \time 4/4 }
sopranoMusic = \relative {
  \clef "treble"
  r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
sopranoWords = \lyricmode {
  Wor -- thy | is the lamb | that was slain |
}
altoMusic = \relative {
  \clef "treble"
  r4 a'2 a4 | fis4. fis8 a2 | g4 fis fis2 |
}
altoWords = \sopranoWords
tenorMusic = \relative {
  \clef "G_8"
  r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
tenorWords = \sopranoWords
bassMusic = \relative {
  \clef "bass"
  r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
bassWords = \sopranoWords
upper = \relative {
  \clef "treble"
  \global
  r4 <a' d fis>2 <a e' a>4 |
  <d fis d'>4. <d fis d'>8 <a d a'>2 |
  <g cis g'>4 <a d fis> <a cis e>2 |
}
lower = \relative {
  \clef "bass"
  \global
  <d, d'>4 <d d'>2 <cis cis'>4 |
  <b b'>4. <b' b'>8 <fis fis'>2 |
  <e e'>4 <d d'> <a' a'>2 |
}

\score {
  <<  % combine ChoirStaff and PianoStaff in parallel
    \new ChoirStaff <<
      \new Staff = "sopranos"
      \with { instrumentName = "Soprano" }
      <<
        \new Voice = "sopranos" {
          \global
          \sopranoMusic
        }
      >>
      \new Lyrics \lyricsto "sopranos" {
        \sopranoWords
      }
      \new Staff = "altos"
      \with { instrumentName = "Alto" }
      <<
        \new Voice = "altos" {
          \global
          \altoMusic
        }
      >>
      \new Lyrics \lyricsto "altos" {
        \altoWords
      }
      \new Staff = "tenors"
      \with { instrumentName = "Tenor" }
      <<
        \new Voice = "tenors" {
          \global
          \tenorMusic
        }
      >>
      \new Lyrics \lyricsto "tenors" {
        \tenorWords
      }
      \new Staff = "basses"
      \with { instrumentName = "Bass" }
      <<
        \new Voice = "basses" {
          \global
          \bassMusic
        }
      >>
      \new Lyrics \lyricsto "basses" {
        \bassWords
      }
    >>  % end ChoirStaff

    \new PianoStaff
    \with { instrumentName = "Piano  " }
    <<
      \new Staff = "upper" \upper
      \new Staff = "lower" \lower
    >>
  >>
}

\version "2.25.21"
\header {
  title = "Jesu, meine Freude"
  composer = "J S Bach"
}
ArmureMetrique = { \key c \minor \time 4/4 }
ManuelUnVoixUnMusique = { s1 }
ManuelUnVoixDeuxMusique = { s1 }
ManuelDeuxMusique = { s1 }
PedalierOrgueMusique = { s1 }

\score {
}

\new PianoStaff <<
  \new Staff = "ManuelUn" <<
    \new Voice {
      \ManuelUnVoixUnMusique
    }
    \new Voice {
      \ManuelUnVoixDeuxMusique
    }
  >>  % fin du contexte de portée ManuelUn
  \new Staff = "ManuelDeux" <<
    \new Voice {
      \ManuelDeuxMusique
    }
  >>  % fin du contexte de portée ManuelDeux
>>  % fin du contexte PianoStaff

<<  % Système pianistique et portée de pédalier sont synchrones
  \new PianoStaff <<
    \new Staff = "ManuelUn" <<
      \new Voice {
        \ManuelUnVoixUnMusique
      }
      \new Voice {
        \ManuelUnVoixDeuxMusique
      }
    >>  % fin du contexte de portée ManuelUn
    \new Staff = "ManuelDeux" <<
      \new Voice {
        \ManuelDeuxMusique
      }
    >>  % fin du contexte de portée ManuelDeux
  >>  % fin du contexte PianoStaff
  \new Staff = "PedalierOrgue" <<
    \new Voice {
      \PedalierOrgueMusique
     }
  >>
>>

\score {
  <<  % Système pianistique et portée de pédalier sont synchrones
    \new PianoStaff <<
      \new Staff = "ManuelUn" <<
        \ArmureMetrique % définition de l'armure et de la métrique
        \clef "treble"
        \new Voice {
          \voiceOne
          \ManuelUnVoixUnMusique
        }
        \new Voice {
          \voiceTwo
          \ManuelUnVoixDeuxMusique
        }
      >>  % fin du contexte de la portée ManuelUn
      \new Staff = "ManuelDeux" <<
        \ArmureMetrique
        \clef "bass"
        \new Voice {
          \ManuelDeuxMusique
        }
      >>  % fin du contexte de la portée ManuelDeux
    >>  % fin du contexte PianoStaff
    \new Staff = "PedalierOrgue" <<
      \ArmureMetrique
      \clef "bass"
      \new Voice {
        \PedalierOrgueMusique
      }
    >>  % fin du contexte de la portée PedalOrgan
  >>
}  % fin du contexte Score

\score {
  <<  % Système pianistique et portée de pédalier sont synchrones
    \new PianoStaff <<
      \new Staff = "ManuelUn" <<
        \ArmureMetrique % définition de l'armure et de la métrique
        \clef "treble"
        \new Voice {
          \voiceOne
          \ManuelUnVoixUnMusique
        }
        \new Voice {
          \voiceTwo
          \ManuelUnVoixDeuxMusique
        }
      >>  % fin du contexte de la portée ManuelUn
      \new Staff = "ManuelDeux" \with {
        \override VerticalAxisGroup
                  .staff-staff-spacing.stretchability = 5
      } <<
        \ArmureMetrique
        \clef "bass"
        \new Voice {
          \ManuelDeuxMusique
        }
      >>  % fin du contexte de la portée ManuelDeux
    >>  % fin du contexte PianoStaff
    \new Staff = "PedalierOrgue" <<
      \ArmureMetrique
      \clef "bass"
      \new Voice {
        \PedalierOrgueMusique
      }
    >>  % fin du contexte de la portée PedalOrgan
  >>
}  % fin du contexte Score

\header {
  title = "Jesu, meine Freude"
  composer = "J S Bach"
}
keyTime = { \key c \minor \time 4/4 }
ManualOneVoiceOneMusic = \relative {
  g'4 g f ees |
  d2 c |
}
ManualOneVoiceTwoMusic = \relative {
  ees'16 d ees8~ 16 f ees d c8 d~ d c~ |
  8 c4 b8 c8. g16 c b c d |
}
ManualTwoMusic = \relative {
  c'16 b c8~ 16 b c g a8 g~ 16 g aes ees |
  f16 ees f d g aes g f ees d ees8~ 16 f ees d |
}
PedalOrganMusic = \relative {
  r8 c16 d ees d ees8~ 16 a, b g c b c8 |
  r16 g ees f g f g8 c,2 |
}

\score {
  <<  % PianoStaff and Pedal Staff must be simultaneous
    \new PianoStaff <<
      \new Staff = "ManualOne" <<
        \keyTime  % set key and time signature
        \clef "treble"
        \new Voice {
          \voiceOne
          \ManualOneVoiceOneMusic
        }
        \new Voice {
          \voiceTwo
          \ManualOneVoiceTwoMusic
        }
      >>  % end ManualOne Staff context
      \new Staff = "ManualTwo" \with {
        \override VerticalAxisGroup
                  .staff-staff-spacing.stretchability = 5
      } <<
        \keyTime
        \clef "bass"
        \new Voice {
          \ManualTwoMusic
        }
      >>  % end ManualTwo Staff context
    >>  % end PianoStaff context
    \new Staff = "PedalOrgan" <<
      \keyTime
      \clef "bass"
      \new Voice {
        \PedalOrganMusic
      }
    >>  % end PedalOrgan Staff context
  >>
}  % end Score context

hornNotes = \relative { c''4 b dis c }
\score {
  {
    \hornNotes
  }
}

fragmentA = \relative { a'4 a8. b16 }
fragmentB = \relative { a'8. gis16 ees4 }

violin = \new Staff {
  \fragmentA \fragmentA |
  \fragmentB \fragmentA |
}

\score {
  {
    \violin
  }
}

dolce = \markup { \italic \bold dolce }

centerText = {
  \once \override TextScript.self-alignment-X = #CENTER
}

fthenp = _\markup {
  \dynamic f \italic \small { 2nd } \hspace #0.1 \dynamic p
}

violin = \relative {
  \repeat volta 2 {
    c''4._\dolce b8 a8 g a b |
    \centerText
    c4.^"hi there!" d8 e f g d |
    c4.\fthenp b8 c4 c-. |
  }
}

\score {
  {
    \violin
  }
}

violin = \relative {
  \repeat volta 2 {
    c''4._\markup { \italic \bold dolce } b8 a8 g a b |
    \once \override TextScript.self-alignment-X = #CENTER
    c4.^"hi there!" d8 e f g d |
    c4._\markup {
      \dynamic f \italic \small { 2nd } \hspace #0.1 \dynamic p
    }
    b8 c4 c-. |
  }
}

articulationVar = -^-.

artEsprVar = \articulationVar ^>

\relative c' {
  c\articulationVar d e2^\articulationVar
  d2\artEsprVar c_\artEsprVar
}

padText =
#(define-music-function (padding) (number?)
   #{
     \once \override TextScript.padding = #padding
   #})

\relative {
  c''4^"piu mosso" b a b
  \padText 1.8
  c4^"piu mosso" b a b
  \padText 2.6
  c4^"piu mosso" b a b
}

notesCor = \relative {
  \time 2/4
  r4 f8 a | cis4 f | e d |
}

\include "musique-Cor.ly"

\header {
  instrument = "Cor en Fa"
}

{
 \transpose f c' \notesCor
}

\include "musique-Cor.ly"

R2*3

\compressMMRests { … }

\include "musique-Basson.ly"
\include "musique-Cor.ly"

<<
  \new Staff \notesCor
  \new Staff \notesBasson
>>

\override Contexte.ObjetDeRendu.propriété-rendu = valeur

\relative {
  c'4 d
  \override NoteHead.color = "red"
  e4 f |
  \override NoteHead.color = "green"
  g4 a b c |
}

\revert Contexte.ObjetDeRendu.propriété-de-rendu

\relative {
  c'4 d
  \override NoteHead.color = "red"
  e4 f |
  \override NoteHead.color = "green"
  g4 a
  \revert NoteHead.color
  b4 c |
}

\relative {
  c'4 d
  \override NoteHead.color = "red"
  e4 f |
  \once \override NoteHead.color = "green"
  g4 a
  \once \revert NoteHead.color
  b c |
  \revert NoteHead.color
  f2 c |
}

\relative {
  c'4( d)
  \once \slurDashed
  e4( f) |
  g4( a)
  \once \hideNotes
  b( c) |
}

\relative {
  <c' e g>4
  \once \override NoteHead.font-size = -3
  <c e g>4
  <c e g>4
}

\relative {
  <c' e g>4
  <c \tweak font-size -3 e g>4
}

\relative c'' {
  c4
  \breathe
  c4
  \offset Y-offset 2 \breathe
  c2
  \tweak Y-offset 4 \breathe
}

\tweak propriété-de-rendu valeur
\offset propriété-de-rendu valeur

a'4^"Black"
  -\tweak color "red" ^"Red"
  -\tweak color "green" _"Green"

<\tweak Accidental.color "red"   cis''4
 \tweak Accidental.color "green" es''
 g''>

\tweak objet-de-rendu.propriété-de-rendu valeur
\offset objet-de-rendu.propriété-de-rendu valeur

\relative c'' {
  \tweak direction #up
  \tuplet 3/4 {
    \tweak color "red"
    \tuplet 3/2 { c8[ c c] }
    \tuplet 3/2 { c8[ c c] }
    \tuplet 3/2 { c8[ c c] }
  }
}

\relative {
  \tuplet 3/2 { c'8[ c c] }
  \once \override TupletNumber.text =
    #tuplet-number::calc-fraction-text
  \tuplet 3/2 {
    c8[ c]
    c8[ c]
    \once \override TupletNumber.transparent = ##t
    \tuplet 3/2 { c8[ c c] }
    \tuplet 3/2 { c8[ c c] }
  }
}

emphNoteHead = {
  \override NoteHead.color = "red"
  \override NoteHead.font-size = 2
}
\relative {
  c''4 a \once \emphNoteHead f d |
}

emphNoteHead = {
  \override NoteHead.color = "red"
  \override NoteHead.font-size = 2
}
\relative {
   <c'' a \single \emphNoteHead f d>4
}

{
  \key es \major
  \time 6/8
  \relative {
    r4 bes'8 bes[( g]) g |
    g8[( es]) es d[( f]) as |
    as8 g
  }
  \addlyrics {
    The man who | feels love's sweet e -- | mo -- tion
  }
}

thickness (number)
    1.2
    [...] For slurs and ties, this is the distance between the two
    arcs of the curve's outline at its thickest point, [...]  This
    property is expressed as a multiple of the current staff-line
    thickness [...]

thickness (nombre)
    1.2
    [...] Pour les liaisons de phrésé et de tenue, c'est la distance
    entre les deux arcs extérieurs de la courbe à son point le plus
    épais, [...] Cette propriété s'exprime en multiple de l'épaisseur
    de ligne de portée en cours [...]

\override Slur.thickness = 5.0

{
  \key es \major
  \time 6/8
  \relative {
    % Increase thickness of all following slurs from 1.2 to 5.0
    \override Slur.thickness = 5.0
    r4 bes'8 bes[( g]) g |
    g8[( es]) es d[( f]) as |
    as8 g
  }
  \addlyrics {
    The man who | feels love's sweet e -- | mo -- tion
  }
}

{
  \key es \major
  \time 6/8
  \relative {
    r4 bes'8
    % Increase thickness of immediately following slur only
    \once \override Slur.thickness = 5.0
    bes8[( g]) g |
    g8[( es]) es d[( f]) as |
    as8 g
  }
  \addlyrics {
    The man who | feels love's sweet e -- | mo -- tion
  }
}

\once \override Slur.thickness = 5.0
bes8[(

bes8[\tweak thickness 5.0 (

{
  \key es \major
  \time 6/8
  \relative {
    r4 bes'8
    % Increase thickness of immediately following slur only
    \once \override Slur.thickness = 5.0
    bes[( g]) g |
    % Increase thickness of immediately following slur only
    \once \override Slur.thickness = 5.0
    g8[( es]) es d[( f]) as |
    as8 g
  }
  \addlyrics {
    The man who | feels love's sweet e -- | mo -- tion
  }
}

{
  \key es \major
  \time 6/8
  \relative {
    r4 bes'8
    % Increase thickness of all following slurs from 1.2 to 5.0
    \override Slur.thickness = 5.0
    bes[( g]) g |
    g8[( es]) es
    % Revert thickness of all following slurs to default of 1.2
    \revert Slur.thickness
    d8[( f]) as |
    as8 g
  }
  \addlyrics {
    The man who | feels love's sweet e -- | mo -- tion
  }
}

\override LyricText.font-shape = #'italic

{
  \key es \major
  \time 6/8
  \relative {
    r4 bes'8 bes[( g]) g |
    g8[( es]) es d[( f]) as |
    as8 g
  }
  \addlyrics {
    \override LyricText.font-shape = #'italic
    The man who | feels love's sweet e -- | mo -- tion
  }
}

\relative {
  \time 12/16
  \override BarLine.stencil = ##f
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

\relative {
  \time 12/16
  \override Staff.BarLine.stencil = ##f
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

\relative {
  \time 12/16
  \omit Staff.BarLine
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

\relative {
  c''4 c
  \once \override NoteHead.stencil = #point-stencil
  c4 c
}

\relative {
  \time 12/16
  \override Staff.BarLine.break-visibility = ##(#f #f #f)
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

\relative {
  \time 12/16
  \override Staff.TimeSignature.transparent = ##t
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

\relative {
  \time 12/16
  \hide Staff.TimeSignature
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

\relative {
  \time 12/16
  \omit Staff.TimeSignature
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

\relative {
  \time 12/16
  \override Staff.BarLine.color = "white"
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

\relative {
  \time 12/16
  \override Staff.BarLine.color = "#FFFFFF"
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

whiteVar = "#FFFFFF"

\relative {
  \time 12/16
  \override Staff.BarLine.color = \whiteVar
  c''4 b8 c d16 c d8 |
  \override Staff.BarLine.color = #whiteVar
  g,8 a16 b8 c d4 e16 |
  e8
}

\relative {
  \time 12/16
  \override Staff.BarLine.color = #(rgb-color 1 1 1)
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

\relative {
  \time 12/16
  \override Staff.StaffSymbol.color = #(x11-color 'grey30)
  \override Staff.TimeSignature.color = #(x11-color 'grey60)
  \override Staff.Clef.color = #(x11-color 'grey60)
  \override Voice.NoteHead.color = #(x11-color 'grey85)
  \override Voice.Stem.color = #(x11-color 'grey85)
  \override Staff.BarLine.color = #(x11-color 'grey10)
  c''4 b8 c d16 c d8 |
  g,8 a16 b8 c d4 e16 |
  e8
}

\new Staff ="main" {
  \relative {
    r4 g'8 g c4 c8 d |
    e4 r8
    <<
      { f8 c c }
      \new Staff \with {
        alignAboveContext = "main" }
      { f8 f c }
    >>
    r4 |
  }
}

\new Staff ="main" {
  \relative {
    r4 g'8 g c4 c8 d |
    e4 r8
    <<
      { f8 c c }
      \new Staff \with {
        alignAboveContext = "main"
      }
      {
        \omit Staff.Clef
        \omit Staff.TimeSignature
        { f8 f c }
      }
    >>
    r4 |
  }
}

\new Staff ="main" {
  \relative {
    r4 g'8 g c4 c8 d |
    e4 r8
    <<
      { f8 c c }
      \new Staff \with {
        alignAboveContext = "main"
        % Don't print clefs in this staff
        \override Clef.stencil = ##f
        % Don't print time signatures in this staff
        \override TimeSignature.stencil = ##f
      }
      { f8 f c }
    >>
    r4 |
  }
}

\new Staff ="main" {
  \relative {
    r4 g'8 g c4 c8 d |
    e4 r8
    <<
      { f8 c c }
      \new Staff \with {
        alignAboveContext = "main"
        % Don't print clefs in this staff
        \omit Clef
        % Don't print time signatures in this staff
        \omit TimeSignature
      }
      { f8 f c }
    >>
    r4 |
  }
}

\override NoteHead.font-size = -2

\set fontSize = -2

\new Staff ="main" {
  \relative {
    r4 g'8 g c4 c8 d |
    e4 r8
    <<
      { f8 c c }
      \new Staff \with {
        alignAboveContext = "main"
        \omit Clef
        \omit TimeSignature
        % Reduce all font sizes by ~24%
        fontSize = -2
      }
      { f8 f c }
    >>
    r4 |
  }
}

\new Staff ="main" {
  \relative {
    r4 g'8 g c4 c8 d |
    e4 r8
    <<
      { f8 c c }
      \new Staff \with {
        alignAboveContext = "main"
        \omit Clef
        \omit TimeSignature
        fontSize = -2
        % Reduce stem length and line spacing to match
        \override StaffSymbol.staff-space = #(magstep -2)
      }
      { f8 f c }
    >>
    r4 |
  }
}

{
  \override NoteHead.style = #'altdefault     % for breve

  \time 4/2 g'2-> c''\fermata as'1^"Yogi" |
  b'\breve _"Larry" |
  \mark "Twinkle" e''8 s4.. \bar "|."
}

{
  \override Script.X-offset = 3               % fermata, accent
  \override TextScript.X-offset = 2           % "Yogi", "Larry"
  \override Stem.X-offset = -2
  \override Score.RehearsalMark.Y-offset = 5  % "Twinkle"

  \override NoteHead.style = #'altdefault     % for breve

  \time 4/2 g'2-> c''\fermata as'1^"Yogi" |
  b'\breve _"Larry" |
  \mark "Twinkle" e''8 s4.. \bar "|."
}

{
  \override Score.RehearsalMark.X-offset = 0
  b4 b b b \mark "Twinkle" b b b b
}

{
  % value -10.4 found by trial and error
  \override Score.RehearsalMark.X-offset = -10.4
  b4 b b b \mark "Twinkle" b b b b
}

\override GrobName.X-offset =
  #ly:self-alignment-interface::x-aligned-on-self

\override GrobName.self-alignment-X = #RIGHT

{
  \override Score.RehearsalMark.X-extent = #'(0 . 8)
  \override Score.RehearsalMark.self-alignment-X = #RIGHT
  b4 b b b \mark "Twinkle" b b b b
}

{
  \override Score.RehearsalMark.X-extent = ##f
  b4 b b b \mark "Twinkle" b b b b
}

{
  \override Score.RehearsalMark.X-extent = #'(0 . 0)
  b4 b b b \mark "Twinkle" b b b b
}

{
  \override Score.RehearsalMark.X-extent = ##f
  \override Score.RehearsalMark.X-offset = -10.4
  b4 b b b \mark "Twinkle" b b b b
}

{ a'1 }
\addlyrics {
  \override LyricText.X-offset =
    #ly:self-alignment-interface::x-aligned-on-self
  \override LyricText.self-alignment-X = #CENTER
  nn
}

{ a'1 }
\addlyrics {
  \override LyricText.X-offset =
    #ly:self-alignment-interface::aligned-on-x-parent
  \override LyricText.self-alignment-X = #CENTER
  nn
}

c''2^"Text1"
c''2^"Text2" |
c''2^"Text3"
c''2^"Text4" |

<<
  \new Staff {
    \relative { c'4 a, }
  }
  \new Staff {
    \relative { c''''4 a, }
  }
>>

a'4( g') c''( a') |
\override Slur.direction = #DOWN
a'4( g') c''( a') |
\override Slur.direction = #UP
a'4( g') c''( a') |
\revert Slur.direction
a'4( g') c''( a') |

a'4( g') c''( a') |
a'4^( g') c''_( a') |

\relative {
  c''4-5 a-3 f-1 c'-5 |
  \override Fingering.direction = #DOWN
  c4-5 a-3 f-1 c'-5 |
  \override Fingering.direction = #UP
  c4-5 a-3 f-1 c'-5 |
}

\relative {
  c''4-5 a-3 f-1 c'-5 |
  c4_5 a_3 f_1 c'_5 |
  c4^5 a^3 f^1 c'^5 |
}

\relative {
  <c''-5 g-3>4
  <c-5 g-3 e-2>4
  <c-5 g-3 e-2 c-1>4
}

\relative {
  <c''-5 g-3 e-2 c-1>4
  <c^5 g_3 e_2 c_1>4
  <c^5 g^3 e^2 c_1>4
}

\set fingeringOrientations = #'([up] [left/right] [down])

\relative {
  \set fingeringOrientations = #'(left)
  <f'-2>4
  <c-1 e-2 g-3 b-5>4
  \set fingeringOrientations = #'(left)
  <f-2>4
  <c-1 e-2 g-3 b-5>4 |
  \set fingeringOrientations = #'(up left down)
  <f-2>4
  <c-1 e-2 g-3 b-5>4
  \set fingeringOrientations = #'(up left)
  <f-2>4
  <c-1 e-2 g-3 b-5>4 |
  \set fingeringOrientations = #'(right)
  <f-2>4
  <c-1 e-2 g-3 b-5>4
}

\relative {
  \override Fingering.font-size = -7
  \set fingeringOrientations = #'(left)
  <f'-2>4
  <c-1 e-2 g-3 b-5>4
  \set fingeringOrientations = #'(left)
  <f-2>4
  <c-1 e-2 g-3 b-5>4 |
  \set fingeringOrientations = #'(up left down)
  <f-2>4
  <c-1 e-2 g-3 b-5>4
  \set fingeringOrientations = #'(up left)
  <f-2>4
  <c-1 e-2 g-3 b-5>4 |
  \set fingeringOrientations = #'(right)
  <f-2>4
  <c-1 e-2 g-3 b-5>4
}

% set details for later TextSpanner
\override TextSpanner.bound-details.left.text =
  \markup { \small \bold Slower }
% place dynamics above staff
\dynamicUp
% start ottava bracket
\ottava 1
c''4 \startTextSpan
% add dynamic text and hairpin
c''4\pp\<
c''4
% add text script
c''4^Text |
c''4 c''
% add dynamic text and terminate hairpin
c''4\ff c'' \stopTextSpan |
% stop ottava bracket
\ottava 0
c'4 c' c' c' |

% set details for later text spanner
\override TextSpanner.bound-details.left.text =
  \markup { \small \bold Slower }
% place dynamics above staff
\dynamicUp
% place following ottava bracket below text spanners
\once \override Staff.OttavaBracket.outside-staff-priority = 340
% start ottava bracket
\ottava 1
c''4 \startTextSpan
% add dynamic text
c''4\pp
% add dynamic line spanner
c''4\<
% add text script
c''4^Text |
c''4 c''
% add dynamic text
c''4\ff c'' \stopTextSpan |
% stop ottava bracket
\ottava 0
c'4 c' c' c' |

\relative c'' {
  c4( c^\markup { \tiny \sharp } d4.) c8 |
  c4(
    \once \override TextScript.avoid-slur = #'inside
    \once \override TextScript.outside-staff-priority = ##f
    c4^\markup { \tiny \sharp } d4.) c8 |
  \once \override Slur.outside-staff-priority = 500
    c4( c^\markup { \tiny \sharp } d4.) c8 |
}

c''2^"Text1"
c''2^"Text2" |
\once \override TextScript.outside-staff-priority = 500
c''2^"Text3"
c''2^"Text4" |

\textLengthOn  % Cause notes to space out to accommodate text
c''2^"Text1"
c''2^"Text2" |
c''2^"Text3"
c''2^"Text4" |

\relative {
  % This markup is short enough to fit without collision
  c''2^"Tex" c'' |
  R1 |

  % This is too long to fit, so it is displaced upwards
  c,,2^"Text" c'' |
  R1 |

  % Turn off collision avoidance
  \once \override TextScript.outside-staff-priority = ##f
  c,,2^"Long Text   " c'' |
  R1 |

  % Turn off collision avoidance
  \once \override TextScript.outside-staff-priority = ##f
  \textLengthOn        % and turn on textLengthOn
  c,,2^"Long Text   "  % Spaces at end are honored
  c''2 |
}

\relative {
  \clef "bass"
  \key aes \major
  \time 9/8
  \dynamicUp
  bes4.~\f\< \( bes4 bes8 des4\ff\> c16 bes\! |
  ees,2.~\)\mf ees4 r8 |
}

\dynamicUp
\relative { a'4\f b\mf a\mp b\p }

\override DynamicText.extra-spacing-width = #'(-0.5 . 0.5)

\dynamicUp
% Extend width by 1 staff space
\override DynamicText.extra-spacing-width = #'(-0.5 . 0.5)
\relative { a'4\f b\mf a\mp b\p }

<<
  \new ChoirStaff
  <<
    \new Staff {
      \new Voice = "music" {
        b'2 c' c' c'
      }
    }
    \new Lyrics \with {
      \override VerticalAxisGroup
                .nonstaff-relatedstaff-spacing.padding = 5
      \override VerticalAxisGroup
                .nonstaff-unrelatedstaff-spacing.padding = 5
    }
    \lyricsto "music" {
      Here are some lyrics
    }
    \new Staff {
      \clef bass e'2 f e c
    }
  >>
  \new PianoStaff
  <<
    \new Staff {
      g''2 c'' c'' a''
    }
    \new Staff {
      \clef bass e2 f c e
    }
  >>
>>

<<
  \new ChoirStaff \with {
    \override StaffGrouper
              .staffgroup-staff-spacing.basic-distance = 15
  }
  <<
    \new Staff {
      \new Voice = "music" {
        b'2 c' c' c'
      }
    }
    \new Lyrics \with {
      \override VerticalAxisGroup
                .nonstaff-relatedstaff-spacing.padding = 2
      \override VerticalAxisGroup
                .nonstaff-unrelatedstaff-spacing.padding = 2
    }
    \lyricsto "music" {
      Here are some lyrics
    }
    \new Staff {
      \clef bass e'2 f e c
    }
  >>
  \new PianoStaff
  <<
    \new Staff {
      g''2 c'' c'' a''
    }
    \new Staff {
      \clef bass e2 f c e
    }
  >>
>>

<<
  \new ChoirStaff \with {
    \override StaffGrouper
              .staffgroup-staff-spacing.basic-distance = 15
  }
  <<
    \new Staff {
      \new Voice = "music" {
        b'2 c' c' c'
      }
    }
    \new Lyrics \with {
      \override VerticalAxisGroup
                .nonstaff-relatedstaff-spacing.padding = 2
      \override VerticalAxisGroup
                .nonstaff-unrelatedstaff-spacing.padding = 2
    }
    \lyricsto "music" {
      Here are some lyrics
    }
    \new Staff {
      \clef bass e'2 f e c
    }
  >>
  \new PianoStaff \with {
    \override StaffGrouper.staff-staff-spacing =
                #'((basic-distance . 0)
                   (padding . 0))
  }
  <<
    \new Staff {
      g''2 c'' c'' a''
    }
    \new Staff {
      \clef bass e2 f c e
    }
  >>
>>

c'2\fermata
\override Script.padding = 3
b2\fermata

% This will not work, see below:
\override MetronomeMark.padding = 3
\tempo 4=120
c'1 |
% This works:
\override Score.MetronomeMark.padding = 3
\tempo 4=80
d'1 |

\relative c' {
  cis8[ dis eis fis gis ais bis cis]
}

\relative c' {
  % move accents nearer to note heads
  \override Score.AccidentalPlacement.right-padding = -0.1
  cis8[ dis eis fis gis ais bis cis]
}

\override DynamicLineSpanner.staff-padding = 3
\relative { a'4\f b\mf a\p b\mp }

\voiceOne
<a''\2>
\once \override StringNumber.self-alignment-X = #RIGHT
<a''\2>

<< \relative { c'4 c c c } \\ { R1 } >>

<<
  \relative { c'4 c c c }
  \\
  \override MultiMeasureRest.staff-position = -10
  { R1 }
>>

f'4-5
\once \override Fingering.extra-offset = #'(-0.3 . -1.8)
f'4-5

\relative { a'8 \( ( a'16 ) a \) }

\once \override PhrasingSlur.positions = #'(2.5 . 4.5)
a'8 \( ( a''16 ) a'' \)

{
  \time 4/2
  <<
    \relative { c'1~ 2. e8 f }
    \\
    \relative {
      e''8 e e e
      e e e e
      f2 g
    }
  >>
  <<
    \relative { c'1~ 2. e8 f }
    \\
    \relative {
      e''8 e e e
      e e e e
      f2 g
    }
  >>
}

{
  \time 4/2
  <<
    \relative { c'1~ 2. e8 f }
    \\
    \relative {
      \override Beam.positions = #'(-1 . -1)
      e''8 e e e
      e e e e
      f2 g
    }
  >>
  <<
    \relative { c'1~ 2. e8 f }
    \\
    \relative {
      e''8 e e e
      e e e e
      f2 g
      \revert Beam.positions
    }
  >>
}

\new Staff \relative {
  \key aes \major
  <<
    { c''2 aes4. bes8 }
    \\
    { <ees, c>2 des }
    \\
    \\
    { aes'2 f4 fes }
  >> |
  <c ees aes c>1 |
}

\new Staff \relative {
  \key aes \major
  <<
    { c''2 aes4. bes8 }
    \\
    { <ees, c>2 \once \override NoteColumn.force-hshift = #0.5 des }
    \\
    \\
    { \once \shiftOff aes'2 \once \shiftOff f4 fes }
  >> |
  <c ees aes c>1 |
}

rhMusic = \relative {
  \new Voice {
    r2 c''4. g8 |
    bes1~ |
    \time 6/4
    bes2. r8
    % Start polyphonic section of four voices
    <<
      { c,8 d fis bes a }  % continuation of main voice
      \new Voice {
        \voiceTwo
        c,8~ 2
      }
      \new Voice {
        \voiceThree
        s8 d2
      }
      \new Voice {
        \voiceFour
        s4 fis4.
      }
    >> |
    g2.  % continuation of main voice
  }
}

lhMusic = \relative {
  r2 <c' g ees>2 |
  <d g, d>1 |
  r2. d,,4 r4 r |
  r4
}

\score {
  \new PianoStaff <<
    \new Staff = "RH"  <<
      \key g \minor
      \rhMusic
    >>
    \new Staff = "LH" <<
      \key g \minor
      \clef "bass"
      \lhMusic
    >>
  >>
}

rhMusic = \relative {
  \new Voice {
    r2 c''4.\( g8 |
    bes1~ |
    \time 6/4
    bes2. r8
    % Start polyphonic section of four voices
    <<
      { c,8 d fis bes a }  % continuation of main voice
      \new Voice {
        \voiceTwo
        c,8~ 2
      }
      \new Voice {
        \voiceThree
        s8 d2
      }
      \new Voice {
        \voiceFour
        s4 fis4.
      }
    >> |
    g2.\)  % continuation of main voice
  }
}

lhMusic = \relative {
  r2 <c' g ees>2( |
  <d g, d>1) |
  r2. d,,4 r4 r |
  r4
}

\score {
  \new PianoStaff <<
    \new Staff = "RH"  <<
      \key g \minor
      \rhMusic
    >>
    \new Staff = "LH" <<
      \key g \minor
      \clef "bass"
      \lhMusic
    >>
  >>
}

rhMusic = \relative {
  \new Voice {
    r2 c''4.\( g8 |
    \once \override Tie.staff-position = 3.5
    bes1~ |
    \bar "||"
    \time 6/4
    bes2. r8
    % Start polyphonic section of four voices
    <<
      { c,8 d fis bes a }  % continuation of main voice
      \new Voice {
        \voiceTwo
        c,8~ 2
      }
      \new Voice {
        \voiceThree
        s8 d2
      }
      \new Voice {
        \voiceFour
        s4 fis4.
      }
    >> |
    g2.\)  % continuation of main voice
  }
}

lhMusic = \relative {
  r2 <c' g ees>2( |
  <d g, d>1)\arpeggio |
  r2. d,,4 r4 r |
  r4
}

\score {
  \new PianoStaff <<
    \new Staff = "RH"  <<
      \key g \minor
      \rhMusic
    >>
    \new Staff = "LH" <<
      \key g \minor
      \clef "bass"
      \lhMusic
    >>
  >>
}

\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn

\mergeDifferentlyHeadedOff
\mergeDifferentlyDottedOff

rhMusic = \relative {
  \new Voice {
    r2 c''4.\( g8 |
    \once \override Tie.staff-position = 3.5
    bes1~ |
    \bar "||"
    \time 6/4
    bes2.\tempo "Moderato" r8
    \mergeDifferentlyHeadedOn
    \mergeDifferentlyDottedOn
    % Start polyphonic section of four voices
    <<
      { c,8 d fis bes a }  % continuation of main voice
      \new Voice {
        \voiceTwo
        c,8~ 2
      }
      \new Voice {
        \voiceThree
        s8 d2
      }
      \new Voice {
        \voiceFour
        s4 fis4.
      }
    >> |
    \mergeDifferentlyHeadedOff
    \mergeDifferentlyDottedOff
    g2.\)  % continuation of main voice
  }
}

lhMusic = \relative {
  r2 <c' g ees>2( |
  <d g, d>1)\arpeggio |
  r2. d,,4 r4 r |
  r4
}

\score {
  \new PianoStaff <<
    \new Staff = "RH"  <<
      \key g \minor
      \rhMusic
    >>
    \new Staff = "LH" <<
      \key g \minor
      \clef "bass"
      \lhMusic
    >>
  >>
}

rhMusic = \relative {
  \new Voice {
    r2 c''4.\( g8 |
    \once \override Tie.staff-position = 3.5
    bes1~ |
    \bar "||"
    \time 6/4
    bes2.\tempo "Moderato" r8
    \mergeDifferentlyHeadedOn
    \mergeDifferentlyDottedOn
    % Start polyphonic section of four voices
    <<
      { c,8 d fis bes a }  % continuation of main voice
      \new Voice {
        \voiceTwo
        % Move the c2 out of the main note column
        % so the merge will work
        c,8~ \shiftOnn c2
      }
      \new Voice {
        \voiceThree
        % Stem on the d2 must be down to permit merging
        s8 \stemDown d2
      }
      \new Voice {
        \voiceFour
        s4 fis4.
      }
    >> |
    \mergeDifferentlyHeadedOff
    \mergeDifferentlyDottedOff
    g2.\)  % continuation of main voice
  }
}

lhMusic = \relative {
  r2 <c' g ees>2( |
  <d g, d>1)\arpeggio |
  r2. d,,4 r4 r |
  r4
}

\score {
  \new PianoStaff <<
    \new Staff = "RH"  <<
      \key g \minor
      \rhMusic
    >>
    \new Staff = "LH" <<
      \key g \minor
      \clef "bass"
      \lhMusic
    >>
  >>
}

rhMusic = \relative {
  \new Voice {
    r2 c''4.\( g8 |
    \once \override Tie.staff-position = 3.5
    bes1~ |
    \bar "||"
    \time 6/4
    bes2.\tempo "Moderato" r8
    \mergeDifferentlyHeadedOn
    \mergeDifferentlyDottedOn
    % Start polyphonic section of four voices
    <<
      { c,8 d fis bes a }  % continuation of main voice
      \new Voice {
        \voiceTwo
        c,8~
        % Reposition the c2 to the right of the merged note
        \once \override NoteColumn.force-hshift = 1.0
        % Move the c2 out of the main note column
        % so the merge will work
        \shiftOnn
        c2
      }
      \new Voice {
        \voiceThree
        s8
        % Stem on the d2 must be down to permit merging
        \stemDown
        % Stem on the d2 should be invisible
        \tweak Flag.transparent ##t
        d2
      }
      \new Voice {
        \voiceFour
        s4 fis4.
      }
    >> |
    \mergeDifferentlyHeadedOff
    \mergeDifferentlyDottedOff
    g2.\)  % continuation of main voice
  }
}

lhMusic = \relative {
  r2 <c' g ees>2( |
  <d g, d>1)\arpeggio |
  r2. d,,4 r4 r |
  r4
}

\score {
  \new PianoStaff <<
    \new Staff = "RH"  <<
      \key g \minor
      \rhMusic
    >>
    \new Staff = "LH" <<
      \key g \minor
      \clef "bass"
      \lhMusic
    >>
  >>
}

<<
  {
    \once \omit Stem
    \once \omit Flag
    b'8~ 8\noBeam
  }
\\
  { b'[ g8] }
>>

\score {
  \relative {
    % Visible tempo marking
    \tempo 4=120
    a'4 a a
    \once \hide Score.MetronomeMark
    % Invisible tempo marking to lengthen fermata in MIDI
    \tempo 4=80
    a4\fermata |
    % New tempo for next section
    \tempo 4=100
    a4 a a a |
  }
  \layout { }
  \midi { }
}

\score {
  \relative {
    % Visible tempo marking
    \tempo 4=120
    a'4 a a
    \once \omit Score.MetronomeMark
    % Invisible tempo marking to lengthen fermata in MIDI
    \tempo 4=80
    a4\fermata |
    % New tempo for next section
    \tempo 4=100
    a4 a a a |
  }
  \layout { }
  \midi { }
}

\override Lyrics.LyricText.font-shape = #'italic
\override Lyrics.LyricText.font-series = #'bold

\revert Lyrics.LyricText.font-shape
\revert Lyrics.LyricText.font-series

emphasize = {
  \override Lyrics.LyricText.font-shape = #'italic
  \override Lyrics.LyricText.font-series = #'bold
}

normal = {
  \revert Lyrics.LyricText.font-shape
  \revert Lyrics.LyricText.font-series
}

global = { \key c \major \time 4/4 \partial 4 }

SopranoMusic = \relative { c'4 | e4. e8 g4 g    | a4   a   g  }
AltoMusic    = \relative { c'4 | c4. c8 e4 e    | f4   f   e  }
TenorMusic   = \relative  { e4 | g4. g8 c4.  b8 | a8 b c d e4 }
BassMusic    = \relative  { c4 | c4. c8 c4 c    | f8 g a b c4 }

VerseOne = \lyricmode {
  E -- | ter -- nal \emphasize Fa -- ther, | \normal strong to save,
}

VerseTwo = \lyricmode {
  O | \emphasize Christ, \normal whose voice the | wa -- ters heard,
}

VerseThree = \lyricmode {
  O | \emphasize Ho -- ly Spi -- rit, | \normal who didst brood
}

VerseFour = \lyricmode {
  O | \emphasize Tri -- ni -- ty \normal of | love and pow'r
}

\score {
  \new ChoirStaff <<
    \new Staff <<
      \clef "treble"
      \new Voice = "Soprano"  { \voiceOne \global \SopranoMusic }
      \new Voice = "Alto" { \voiceTwo \AltoMusic }
      \new Lyrics \lyricsto "Soprano" { \VerseOne }
      \new Lyrics \lyricsto "Soprano" { \VerseTwo }
      \new Lyrics \lyricsto "Soprano" { \VerseThree }
      \new Lyrics \lyricsto "Soprano" { \VerseFour }
    >>
    \new Staff <<
      \clef "bass"
      \new Voice = "Tenor" { \voiceOne \TenorMusic }
      \new Voice = "Bass"  { \voiceTwo \BassMusic }
    >>
  >>
}

mpdolce =
  \tweak self-alignment-X -0.6
  #(make-dynamic-script
    #{ \markup { \dynamic mp \normal-text \italic \bold dolce } #})

inst =
#(define-music-function
     (string)
     (string?)
   #{ <>^\markup \bold \box #string #})

\relative {
  \tempo 4=50
  a'4.\mpdolce d8 cis4--\glissando a |
  b4 bes a2 |
  \inst "Clarinet"
  cis4.\< d8 e4 fis |
  g8(\! fis)-. e( d)-. cis2 |
}

%%% enregistrez ceci dans un fichier nommé "definitions.ily"
mpdolce =
  \tweak self-alignment-X -0.6
  #(make-dynamic-script
    #{ \markup { \dynamic mp \normal-text \italic \bold dolce } #})

inst =
#(define-music-function
     (string)
     (string?)
   #{ <>^\markup \bold \box #string #})

\include "definitions.ily"

\relative {
  \tempo 4=50
  a'4.\mpdolce d8 cis4--\glissando a |
  b4 bes a2 |
  \inst "Clarinet"
  cis4.\< d8 e4 fis |
  g8(\! fis)-. e( d)-. cis2 |
}

%%%  definitions.ily
mpdolce =
  \tweak self-alignment-X -0.6
  #(make-dynamic-script
    #{ \markup { \dynamic mp \normal-text \italic \bold dolce } #})

inst =
#(define-music-function
     (string)
     (string?)
   #{ <>^\markup \bold \box #string #})

\layout{
  \context {
    \Score
    \override MetronomeMark.extra-offset = #'(-5 . 0)
    \override MetronomeMark.padding = 3
  }
  \context {
    \Staff
    \numericTimeSignature
  }
  \context {
    \Voice
    \override Glissando.thickness = 3
    \override Glissando.gap = 0.1
  }
}

%%%  web-publish.ily
mpdolce =
  \tweak self-alignment-X -0.6
  #(make-dynamic-script
    #{ \markup { \dynamic mp \normal-text \italic \bold dolce } #})

inst =
#(define-music-function
     (string)
     (string?)
   #{ <>^\markup \bold \box #string #})

#(set-global-staff-size 23)

\layout{
  \context {
    \Score
    \override MetronomeMark.extra-offset = #'(-5 . 0)
    \override MetronomeMark.padding = 3
  }
  \context {
    \Staff
  }
  \context {
    \Voice
    \override Glissando.thickness = 3
    \override Glissando.gap = 0.1
  }
}

\include "definitions.ily"

%%%  Décommentez seulement une de ces deux lignes !
\include "publication-web.ily"
%\include "universite.ily"

%%%   global.ily
\version "2.25.21"

#(ly:set-option 'point-and-click #f)

\include "../init/init-defs.ly"
\include "../init/init-mise-en-page.ly"
\include "../init/init-en-tetes.ly"
\include "../init/init-papier.ly"

INSTALLDIR/lilypond-2.25.21/share/lilypond/2.25.21/

textLengthOn = {
  % 0.4 staff-space between adjacent texts
  \override TextScript.extra-spacing-width = #'(-0.0 . 0.4)
  \override TextScript.extra-spacing-height = #'(-inf.0 . +inf.0)
}

#(define (color-notehead grob)
   "Color the notehead according to its position on the staff."
   (let ((mod-position (modulo (ly:grob-property grob 'staff-position)
                               7)))
     (case mod-position
       ;;   Return rainbow colors
       ((1) (x11-color 'red    ))  ; for C
       ((2) (x11-color 'orange ))  ; for D
       ((3) (x11-color 'yellow ))  ; for E
       ((4) (x11-color 'green  ))  ; for F
       ((5) (x11-color 'blue   ))  ; for G
       ((6) (x11-color 'purple ))  ; for A
       ((0) (x11-color 'violet ))  ; for B
       )))

\relative {
  % Arrange to obtain color from color-notehead procedure
  \override NoteHead.color = #color-notehead
  a2 b | c2 d | e2 f | g2 a |
}

SopranoMusic = \relative { a'4\f a8 a a4 a }
SopranoLyrics = \lyricmode { Sop -- ra -- no ly -- rics }
AltoMusic = \relative { d'4\f d d d }
AltoLyrics = \lyricmode { Al -- to ly -- rics }
TenorMusic = \relative { a4\p a a a }
TenorLyrics = \lyricmode { Te -- nor ly -- rics }
BassMusic = \relative { c2\p c4 c }
BassLyrics = \lyricmode { Bass ly -- rics }
PianoRHMusic = \relative { c' e g c }
PianoDynamics = { s2\mp s4 s4 }
PianoLHMusic = \relative { c e g c }
\include "satb.ly"

SopranoMusic = \relative { a'4\f a8 a a4 a }
SopranoLyrics = \lyricmode { Sop -- ra -- no ly -- rics }
AltoMusic = \relative { d'4\f d d d }
AltoLyrics = \lyricmode { Al -- to ly -- rics }
TenorMusic = \relative { a4\p a a a }
TenorLyrics = \lyricmode { Te -- nor ly -- rics }
BassMusic = \relative { c2\p c4 c }
BassLyrics = \lyricmode { Bass ly -- rics }
PianoRHMusic = \relative { c' e g c }
PianoDynamics = { s2\mp s4 s4 }
PianoLHMusic = \relative { c e g c }
TwoVoicesPerStaff = ##t
\include "satb.ly"

SopranoMusic = \relative { c'' c c c }
SopranoLyrics = \lyricmode { High voice ly -- rics }
BassMusic = \relative { a a a a }
BassLyrics = \lyricmode { Low voice ly -- rics }
\include "satb.ly"

SopranoMusic = \relative { a'4 a a a }
SopranoLyricsOne = \lyricmode {
  \set stanza = "1."
  Words to verse one
}
SopranoLyricsTwo = \lyricmode {
  \set stanza = "2."
  Words to verse two
}
\include "satb.ly"

SopranoMusic = \relative { a' a a a }
AltoMusic = \relative { f' f f f }
VerseOne = \lyricmode {
  \set stanza = "1."
  Words to verse one
}
VerseTwo = \lyricmode {
  \set stanza = "2."
  Words to verse two
}
VerseThree = \lyricmode {
  \set stanza = "3."
  Words to verse three
}
TenorMusic = \relative { a a a a }
BassMusic = \relative { f f f f }
TwoVoicesPerStaff = ##t
\include "satb.ly"

Key = \key a \major
Time = {
  \time 5/4
  \tempo "Allegro" 4 = 144
}
SopranoMusic = \relative { gis' gis gis gis gis }
AltoMusic = \relative { cis' cis cis cis cis }
VerseOne = \lyricmode { Words to this du -- et }
TwoVoicesPerStaff = ##t
\include "satb.ly"

SopranoMusic = \relative { c'' c c c }
SopranoLyrics = \lyricmode { High voice ly -- rics }
SopranoInstrumentName = "Soprano 1"
SopranoShortInstrumentName = "S1"
AltoMusic = \relative { a' a a a }
AltoLyrics = \lyricmode { Low voice ly -- rics }
AltoInstrumentName = "Soprano 2"
AltoShortInstrumentName = "S2"
\include "satb.ly"

Layout = \layout { ... }

Time = { s1 \break s1 \break }
WomenMusic = \relative { a'4 a a a }
WomenLyrics = \lyricmode { Wo -- men ly -- rics }
SopranoMusic = \relative { s1 | c''4 c c c8 c }
SopranoLyrics = \lyricmode{ So -- pra -- no ly -- rics }
AltoMusic = \relative { s1 | g'4 g g g }
AltoLyrics = \lyricmode { Al -- to ly -- rics }
SopranoOneMusic = \relative { s1 | s1 |e''4 e e e }
SopranoOneLyrics = \lyricmode { Sop One ly -- rics }
SopranoTwoMusic = \relative { s1 | s1 | c''4 c c c }
SopranoTwoLyrics = \lyricmode { Sop Two ly -- rics }
AltoOneMusic = \relative { s1 | s1 | g'4 g g g8 g }
AltoOneLyrics = \lyricmode { Al -- to One ly -- rics }
AltoTwoMusic = \relative { s1 | s1 | e'4 e e e8 e }
AltoTwoLyrics = \lyricmode { Al -- to Two ly -- rics }
\layout { ragged-right = ##t }
\include "ssaattbb.ly"

SopranoTwoVoicesPerStaff = ##t
Time = { s1 \break s1 \break }
WomenMusic = \relative { a'4 a a a }
WomenLyrics = \lyricmode { Wo -- men ly -- rics }
SopranoMusic = \relative { s1 | c''4 c c c8 c }
SopranoLyrics = \lyricmode{ So -- pra -- no ly -- rics }
AltoMusic = \relative { s1 | g'4 g g g }
AltoLyrics = \lyricmode { Al -- to ly -- rics }
SopranoOneMusic = \relative { s1 | s1 |e''4 e e e }
SopranoOneLyrics = \lyricmode { Sop One ly -- rics }
SopranoTwoMusic = \relative { s1 | s1 | c''4 c c c }
SopranoTwoLyrics = \lyricmode { Sop Two ly -- rics }
AltoOneMusic = \relative { s1 | s1 | g'4 g g g8 g }
AltoOneLyrics = \lyricmode { Al -- to One ly -- rics }
AltoTwoMusic = \relative { s1 | s1 | e'4 e e e8 e }
AltoTwoLyrics = \lyricmode { Al -- to Two ly -- rics }
\layout { ragged-right = ##t }
\include "ssaattbb.ly"

TwoVoicesPerStaff = ##t
Time = { s1 \break s1 \break }
WomenMusic = \relative { a'4 a a a }
WomenLyrics = \lyricmode { Wo -- men ly -- rics }
SopranoMusic = \relative { s1 | c''4 c c c8 c }
SopranoLyrics = \lyricmode{ So -- pra -- no ly -- rics }
AltoMusic = \relative { s1 | g'4 g g g }
AltoLyrics = \lyricmode { Al -- to ly -- rics }
SopranoOneMusic = \relative { s1 | s1 |e''4 e e e }
SopranoOneLyrics = \lyricmode { Sop One ly -- rics }
SopranoTwoMusic = \relative { s1 | s1 | c''4 c c c }
SopranoTwoLyrics = \lyricmode { Sop Two ly -- rics }
AltoOneMusic = \relative { s1 | s1 | g'4 g g g8 g }
AltoOneLyrics = \lyricmode { Al -- to One ly -- rics }
AltoTwoMusic = \relative { s1 | s1 | e'4 e e e8 e }
AltoTwoLyrics = \lyricmode { Al -- to Two ly -- rics }
\layout { ragged-right = ##t }
\include "ssaattbb.ly"

melody = \relative c' {
  \clef treble
  \key c \major
  \time 4/4

  a4 b c d
}

\score {
  \new Staff \melody
  \layout { }
  \midi { }
}

melody = \relative c' {
  \clef treble
  \key c \major
  \time 4/4

  a4 b c d
}

text = \lyricmode {
  Aaa Bee Cee Dee
}

\score{
  <<
    \new Voice = "one" {
      \autoBeamOff
      \melody
    }
    \new Lyrics \lyricsto "one" \text
  >>
  \layout { }
  \midi { }
}

melody = \relative c' {
  \clef treble
  \key c \major
  \time 4/4

  f4 e8[ c] d4 g
  a2 ~ a
}

harmonies = \chordmode {
  c4:m f:min7 g:maj c:aug
  d2:dim b4:5 e:sus
}

\score {
  <<
    \new ChordNames {
      \set chordChanges = ##t
      \harmonies
    }
    \new Staff \melody
  >>
  \layout{ }
  \midi { }
}

melody = \relative c' {
  \clef treble
  \key c \major
  \time 4/4

  a4 b c d
}

text = \lyricmode {
  Aaa Bee Cee Dee
}

harmonies = \chordmode {
  a2 c
}

\score {
  <<
    \new ChordNames {
      \set chordChanges = ##t
      \harmonies
    }
    \new Voice = "one" { \autoBeamOff \melody }
    \new Lyrics \lyricsto "one" \text
  >>
  \layout { }
  \midi { }
}

upper = \relative c'' {
  \clef treble
  \key c \major
  \time 4/4

  a4 b c d
}

lower = \relative c {
  \clef bass
  \key c \major
  \time 4/4

  a2 c
}

\score {
  \new PianoStaff \with { instrumentName = "Piano" }
  <<
    \new Staff = "upper" \upper
    \new Staff = "lower" \lower
  >>
  \layout { }
  \midi { }
}

melody = \relative c'' {
  \clef treble
  \key c \major
  \time 4/4

  a b c d
}

text = \lyricmode {
  Aaa Bee Cee Dee
}

upper = \relative c'' {
  \clef treble
  \key c \major
  \time 4/4

  a4 b c d
}

lower = \relative c {
  \clef bass
  \key c \major
  \time 4/4

  a2 c
}

\score {
  <<
    \new Voice = "mel" { \autoBeamOff \melody }
    \new Lyrics \lyricsto mel \text
    \new PianoStaff <<
      \new Staff = "upper" \upper
      \new Staff = "lower" \lower
    >>
  >>
  \layout {
    \context { \Staff \RemoveEmptyStaves }
  }
  \midi { }
}

upper = \relative c'' {
  \clef treble
  \key c \major
  \time 4/4

  a4 b c d
}

lower = \relative c {
  \clef bass
  \key c \major
  \time 4/4

  a2 c
}

text = \lyricmode {
  Aaa Bee Cee Dee
}

\score {
  \new PianoStaff <<
    \new Staff = upper { \new Voice = "singer" \upper }
    \new Lyrics \lyricsto "singer" \text
    \new Staff = lower { \lower }
  >>
  \layout { }
  \midi { }
}

global= {
  \time 4/4
  \key c \major
}

violinOne = \new Voice \relative c'' {
  c2 d
  e1
  \bar "|."
}

violinTwo = \new Voice \relative c'' {
  g2 f
  e1
  \bar "|."
}

viola = \new Voice \relative c' {
  \clef alto
  e2 d
  c1
  \bar "|."
}

cello = \new Voice \relative c' {
  \clef bass
  c2 b
  a1
  \bar "|."
}

\score {
  \new StaffGroup <<
    \new Staff \with { instrumentName = "Violin 1" }
    << \global \violinOne >>
    \new Staff \with { instrumentName = "Violin 2" }
    << \global \violinTwo >>
    \new Staff \with { instrumentName = "Viola" }
    << \global \viola >>
    \new Staff \with { instrumentName = "Cello" }
    << \global \cello >>
  >>
  \layout { }
  \midi { }
}

% piece.ly
% (This is the global definitions file)

global= {
  \time 4/4
  \key c \major
}

Violinone = \new Voice \relative c'' {
  c2 d e1
  \bar "|."
}

Violintwo = \new Voice \relative c'' {
  g2 g e1
  \bar "|."
}

Viola = \new Voice \relative c' {
  \clef alto
  e2 d c1
  \bar "|."
}

Cello = \new Voice \relative c' {
  \clef bass
  c2 b a1
  \bar "|."
}

music = {
  <<
    \tag #'score \tag #'vn1
    \new Staff \with { instrumentName = "Violin 1" }
    << \global \Violinone >>

    \tag #'score \tag #'vn2
    \new Staff \with { instrumentName = "Violin 2" }
    << \global \Violintwo >>

    \tag #'score \tag #'vla
    \new Staff \with { instrumentName = "Viola" }
    << \global \Viola >>

    \tag #'score \tag #'vlc
    \new Staff \with { instrumentName = "Cello" }
    << \global \Cello >>
  >>
}

% These are the other files you need to save on your computer

% score.ly
% (This is the main file)

% uncomment the line below when using a separate file
%\include "piece.ly"

#(set-global-staff-size 14)

\score {
  \new StaffGroup \keepWithTag #'score \music
  \layout { }
  \midi { }
}

%{ Uncomment this block when using separate files

% vn1.ly
% (This is the Violin 1 part file)

\include "piece.ly"
\score {
  \keepWithTag #'vn1 \music
  \layout { }
}

% vn2.ly
% (This is the Violin 2 part file)

\include "piece.ly"
\score {
  \keepWithTag #'vn2 \music
  \layout { }
}

% vla.ly
% (This is the Viola part file)

\include "piece.ly"
\score {
  \keepWithTag #'vla \music
  \layout { }
}

% vlc.ly
% (This is the Cello part file)

\include "piece.ly"
\score {
  \keepWithTag #'vlc \music
  \layout { }
}

%}

\paper {
  top-system-spacing.basic-distance = 10
  score-system-spacing.basic-distance = 20
  system-system-spacing.basic-distance = 20
  last-bottom-spacing.basic-distance = 10
}

global = {
  \key c \major
  \time 4/4
}

sopMusic = \relative {
  c''4 c c8[( b)] c4
}
sopWords = \lyricmode {
  hi hi hi hi
}

altoMusic = \relative {
  e'4 f d e
}
altoWords = \lyricmode {
  ha ha ha ha
}

tenorMusic = \relative {
  g4 a f g
}
tenorWords = \lyricmode {
  hu hu hu hu
}

bassMusic = \relative {
  c4 c g c
}
bassWords = \lyricmode {
  ho ho ho ho
}

\score {
  \new ChoirStaff <<
    \new Lyrics = "sopranos" \with {
      % this is needed for lyrics above a staff
      \override VerticalAxisGroup.staff-affinity = #DOWN
    }
    \new Staff = "women" <<
      \new Voice = "sopranos" {
        \voiceOne
        << \global \sopMusic >>
      }
      \new Voice = "altos" {
        \voiceTwo
        << \global \altoMusic >>
      }
    >>
    \new Lyrics = "altos"
    \new Lyrics = "tenors" \with {
      % this is needed for lyrics above a staff
      \override VerticalAxisGroup.staff-affinity = #DOWN
    }
    \new Staff = "men" <<
      \clef bass
      \new Voice = "tenors" {
        \voiceOne
        << \global \tenorMusic >>
      }
      \new Voice = "basses" {
        \voiceTwo << \global \bassMusic >>
      }
    >>
    \new Lyrics = "basses"
    \context Lyrics = "sopranos" \lyricsto "sopranos" \sopWords
    \context Lyrics = "altos" \lyricsto "altos" \altoWords
    \context Lyrics = "tenors" \lyricsto "tenors" \tenorWords
    \context Lyrics = "basses" \lyricsto "basses" \bassWords
  >>
}

\paper {
  top-system-spacing.basic-distance = 10
  score-system-spacing.basic-distance = 20
  system-system-spacing.basic-distance = 20
  last-bottom-spacing.basic-distance = 10
}

global = {
  \key c \major
  \time 4/4
}

sopMusic = \relative {
  c''4 c c8[( b)] c4
}
sopWords = \lyricmode {
  hi hi hi hi
}

altoMusic = \relative {
  e'4 f d e
}
altoWords =\lyricmode {
  ha ha ha ha
}

tenorMusic = \relative {
  g4 a f g
}
tenorWords = \lyricmode {
  hu hu hu hu
}

bassMusic = \relative {
  c4 c g c
}
bassWords = \lyricmode {
  ho ho ho ho
}

\score {
  <<
    \new ChoirStaff <<
      \new Lyrics = "sopranos" \with {
        % This is needed for lyrics above a staff
        \override VerticalAxisGroup.staff-affinity = #DOWN
      }
      \new Staff = "women" <<
        \new Voice = "sopranos" { \voiceOne << \global \sopMusic >> }
        \new Voice = "altos" { \voiceTwo << \global \altoMusic >> }
      >>
      \new Lyrics = "altos"
      \new Lyrics = "tenors" \with {
        % This is needed for lyrics above a staff
        \override VerticalAxisGroup.staff-affinity = #DOWN
      }

      \new Staff = "men" <<
        \clef bass
        \new Voice = "tenors" { \voiceOne << \global \tenorMusic >> }
        \new Voice = "basses" { \voiceTwo << \global \bassMusic >> }
      >>
      \new Lyrics = "basses"
      \context Lyrics = "sopranos" \lyricsto "sopranos" \sopWords
      \context Lyrics = "altos" \lyricsto "altos" \altoWords
      \context Lyrics = "tenors" \lyricsto "tenors" \tenorWords
      \context Lyrics = "basses" \lyricsto "basses" \bassWords
    >>
    \new PianoStaff <<
      \new Staff <<
        \set Staff.printPartCombineTexts = ##f
        \partCombine
        << \global \sopMusic >>
        << \global \altoMusic >>
      >>
      \new Staff <<
        \clef bass
        \set Staff.printPartCombineTexts = ##f
        \partCombine
        << \global \tenorMusic >>
        << \global \bassMusic >>
      >>
    >>
  >>
}

global = {
  \key c \major
  \time 4/4
}

sopMusic = \relative c'' {
  c4 c c8[( b)] c4
}
sopWords = \lyricmode {
  hi hi hi hi
}

altoMusic = \relative c' {
  e4 f d e
}
altoWords = \lyricmode {
  ha ha ha ha
}

tenorMusic = \relative c' {
  g4 a f g
}
tenorWords = \lyricmode {
  hu hu hu hu
}

bassMusic = \relative c {
  c4 c g c
}
bassWords = \lyricmode {
  ho ho ho ho
}

\score {
  \new ChoirStaff <<
    \new Staff = "women" <<
      \new Voice = "sopranos" { \voiceOne << \global \sopMusic >> }
      \new Voice = "altos" { \voiceTwo << \global \altoMusic >> }
    >>
    \new Lyrics \with { alignAboveContext = "women" }
      \lyricsto "sopranos" \sopWords
    \new Lyrics \with { alignBelowContext = "women" }
      \lyricsto "altos" \altoWords
    % we could remove the line about this with the line below, since
    % we want the alto lyrics to be below the alto Voice anyway.
    % \new Lyrics \lyricsto "altos" \altoWords

    \new Staff = "men" <<
      \clef bass
      \new Voice = "tenors" { \voiceOne << \global \tenorMusic >> }
      \new Voice = "basses" { \voiceTwo << \global \bassMusic >> }
    >>
    \new Lyrics \with { alignAboveContext = "men" }
      \lyricsto "tenors" \tenorWords
    \new Lyrics \with { alignBelowContext = "men" }
      \lyricsto "basses" \bassWords
    % again, we could replace the line above this with the line below.
    % \new Lyrics \lyricsto "basses" \bassWords
  >>
}

global = {
  \key c \major
  \time 4/4
  \dynamicUp
}
sopranonotes = \relative c'' {
  c2 \p \< d c d \f
}
sopranowords = \lyricmode { do do do do }
altonotes = \relative c'' {
  c2\p d c d
}
altowords = \lyricmode { re re re re }
tenornotes = {
  \clef "G_8"
  c2\mp d c d
}
tenorwords = \lyricmode { mi mi mi mi }
bassnotes = {
  \clef bass
  c2\mf d c d
}
basswords = \lyricmode { mi mi mi mi }

\score {
  \new ChoirStaff <<
    \new Staff <<
      \new Voice = "soprano" <<
        \global
        \sopranonotes
      >>
      \new Lyrics \lyricsto "soprano" \sopranowords
    >>
    \new Staff <<
      \new Voice = "alto" <<
        \global
        \altonotes
      >>
      \new Lyrics \lyricsto "alto" \altowords
    >>
    \new Staff <<
      \new Voice = "tenor" <<
        \global
        \tenornotes
      >>
      \new Lyrics \lyricsto "tenor" \tenorwords
    >>
    \new Staff <<
      \new Voice = "bass" <<
        \global
        \bassnotes
      >>
      \new Lyrics \lyricsto "bass" \basswords
    >>
  >>
}

\header { tagline = ##f }

global = {
  \key g \major

  % verse
  \time 3/4
  s2.*2
  \break

  % refrain
  \time 2/4
  s2*2
  \bar "|."
}

SoloNotes = \relative g' {
  \clef "treble"

  % verse
  g4 g g |
  b4 b b |

  % refrain
  R2*2 |
}

SoloLyrics = \lyricmode {
  One two three |
  four five six |
}

SopranoNotes = \relative c'' {
  \clef "treble"

  % verse
  R2.*2 |

  % refrain
  c4 c |
  g4 g |
}

SopranoLyrics = \lyricmode {
  la la |
  la la |
}

BassNotes = \relative c {
  \clef "bass"

  % verse
  R2.*2 |

  % refrain
  c4 e |
  d4 d |
}

BassLyrics = \lyricmode {
  dum dum |
  dum dum |
}

\score {
  <<
    \new Voice = "SoloVoice" << \global \SoloNotes >>
    \new Lyrics \lyricsto "SoloVoice" \SoloLyrics

    \new ChoirStaff <<
      \new Voice = "SopranoVoice" << \global \SopranoNotes >>
      \new Lyrics \lyricsto "SopranoVoice" \SopranoLyrics

      \new Voice = "BassVoice" << \global \BassNotes >>
      \new Lyrics \lyricsto "BassVoice" \BassLyrics
    >>
  >>
  \layout {
    ragged-right = ##t
    \context { \Staff
      % these lines prevent empty staves from being printed
      \RemoveEmptyStaves
      \override VerticalAxisGroup.remove-first = ##t
    }
  }
}

Timeline = {
  \time 4/4
  \tempo 4=96
  \partial 2
  s2 | s1 | s2 \breathe s2 | s1 | s2 \caesura \break
  s2 | s1 | s2 \breathe s2 | s1 | s2 \fine
}

SopranoMusic = \relative g' {
  g4 g | g g g g | g g g g | g g g g | g2
  g4 g | g g g g | g g g g | g g g g | g2
}

AltoMusic = \relative c' {
  d4 d | d d d d | d d d d | d d d d | d2
  d4 d | d d d d | d d d d | d d d d | d2
}

TenorMusic = \relative a {
  b4 b | b b b b | b b b b | b b b b | b2
  b4 b | b b b b | b b b b | b b b b | b2
}

BassMusic =  \relative g {
  g4 g | g g g g | g g g g | g g g g | g2
  g4 g | g g g g | g g g g | g g g g | g2
}

global = {
 \key g \major
}

\score {  % Start score
  <<
    \new PianoStaff <<  % Start pianostaff
      \new Staff <<  % Start Staff = RH
        \global
        \clef "treble"
        \new Voice = "Soprano" <<  % Start Voice = "Soprano"
          \Timeline
          \voiceOne
          \SopranoMusic
        >>  % End Voice = "Soprano"
        \new Voice = "Alto" <<  % Start Voice = "Alto"
          \Timeline
          \voiceTwo
          \AltoMusic
        >>  % End Voice = "Alto"
      >>  % End Staff = RH
      \new Staff <<  % Start Staff = LH
        \global
        \clef "bass"
        \new Voice = "Tenor" <<  % Start Voice = "Tenor"
          \Timeline
          \voiceOne
          \TenorMusic
        >>  % End Voice = "Tenor"
        \new Voice = "Bass" <<  % Start Voice = "Bass"
          \Timeline
          \voiceTwo
          \BassMusic
        >>  % End Voice = "Bass"
      >>  % End Staff = LH
    >>  % End pianostaff
  >>
}  % End score

\markup {
  \fill-line {
    ""
    {
      \column {
        \left-align {
          "This is line one of the first verse"
          "This is line two of the same"
          "And here's line three of the first verse"
          "And the last line of the same"
        }
      }
    }
    ""
  }
}

\layout {
  \context {
    \Score
    caesuraType = #'((bar-line . "||"))
    fineBarType = "||"
  }
}

\paper {  % Start paper block
  indent = 0     % don't indent first system
  line-width = 130   % shorten line length to suit music
  tagline = ##f % Don't print tag line, can be removed
}  % End paper block

\paper { tagline = ##f }

SopranoMusic = \relative g' {
  g1 | c2 b | a1 | \bar "||"
  a1 | d2 c | c b | c1 | \bar "||"
}

AltoMusic = \relative c' {
  e1 | g2 g | f1 |
  f1 | f2 e | d d | e1 |
}

TenorMusic = \relative a {
  c1 | c2 c | c1 |
  d1 | g,2 g | g g | g1 |
}

BassMusic =  \relative c {
  c1 | e2 e | f1 |
  d1 | b2 c | g' g | c,1 |
}

global = {
  \time 2/2
}

dot = \markup {
  \raise #0.7 \musicglyph "dots.dot"
}

tick = \markup {
  \raise #1 \fontsize #-5 \musicglyph "scripts.rvarcomma"
}

% Use markup to center the chant on the page
\markup {
  \fill-line {
    \score {  % centered
      <<
        \new ChoirStaff <<
          \new Staff <<
            \global
            \clef "treble"
            \new Voice = "Soprano" <<
              \voiceOne
              \SopranoMusic
            >>
            \new Voice = "Alto" <<
              \voiceTwo
              \AltoMusic
            >>
          >>
          \new Staff <<
            \clef "bass"
            \global
            \new Voice = "Tenor" <<
              \voiceOne
              \TenorMusic
            >>
            \new Voice = "Bass" <<
              \voiceTwo
              \BassMusic
            >>
          >>
        >>
      >>
      \layout {
        \context {
          \Score
          \override SpacingSpanner.base-shortest-duration =
                      \musicLength 2
        }
        \context {
          \Staff
          \remove "Time_signature_engraver"
        }
      }
    }  % End score
  }
}  % End markup

\markup {
  \fill-line {
    \column {
      \left-align {
        \null \null \null
        \line {
          \fontsize #5 O
          \fontsize #3 come
          let us \bold sing | unto \dot the | Lord : let
        }
        \line {
          us heartily
          \concat { re \bold joice }
          in the | strength of | our
        }
        \line {
          sal | vation.
        }
        \null
        \line {
          \hspace #2.5 8. Today if ye will hear his voice *
        }
        \line {
          \concat { \bold hard en }
          \tick not your \tick hearts : as in the pro-
        }
        \line {
          vocation * and as in the \bold day of tempt- \tick
        }
        \line {
          -ation \tick in the \tick wilderness.
        }
      }
    }
  }
}

#(set-global-staff-size 17)

\paper {
  indent = 3.0\cm  % add space for instrumentName
  short-indent = 1.5\cm  % add less space for shortInstrumentName
}

\header { tagline = ##f }

fluteMusic = \relative c' { \key g \major g'1 b }

% Pitches as written on a manuscript for Clarinet in A
% are transposed to concert pitch.

clarinetMusic = \transpose c' a
  \relative c'' { \key bes \major bes1 d }

trumpetMusic = \relative c { \key g \major g''1 b }

% Key signature is often omitted for horns

hornMusic = \transpose c' f
  \relative c { d'1 fis }

percussionMusic = \relative c { \key g \major g1 b }

sopranoMusic = \relative c'' { \key g \major g'1 b }

sopranoLyrics = \lyricmode { Lyr -- ics }

altoIMusic = \relative c' { \key g \major g'1 b }

altoIIMusic = \relative c' { \key g \major g'1 b }

altoILyrics =  \sopranoLyrics

altoIILyrics = \lyricmode { Ah -- ah }

tenorMusic = \relative c' { \clef "treble_8" \key g \major g1 b }

tenorLyrics = \sopranoLyrics

pianoRHMusic = \relative c { \key g \major g''1 b }

pianoLHMusic = \relative c { \clef bass \key g \major g1 b }

violinIMusic = \relative c' { \key g \major g'1 b }

violinIIMusic = \relative c' { \key g \major g'1 b }

violaMusic = \relative c { \clef alto \key g \major g'1 b }

celloMusic = \relative c { \clef bass \key g \major g1 b }

bassMusic = \relative c { \clef "bass_8" \key g \major g,1 b }

\score {
  <<
    \new StaffGroup = "StaffGroup_woodwinds" <<
      \new Staff = "Staff_flute" \with { instrumentName = "Flute" }
      \fluteMusic

      \new Staff = "Staff_clarinet" \with {
        instrumentName = \markup { \concat { "Clarinet in B" \flat } }
      }

      % Declare that written Middle C in the music
      % to follow sounds a concert B flat, for
      % output using sounded pitches such as MIDI.
      %\transposition bes

      % Print music for a B-flat clarinet
      \transpose bes c' \clarinetMusic
    >>

    \new StaffGroup = "StaffGroup_brass" <<
      \new Staff = "Staff_hornI" \with { instrumentName = "Horn in F" }
       % \transposition f
        \transpose f c' \hornMusic

      \new Staff = "Staff_trumpet" \with { instrumentName = "Trumpet in  C" }
      \trumpetMusic

    >>
    \new RhythmicStaff = "RhythmicStaff_percussion"
    \with { instrumentName = "Percussion" }
    <<
      \percussionMusic
    >>
    \new PianoStaff \with { instrumentName = "Piano" }
    <<
      \new Staff { \pianoRHMusic }
      \new Staff { \pianoLHMusic }
    >>
    \new ChoirStaff = "ChoirStaff_choir" <<
      \new Staff = "Staff_soprano" \with { instrumentName = "Soprano" }
      \new Voice = "soprano"
      \sopranoMusic

      \new Lyrics \lyricsto "soprano" { \sopranoLyrics }
      \new GrandStaff = "GrandStaff_altos"
      \with { \accepts Lyrics } <<
        \new Staff = "Staff_altoI"  \with { instrumentName = "Alto I" }
        \new Voice = "altoI"
        \altoIMusic

        \new Lyrics \lyricsto "altoI" { \altoILyrics }
        \new Staff = "Staff_altoII" \with { instrumentName = "Alto II" }
        \new Voice = "altoII"
        \altoIIMusic

        \new Lyrics \lyricsto "altoII" { \altoIILyrics }
      >>

      \new Staff = "Staff_tenor" \with { instrumentName = "Tenor" }
        \new Voice = "tenor"
        \tenorMusic

      \new Lyrics \lyricsto "tenor" { \tenorLyrics }
    >>
    \new StaffGroup = "StaffGroup_strings" <<
      \new GrandStaff = "GrandStaff_violins" <<
        \new Staff = "Staff_violinI" \with { instrumentName = "Violin I" }
        \violinIMusic

        \new Staff = "Staff_violinII" \with { instrumentName = "Violin II" }
        \violinIIMusic
      >>

      \new Staff = "Staff_viola" \with { instrumentName = "Viola" }
      \violaMusic

      \new Staff = "Staff_cello" \with { instrumentName = "Cello" }
      \celloMusic

      \new Staff = "Staff_bass" \with { instrumentName = "Double Bass" }
      \bassMusic
    >>
  >>
  \layout { }
}

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% A short excerpt from the Jubilate Deo by Orlande de Lassus
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

\header { tagline = ##f }

global = {
  \set Score.skipBars = ##t
  \key g \major
  \time 4/4

  % the actual music
  \skip 1*8

  % let finis bar go through all staves
  \override Staff.BarLine.transparent = ##f

  % finis bar
  \bar "|."
}

discantusIncipit = {
  \clef "neomensural-c1"
  \key f \major
  \time 2/2
  c''1.
}

discantusNotes = {
  \transpose c' c'' {
    \clef "treble"
    d'2. d'4 |
    b e' d'2 |
    c'4 e'4.( d'8 c' b |
    a4) b a2 |
    b4.( c'8 d'4) c'4 |
    \once \hide NoteHead
    c'1 |
    b\breve |
  }
}

discantusLyrics = \lyricmode {
  Ju -- bi -- la -- te De -- o,
  om -- nis ter -- ra, __ om-
  "..."
  -us.
}

altusIncipit = {
  \clef "neomensural-c3"
  \key f \major
  \time 2/2
  r1 f'1.
}

altusNotes = {
  \transpose c' c'' {
    \clef "treble"
    r2 g2. e4 fis g |
    a2 g4 e |
    fis g4.( fis16 e fis4) |
    g1 |
    \once \hide NoteHead
    g1 |
    g\breve |
  }
}

altusLyrics = \lyricmode {
  Ju -- bi -- la -- te
  De -- o, om -- nis ter -- ra,
  "..."
  -us.
}

tenorIncipit = {
  \clef "neomensural-c4"
  \key f \major
  \time 2/2
  r\longa
  r\breve
  r1 c'1.
}

tenorNotes = {
  \transpose c' c' {
    \clef "treble_8"
    R1 |
    R1 |
    R1 |
    % two measures
    r2 d'2. d'4 b e' |
    \once \hide NoteHead
    e'1 |
    d'\breve |
  }
}

tenorLyrics = \lyricmode {
  Ju -- bi -- la -- te
  "..."
  -us.
}

bassusIncipit = {
  \clef "mensural-f"
  \key f \major
  \time 2/2
  r\maxima
  f1.
}

bassusNotes = {
  \transpose c' c' {
    \clef "bass"
    R1 |
    R1 |
    R1 |
    R1 |
    g2. e4 |
    \once \hide NoteHead
    e1 |
    g\breve |
  }
}

bassusLyrics = \lyricmode {
  Ju -- bi-
  "..."
  -us.
}

\score {
  <<
    \new StaffGroup = choirStaff <<
      \new Voice = "discantusNotes" <<
        \set Staff.instrumentName = "Discantus"
        \incipit \discantusIncipit
        \global
        \discantusNotes
      >>
      \new Lyrics \lyricsto discantusNotes { \discantusLyrics }
      \new Voice = "altusNotes" <<
        \set Staff.instrumentName = "Altus"
        \global
        \incipit \altusIncipit
        \altusNotes
      >>
      \new Lyrics \lyricsto altusNotes { \altusLyrics }
      \new Voice = "tenorNotes" <<
        \set Staff.instrumentName = "Tenor"
        \global
        \incipit \tenorIncipit
        \tenorNotes
      >>
      \new Lyrics \lyricsto tenorNotes { \tenorLyrics }
      \new Voice = "bassusNotes" <<
        \set Staff.instrumentName = "Bassus"
        \global
        \incipit \bassusIncipit
        \bassusNotes
      >>
      \new Lyrics \lyricsto bassusNotes { \bassusLyrics }
    >>
  >>
  \layout {
    \context {
      \Score
      %% no bar lines in staves or lyrics
      \hide BarLine
    }
    %% the next two instructions keep the lyrics between the bar lines
    \context {
      \Lyrics
      \consists "Bar_engraver"
      \consists "Separating_line_group_engraver"
    }
    \context {
      \Voice
      %% no slurs
      \hide Slur
      %% Comment in the below "\remove" command to allow line
      %% breaking also at those bar lines where a note overlaps
      %% into the next measure.  The command is commented out in this
      %% short example score, but especially for large scores, you
      %% will typically yield better line breaking and thus improve
      %% overall spacing if you comment in the following command.
      %%\remove "Forbid_line_break_engraver"
    }
    indent = 6\cm
    incipit-width = 4\cm
  }
}

chant = \relative c' {
  \set Score.timing = ##f
  f4 a2 \divisioMinima
  g4 b a2 f2 \divisioMaior
  g4( f) f( g) a2 \finalis
}

verba = \lyricmode {
  Lo -- rem ip -- sum do -- lor sit a -- met
}

\score {
  \new GregorianTranscriptionStaff <<
    \new GregorianTranscriptionVoice = "melody" \chant
    \new GregorianTranscriptionLyrics = "one" \lyricsto melody \verba
  >>
}

\header {
  title = "Song"
  subtitle = "(tune)"
  composer = "Me"
  meter = "moderato"
  piece = "Swing"
  tagline = \markup {
    \column {
      "LilyPond example file by Amelie Zapf,"
      "Berlin 07/07/2003"
    }
  }
}
% To make the example display in the documentation
\paper {
  paper-width = 130
}
%#(set-global-staff-size 16)
\include "english.ly"

%%%%%%%%%%%% Some macros %%%%%%%%%%%%%%%%%%%

sl = {
  \override NoteHead.style = #'slash
  \hide Stem
}
nsl = {
  \revert NoteHead.style
  \undo \hide Stem
}
crOn = \override NoteHead.style = #'cross
crOff = \revert NoteHead.style

%% insert chord name style stuff here.

jazzChords = { }

%%%%%%%%%%%% Keys'n'thangs %%%%%%%%%%%%%%%%%

global = { \time 4/4 }

Key = { \key c \major }

% ############ Horns ############

% ------ Trumpet ------
trpt = \transpose c d \relative c'' {
  \Key
  c1 | c | c |
}
trpHarmony = \transpose c' d {
  \jazzChords
}
trumpet = {
  \global
  \clef treble
  <<
    \trpt
  >>
}

% ------ Alto Saxophone ------
alto = \transpose c a \relative c' {
  \Key
  c1 | c | c |
}
altoHarmony = \transpose c' a {
  \jazzChords
}
altoSax = {
  \global
  \clef treble
  <<
    \alto
  >>
}

% ------ Baritone Saxophone ------
bari = \transpose c a' \relative c {
  \Key
  c1
  c1
  \sl
  d4^"Solo" d d d
  \nsl
}
bariHarmony = \transpose c' a \chordmode {
  \jazzChords s1 s d2:maj e:m7
}
bariSax = {
  \global
  \clef treble
  <<
    \bari
  >>
}

% ------ Trombone ------
tbone = \relative c {
  \Key
  c1 | c | c
}
tboneHarmony = \chordmode {
  \jazzChords
}
trombone = {
  \global
  \clef bass
  <<
    \tbone
  >>
}

% ############ Rhythm Section #############

% ------ Guitar ------
gtr = \relative c'' {
  \Key
  c1
  \sl
  b4 b b b
  \nsl
  c1
}
gtrHarmony = \chordmode {
  \jazzChords
  s1 c2:min7+ d2:maj9
}
guitar = {
  \global
  \clef treble
  <<
    \gtr
  >>
}

%% ------ Piano ------
rhUpper = \relative c'' {
  \voiceOne
  \Key
  c1 | c | c
}
rhLower = \relative c' {
  \voiceTwo
  \Key
  e1 | e | e
}

lhUpper = \relative c' {
  \voiceOne
  \Key
  g1 | g | g
}
lhLower = \relative c {
  \voiceTwo
  \Key
  c1 | c | c
}

PianoRH = {
  \clef treble
  \global
  <<
    \new Voice = "one" \rhUpper
    \new Voice = "two" \rhLower
  >>
}
PianoLH = {
  \clef bass
  \global
  <<
    \new Voice = "one" \lhUpper
    \new Voice = "two" \lhLower
  >>
}

piano = {
  <<
    \new Staff = "upper" \PianoRH
    \new Staff = "lower" \PianoLH
  >>
}

% ------ Bass Guitar ------
Bass = \relative c {
  \Key
  c1 | c | c
}
bass = {
  \global
  \clef bass
  <<
    \Bass
  >>
}

% ------ Drums ------
up = \drummode {
  \voiceOne
  hh4 <hh sn> hh <hh sn>
  hh4 <hh sn> hh <hh sn>
  hh4 <hh sn> hh <hh sn>
}
down = \drummode {
  \voiceTwo
  bd4 s bd s
  bd4 s bd s
  bd4 s bd s
}

drumContents = {
  \global
  <<
    \new DrumVoice \up
    \new DrumVoice \down
  >>
}

%%%%%%%%% It All Goes Together Here %%%%%%%%%%%%%%%%%%%%%%

\score {
  <<
    \new StaffGroup = "horns" <<
      \new Staff = "trumpet" \with { instrumentName = "Trumpet" }
      \trumpet
      \new Staff = "altosax" \with { instrumentName = "Alto Sax" }
      \altoSax
      \new ChordNames = "barichords" \with { instrumentName = "Trumpet" }
      \bariHarmony
      \new Staff = "barisax" \with { instrumentName = "Bari Sax" }
      \bariSax
      \new Staff = "trombone" \with { instrumentName = "Trombone" }
      \trombone
    >>

    \new StaffGroup = "rhythm" <<
      \new ChordNames = "chords" \gtrHarmony
      \new Staff = "guitar" \with { instrumentName = "Guitar" }
      \guitar
      \new PianoStaff = "piano" \with {
        instrumentName = "Piano"
        midiInstrument = "acoustic grand"
      }
      \piano
      \new Staff = "bass" \with { instrumentName = "Bass" }
      \bass
      \new DrumStaff \with { instrumentName = "Drums" }
      \drumContents
    >>
  >>
  \layout {
    \context { \Staff \RemoveEmptyStaves }
    \context {
      \Score
      \override BarNumber.padding = 3
      \override RehearsalMark.padding = 2
      skipBars = ##t
    }
  }
  \midi { }
}

Copyright © 2000, 2001, 2002, 2007, 2008 Free Software Foundation, Inc.
https://fsf.org/

Everyone is permitted to copy and distribute verbatim copies
of this license document, but changing it is not allowed.

  Copyright (C)  year  your name.
  Permission is granted to copy, distribute and/or modify this document
  under the terms of the GNU Free Documentation License, Version 1.3
  or any later version published by the Free Software Foundation;
  with no Invariant Sections, no Front-Cover Texts, and no Back-Cover
  Texts.  A copy of the license is included in the section entitled ``GNU
  Free Documentation License''.

    with the Invariant Sections being list their titles, with
    the Front-Cover Texts being list, and with the Back-Cover Texts
    being list.

Annexes
1 Installation		installation de LilyPond
2 Tutoriel		introduction pratique à la gravure avec LilyPond.
3 Bases de notation musicale		débuter avec la notation musicale courante.
4 Concepts fondamentaux		concepts de base de LilyPond.
5 Retouche de partition		introduction aux retouches de mise en forme.
Appendix A Modèles		modèles prêts à l’emploi.
Appendix B GNU Free Documentation License		licence de ce document.
Appendix C Index de LilyPond

[ << Top ]	[Top][Contents][Index]	[ Tutoriel >> ]
[ < Top ]	[ Up : Top ]	[ Installation en mode graphique sous GNU/Linux > ]

1.1 Installation en mode graphique sous GNU/Linux
1.2 Installation en mode graphique sous Windows
1.3 Installation en mode graphique sous macOS
1.4 Installation en ligne de commande

[ << Installation ]	[Top][Contents][Index]	[ Tutoriel >> ]
[ < Installation ]	[ Up : Installation ]	[ Installation en mode graphique sous Windows > ]

[ << Installation ]	[Top][Contents][Index]	[ Tutoriel >> ]
[ < Installation en mode graphique sous GNU/Linux ]	[ Up : Installation ]	[ Installation en mode graphique sous macOS > ]

[ << Installation ]	[Top][Contents][Index]	[ Bases de notation musicale >> ]
[ < Installation en ligne de commande ]	[ Up : Top ]	[ Compilation d’un fichier > ]

2.1 Compilation d’un fichier
2.2 Composition d’un fichier source
2.3 Gestion des erreurs
2.4 Bien lire le manuel

[ << Tutoriel ]	[Top][Contents][Index]	[ Bases de notation musicale >> ]
[ < Tutoriel ]	[ Up : Tutoriel ]	[ Composition d’un fichier source > ]

2.2.1 Notation simple
2.2.2 Travail sur les fichiers d’entrée

Hauteurs
Durées et rythme
Silences
Métrique
Indication de tempo
Clefs
Tout ensemble

2.4.1 Matériel incomplet
2.4.2 Exemples cliquables
2.4.3 Vue d’ensemble des manuels

[ << Tutoriel ]	[Top][Contents][Index]	[ Concepts fondamentaux >> ]
[ < Vue d’ensemble des manuels ]	[ Up : Top ]	[ Notation sur une seule portée > ]

3.1 Notation sur une seule portée
3.2 Notes simultanées
3.3 Chansons
3.4 Dernières précisions

[ << Bases de notation musicale ]	[Top][Contents][Index]	[ Concepts fondamentaux >> ]
[ < Bases de notation musicale ]	[ Up : Bases de notation musicale ]	[ Barre et contrôle de mesure > ]

3.1.1 Barre et contrôle de mesure
3.1.2 Hauteurs et armure
3.1.3 Liaisons
3.1.4 Articulations et nuances
3.1.5 Ajout de texte
3.1.6 Barres de ligature automatiques et manuelles
3.1.7 Commandes rythmiques avancées

Liaisons de prolongation
Liaisons d’articulation
Liaisons de phrasé
Attention aux types de liaison

`-^`	un marcato (une pointe vers le haut)
`--`	un tenuto (un court trait horizontal)
`->`	un accent (une pointe vers la droite)
`-.`	un point de staccato
`-_`	un portato (un trait de tenuto additionné d’un point de staccato)

3.2.1 Les expressions musicales en clair
3.2.2 Plusieurs portées
3.2.3 Regroupements de portées
3.2.4 Combinaison de notes en accords
3.2.5 Polyphonie sur une portée

Analogie avec les expressions mathématiques
Expressions musicales simultanées – plusieurs portées
Expressions musicales simultanées – une seule portée

3.3.1 Écriture de chants simples
3.3.2 Alignement des paroles sur une mélodie
3.3.3 Paroles pour plusieurs portées

3.4.1 Organisation du code source avec des variables
3.4.2 Ajout de titres
3.4.3 Noms de note absolus
3.4.4 Après le tutoriel

[ << Bases de notation musicale ]	[Top][Contents][Index]	[ Retouche de partition >> ]
[ < Après le tutoriel ]	[ Up : Top ]	[ Organisation des fichiers LilyPond > ]

4.1 Organisation des fichiers LilyPond
4.2 Les voix contiennent la musique
4.3 Contextes et graveurs
4.4 Extension des modèles

[ << Concepts fondamentaux ]	[Top][Contents][Index]	[ Retouche de partition >> ]
[ < Concepts fondamentaux ]	[ Up : Concepts fondamentaux ]	[ Introduction à la structure de fichier LilyPond > ]

4.1.1 Introduction à la structure de fichier LilyPond
4.1.2 La partition est une (unique) expression musicale composée
4.1.3 Expressions musicales imbriquées
4.1.4 Structuration de la saisie des notes
4.1.5 Non-imbrication des crochets et liaisons

LilyPond — Manuel d’initiation

1 Installation

1.1 Installation en mode graphique sous GNU/Linux

1.2 Installation en mode graphique sous Windows

1.3 Installation en mode graphique sous macOS

1.4 Installation en ligne de commande

2 Tutoriel

2.1 Compilation d’un fichier

2.2 Composition d’un fichier source

2.2.1 Notation simple

Hauteurs

Durées et rythme

Silences

Métrique

Indication de tempo

Clefs

Tout ensemble

Voir aussi

2.2.2 Travail sur les fichiers d’entrée

2.3 Gestion des erreurs

2.4 Bien lire le manuel

2.4.1 Matériel incomplet

2.4.2 Exemples cliquables

2.4.3 Vue d’ensemble des manuels

3 Bases de notation musicale

3.1 Notation sur une seule portée

3.1.1 Barre et contrôle de mesure

Barre de mesure

Contrôle de mesure

Voir aussi

3.1.2 Hauteurs et armure

Altérations

Armures

Attention aux armures et aux hauteurs

Voir aussi

3.1.3 Liaisons

Liaisons de prolongation

Liaisons d’articulation

Liaisons de phrasé

Attention aux types de liaison

Voir aussi

3.1.4 Articulations et nuances

Articulation

Doigté

Nuance

Voir aussi

3.1.5 Ajout de texte

Voir aussi

3.1.6 Barres de ligature automatiques et manuelles

Voir aussi

3.1.7 Commandes rythmiques avancées

Mesure incomplète

N-olet

Note d’ornement

Voir aussi

3.2 Notes simultanées

3.2.1 Les expressions musicales en clair

Analogie avec les expressions mathématiques

Expressions musicales simultanées – plusieurs portées

Expressions musicales simultanées – une seule portée

3.2.2 Plusieurs portées

3.2.3 Regroupements de portées

Voir aussi

3.2.4 Combinaison de notes en accords

Voir aussi

3.2.5 Polyphonie sur une portée

Voir aussi

3.3 Chansons

3.3.1 Écriture de chants simples

3.3.2 Alignement des paroles sur une mélodie

Voir aussi

3.3.3 Paroles pour plusieurs portées

Voir aussi

3.4 Dernières précisions

3.4.1 Organisation du code source avec des variables

3.4.2 Ajout de titres

3.4.3 Noms de note absolus

3.4.4 Après le tutoriel

4 Concepts fondamentaux

4.1 Organisation des fichiers LilyPond

Définition des propriétés de contexte avec `\with`

Définition des propriétés de contexte avec `\context`

La commande `\override`

La commande `\revert`

Le préfixe `\once`

Les commandes `\tweak` et `\offset`

Le préfixe `\single`

La propriété `stencil`

La propriété `break-visibility`

La propriété `transparent`

La propriété `color`

Type de crochet	Fonction
`{ … }`	Délimite un segment de musique séquentielle
`< … >`	Délimite les notes d’un accord
`<< … >>`	Délimite des sections simultanées
`( … )`	Marque le début et la fin d’une liaison
`\( … \)`	Marque le début et la fin d’une liaison de phrasé
`[ … ]`	Marque le début et la fin d’une ligature manuelle

4.2.1 J’entends des voix
4.2.2 Instanciation explicite des voix
4.2.3 Voix et paroles

4.3.1 Tout savoir sur les contextes
4.3.2 Création d’un contexte
4.3.3 Tout savoir sur les graveurs
4.3.4 Modification des propriétés d’un contexte
4.3.5 Ajout et suppression de graveurs

Graveur	Fonction
`Accidental_engraver`	Crée les altérations, y compris de précaution, accidentelles ou suggérées
`Beam_engraver`	Grave les ligatures (beams)
`Clef_engraver`	Grave les clefs
`Completion_heads_engraver`	Divise les notes qui dépassent de la mesure
`Dynamic_engraver`	Crée les soufflets et textes de nuance
`Forbid_line_break_engraver`	Empêche un saut de ligne si un élément musical est toujours actif
`Key_engraver`	Crée l’armure
`Metronome_mark_engraver`	Grave les indications métronomiques
`Note_heads_engraver`	Grave les têtes de note
`Rest_engraver`	Grave les silences
`Staff_symbol_engraver`	Grave les cinq lignes (par défaut) de la portée
`Stem_engraver`	Crée les hampes et les trémolos sur une hampe unique
`Time_signature_engraver`	Crée les métriques

Nom de propriété	Type	Fonction	Exemple de valeur
`extraNatural`	Booléen	Si vrai, ajoute un bécarre avant une altération accidentelle	`##t`, `##f`
`currentBarNumber`	Entier	Détermine le numéro de la mesure en cours	`50`
`doubleSlurs`	Booléen	Si vrai, imprime les liaisons au-dessous et au-dessus des notes	`##t`, `##f`
`instrumentName`	Texte	Détermine le nom à afficher en début de portée	`\markup { ... }`
`fontSize`	Réel	Augmente ou diminue la taille de la fonte	`2.4`
`stanza`	Texte	Détermine le texte à imprimer avant le début d’un couplet	`"2"`

4.4.1 Soprano et violoncelle
4.4.2 Partition pour chœur à quatre voix mixtes
4.4.3 Écriture d’une partition à partir de zéro
4.4.4 Économie de saisie grâce aux identificateurs et fonctions
4.4.5 Conducteurs et parties

[ << Concepts fondamentaux ]	[Top][Contents][Index]	[ Modèles >> ]
[ < Conducteurs et parties ]	[ Up : Top ]	[ Retouches élémentaires > ]

5.1 Retouches élémentaires
5.2 Le manuel de référence des propriétés internes
5.3 Apparence des objets
5.4 Décalages et alignements
5.5 Positionnement des objets
5.6 Espacement vertical
5.7 Collisions d’objets
5.8 Autres retouches

[ << Retouche de partition ]	[Top][Contents][Index]	[ Modèles >> ]
[ < Retouche de partition ]	[ Up : Retouche de partition ]	[ Objets et interfaces > ]

5.1.1 Objets et interfaces
5.1.2 Conventions de nommage des objets et propriétés
5.1.3 Méthodes de retouche