LilyPond — Referencia de la notación

Ocultar las alteraciones sobre notas ligadas al principio de un sistema nuevo · musica ficta

Apéndices

{
  \clef bass
  c4 d e f
  g4 a b c
  d4 e f g
}

{
  \clef treble
  c'4 e' g' c''
  c'4 g b c'
  \clef bass
  c,4 e, g, c
  c,4 g,, b,, c,
}

{
  \fixed c' {
    \clef treble
    c4 e g c'
    c4 g, b, c
  }
  \clef bass
  \fixed c, {
    c4 e g c'
    c4 g, b, c
  }
}

\relative altura_inicial expresión_musical

\relative {
  \clef bass
  c d e f
  g a b c
  d e f g
}

\relative {
  c'' g c f,
  c' a, e'' c
}

\relative {
  c f b e
  a d g c
}

\relative {
  c' d e f
  \relative {
    c'' d e f
  }
}

\new Staff {
  \relative c''' {
    \chordmode { c1 }
  }
  \chordmode { c1 }
}

\relative {
  d' e
  \transpose f g {
    d e
    \relative {
      d' e
    }
  }
}

\relative {
  c'
  <c e g>
  <c' e g'>
  <c, e, g''>
}

\relative {
  c''2 fis
  c2 ges
  b2 eisis
  b2 feses
}

\relative {
  <<
    { c''2 d }
    \\
    { e,,2 f }
  >>
  \resetRelativeOctave c''
  c2
}

\relative c'' { ais1 aes aisis aeses }

\relative c'' { a4 aes a2 }

\relative c'' { ceseh1 ces ceh c cih cis cisih }

\relative c'' { cis cis cis! cis? c c c! c? }

\relative c'' {
  cis1~ 1~
  \break
  cis
}

\relative c'' {
  \override Accidental.hide-tied-accidental-after-break = ##t
  cis1~ cis~
  \break
  cis
}

\paper { tagline = ##f }

\relative c'' {
  aeses4 aes ais a
  \set Staff.extraNatural = ##f
  aeses4 aes ais a
}

\language "italiano"

\relative {
  do' re mi sib
}

\relative c'' { a2 as e es a ases e eses }

\language "deutsch"

\relative c'' { asah2 eh aih eisih }

\relative {
  c''2 d='4 d
  e2 f
}

\relative {
  c''2 d
  \octaveCheck c'
  e2 f
}

\relative {
  c''4 f g f

  c4
  \octaveCheck c'
  f
  \octaveCheck c'
  g
  \octaveCheck c'
  f
}

\transpose nota_origen nota_destino expresión_musical

\transpose d e {
  \relative {
    \key d \major
    d'4 fis a d
  }
}

\transpose a c' {
  \relative {
    \key c \major
    c'4 d e g
  }
}

music = \relative { c' d e f }
\new Staff {
  \transpose c cis { \music }
  \transpose c des { \music }
}

musicaEnSiBemol = { e4 … }
\transpose c bes, \musicaEnSiBemol

musicaEnSiBemol = { e4 … }
\transpose f c' { \transpose c bes, \musicaEnSiBemol }

#(define (naturalize-pitch p)
   (let ((o (ly:pitch-octave p))
         (a (* 4 (ly:pitch-alteration p)))
         ;; alteration, a, in quarter tone steps,
         ;; for historical reasons
         (n (ly:pitch-notename p)))
     (cond
      ((and (> a 1) (or (eqv? n 6) (eqv? n 2)))
       (set! a (- a 2))
       (set! n (+ n 1)))
      ((and (< a -1) (or (eqv? n 0) (eqv? n 3)))
       (set! a (+ a 2))
       (set! n (- n 1))))
     (cond
      ((> a 2) (set! a (- a 4)) (set! n (+ n 1)))
      ((< a -2) (set! a (+ a 4)) (set! n (- n 1))))
     (if (< n 0) (begin (set! o (- o 1)) (set! n (+ n 7))))
     (if (> n 6) (begin (set! o (+ o 1)) (set! n (- n 7))))
     (ly:make-pitch o n (/ a 4))))

#(define (naturalize music)
   (let ((es (ly:music-property music 'elements))
         (e (ly:music-property music 'element))
         (p (ly:music-property music 'pitch)))
     (if (pair? es)
         (ly:music-set-property!
          music 'elements
          (map naturalize es)))
     (if (ly:music? e)
         (ly:music-set-property!
          music 'element
          (naturalize e)))
     (if (ly:pitch? p)
         (begin
           (set! p (naturalize-pitch p))
           (ly:music-set-property! music 'pitch p)))
     music))

naturalizeMusic =
#(define-music-function (m)
   (ly:music?)
   (naturalize m))

music = \relative c' { c4 d e g }

\score {
  \new Staff {
    \transpose c ais { \music }
    \naturalizeMusic \transpose c ais { \music }
    \transpose c deses { \music }
    \naturalizeMusic \transpose c deses { \music }
  }
  \layout { }
}

\inversion nota-pivote nota-destino expresión_musical

music = \relative { c' d e f }
\new Staff {
  \music
  \inversion d' d' \music
  \inversion d' ees' \music
}

music = \relative { c'8. ees16( fis8. a16 b8.) gis16 f8. d16 }

\new Staff {
  \music
  \retrograde \music
}

\modalTranspose nota-origen nota-destino escala motivo

diatonicScale = \relative { c' d e f g a b }
motif = \relative { c'8 d e f g a b c }

\new Staff {
  \motif
  \modalTranspose c f \diatonicScale \motif
  \modalTranspose c b, \diatonicScale \motif
}

pentatonicScale = \relative { ges aes bes des ees }
motif = \relative { ees'8 des ges,4 <ges' bes,> <ges bes,> }

\new Staff {
  \motif
  \modalTranspose ges ees' \pentatonicScale \motif
}

chromaticScale = \relative { c' cis d dis e f fis g gis a ais b }
motif = \relative { c'8 d e f g a b c }

\new Staff {
  \motif
  \transpose c f \motif
  \modalTranspose c f \chromaticScale \motif
}

\modalInversion nota-pivote nota-destino escala motivo

octatonicScale = \relative { ees' f fis gis a b c d }
motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }

\new Staff {
  \motif
  \modalInversion fis' fis' \octatonicScale \motif
}

scale = \relative { c' g' }
motive = \relative { c' c g' c, }

\new Staff {
  \motive
  \modalInversion c' g' \scale \motive
}

octatonicScale = \relative { ees' f fis gis a b c d }
motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }

\new Staff {
  \motif
  \retrograde \modalInversion c' c' \octatonicScale \motif
}

c'2 c'

\clef treble
c'2 c'
\clef alto
c'2 c'
\clef tenor
c'2 c'
\clef bass
c'2 c'

\clef treble
c'2 c'
\clef "treble_8"
c'2 c'
\clef "bass^15"
c'2 c'
\clef "alto_2"
c'2 c'
\clef "G_8"
c'2 c'
\clef "F^5"
c'2 c'

\clef "treble_(8)"
c'2 c'
\clef "bass^[15]"
c'2 c'

\clef treble { c'2 c' } \break
\clef bass { c'2 c' } \break
\clef alto
  \set Staff.explicitClefVisibility = #end-of-line-invisible
  { c'2 c' } \break
  \unset Staff.explicitClefVisibility
\clef bass { c'2 c' } \break

  \clef treble
  c'1
  \clef treble
  c'1
  \set Staff.forceClef = ##t
  c'1
  \clef treble
  c'1

  \clef "treble"
  c'1
  \clef "bass"
  c'1
  \clef "treble"
  c'1
  \override Staff.Clef.full-size-change = ##t
  \clef "bass"
  c'1
  \clef "treble"
  c'1
  \revert Staff.Clef.full-size-change
  \clef "bass"
  c'1
  \clef "treble"
  c'1

{
  % The default treble clef
  \key f \major
  c'1
  % The standard bass clef
  \set Staff.clefGlyph = "clefs.F"
  \set Staff.clefPosition = 2
  \set Staff.middleCPosition = 6
  \set Staff.middleCClefPosition = 6
  \key g \major
  c'1
  % The baritone clef
  \set Staff.clefGlyph = "clefs.C"
  \set Staff.clefPosition = 4
  \set Staff.middleCPosition = 4
  \set Staff.middleCClefPosition = 4
  \key f \major
  c'1
  % The standard choral tenor clef
  \set Staff.clefGlyph = "clefs.G"
  \set Staff.clefPosition = -2
  \set Staff.clefTransposition = -7
  \set Staff.middleCPosition = 1
  \set Staff.middleCClefPosition = 1
  \key f \major
  c'1
  % A non-standard clef
  \set Staff.clefPosition = 0
  \set Staff.clefTransposition = 0
  \set Staff.middleCPosition = -4
  \set Staff.middleCClefPosition = -4
  \key g \major
  c'1 \break

  % The following clef changes do not preserve
  % the normal relationship between notes, key signatures
  % and clefs:

  \set Staff.clefGlyph = "clefs.F"
  \set Staff.clefPosition = 2
  c'1
  \set Staff.clefGlyph = "clefs.G"
  c'1
  \set Staff.clefGlyph = "clefs.C"
  c'1
  \set Staff.clefTransposition = 7
  c'1
  \set Staff.clefTransposition = 0
  \set Staff.clefPosition = 0
  c'1

  % Return to the normal clef:

  \set Staff.middleCPosition = 0
  c'1
}

\paper { tagline = ##f }

\new Staff \with {
  \override Clef.color = #blue
  \override ClefModifier.color = #red
}

\clef "treble_8" c'4

\key nota modo

\relative {
  \key g \major
  fis''1
  f
  fis
}

freygish = #`((0 . ,NATURAL) (1 . ,FLAT) (2 . ,NATURAL)
    (3 . ,NATURAL) (4 . ,NATURAL) (5 . ,FLAT) (6 . ,FLAT))

\relative {
  \key c \freygish c'4 des e f
  \bar "||" \key d \freygish d es fis g
}

\override Staff.KeySignature.flat-positions = #'((-5 . 5))
\override Staff.KeyCancellation.flat-positions = #'((-5 . 5))
\clef bass \key es \major es g bes d'
\clef treble \bar "||" \key es \major es' g' bes' d''

\override Staff.KeySignature.sharp-positions = #'(2)
\bar "||" \key b \major b' fis' b'2

\relative c' {
  \key d \major
  a4 b cis d
  \key g \minor
  a4 bes c d
  \set Staff.printKeyCancellation = ##f
  \key d \major
  a4 b cis d
  \key g \minor
  a4 bes c d
}

\include "arabic.ly"
\relative do' {
  \set Staff.keyAlterations = #`((0 . ,SEMI-FLAT)
                                 (1 . ,SEMI-FLAT)
                                 (2 . ,FLAT)
                                 (5 . ,FLAT)
                                 (6 . ,SEMI-FLAT))
%\set Staff.extraNatural = ##f
  re reb \dwn reb resd
  dod dob dosd \dwn dob |
  dobsb dodsd do do |
}

\relative c'' {
  a2 b
  \ottava #-2
  a2 b
  \ottava #-1
  a2 b
  \ottava #0
  a2 b
  \ottava #1
  a2 b
  \ottava #2
  a2 b
}

\relative c'' {
  \ottava #1
  a'2 b
  \ottava #2
  a'2 b
  \bar "||"
  \set Staff.ottavationMarkups = #ottavation-ordinals
  \ottava #1
  a,2 b
  \ottava #2
  a'2 b
  \bar "||"
  \override Staff.OttavaBracket.font-series = #'normal
  \set Staff.ottavationMarkups = #ottavation-simple-ordinals
  \ottava #1
  a,2 b
  \ottava #2
  a'2 b
  \bar "||"
  \revert Staff.OttavaBracket.font-series
  \set Staff.ottavationMarkups = #ottavation-numbers
  \ottava #1
  a,2 b
  \ottava #2
  a'2 b
}

{
  c'2
  \ottava 1
  \set Staff.ottavation = "8"
  c''2
  \ottava 0
  c'1
  \ottava 1
  \set Staff.ottavation = "Text"
  c''1
}

\layout {
  \context {
    \Staff
    \remove Ottava_spanner_engraver
  }
  \context {
    \Voice
    \consists Ottava_spanner_engraver
  }
}

{
  \clef bass
  << { <g d'>1~ q2 <c' e'> }
  \\
    {
      r2.
      \ottava -1
      <b,,, b,,>4 ~ |
      q2
      \ottava 0
      <c e>2
    }
  >>
}

\relative c'' {
  \override Staff.OttavaBracket.stencil = #ly:line-spanner::print
  \override Staff.OttavaBracket.bound-details =
    #`((left . ((Y . 0)
                (attach-dir . ,LEFT)
                (padding . 0)
                (stencil-align-dir-y . ,CENTER)))
       (right . ((Y . 5.0) ; Change the number here
                 (padding . 0)
                 (attach-dir . ,RIGHT)
                 (text . ,(make-draw-dashed-line-markup
                           (cons 0 -1.2))))))
  \override Staff.OttavaBracket.left-bound-info =
     #ly:horizontal-line-spanner::calc-left-bound-info-and-text
  \override Staff.OttavaBracket.right-bound-info =
     #ly:horizontal-line-spanner::calc-right-bound-info
  \ottava 1
  c1
  c'''1
}

\transposition pitch

\new GrandStaff <<
  \new Staff = "violin" \with {
    instrumentName = "Vln"
    midiInstrument = "violin"
  }
  \relative c'' {
    % not strictly necessary, but a good reminder
    \transposition c'
    \key c \major
    g4( c8) r c r c4
  }
  \new Staff = "clarinet" \with {
    instrumentName = \markup { Cl (B\flat) }
    midiInstrument = "clarinet"
  }
  \relative c'' {
    \transposition bes
    \key d \major
    a4( d8) r d r d4
  }
>>

flute = \relative c'' {
  \key f \major
  \cueDuring "clarinet" #DOWN {
    R1 _\markup\tiny "clarinet"
    c4 f e d
    R1 _\markup\tiny "clarinet"
  }
}
clarinet = \relative c'' {
  \key aes \major
  \transposition a
  aes4 bes c des
  R1^\markup { muta in B\flat }
  \key g \major
  \transposition bes
  d2 g,
}
\addQuote "clarinet" \clarinet
<<
  \new Staff \with { instrumentName = "Flute" }
    \flute
  \new Staff \with { instrumentName = "Cl (A)" }
    \clarinet
>>

\new Staff <<
  \accidentalStyle voice
  { … }
>>

\accidentalStyle StaffGroup.voice

musicA = {
  <<
    \relative {
      cis''8 fis, bes4 <a cis>8 f bis4 |
      cis2. <c, g'>4 |
    }
    \\
    \relative {
      ais'2 cis, |
      fis8 b a4 cis2 |
    }
  >>
}

musicB = {
  \clef bass
  \new Voice {
    \voiceTwo \relative {
      <fis a cis>8[ <fis a cis>
      \change Staff = up
      cis' cis
      \change Staff = down
      <fis, a> <fis a>]
      \showStaffSwitch
      \change Staff = up
      dis'4 |
      \change Staff = down
      <fis, a cis>4 gis <f a d>2 |
    }
  }
}

\new PianoStaff {
  <<
    \new Staff = "up" {
      \accidentalStyle default
      \musicA
    }
    \new Staff = "down" {
      \accidentalStyle default
      \musicB
    }
  >>
}

\new PianoStaff {
  <<
    \new Staff = "up" {
      %%% cambie la línea siguiente como desee:
      \accidentalStyle Score.default
      \musicA
    }
    \new Staff = "down" {
      \musicB
    }
  >>
}

forget = #(define-music-function (music) (ly:music?) #{
  \accidentalStyle forget
  #music
  \accidentalStyle modern
#})
{
  \accidentalStyle modern
  \time 2/4
  \repeat volta 2 {
    c'2
  }
  \alternative {
     cis'
     \forget c'
  }
}

\layout {
  \context {
    \Voice
    \consists Ambitus_engraver
  }
}

\relative {
  aes' c e2
  cis,1
}

\new Staff <<
  \new Voice \with {
    \consists "Ambitus_engraver"
  } \relative c'' {
    \override Ambitus.X-offset = 2.0
    \voiceOne
    c4 a d e
    f1
  }
  \new Voice \with {
    \consists "Ambitus_engraver"
  } \relative c' {
    \voiceTwo
    es4 f g as
    b1
  }
>>

\new Staff \with {
  \consists "Ambitus_engraver"
  }
<<
  \new Voice \relative c'' {
    \voiceOne
    c4 a d e
    f1
  }
  \new Voice \relative c' {
    \voiceTwo
    es4 f g as
    b1
  }
>>

\layout {
  \context {
    \Voice
    \consists "Ambitus_engraver"
  }
}

\new Staff {
  \time 2/4
  % Default setting
  c'4 g''
}

\new Staff {
  \time 2/4
  \override AmbitusLine.gap = 0
  c'4 g''
}

\new Staff {
  \time 2/4
  \override AmbitusLine.gap = 1
  c'4 g''
}

\new Staff {
  \time 2/4
  \override AmbitusLine.gap = 1.5
  c'4 g''
}

\paper { tagline = ##f }

\relative c'' {
  c4 b
  \override NoteHead.style = #'cross
  c4 b
  \revert NoteHead.style
  a b
  \override NoteHead.style = #'harmonic
  a b
  \revert NoteHead.style
  c4 d e f
}

\relative {
  c''4 b
  \xNotesOn
   a b c4 b
  \xNotesOff
  c4 d
}

\relative {
  c''4 b
  \xNote { e f }
  c b < g \xNote c f > b
}

\relative c'' {
  <c f\harmonic>2 <d a'\harmonic>4 <c g'\harmonic> f\harmonic
}

#(set-global-staff-size 26)
\relative c' {
  \easyHeadsOn
  c2 e4 f
  g1
  \easyHeadsOff
  c,1
}

#(define Ez_numbers_engraver
   (make-engraver
    (acknowledgers
     ((note-head-interface engraver grob source-engraver)
      (let* ((context (ly:translator-context engraver))
             (tonic-pitch (ly:context-property context 'tonic))
             (tonic-name (ly:pitch-notename tonic-pitch))
             (grob-pitch
              (ly:event-property (event-cause grob) 'pitch))
             (grob-name (ly:pitch-notename grob-pitch))
             (delta (modulo (- grob-name tonic-name) 7))
             (note-names
              (make-vector 7 (number->string (1+ delta)))))
        (ly:grob-set-property! grob 'note-names note-names))))))

#(set-global-staff-size 26)

\paper { tagline = ##f }

\layout {
  ragged-right = ##t
  \context {
    \Voice
    \consists \Ez_numbers_engraver
  }
}

\relative c' {
  \easyHeadsOn
  c4 d e f
  g4 a b c \break

  \key a \major
  a,4 b cis d
  e4 fis gis a \break

  \key d \dorian
  d,4 e f g
  a4 b c d
}

\relative c'' {
  \aikenHeads
  c, d e f g2 a b1 c \break
  \aikenThinHeads
  c,4 d e f g2 a b1 c \break
  \sacredHarpHeads
  c,4 d e f g2 a b1 c \break
  \southernHarmonyHeads
  c,4 d e f g2 a b1 c \break
  \funkHeads
  c,4 d e f g2 a b1 c \break
  \walkerHeads
  c,4 d e f g2 a b1 c \break
}

\relative c'' {
  \key a \minor
  \aikenHeads
  a b c d e2 f g1 a \break
  \aikenHeadsMinor
  a,4 b c d e2 f g1 a \break
  \aikenThinHeadsMinor
  a,4 b c d e2 f g1 a \break
  \sacredHarpHeadsMinor
  a,2 b c d \break
  \southernHarmonyHeadsMinor
  a2 b c d \break
  \funkHeadsMinor
  a2 b c d \break
  \walkerHeadsMinor
  a2 b c d \break
}

\score {
  {
    \aikenHeads
    c''2 a' c' a

    % Switch to thin-variant noteheads
    \set shapeNoteStyles = ##(doThin reThin miThin
                              faThin sol laThin tiThin)
    c'' a' c' a
  }
}

fragment = {
  \key c \major
  c2 d
  e2 f
  g2 a
  b2 c
}

\new Staff {
  \transpose c d
  \relative c' {
    \set shapeNoteStyles = ##(do re mi fa
                               #f la ti)
    \fragment
  }

  \break

  \relative c' {
    \set shapeNoteStyles = ##(cross triangle fa #f
                               mensural xcircle diamond)
    \fragment
  }
}

\new Voice \with {
  \consists Pitch_squash_engraver
} \relative {
  e''8 e g a a16( bes) a8 g
  \improvisationOn
  e8 ~
  2 ~ 8 f4 f8 ~
  2
  \improvisationOff
  a16( bes) a8 g e
}

\relative {
  \time 8/1
  c''\longa c\breve c1 c2
  c4 c8 c16 c32 c64 c128 c128
}

\relative {
  \time 8/1
  \autoBeamOff
  c''\longa c\breve c1 c2
  c4 c8 c16 c32 c64 c128 c128
}

\relative {
  \time 8/1
  c'' \longa \breve 1 2
  4 8 16 32 64 128 128
}

\relative { a' a a2 a a4 a a1 a }

\relative { a'4 b c4. b8 a4. b4.. c8. }

\relative c'' {
  \time 4/2
  c\breve |
  \override Staff.NoteHead.style = #'altdefault
  b\breve
  \override Staff.NoteHead.style = #'baroque
  b\breve
  \revert Staff.NoteHead.style
  a\breve
}

\relative c' {
  c4.. a16 r2 |
  \override Dots.dot-count = 4
  c4.. a16 r2 |
  \override Dots.dot-count = 0
  c4.. a16 r2 |
  \revert Dots.dot-count
  c4.. a16 r2 |
}

\tuplet fracción { música }

\relative {
  a'2 \tuplet 3/2 { b4 4 4 }
  c4 c \tuplet 3/2 { b4 a g }
}

\relative {
  g'2 r8 \tuplet 3/2 8 { cis16 d e e f g g f e }
}

\relative {
  \tupletUp \tuplet 3/2 { c''8 d e }
  \tupletNeutral \tuplet 3/2 { c8 d e }
  \tupletDown \tuplet 3/2 { f,8 g a }
  \tupletNeutral \tuplet 3/2 { f8 g a }
}

\relative {
  \autoBeamOff
  c''4 \tuplet 5/4 { f8 e f \tuplet 3/2 { e[ f g] } } f4
}

\relative {
  \tuplet 3/2 4 {
    \override TupletBracket.tuplet-slur = ##t
    c'4 e8 d4 f8
    \override TupletBracket.bracket-visibility = ##t
    e f g f e d
  } c1
}

\relative c' {
  \time 2/4
  \tupletSpan 4
  \tuplet 3/2 { c8^"\\tupletSpan 4" c c c c c }
  \tupletSpan \default
  \tuplet 3/2 { c8^"\\tupletSpan \\default" c c c c c }
  \tuplet 3/2 4 { c8^"\\tuplet 3/2 4 {...}" c c c c c }
}

\relative c'' {
  \tuplet 3/2 { c8 c c }
  \tuplet 3/2 { c8 c c }
  \override TupletNumber.text = #tuplet-number::calc-fraction-text
  \tuplet 3/2 { c8 c c }
  \omit TupletNumber
  \tuplet 3/2 { c8 c c }
}

\relative c'' {
  \once \override TupletNumber.text =
    #(tuplet-number::non-default-tuplet-denominator-text 7)
  \tuplet 3/2  { c4. c4. c4. c4. }
  \once \override TupletNumber.text =
    #(tuplet-number::non-default-tuplet-fraction-text 12 7)
  \tuplet 3/2  { c4. c4. c4. c4. }
  \once \override TupletNumber.text =
    #(tuplet-number::append-note-wrapper
      (tuplet-number::non-default-tuplet-fraction-text 12 7)
      (ly:make-duration 3 0))
  \tuplet 3/2  { c4. c4. c4. c4. }
  \once \override TupletNumber.text =
    #(tuplet-number::append-note-wrapper
      tuplet-number::calc-denominator-text
      (ly:make-duration 2 0))
  \tuplet 3/2  { c8 c8 c8 c8 c8 c8 }
  \once \override TupletNumber.text =
    #(tuplet-number::append-note-wrapper
      tuplet-number::calc-fraction-text
      (ly:make-duration 2 0))
  \tuplet 3/2  { c8 c8 c8 c8 c8 c8 }
  \once \override TupletNumber.text =
    #(tuplet-number::fraction-with-notes
      (ly:make-duration 2 1) (ly:make-duration 3 0))
  \tuplet 3/2  { c4. c4. c4. c4. }
  \once \override TupletNumber.text =
    #(tuplet-number::non-default-fraction-with-notes 12
      (ly:make-duration 3 0) 4 (ly:make-duration 2 0))
  \tuplet 3/2  { c4. c4. c4. c4. }
}

music = \relative c'' {
  \tuplet 3/2 { c16[ d e } f8]
  \tuplet 3/2 { c8 d e }
  \tuplet 3/2 { c4 d e }
}

\new Voice {
  \relative c' {
    \override Score.TextMark.non-musical = ##f
    \textMark "default" \music
    \override TupletBracket.bracket-visibility = #'if-no-beam
    \textMark \markup \typewriter "'if-no-beam" \music
    \override TupletBracket.bracket-visibility = ##t
    \textMark \markup \typewriter "#t" \music
    \override TupletBracket.bracket-visibility = ##f
    \textMark \markup \typewriter "#f" \music
    \omit TupletBracket
    \textMark \markup \typewriter "omit" \music
  }
}

\paper { tagline = ##f }

\paper { tagline = ##f }
\layout {
  \context {
    \Voice
    % Permit line breaks within tuplets
    \remove "Forbid_line_break_engraver"
    % Allow beams to be broken at line breaks
    \override Beam.breakable = ##t
  }
}
\relative c'' {
  a8
  \repeat unfold 5 { \tuplet 3/2 { c[ b a] } }
  % Insert a manual line break within a tuplet
  \tuplet 3/2 { c[ b \bar "" \break a] }
  \repeat unfold 5 { \tuplet 3/2 { c[ b a] } }
  c8
}

\relative {
  \time 2/4
  % Alter durations to triplets
  a'4*2/3 gis a
  % Normal durations
  a4 a
  % Double the duration of chord
  <a d>4*2
  % Duration of quarter, appears like sixteenth
  b16*4 c4
}

\relative {
  \time 2/4
  % Normal durations
  <c'' a>4 c8 a
  % Scale music by *2/3
  \scaleDurations 2/3 {
    <c a f>4. c8 a f
  }
  % Scale music by *2
  \scaleDurations 2 {
    <c' a>4 c8 b
  }
}

{ a'2~ 4~ 16 r r8 }

{ a'2~ 4~ 16 r r8 }

\relative {
  r8^"sí" c'4.~ 4 r4 |
  r8^"no" c2~ 8 r4
}

\relative c' {
  <c e g>2~ 2 |
  <c e g>4~ <c e g c>
    <c~ e g~ b> <c e g b> |
}

\relative {
  \repeat volta 2 { c'' g <c e>2~ }
  \alternative {
    % First alternative: following note is tied normally
    { <c e>2. r4 }
    % Second alternative: following note has a repeated tie
    { <c e>2\repeatTie d4 c }
  }
}

<c' f' g'>1\laissezVibrer

\relative c' {
  \tieDotted
  c2~ 2
  \tieDashed
  c2~ 2
  \tieHalfDashed
  c2~ 2
  \tieHalfSolid
  c2~ 2
  \tieSolid
  c2~ 2
}

\relative c' {
  \tieDashPattern #0.3 #0.75
  c2~ 2
  \tieDashPattern #0.7 #1.5
  c2~ 2
  \tieSolid
  c2~ 2
}

\relative {
  \override Tie.layer = #-2
  \override Staff.TimeSignature.layer = #-1
  \override Staff.KeySignature.layer = #-1
  \override Staff.TimeSignature.whiteout = ##t
  \override Staff.KeySignature.whiteout = ##t
  b'2 b~
  \time 3/4
  \key a \major
  b r4
}

\relative c' {
  \set tieWaitForNote = ##t
  \grace { c16[ ~ e ~ g] ~ } <c, e g>2
  \repeat tremolo 8 { c32 ~ c' ~ } <c c,>1
  e8 ~ c ~ a ~ f ~ <e' c a f>2
  \tieUp
  c8 ~ a
  \tieDown
  \tieDotted
  g8 ~ c g2
}

\relative c' {
  <>^"default"
  g'1 ^~ g

  <>^"0"
  \once \override Tie.staff-position = 0
  g1 ^~ g

  <>^"0.0"
  \once \override Tie.staff-position = 0.0
  g1 ^~ g

  <>^"reset"
  \revert Tie.staff-position
  g1 ^~ g
}

\relative c' {
  \override TextScript.outside-staff-priority = ##f
  \override TextScript.padding = 0

  <>^"default"
  <c e g>1~ <c e g>

  <>^"0, -2, -4"
  \override TieColumn.tie-configuration =
    #'((0 . 1) (-2 . 1) (-4 . 1))
  <c e g>1~ <c e g>

  <>^"0.0, -2.0, -4.0"
  \override TieColumn.tie-configuration =
    #'((0.0 . 1) (-2.0 . 1) (-4.0 . 1))
  <c e g>1~ <c e g>

  <>^"reset"
  \override TieColumn.tie-configuration = ##f
  <c e g>1~ <c e g>
}

\paper { tagline = ##f }

\new Staff {
  % These two lines are just to prettify this example
  \time 16/1
  \omit Staff.TimeSignature
  % Print a maxima rest, equal to four breves
  r\maxima
  % Print a longa rest, equal to two breves
  r\longa
  % Print a breve rest
  r\breve
  r1 r2 r4 r8 r16 r32 r64 r128
}

\relative { a'4\rest d4\rest }

restsA = {
  r\maxima r\longa r\breve r1 r2 r4 r8 r16 s32
  s64 s128 s256 s512 s1024 s1024
}
restsB = {
  r\maxima r\longa r\breve r1 r2 r4 r8 r16 r32
  r64 r128 r256 r512 r1024 s1024
}

\new Staff \relative c {
  \omit Score.TimeSignature
  \cadenzaOn

  \override Staff.Rest.style = #'mensural
  <>^\markup \typewriter { mensural } \restsA \bar "" \break

  \override Staff.Rest.style = #'neomensural
  <>^\markup \typewriter { neomensural } \restsA \bar "" \break

  \override Staff.Rest.style = #'classical
  <>^\markup \typewriter { classical } \restsB \bar "" \break

  \override Staff.Rest.style = #'z
  <>^\markup \typewriter { z-style } \restsB \bar "" \break

  \override Staff.Rest.style = #'default
  <>^\markup \typewriter { default } \restsB \bar "" \break
}

\paper {
  indent = 0
  tagline = ##f
}

\relative c'' {
  c4 c s c |
  s2 c |
}

<<
  {
    a'2 \skip2 a'2 a'2
  }
  \new Lyrics {
    \lyricmode {
      foo2 \skip 1 bla2
    }
  }
>>

<<
  {
    \repeat unfold 8 { a'4 }
  }
  {
    a'4 \skip 2 a' |
    s2 a'
  }
>>

{ s1 s s }

% This is valid input, but does nothing
{ \skip 1 \skip1 \skip 1 }

% Rest measures contracted to single measure
\compressMMRests {
  R1*4
  R1*24
  R1*4
  b'2^"Tutti" b'4 a'4
}

\compressMMRests {
  \time 2/4
  R1 | R2 |
  \time 3/4
  R2. | R2.*2 |
  \time 13/8
  R1*13/8 | R1*13/8*12 |
  \time 10/8
  R4*5*4 |
}

\time 4/4
R1 |
\time 6/4
R1*3/2 |
\time 8/4
R1*2 |

\compressMMRests {
  \time 3/4
  R2.*10^\markup { \italic "ad lib." }
}

% This fails, as the wrong object name is specified
\override TextScript.padding = #5
\override Script.color = #blue
R1^"wrong"
R1\fermata
% This is the correct object name to be specified
\override MultiMeasureRestText.padding = #5
\override MultiMeasureRestScript.color = #blue
R1^"right"
R1\fermata

\relative c' {
  \compressEmptyMeasures
  R1*2 R1*4 R1*64 R1*16
  \override Staff.MultiMeasureRest.space-increment = 2.5
  R1*2 R1*4 R1*64 R1*16
}

\paper { tagline = ##f }

\relative c'' {
  % Multi-measure rests by default are set under the fourth line
  R1
  % They can be moved using an override
  \override MultiMeasureRest.staff-position = -2
  R1
  \override MultiMeasureRest.staff-position = 0
  R1
  \override MultiMeasureRest.staff-position = 2
  R1
  \override MultiMeasureRest.staff-position = 3
  R1
  \override MultiMeasureRest.staff-position = 6
  R1
  \revert MultiMeasureRest.staff-position
  \break

  % In two Voices, odd-numbered voices are under the top line
  << { R1 } \\ { a1 } >>
  % Even-numbered voices are under the bottom line
  << { a1 } \\ { R1 } >>
  % Multi-measure rests in both voices remain separate
  << { R1 } \\ { R1 } >>

  % Separating multi-measure rests in more than two voices
  % requires an override
  << { R1 } \\ { R1 } \\
     \once \override MultiMeasureRest.staff-position = 0
     { R1 }
  >>

  % Using compressed bars in multiple voices requires another override
  % in all voices to avoid multiple instances being printed
  \compressMMRests
  <<
   \revert MultiMeasureRest.direction
    { R1*3 }
    \\
   \revert MultiMeasureRest.direction
    { R1*3 }
  >>
}

\relative c' {
  \compressMMRests {
    \textLengthOn
    <>^\markup { [MAJOR GENERAL] }
    R1*19
    <>_\markup { \italic { Cue: ... it is yours } }
    <>^\markup { A }
    R1*30^\markup { [MABEL] }
    \textLengthOff
    c4^\markup { CHORUS } d f c
  }
}

\time 2/4 c''2
\time 3/4 c''2.

\relative c'' {
  \time 2/4
  c2 c
  \break
  c c
  \break
  \time 4/4
  c c c c
}

\relative c'' {
  % Default style
  \time 4/4 c1
  \time 2/2 c1
  % Change to numeric style
  \numericTimeSignature
  \time 4/4 c1
  \time 2/2 c1
  % Revert to default style
  \defaultTimeSignature
  \time 4/4 c1
  \time 2/2 c1
}

\score {
  \new Staff {
    \relative {
      \time 2,2,3 7/8
      \repeat unfold 7 { c'8 } |
      \time 3,2,2 7/8
      \repeat unfold 7 { c8 } |
    }
  }
}

\score {
  \new Staff {
    \relative c' {
      \overrideTimeSignatureSettings
        4/4        % timeSignatureFraction
        1/4        % baseMoment
        3,1        % beatStructure
        #'()       % beamExceptions
      \time 4/4
      \repeat unfold 8 { c8 } |
    }
  }
}

\score {
  \relative {
    \repeat unfold 8 { c'8 } |
    \overrideTimeSignatureSettings
      4/4        % timeSignatureFraction
      1/4        % baseMoment
      3,1        % beatStructure
      #'()       % beamExceptions
    \time 4/4
    \repeat unfold 8 { c8 } |
    \revertTimeSignatureSettings 4/4
    \time 4/4
    \repeat unfold 8 { c8 } |
  }
}

\score {
  \new StaffGroup <<
     \new Staff {
        \overrideTimeSignatureSettings
          4/4        % timeSignatureFraction
          1/4        % baseMoment
          3,1        % beatStructure
          #'()       % beamExceptions
        \time 4/4
        \repeat unfold 8 {c''8}
     }
     \new Staff {
        \overrideTimeSignatureSettings
          4/4        % timeSignatureFraction
          1/4        % baseMoment
          1,3        % beatStructure
          #'()       % beamExceptions
        \time 4/4
        \repeat unfold 8 {c''8}
     }
  >>
  \layout {
    \context {
      \Score
      \remove Timing_translator
    }
    \context {
      \Staff
      \consists Timing_translator
    }
  }
}

\relative c'' {
  \time 3/4
  c4 c c
  % Change the style permanently
  \override Staff.TimeSignature.style = #'single-number
  \time 2/4
  c4 c
  \time 3/4
  c4 c c
  % Revert to default style:
  \revert Staff.TimeSignature.style
  \time 2/4
  c4 c
  % single-number style only for the next time signature
  \once \override Staff.TimeSignature.style = #'single-number
  \time 5/4
  c4 c c c c
  \time 2/4
  c4 c
}

\relative {
  \tempo 4 = 120
  c'2 d
  e4. d8 c2
}

\relative {
  \tempo 4 = 40 - 46
  c'4. e8 a4 g
  b,2 d4 r
}

\relative {
  \tempo "Allegretto"
    c''4 e d c
    b4. a16 b c4 r4
}

\relative {
  \tempo "Allegro" 4 = 160
  g'4 c d e
  d4 b g2
}

\relative {
  \tempo \markup { \italic Faster } 4 = 132
  a'8-. r8 b-. r gis-. r a-. r
}

\relative {
  \tempo "" 8 = 96
  d''4 g e c
}

\compressMMRests {
  \markLengthOn
  \tempo "Molto vivace"
  R1*12
  \tempo "Meno mosso"
  R1*16
  \markLengthOff
  \tempo "Tranquillo"
  R1*20
}

\layout {
  indent = 0
  ragged-right = ##f
}

{
  % Metronome marks below the staff
  \override Score.MetronomeMark.direction = #DOWN
  \tempo 8. = 120
  c''1

  % Rehearsal marks below the staff
  \override Score.RehearsalMark.direction = #DOWN
  \mark \default
  c''1
}

\score {
  \new Staff \relative c' {
    \tempo 4 = 160
    c4 e g b
    c4 b d c
    \set Score.tempoHideNote = ##t
    \tempo 4 = 96
    d,4 fis a cis
    d4 cis e d
  }
  \layout { }
  \midi { }
}

\relative c' {
  \tempo \markup {
    \concat {
      (
      \smaller \general-align #Y #DOWN \note { 16. } #UP
      " = "
      \smaller \general-align #Y #DOWN \note { 8 } #UP
      )
    }
  }
  c1
  c4 c' c,2
}

\partial duración

\relative {
  \time 3/4
  \partial 4.
  r4 e'8 | a4 c8 b c4 |
}

\relative {
  \set Score.barNumberVisibility = #all-bar-numbers-visible
  \override Score.BarNumber.break-visibility =
	    #end-of-line-invisible
  \time 9/8
  d''4.~ 4 d8 d( c) b | c4.~ 4. \bar "||"
  \time 12/8
  \partial 4.
  c8( d) e | f2.~ 4 f8 a,( c) f |
}

\relative {
  \set Score.barNumberVisibility = #all-bar-numbers-visible
  \override Score.BarNumber.break-visibility =
	    #end-of-line-invisible
  \time 6/8
  \partial 8
  e'8 | a4 c8 b[ c b] |
  \partial 4
  r8 e,8 | a4 \bar "||"
  \partial 4
  r8 e8 | a4
  c8 b[ c b] |
}

\relative c'' {
  c4 d e d
  \cadenzaOn
  c4 c d8[ d d] f4 g4.
  \cadenzaOff
  \bar "|"
  d4 e d c
}

\relative c'' {
  % Show all bar numbers
  \override Score.BarNumber.break-visibility = #all-visible
  c4 d e d
  \cadenzaOn
  c4 c d8[ d d] f4 g4.
  \cadenzaOff
  \bar "|"
  d4 e d c
}

\relative c'' {
  c4 d e d
  \cadenzaOn
  cis4 d cis d
  \bar "|"
  % First cis is printed without alteration even if it's after a \bar
  cis4 d cis! d
  \cadenzaOff
  \bar "|"
}

\relative {
  \repeat unfold 8 { c''8 }
  \cadenzaOn
  cis8 c c c c
  \bar"|"
  c8 c c
  \cadenzaOff
  \repeat unfold 8 { c8 }
}

\bar ""

\relative <<
  \new Staff {
    \time 3/4
    c'4 c c |
    c4 c c |
  }
  \new Staff {
    \time 3/4
    \set Staff.timeSignatureFraction = 9/8
    \scaleDurations 2/3 {
      \repeat unfold 3 { c8[ c c] }
      \repeat unfold 3 { c4 c8 }
    }
  }
  \new Staff {
    \time 3/4
    \set Staff.timeSignatureFraction = 10/8
    \scaleDurations 3/5 {
      \repeat unfold 2 { c8[ c c] }
      \repeat unfold 2 { c8[ c] } |
      c4. c \tuplet 3/2 { c8[ c c] } c4
    }
  }
>>

\layout {
  \context {
    \Score
    \remove Timing_translator
  }
  \context {
    \Staff
    \consists Timing_translator
  }
}

% Now each staff has its own time signature.

\relative <<
  \new Staff {
    \time 3/4
    c'4 c c |
    c4 c c |
  }
  \new Staff {
    \time 2/4
    c4 c |
    c4 c |
    c4 c |
  }
  \new Staff {
    \time 3/8
    c4. |
    c8 c c |
    c4. |
    c8 c c |
  }
>>

\compoundMeter #'(lista de listas)

\relative {
  \compoundMeter #'((2 2 2 8))
  \repeat unfold 6 c'8 \repeat unfold 12 c16
}

\relative {
  \compoundMeter #'((1 4) (3 8))
  \repeat unfold 5 c'8 \repeat unfold 10 c16
}

\relative {
  \compoundMeter #'((1 2 3 8) (3 4))
  \repeat unfold 12 c'8
}

\midi {
  \context {
    \Score
    \remove Timing_translator
  }
  \context {
     \Staff
     \consists Timing_translator
  }
}

\new Voice \with {
  \remove Note_heads_engraver
  \consists Completion_heads_engraver
  \remove Rest_engraver
  \consists Completion_rest_engraver
}
\relative {
  c'2. c8 d4 e f g a b c8 c2 b4 a g16 f4 e d c8. c2 r1*2
}

\new Voice \with {
  \remove Note_heads_engraver
  \consists Completion_heads_engraver
} \relative {
  \time 9/8 g\breve. d''4. \bar "||"
  \set completionUnit = \musicLength 4.
  g\breve. d4.
}

\new Voice \with {
  \remove Note_heads_engraver
  \consists Completion_heads_engraver
} \relative {
  \time 2/4 r4
  \tuplet 3/2 {g'4 a b}
  \scaleDurations 2/3 {g a b}
  g4*2/3 a b
  \tuplet 3/2 {g4 a b}
  r4
}

<<
  \new RhythmicStaff {
    \new Voice = "myRhythm" \relative {
      \time 4/4
      c'4 e8 f g2
      r4 g g f
      g1
    }
  }
  \new Lyrics {
    \lyricsto "myRhythm" {
      This is my song
      I like to sing
    }
  }
>>

<<
  \new ChordNames {
    \chordmode {
      c1 f g c
    }
  }
  \new Voice \with {
    \consists Pitch_squash_engraver
  } \relative c'' {
    \improvisationOn
    c4 c8 c c4 c8 c
    f4 f8 f f4 f8 f
    g4 g8 g g4 g8 g
    c4 c8 c c4 c8 c
  }
>>

\new RhythmicStaff {
  \time 4/4
  \reduceChords {
    <c>2
    <e>2
    <c e g>2
    <c e g>4
    <c e g>4
  }
}

\include "predefined-guitar-fretboards.ly"
<<
  \new ChordNames {
    \chordmode {
      c1 | f | g | c
    }
  }
  \new FretBoards {
    \chordmode {
      c1 | f | g | c
    }
  }
  \new Voice \with {
    \consists "Pitch_squash_engraver"
  } {
    \relative c'' {
      \improvisationOn
      c4 c8 c c4 c8 c
      f4 f8 f f4 f8 f
      g4 g8 g g4 g8 g
      c4 c8 c c4 c8 c
    }
  }
  \new Voice = "melody" {
    \relative c'' {
      c2 e4 e4
      f2. r4
      g2. a4
      e4 c2.
    }
  }
  \new Lyrics {
    \lyricsto "melody" {
      This is my song.
      I like to sing.
    }
  }
>>

\relative c'' {
  \time 2/4 c8 c c c
  \time 6/8 c8 c c c8. c16 c8
}

\relative c' {
  c4 c8 c8. c16 c8. c16 c8
  \autoBeamOff
  c4 c8 c8. c16 c8.
  \autoBeamOn
  c16 c8
}

\relative c'' {
  \override Beam.breakable = ##t
  c8 c[ c] c[ c] c[ c] c[ \break
  c8] c[ c] c[ c] c[ c] c
}

\paper { tagline = ##f }

{
  f8 f''8 f8 f''8
  \override Beam.auto-knee-gap = 6
  f8 f''8 f8 f''8
}

{
  % \set Staff.autoBeaming = ##f % turns off all auto-beaming

  \partCombine {
    \autoBeamOff   % applies to split up-stems
    \repeat unfold 4 a'16
    % \autoBeamOff % applies to combined stems
    \repeat unfold 4 a'8
    \repeat unfold 4 a'16
    % \autoBeamOff % applies to solo
    \repeat unfold 4 a'16
    r4
  } {
    % \autoBeamOff % applies to split down-stems
    \repeat unfold 4 f'8
    \repeat unfold 8 f'16 |
    r4
    \repeat unfold 4 a'16
  }
}

\set Timing.beamExceptions = #'()

\relative c'' {
  \time 5/16
  c16^"default" c c c c |
  % beamExceptions are unlikely to be defined for 5/16 time,
  % but let's disable them anyway to be sure
  \set Timing.beamExceptions = #'()
  \set Timing.beatStructure = 2,3
  c16^"(2+3)" c c c c |
  \set Timing.beatStructure = 3,2
  c16^"(3+2)" c c c c |
}

\relative {
  \time 4/4
  a'8^"default" a a a a a a a
  % Disable beamExceptions because they are definitely
  % defined for 4/4 time
  \set Timing.beamExceptions = #'()
  \set Timing.baseMoment = \musicLength 4
  \set Timing.beatStructure = 1,1,1,1
  a8^"changed" a a a a a a a
}

\new Staff {
  \time 7/8
  % No need to disable beamExceptions
  % as they are not defined for 7/8 time
  \set Staff.beatStructure = 2,3,2
  <<
    \new Voice = one {
      \relative {
        a'8 a a a a a a
      }
    }
    \new Voice = two {
      \relative {
        \voiceTwo
        \set Voice.beatStructure = 1,3,3
        f'8 f f f f f f
      }
    }
  >>
}

\time 7/8
% rhythm 3-1-1-2
% Change applied to Voice by default --  does not work correctly
% Because of autogenerated voices, all beating will
% be at baseMoment (1 . 8)
\set beatStructure = 3,1,1,2
<< \relative {a'8 a a a16 a a a a8 a} \\ \relative {f'4. f8 f f f} >>

% Works correctly with context Staff specified
\set Staff.beatStructure = 3,1,1,2
<< \relative {a'8 a a a16 a a a a8 a} \\ \relative {f'4. f8 f f f} >>

\time 5/8
% No need to disable beamExceptions
% as they are not defined for 5/8 time
\set Timing.baseMoment = \musicLength 16
\set Timing.beatStructure = 7,3
\repeat unfold 10 { a'16 }

\relative c'' {
  \time 3/16
  \set Timing.beatStructure = 2,1
  \set Timing.beamExceptions =
    \beamExceptions { 32[ 32] 32[ 32] 32[ 32] }
  c16 c c |
  \repeat unfold 6 { c32 } |
}

\relative a' {
  \time 6/8
  \repeat unfold 6 { a8 }
  % group (4 + 2)
  \set Timing.beatStructure = 4,2
  \repeat unfold 6 { a8 }
  % go back to default behavior
  \time 6/8
  \repeat unfold 6 { a8 }
}

\time 4/4
\set Timing.baseMoment = \musicLength 8
\set Timing.beatStructure = 3,3,2
% This won't beam (3 3 2) because of beamExceptions
\repeat unfold 8 {c''8} |
% This will beam (3 3 2) because we clear beamExceptions
\set Timing.beamExceptions = #'()
\repeat unfold 8 {c''8}

\time 3/4
% by default we beam in (6) due to beamExceptions
\repeat unfold 6 {a'8} |
% This will beam (1 1 1) due to default baseMoment and beatStructure
\set Timing.beamExceptions = #'()
\repeat unfold 6 {a'8}

\relative a' {
  \time 3/4
  r4. a8 a a |
  \set Timing.beamHalfMeasure = ##f
  r4. a8 a a |
}

\relative c'' {
  c32[ c c c c c c c]

  \set subdivideBeams = ##t
  c32[ c c c c c c c]

  % Set minimum beam subdivision interval to 1/8 just for this beam
  \once \set minimumBeamSubdivisionInterval = \musicLength 8
  c32[ c c c c c c c]

  % Set maximum beam subdivision interval to 1/16 just for this beam
  \once \set maximumBeamSubdivisionInterval = \musicLength 16
  c32[ c c c c c c c]

  % Set maximum beam subdivision interval to 3/8 just for this beam
  \once \set maximumBeamSubdivisionInterval = \musicLength 8*3
  [ \repeat unfold 16 c64 ] r2.

  % Set maximum beam subdivision interval to 1/64 to limit subdivision depth,
  % despite not being metrically correct
  \once \set minimumBeamSubdivisionInterval = \musicLength 32
  \once \set maximumBeamSubdivisionInterval = \musicLength 64
  [ \repeat unfold 32 c128 ] r2.

  % Shorten beam by 1/32
  c32[ c c c c c c] r32

  % Shorten beam by 3/32
  c32[ c c c c] r16.

  % Respect the incomplete beams of the previous two examples
  \set respectIncompleteBeams = ##t
  c32[ c c c c c c] r32
  % no visual change here as last two stems are exempt from this
  % special rule
  c32[ c c c c] r16.
}

\relative c'' {
  \time 6/8
  a8. a16 a a
  \set strictBeatBeaming = ##t
  a8. a16 a a
}

\score {
  \new Voice \relative c'' {
    \time 9/8
    g8 g d d g g a( bes g) |
    \set Timing.beatStructure = 2,2,2,3
    g8 g d d g g a( bes g) |
    \time 4,5 9/8
    g8 g d d g g a( bes g) |
    \time 5/8
    a4. g4 |
  }
  \layout {
    \context {
      \Staff
      \consists "Measure_grouping_engraver"
    }
  }
}

\relative c'' {
  \time 5/4
  % Set default beaming for all staves
  \set Score.baseMoment = \musicLength 8
  \set Score.beatStructure = 3,4,3
  <<
    \new Staff {
      c8 c c c c c c c c c
    }
    \new Staff {
      % Modify beaming for just this staff
      \set Staff.beatStructure = 6,4
      c8 c c c c c c c c c
    }
    \new Staff {
      % Inherit beaming from Score context
      <<
        {
          \voiceOne
          c8 c c c c c c c c c
        }
        % Modify beaming for this voice only
        \new Voice {
          \voiceTwo
          \set Voice.beatStructure = 6,4
          a8 a a a a a a a a a
        }
      >>
    }
  >>
}

<<
  \new Staff {
    \time 3/4
    \set Timing.baseMoment = \musicLength 8
    \set Timing.beatStructure = 1,5
    \set Timing.beamExceptions = #'()
    \repeat unfold 6 { a'8 }
  }
  \new Staff {
    \repeat unfold 6 { a'8 }
  }
>>

<<
  \new Staff {
    \overrideTimeSignatureSettings
      3/4               % timeSignatureFraction
      1/8               % baseMoment
      1,5               % beatStructure
      #'()		% beamExceptions
    \time 3/4
    \repeat unfold 6 { a'8 }
  }
  \new Staff {
    \time 3/4
    \repeat unfold 6 { a'8 }
  }
>>

\relative { r4 r8[ g' a r] r g[ | a] r }

\relative { c''8^[ d e] c,_[ d e f g] }

\relative {
  \time 2/4
  c''8 c\noBeam c c
}

\relative {
  c''4 d8[
  \grace { e32 d c d }
  e8] e[ e
  \grace { f16 }
  e8 e]
}

\relative a' {
  a8[ r16 f g a]
  a8[ r16
  \set stemLeftBeamCount = #2
  \set stemRightBeamCount = #1
  f16
  \set stemLeftBeamCount = #1
  g16 a]
}

\score {
  <<
    % Example 1
    \new RhythmicStaff {
      \set stemLeftBeamCount = 0
      c16[]
      r8.
    }
    % Example 2
    \new RhythmicStaff {
      r8.
      \set stemRightBeamCount = 0
      16[]
    }
    % Example 3
    \new RhythmicStaff {
      16 16
      \set stemRightBeamCount = 2
      16 r r
      \set stemLeftBeamCount = 2
      16 16 16
    }
    % Example 4
    \new RhythmicStaff {
      16 16
      \set stemRightBeamCount = 2
      16 r16
      16[]
      r16
      \set stemLeftBeamCount = 2
      16 16
    }
  >>
}

\relative c' {
  \override Beam.grow-direction = #LEFT
  \featherDurations 2/1
  { c16[ c c c c c c c] }
  \override Beam.grow-direction = #RIGHT
  \featherDurations 2/3
  { c32[ d e f] }
  % revert to non-feathered beams
  \override Beam.grow-direction = #'()
  { g32[ a b c] }
}

\relative { e'4 d c2 \bar "|." }

\bar ""

\relative {
  f'1 \bar "|"
  f1 \bar "."
  g1 \bar "||"
  a1 \bar ".|"
  b1 \bar ".."
  c1 \bar "|.|"
  d1 \bar "|."
  e1
}

\relative {
  f'1 \bar ";"
  g1 \bar "!"
  a1
}

\relative {
  f'1 \bar ".|:"
  g1 \bar ":..:"
  a1 \bar ":|.|:"
  b1 \bar ":|.:"
  c1 \bar ":.|.:"
  d1 \bar "[|:"
  e1 \bar ":|][|:"
  f1 \bar ":|]"
  g1 \bar ":|."
  a1
}

f'1 \bar "'" g'1

f'1 \bar "k"

\fixed c' {
  c4 4 4 4
  \bar "S"
  d4 4 4 4 \break
  \bar "S"
  e4 4 4 4
  \bar "S-|"
  f4 4 4 4 \break
  \bar "S-|"
  g4 4 4 4
  \bar "S-||"
  a4 4 4 4 \break
  \bar "S-||"
  b4 4 4 4
  \bar "S-S"
  c'4 4 4 4 \break
  \bar "S-S"
  d'1
}

\fixed c' {
  c4 4 4 4
  \bar ".|:"
  d4 4 4 4 \break
  \bar ".|:"
  e4 4 4 4
  \bar ".|:-|"
  f4 4 4 4 \break
  \bar ".|:-|"
  g4 4 4 4
  \bar ".|:-||"
  a4 4 4 4 \break
  \bar ".|:-||"
  b4 4 4 4
  \bar ".|:-|."
  c'4 4 4 4 \break
  \bar ".|:-|."
  d'4 4 4 4
}

\fixed c' {
  g,4 4 4 4
  \bar ":|.S"
  a,4 4 4 4 \break
  \bar ":|.S"
  b,4 4 4 4
  \bar ":|.S-S"
  c4 4 4 4 \break
  \bar ":|.S-S"
  d4 4 4 4
  \bar "S.|:-S"
  e4 4 4 4 \break
  \bar "S.|:-S"
  f4 4 4 4
  \bar "S.|:"
  g4 4 4 4 \break
  \bar "S.|:"
  a4 4 4 4
  \bar "S.|:-|"
  b4 4 4 4 \break
  \bar "S.|:-|"
  c'4 4 4 4
  \bar "S.|:-||"
  d'4 4 4 4 \break
  \bar "S.|:-||"
  e'4 4 4 4
  \bar ":|.S.|:"
  f'4 4 4 4 \break
  \bar ":|.S.|:"
  g'4 4 4 4
  \bar ":|.S.|:-S"
  a'4 4 4 4 \break
  \bar ":|.S.|:-S"
  b'1
}

\defineBarLine tipo_de_barra #'(final comienzo extensión)

\defineBarLine ":" #'("" ":" "")
\defineBarLine "=" #'("=" "" "")
\defineBarLine "[" #'("" "[" "")
\defineBarLine "]" #'("]" "" "")

\new Staff {
  s1 \bar "|"
  s1 \bar "."
  s1 \bar "!"
  s1 \bar ";"
  s1 \bar ":"
  s1 \bar "k"
  s1 \bar "S"
  s1 \bar "="
  s1 \bar "["
  s1 \bar "]"
  s1 \bar ""
}

\defineBarLine "||-dashedSpan" #'("||" "" "!!")

\new StaffGroup <<
  \new Staff \relative c'' {
    c1 \bar "||"
    c1 \bar "||-dashedSpan"
    c1
  }
  \new Staff \relative c'' {
    c1
    c1
    c1
  }
>>

\defineBarLine ":|.-wrong" #'(":|." "" "|.")
\defineBarLine ":|.-right" #'(":|." "" " |.")

\new StaffGroup <<
  \new Staff \relative c'' {
    c1 \bar ":|.-wrong"
    c1 \bar ":|.-right"
    c1
  }
  \new Staff \relative c'' {
    c1
    c1
    c1
  }
>>

\defineBarLine "||-dashEverywhere" #'("!!" "!!" "!!")
\defineBarLine "||-advancedDashSpan" #'("||-dashEverywhere" "" "!!")

\new StaffGroup <<
  \new Staff \relative c'' {
    c1 \bar "||"
    c1 \bar "||-advancedDashSpan"
    c1 \bar "||-advancedDashSpan"
  }
  \new Staff \relative c'' {
    c1
    c1
    c1
  }
>>

<<
  \new StaffGroup <<
    \new Staff \relative {
      e'4 d
      \bar "||"
      f4 e
    }
    \new Staff \relative { \clef bass c'4 g e g }
  >>
  \new Staff \relative { \clef bass c'2 c2 }
>>

\relative c' {
  c1 c c c
  \break
  \set Score.currentBarNumber = #50
  c1 c c c
}

\relative c' {
  \override Score.BarNumber.break-visibility = ##(#t #t #t)
  \set Score.currentBarNumber = #11
  % Permit first bar number to be printed
  \bar ""
  c1 | c | c | c |
  \break
  c1 | c | c | c |
}

\layout {
  indent = 0
  ragged-right = ##t
}

\relative c' {
  \set Score.barNumberVisibility = #all-bar-numbers-visible
  c1 | d | e | f \break
  g1 | e | d | c
}

\relative c' {
  \override Score.BarNumber.break-visibility = #end-of-line-invisible
  \set Score.currentBarNumber = 11
  % Print a bar number every second measure
  \set Score.barNumberVisibility = #(every-nth-bar-number-visible 2)
  c1 | c | c | c | c
  \break
  c1 | c | c | c | c
}

\paper { tagline = ##f }

\relative c' {
  \override Score.BarNumber.break-visibility = #end-of-line-invisible
  \context Score \applyContext #(set-bar-number-visibility 4)
  \repeat unfold 10 c'1
  \context Score \applyContext #(set-bar-number-visibility 2)
  \repeat unfold 10 c
}

\paper { tagline = ##f }

\relative c' {
  % Prevent bar numbers at the end of a line and permit them elsewhere
  \override Score.BarNumber.break-visibility = #end-of-line-invisible
  \set Score.barNumberVisibility = #(every-nth-bar-number-visible 4)

  % Increase the size of the bar number by 2
  \override Score.BarNumber.font-size = 2

  % Draw a box round the following bar number(s)
  \override Score.BarNumber.stencil
    = #(make-stencil-boxer 0.1 0.25 ly:text-interface::print)
  \repeat unfold 5 { c1 }

  % Draw a circle round the following bar number(s)
  \override Score.BarNumber.stencil
    = #(make-stencil-circler 0.1 0.25 ly:text-interface::print)
  \repeat unfold 4 { c1 } \bar "|."
}

music = \relative c' {
  \repeat volta 3 {
    c4 d e f |
    \alternative {
      \volta 1 { c4 d e f | c2 d \break }
      \volta 2 { f4 g a b | f4 g a b | f2 a | \break }
      \volta 3 { c4 d e f | c2 d } } }
  c1 \bar "|."
}

\markup "default"
{
  \music
}

\markup \typewriter "'numbers"
{
  \set Score.alternativeNumberingStyle = #'numbers
  \music
}

\markup \typewriter "'numbers-with-letters"
{
  \set Score.alternativeNumberingStyle = #'numbers-with-letters
  \music
}

\paper { tagline = ##f }

\relative c' {
  \set Score.currentBarNumber = 111
  \override Score.BarNumber.break-visibility = #all-visible
  % Increase the size of the bar number by 2
  \override Score.BarNumber.font-size = 2
  % Print a bar number every second measure
  \set Score.barNumberVisibility = #(every-nth-bar-number-visible 2)
  c1 | c1
  % Center-align bar numbers
  \override Score.BarNumber.self-alignment-X = #CENTER
  c1 | c1
  % Left-align bar numbers
  \override Score.BarNumber.self-alignment-X = #LEFT
  c1 | c1
}

\layout {
  \context {
    \Score
    \omit BarNumber
    % or:
    %\remove "Bar_number_engraver"
  }
}

\relative c'' {
  c4 c c c \break
  c4 c c c
}

\paper { tagline = ##f }

\time 3/4 c2 e4 | g2 |

\lyricmode {
  \time 2/4
  Twin -- kle | Twin -- kle |
}

"|" = \bar "||"
{
  c'2 c' |
  c'2 c'
  c'2 | c'
  c'2 c'
}

\barNumberCheck #123

\relative c'' {
  c1 \mark \default
  c1 \mark \default
  c1 \mark \default
  c1 \mark \default
}

\relative c'' {
  c1 \mark \default
  c1 \mark \default
  c1 \mark #8
  c1 \mark \default
  c1 \mark \default
}

\set Score.rehearsalMarkFormatter = #format-mark-alphabet
\set Score.rehearsalMarkFormatter = #format-mark-box-alphabet
\set Score.rehearsalMarkFormatter = #format-mark-circle-alphabet

\relative c'' {
  \set Score.rehearsalMarkFormatter = #format-mark-box-alphabet
  c1 \mark \default
  c1 \mark \default
  c1 \mark #8
  c1 \mark \default
  c1 \mark \default
}

\relative c'' {
  \set Score.rehearsalMarkFormatter = #format-mark-numbers
  c1 \mark \default
  c1 \mark \default
  \set Score.rehearsalMarkFormatter = #format-mark-box-numbers
  c1 \mark \default
  \set Score.rehearsalMarkFormatter = #format-mark-circle-numbers
  c1 \mark \default
  \set Score.rehearsalMarkFormatter = #format-mark-circle-letters
  c1
}

\mark "A1"

\mark \markup { \box A1 }

\relative c' {
  c1 \mark \markup { \musicglyph "scripts.segno" }
  c1 \mark \markup { \musicglyph "scripts.coda" }
  c1 \mark \markup { \musicglyph "scripts.ufermata" }
  c1
}

\relative {
  c''4 \grace b16 a4(
  \grace { b16 c16 } a2)
}

\relative {
  \acciaccatura d''8 c4
  \appoggiatura e8 d4
  \acciaccatura { g16 f } e2
  \slashedGrace a,8 g4
  \slashedGrace b16 a4(
  \slashedGrace b8 a2)
}

<<
  \new Staff \relative { e''2 \grace { c16 d e f } e2 }
  \new Staff \relative { c''2 \grace { g8 b } c2 }
>>

\relative { c''1 \afterGrace d1 { c16[ d] } c1 }

afterGraceFraction = 3/4

<<
  \new Staff \relative {
    c''1 \afterGrace d1 { c16[ d] } c1
  }
  \new Staff \relative {
    c''1 \afterGrace 15/16 d1 { c16[ d] } c1
  }
  \new Staff \relative {
    c''1 \afterGrace 1/2 d1 { c16[ d] } c1
  }
>>

\new Voice \relative {
  <<
    { d''1^\trill_( }
    { s2 s4. \grace { c16 d } }
  >>
  c1)
}

\new Voice \relative {
  \acciaccatura {
    \stemDown
    f''16->
    \stemNeutral
  }
  g4 e c2
}

\relative c'' {
  \override Flag.stroke-style = "grace"
  c8( d2) e8( f4)
}

\relative c'' {
  \new Staff {
    $(remove-grace-property 'Voice 'Stem 'direction)
    $(add-grace-property 'Voice 'NoteHead 'style 'cross)
    \new Voice {
       \acciaccatura { f16 } g4
       \grace { d16 e } f4
       \appoggiatura { f,32 g a } e2
    }
  }
}

startAcciaccaturaMusic = {
  <>(
  \override Flag.stroke-style = "grace"
  \slurDashed
}

stopAcciaccaturaMusic = {
  \revert Flag.stroke-style
  \slurSolid
  <>)
}

\relative c'' {
  \acciaccatura d8 c1
}

\relative c'' {
  <<
    \override Score.SpacingSpanner.strict-grace-spacing = ##t
    \new Staff \new Voice {
      \afterGrace c4 { c16[ c8 c16] }
      c8[ \grace { b16 d } c8]
      c4 r
    }
    \new Staff {
      c16 c c c c c c c c4 r
    }
  >>
}

<<
  \new Staff \relative { e''4 \section \grace c16 d2. }
  \new Staff \relative { c''4 \section d2. }
>>

<<
  \new Staff \relative { e''4 \section \grace c16 d2. }
  \new Staff \relative { c''4 \section \grace s16 d2. }
>>

c'8 \acciaccatura { c'8[ d' e' f' g'] }

c'8 \acciaccatura { c'16[ d' e' f' g'] }

c'8 \acciaccatura { \scaleDurations 1/2 { c'8[ d' e' f' g'] } }

MyCadenza = \relative {
  c'4 d8 e f g g4
  f2 g4 g
}

\new GrandStaff <<
  \new Staff {
    \MyCadenza c'1
    \MyCadenza c'1
  }
  \new Staff {
    #(mmrest-of-length MyCadenza)
    c'1
    #(skip-of-length MyCadenza)
    c'1
  }
>>

\new Voice \relative {
  \set Timing.measureLength = \musicLength 4*5
  c'1 c4 |
  c1 c4 |
  c4 c
  \set Timing.measurePosition = \musicLength 8*5
  b4 b b8 |
  c4 c1 |
}

nota\nombre

\relative {
  c''4\staccato c\mordent b2\turn
  c1\fermata
}

\relative {
  c''4-^ c-+ c-- c-!
  c4-> c-. c2-_
}

\override Script.color = #red
\override MultiMeasureRestScript.color = #blue
a'2\fermata r\fermata
R1\fermata

\paper { tagline = ##f }

\relative c'' { c1-+ }

dashPlus = \trill

\relative c'' { c1-+ }

\relative c''' {
  \once \override TextScript.script-priority = -100
  a2^\prall^\markup { \sharp }

  \once \override Script.script-priority = -100
  a2^\prall^\markup { \sharp }

  \set fingeringOrientations = #'(up)
  <c-2 a-1>2
  <a-1 c\tweak script-priority -100 -2>2
}

\relative c'' {
  \after 2*2/3 \turn c2( d4) r |
  \after 4 \turn c4.( d8)
  \after 4
  {
    \once \set suggestAccidentals = ##t
    \once \override AccidentalSuggestion.outside-staff-priority = ##f
    \once \override AccidentalSuggestion.avoid-slur = #'inside
    \once \override AccidentalSuggestion.font-size = -3
    \once \override AccidentalSuggestion.script-priority = -1
    \once \hideNotes
    cis8\turn \noBeam
  }
  d4.( e8)
}

\relative c'' {
  c2\ppp c\mp
  c2\rfz c^\mf
  c2_\spp c^\ff
}

\relative c'' {
  c2\< c\!
  d2\< d\f
  e2\< e\>
  f2\> f\!
  e2\> e\mp
  d2\> d\>
  c1\!
}

\relative {
  c''1\< | c4 a c\< a | c4 a c\! a\< | c4 a c a\!
}

\relative {
  c''1\< | c4 a c\mf a | c1\< | c4 a c\ffff a
}

\relative {
  c''4\< c\! d\> e\!
  << f1 { s4 s4\< s4\> s4\! } >>
}

\relative {
  c''2 b4 a
  g1\espressivo
}

\relative {
  g'8\cresc a b c b c d e\mf |
  f8\decresc e d c e\> d c b |
  a1\dim ~ |
  a2. r4\! |
}

\relative c'' {
  \crescTextCresc
  c4\< d e f\! |
  \dimTextDecresc
  g4\> e d c\! |
  \dimTextDecr
  e4\> d c b\! |
  \dimTextDim
  d4\> c b a\! |
  \crescHairpin
  \dimHairpin
  c4\< d\! e\> d\! |
}

<<
  \new Staff \relative {
    c'2 d4 e |
    c4 e e,2 |
    g'4 a g a |
    c1 |
  }
  \new Dynamics {
    s1\< |
    s1\f |
    s2\dim s2-"rit." |
    s1\p |
  }
>>

\relative c'' {
  e4\< e2.
  e1\!
  \override Hairpin.to-barline = ##f
  e4\< e2.
  e1\!
}

<<
  {
    \after 4 \< \after 2 \> \after 2. \! f'1
    \override Hairpin.minimum-length = 8
    \after 4 \< \after 2 \> \after 2. \! f'1
  }
  {
    \repeat unfold 8 c'4
  }
>>

{
  c'1~\<
  c'2~ c'\!
  \once \override Hairpin.shorten-pair = #'(2 . 2)
  c'1~\<
  c'2~ c'\!
  \once \override Hairpin.shorten-pair = #'(-2 . -2)
  c'1~\<
  c'2~ c'\!
  c'1~\p-\tweak shorten-pair #'(2 . 0)\<
  c'2~ c'\ffff
}

\relative c'' {
  \override Hairpin.circled-tip = ##t
  c2\< c\!
  c4\> c\< c2\!
}

\paper { tagline = ##f }

\relative c'' {
  \override Hairpin.stencil = #flared-hairpin
  a4\< a a a\f
  a4\p\< a a a\ff
  a4\sfz\< a a a\!
  \override Hairpin.stencil = #constante-hairpin
  a4\< a a a\f
  a4\p\< a a a\ff
  a4\sfz\< a a a\!
  \override Hairpin.stencil = #flared-hairpin
  a4\> a a a\f
  a4\p\> a a a\ff
  a4\sfz\> a a a\!
  \override Hairpin.stencil = #constante-hairpin
  a4\> a a a\f
  a4\p\> a a a\ff
  a4\sfz\> a a a\!
}

music = \relative c' {
  a'2\p b\f
  e4\p f\f\> g, b\p
  c2^\markup { \huge gorgeous } c^\markup { \huge fantastic }
}

{
  \music
  \break
  \override DynamicLineSpanner.staff-padding = 3
  \textLengthOn
  \override TextScript.staff-padding = 1
  \music
}

\paper { tagline = ##f }

\relative c'' {
  \override DynamicTextSpanner.style = #'none
  \crescTextCresc
  c1\< | d | b | c\!
}

\relative c'' {
  \set crescendoText = \markup { \italic { cresc. poco } }
  \set crescendoSpanner = #'text
  \override DynamicTextSpanner.style = #'dotted-line
  a2\< a
  a2 a
  a2 a
  a2 a\mf
}

moltoF = \markup { molto \dynamic f }

\relative {
  <d' e>16_\moltoF <d e>
  <d e>2..
}

roundF = \markup {
    \center-align \concat { \bold { \italic ( }
           \dynamic f \bold { \italic ) } } }
boxF = \markup { \bracket { \dynamic f } }
\relative {
  c'1_\roundF
  c1_\boxF
}

sfzp = #(make-dynamic-script "sfzp")
\relative {
  c'4 c c\sfzp c
}

roundF = \markup { \center-align \concat {
           \normal-text { \bold { \italic ( } }
           \dynamic f
           \normal-text { \bold { \italic ) } } } }
boxF = \markup { \bracket { \dynamic f } }
mfEspress = \markup { \center-align \line {
              \hspace #3.7 mf \normal-text \italic espress. } }
roundFdynamic = #(make-dynamic-script roundF)
boxFdynamic = #(make-dynamic-script boxF)
mfEspressDynamic = #(make-dynamic-script mfEspress)
\relative {
  c'4_\roundFdynamic\< d e f
  g,1~_\boxFdynamic\>
  g1
  g'1~\mfEspressDynamic
  g1
}

moltoF = #(make-dynamic-script
            (markup #:normal-text "molto"
                    #:dynamic "f"))
\relative {
  <d' e>16 <d e>
  <d e>2..\moltoF
}

moltoF = \tweak DynamicText.self-alignment-X #LEFT
         #(make-dynamic-script
            (markup #:normal-text "molto"
                    #:dynamic "f"))
\relative {
  <d' e>16 <d e>
  <d e>2..\moltoF <d e>1
}

\relative {
  f''4( g a) a8 b(
  a4 g2 f4)
  <c e>2( <b d>2)
}

\fixed c' {
  <c~ f\=1( g\=2( >2 <c e\=1) a\=2) >
}

\relative {
  c'4( e g2)
  \slurDashed
  g4( e c2)
  \slurDotted
  c4( e g2)
  \slurSolid
  g4( e c2)
}

\relative {
  c'4( e g2)
  \slurHalfDashed
  g4( e c2)
  \slurHalfSolid
  c4( e g2)
  \slurSolid
  g4( e c2)
}

\relative {
  c'4( e g2)
  \slurDashPattern #0.7 #0.75
  g4( e c2)
  \slurDashPattern #0.5 #2.0
  c4( e g2)
  \slurSolid
  g4( e c2)
}

\relative c' {
  \set doubleSlurs = ##t
  <c e>4( <d f> <c e> <d f>)
}

\relative c'' {
  \override TextScript.avoid-slur = #'inside
  \override TextScript.outside-staff-priority = ##f
  c2(^\markup { \halign #-10 \natural } d4.) c8
}

\relative c' {
  \once \override
    Slur.dash-definition = #'((0 0.3 0.1 0.75)
                                (0.3 0.6 1 1)
                                (0.65 1.0 0.4 0.75))
  c4( d e f)
  \once \override
    Slur.dash-definition = #'((0 0.25 1 1)
                                (0.3 0.7 0.4 0.75)
                                (0.75 1.0 1 1))
  c4( d e f)
}

\relative {
  c''4\( d( e) f(
  e2) d\)
}

\relative {
  c'4\( e g2\)
  \phrasingSlurDashed
  g4\( e c2\)
  \phrasingSlurDotted
  c4\( e g2\)
  \phrasingSlurSolid
  g4\( e c2\)
}

\relative {
  c'4\( e g2\)
  \phrasingSlurHalfDashed
  g4\( e c2\)
  \phrasingSlurHalfSolid
  c4\( e g2\)
  \phrasingSlurSolid
  g4\( e c2\)
}

\relative {
  c'4\( e g2\)
  \phrasingSlurDashPattern #0.7 #0.75
  g4\( e c2\)
  \phrasingSlurDashPattern #0.5 #2.0
  c4\( e g2\)
  \phrasingSlurSolid
  g4\( e c2\)
}

{ c''2. \breathe d''4 }

\relative { c''8 \breathe d e f g2 }

\relative c'' {
  c2
  \override BreathingSign.text =
    \markup { \musicglyph "scripts.rvarcomma" }
  \breathe
  d2
}

\relative c'' {
  c2
  \breathe
  d2
  \override BreathingSign.Y-offset = #2.6
  \override BreathingSign.text =
    \markup { \musicglyph "scripts.tickmark" }
  c2
  \breathe
  d2
}

\relative c'' {
  \override BreathingSign.text = \markup {
    \musicglyph "scripts.caesura.straight"
  }
  c8 e4. \breathe g8. e16 c4

  \override BreathingSign.text = \markup {
    \musicglyph "scripts.caesura.curved"
  }
  g8 e'4. \breathe g8. e16 c4
}

\relative c'' {
  c2\bendAfter #+4
  c2\bendAfter #-4
  c2\bendAfter #+6.5
  c2\bendAfter #-6.5
  c2\bendAfter #+8
  c2\bendAfter #-8
}

\relative c'' {
  \override Score.SpacingSpanner.shortest-duration-space = 4.0
  c2-\bendAfter 5
  c2-\bendAfter -4.75
  c2-\bendAfter 8.5
  c2-\bendAfter -6
}

\relative {
  g'2\glissando g'
  c2\glissando c,
  \afterGrace f,1\glissando f'16
}

\new PianoStaff <<
  \new Staff = "right" {
    e'''2\glissando
    \change Staff = "left"
    a,,4\glissando
    \change Staff = "right"
    b''8 r |
  }
  \new Staff = "left" {
    \clef bass
    s1
  }
>>

\relative {
  <c' e>1\glissando g' |
  <c, e>1\glissando |
  <g' b> |
  \break
  \set glissandoMap = #'((0 . 1) (1 . 0))
  <c, g'>1\glissando |
  <d a'> |
  \set glissandoMap = #'((0 . 0) (0 . 1) (0 . 2))
  c1\glissando |
  <d f a> |
  \set glissandoMap = #'((2 . 0) (1 . 0) (0 . 1))
  <f d a'>1\glissando |
  <c c'> |
}

\relative c'' {
  \time 3/4
  \override Glissando.style = #'zigzag
  c4 c
  \cadenzaOn
  c4\glissando
  \hideNotes
  c,,4
  \unHideNotes
  \cadenzaOff
  \bar "|"
}

glissandoSkipOn = {
  \override NoteColumn.glissando-skip = ##t
  \hide NoteHead
  \override NoteHead.no-ledgers = ##t
}

glissandoSkipOff = {
  \revert NoteColumn.glissando-skip
  \undo \hide NoteHead
  \revert NoteHead.no-ledgers
}

\relative c'' {
  r8 f8\glissando
  \glissandoSkipOn
  f4 g a a8\noBeam
  \glissandoSkipOff
  a8

  r8 f8\glissando
  \glissandoSkipOn
  g4 a8
  \glissandoSkipOff
  a8 |

  r4 f\glissando \<
  \glissandoSkipOn
  a4\f \>
  \glissandoSkipOff
  b8\! r |
}

\paper { tagline = ##f }

glissandoSkipOn = {
  \override NoteColumn.glissando-skip = ##t
  \hide NoteHead
  \override NoteHead.no-ledgers = ##t
}

\relative c'' {
  \override Glissando.breakable = ##t
  \override Glissando.after-line-breaking = ##t
  f1\glissando |
  \break
  a4 r2. |
  f1\glissando
  \once \glissandoSkipOn
  \break
  a2 a4 r4 |
}

repeatGliss = #(define-music-function (grace)
  (ly:pitch?)
  #{
    % the next two lines ensure the glissando is long enough
    % to be visible
    \once \override Glissando.springs-and-rods
      = #ly:spanner::set-spacing-rods
    \once \override Glissando.minimum-length = 3.5
    \once \hideNotes
    \grace $grace \glissando
  #})

\score {
  \relative c'' {
    \repeat volta 3 { c4 d e f\glissando }
    \alternative {
      { g2 d }
      { \repeatGliss f g2 e }
      { \repeatGliss f e2 d }
    }
  }
}

music =  \relative c' {
  \voiceOne
  \repeat volta 2 {
    g a b c\glissando
  }
  \alternative {
    { d1 }
    { \repeatGliss c \once \omit StringNumber e1\2 }
  }
}

\score {
  \new StaffGroup <<
    \new Staff <<
      \new Voice { \clef "G_8" \music }
    >>
    \new TabStaff  <<
      \new TabVoice { \clef "moderntab" \music }
    >>
  >>
}

\paper { tagline = ##f }

\relative { <c' e g c>1\arpeggio }

\relative {
  <c' e g c>2\arpeggio

  \arpeggioArrowUp
  <c e g c>2\arpeggio

  \arpeggioArrowDown
  <c e g c>2\arpeggio

  \arpeggioNormal
  <c e g c>2\arpeggio
}

\relative {
  <c' e g c>2

  \arpeggioBracket
  <c e g c>2\arpeggio

  \arpeggioParenthesis
  <c e g c>2\arpeggio

  \arpeggioParenthesisDashed
  <c e g c>2\arpeggio

  \arpeggioNormal
  <c e g c>2\arpeggio
}

\new PianoStaff \relative c'' <<
  \set PianoStaff.connectArpeggios = ##t
  \new Staff {
    <c e g c>4\arpeggio
    <g c e g>4\arpeggio
    <e g c e>4\arpeggio
    <c e g c>4\arpeggio
  }
  \new Staff {
    \clef bass
    \repeat unfold 4 {
      <c,, e g c>4\arpeggio
    }
  }
>>

\score {
  \new ChoirStaff {
    \set Score.connectArpeggios = ##t
    <<
      \new Voice \relative c' {
        <c e>2\arpeggio
        <d f>2\arpeggio
        <c e>1\arpeggio
      }
      \new Voice \relative c {
        \clef bass
        <c g'>2\arpeggio
        <b g'>2\arpeggio
        <c g'>1\arpeggio
      }
    >>
  }
  \layout {
    \context {
      \Score
      \consists "Span_arpeggio_engraver"
    }
  }
}

\new Staff \with {
  \consists "Span_arpeggio_engraver"
}
\relative c' {
  \set Staff.connectArpeggios = ##t
  <<
    { <e' g>4\arpeggio <d f> <d f>2 }
    \\
    { <d, f>2\arpeggio <g b>2 }
  >>
}

\override Staff.Arpeggio.stencil = #ly:arpeggio::brew-chord-bracket

\override PianoStaff.Arpeggio.arpeggio-direction = #UP

\relative {
  d''1\startTrillSpan
  d1
  c2\stopTrillSpan
  r2
}

\relative {
  d''1\startTrillSpan
  \break
  d1
  c2\stopTrillSpan
  r2
}

\relative {
  d''1\startTrillSpan
  d1
  b1\startTrillSpan
  d2\stopTrillSpan
  r2
}

\relative {
  d''1~\afterGrace
  d1\startTrillSpan { c32[ d]\stopTrillSpan }
  c2 r2
}

\relative {
  \pitchedTrill
  d''2\startTrillSpan fis
  d2
  c2\stopTrillSpan
  r2
}

{
  \key d \major
  \pitchedTrill
  d'2\startTrillSpan cis d\stopTrillSpan 
  \pitchedTrill
  d2\startTrillSpan c d\stopTrillSpan
  \pitchedTrill
  d2\startTrillSpan e d\stopTrillSpan
}

\relative {
  \pitchedTrill
  eis''4\startTrillSpan fis
  eis4\stopTrillSpan
  \pitchedTrill
  eis4\startTrillSpan cis
  eis4\stopTrillSpan
  \pitchedTrill
  eis4\startTrillSpan fis
  eis4\stopTrillSpan
  \pitchedTrill
  eis4\startTrillSpan fis!
  eis4\stopTrillSpan
}

\repeat volta número_de_repeticiones expresión_musical

\relative {
  \repeat volta 2 { c''4 d e f }
  c2 d
  \repeat volta 2 { d4 e f g }
}

\relative {
  \repeat volta 2 { \bar ".|:" c''4 d e f }
  c2 d
  \repeat volta 2 { d4 e f g }
}

\repeat volta número_de_repeticiones expresión_musical
\alternative {
  { expresión_musical }
}

\relative {
  \repeat volta 2 { c''4 d e f | }
  \alternative {
    { c2 e | }
    { f2 g | }
  }
  c1
}

\relative {
  \repeat volta 4 { c''4 d e f | }
  \alternative {
    { c2 e | }
    { f2 g | }
  }
  c1
}

\relative {
  \repeat volta 3 { c''4 d e f | }
  \alternative {
    { c2 e | }
    { f2 g | }
    { a2 g | }
  }
  c1
}

c'4 e g
\repeat volta 4 {
  e4 |
  c2 e |
  g4 g g
}
  g4 |
  a2 a |
  g1 |

\partial 4
\repeat volta 4 {
  e'4 |
  c2 e |
  g4 g g
}
  g4 |
  a2 a |
  g1 |

\relative {
  c''1
  \repeat volta 2 { c4 d e f~ }
  \alternative {
    { f2 d }
    { f2\repeatTie f, }
  }
}

\relative {
  e'1
  \inStaffSegno
  f2 g a b
  c1_"D.S." \bar "|."
}

\relative {
  e'1
  \repeat volta 2 {
    \inStaffSegno  % start repeat
    f2 g a b
  }
  c1_"D.S." \bar "|."
}

\relative {
  e'1
  \repeat volta 2 {
    f2 g a b
    \inStaffSegno  % end repeat
  }
  f2 g a b
  c1_"D.S." \bar "|."
}

\relative {
  e'1
  \repeat volta 2 {
    f2 g a b
  }
  \inStaffSegno  % double repeat
  \repeat volta 2 {
    f2 g a b
  }
  c1_"D.S." \bar "|."
}

\defineBarLine ":|.S[" #'(":|." "S[" "")
\defineBarLine "]" #'("]" "" "")
\relative {
  e'1
  \repeat volta 2 {
    f2 g a b
    \once \set Score.endRepeatSegnoBarType = ":|.S["
    \inStaffSegno
  }
  f2 g \bar "]" a b
  c1_"D.S." \bar "|."
}

\relative c'' {
  \time 3/4
  c4 c c
  \set Score.voltaSpannerDuration = \musicLength 2.
  \repeat volta 5 {
    d4 d d
    \alternative {
      \volta 1,2,3,4 {
        e4 e e
        f4 f f }
      \volta 5 {
        g4 g g } } }
}

<<
  \new Staff { \repeat volta 2 { c'1 } \alternative { c' } }
  \new Staff { \repeat volta 2 { c'1 } \alternative { c' } }
  \new Staff \with { \consists "Volta_engraver" } { c'2 g' e' a' }
  \new Staff { \repeat volta 2 { c'1 } \alternative { c' } }
>>

\relative c'' {
  \repeat volta 2 { c1 }
  \set Score.doubleRepeatBarType = ":..:"
  \repeat volta 2 { c1 }
  \set Score.doubleRepeatBarType = ":|.|:"
  \repeat volta 2 { c1 }
  \set Score.doubleRepeatBarType = ":|.:"
  \repeat volta 2 { c1 }
}

music = \relative c' {
  \repeat volta 3 {
    c4 d e f |
    \alternative {
      \volta 1 { c4 d e f | c2 d \break }
      \volta 2 { f4 g a b | f4 g a b | f2 a | \break }
      \volta 3 { c4 d e f | c2 d } } }
  c1 \bar "|."
}

\markup "default"
{
  \music
}

\markup \typewriter "'numbers"
{
  \set Score.alternativeNumberingStyle = #'numbers
  \music
}

\markup \typewriter "'numbers-with-letters"
{
  \set Score.alternativeNumberingStyle = #'numbers-with-letters
  \music
}

\paper { tagline = ##f }

\repeat …
\repeat …
\alternative

\relative {
  c''1
  \set Score.repeatCommands = #'(start-repeat)
  d4 e f g
  c1
}

\relative {
  c''1
  d4 e f g
  \set Score.repeatCommands = #'(end-repeat)
  c1
}

\relative {
  f''4 g a b
  \set Score.repeatCommands = #'((volta "2"))
  g4 a g a
  \set Score.repeatCommands = #'((volta #f))
  c1
}

\relative {
  f''4 g a b
  \set Score.repeatCommands = #'((volta "2, 5") end-repeat)
  g4 a g a
  c1
  \set Score.repeatCommands = #'((volta #f) (volta "95") end-repeat)
  b1
  \set Score.repeatCommands = #'((volta #f))
}

voltaAdLib = \markup { \volta-number { 1. 2. 3... } \italic { ad lib. } }
\relative {
  c''1
  \set Score.repeatCommands = #`((volta ,voltaAdLib) start-repeat)
  c4 b d e
  \set Score.repeatCommands = #`((volta #f)
                                 (volta ,#{ \markup \volta-number "4." #})
                                 end-repeat)
  f1
  \set Score.repeatCommands = #'((volta #f))
}

\repeat unfold número_de_repeticiones expresión_musical

\relative {
  \repeat unfold 2 { c''4 d e f }
  c1
}

\repeat unfold 2 { a'4 b c }

a'4 b c | a'4 b c

\relative {
  \repeat unfold 2 { c''4 d e f }
  \alternative {
    { c2 g' }
    { c,2 b }
  }
  c1
}

\relative {
  \repeat unfold 4 { c''4 d e f }
  \alternative {
    { c2 g' }
    { c,2 b }
    { e2 d }
   }
  c1
}

\relative {
  \repeat unfold 2 { c''4 d e f }
  \alternative {
    { c2 g' }
    { c,2 b }
    { e2 d }
  }
  c1
}

\relative {
  \repeat unfold 2 {
    \repeat unfold 2 { c''4 d e f }
    \alternative {
      { c2 g' }
      { c,2 b }
    }
  }
  c1
}

\repeat percent número expresión_musical

\relative c'' {
  \repeat percent 4 { c128 d e f }
  \repeat percent 4 { c64 d e f }
  \repeat percent 5 { c32 d e f }
  \repeat percent 4 { c16 d e f }
  \repeat percent 4 { c8 d }
  \repeat percent 4 { c4 }
  \repeat percent 2 { c2 }
}

\relative c'' {
  \repeat percent 2 { c4 d e f }
  \repeat percent 2 { c2 d }
  \repeat percent 2 { c1 }
}

\relative {
  \repeat percent 3 { c''4 d e f | c2 g' }
}

\relative {
  \repeat percent 4 { c''8. <d f>16 }
  \repeat percent 2 { \tuplet 3/2 { r8 c d } e4 }
}

\relative c'' {
  \set countPercentRepeats = ##t
  \repeat percent 4 { c1 }
}

\relative c'' {
  \set countPercentRepeats = ##t
  \set repeatCountVisibility = #(every-nth-repeat-count-visible 5)
  \repeat percent 10 { c1 } \break
  \set repeatCountVisibility = #(every-nth-repeat-count-visible 2)
  \repeat percent 6 { c1 d1 }
}

makePercent =
#(define-music-function (note) (ly:music?)
   "Make a percent repeat the same length as NOTE."
   (make-music 'PercentEvent
               'length (ly:music-length note)))

\relative c'' {
  \makePercent s1
}

\repeat percent 3 { \time 5/4 c2. 2 \time 4/4 2 2 }

<<
  \repeat percent 3 { c2. 2 2 2 }
  \repeat unfold 3 { \time 5/4 s4*5 \time 4/4 s1 }
>>

\relative c'' {
  \repeat tremolo 8 { c16 d }
  \repeat tremolo 6 { c16 d }
  \repeat tremolo 2 { c16 d }
}

\repeat tremolo 4 c'16

\relative {
  c''2:8 c:32
  c: c:
}

\new PianoStaff <<
  \new Staff = "up" \relative c'' {
    \key a \major
    \time 3/8
    s4.
  }
  \new Staff = "down" \relative c'' {
    \key a \major
    \time 3/8
    \voiceOne
    \repeat tremolo 6 {
      <a e'>32
      {
        \change Staff = "up"
        \voiceTwo
        <cis a' dis>32
      }
    }
  }
>>

\relative {
  <a' c e>1 <a c e>2 <f a c e>4 <a c>8. <g c e>16
}

\relative {
  <a' c e>1\fermata <a c e>2-> <f a c e>4\prall <a c>8.^! <g c e>16-.
}

\relative {
  <a' c\prall e>1 <a-> c-^ e>2 <f-. a c-. e-.>4
  <a-+ c-->8. <g\fermata c e\turn>16
}

\relative {
  <a'\f c( e>1 <a c) e>\f <a\< c e>( <a\! c e>)
  <a c e>\< <a c e> <a c e>\!
}

\relative {
  \grace { g'8( a b }
  <> ) \p \< -. -\markup \italic "sempre staccato"
  \repeat unfold 4 { c4 e }  c1\f
}

\relative {
  <a' c e>1 <f a c> <a c e> <f' a c> <b, e b,>
}

\relative {
  <a' c e>1 q <f a c>2 q
}

\relative {
  <a' c e>1\p^"text" q2\<( q8)[-! q8.]\! q16-1-2-3 q8\prall
}

\relative {
  <a' c e>1 c'4 q2 r8 q8 |
  q2 c, |
}

\relative {
  <a'-. c\prall e>1\sfz c'4 q2 r8 q8 |
  q2 c, |
}

\relative {
  \chordRepeats #'(articulation-event)
  { <a'-. c\prall e>1\sfz c'4 q2 r8 q8-. } |
  q2 c, |
}

\relative {
  \chordRepeats #'(articulation-event)
  \relative
  { <a'-. c\prall e>1\sfz c'4 q2 r8 q8-. } |
  q2 c'' |
}

\new Voice {  % explicit single voice
  << \relative { a'4 b g2 }
     \relative { d'4 g c,2 } >>
}

\relative {
  % single first note
  a' << \relative { a'4 b g }
       \relative { d'4 g c, } >>
}

\relative {
  <a' c>4-.  <>-. << c a >>  << { c-. <c a> } { a s-. } >>
}

% no single first note
<< \relative { a'4 b g2 }
   \relative { d'4 g2 c,4 } >>

Advertencia: esta voz requiere un ajuste de \voiceXx o \shiftXx

\override NoteColumn.ignore-collision = ##t

\relative \makeClusters { <g' b>2 <c g'> }

\new Staff <<
  \new Voice = "first"
    \relative { \voiceOne r8 r16 g'' e8. f16 g8[ c,] f e16 d }
  \new Voice= "second"
    \relative { \voiceTwo d''16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
>>

<< { \voiceOne … }
  \new Voice { \voiceTwo … }
>> \oneVoice

\relative <<
  \new Voice = "melody" {
    a'4
    <<
      {
        \voiceOne
        g f
      }
      \new Voice {
        \voiceTwo
        d2
      }
    >>
    \oneVoice
    e4
  }
  \new Lyrics \lyricsto "melody" {
  This is my song.
  }
>>

<<
  \relative { r8 r16 g'' e8. f16 g8[ c,] f e16 d }
  \\
  \relative { d''16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
>>

<<
  \relative { r8 g'' g  g g f16 ees f8 d }
  \\
  \relative { ees'8 r ees r d r d r }
  \\
  \relative { d''8 s c s bes s a s }
>>

Voz 1: las más aguda
Voz 2: la más grave
Voz 3: la segunda más aguda
Voz 4: la segunda más grave
Voz 5: la tercera más aguda
Voz 6: la tercera más grave
etc.

\new Staff <<
  \time 2/4
  { f''2 }  % 1: highest
  \\
  { c'2  }  % 2: lowest
  \\
  { d''2 }  % 3: second-highest
  \\
  { e'2  }  % 4: second-lowest
  \\
  { b'2  }  % 5: third-highest
  \\
  { g'2  }  % 6: third-lowest
>>

\new Staff \voices 1,3,5,6,4,2 <<
  \time 2/4
  { f''2 }  % 1: highest
  \\
  { d''2 }  % 3: second-highest
  \\
  { b'2  }  % 5: third-highest
  \\
  { g'2  }  % 6: third-lowest
  \\
  { e'2  }  % 4: second-lowest
  \\
  { c'2  }  % 2: lowest
>>

\new Voice <<
  \relative { e''4 f8 d e16 f g8 d4 }
  \relative { c''4 d8 b c16 d e8 b4 }
>>

<<
  \relative { \voiceOneStyle d''4 c2 b4 }
  \\
  \relative { \voiceTwoStyle e'2 e }
  \\
  \relative { \voiceThreeStyle b2. c4 }
  \\
  \relative { \voiceFourStyle g'2 g }
>>

<<
  \relative {
    c''8 d e d c d c4
    g'2 fis
  } \\
  \relative {
    c''2 c8. b16 c4
    e,2 r
  } \\
  \relative {
    \oneVoice
    s1
    e'8 a b c d2
  }
>>

<<
  \relative {
    \mergeDifferentlyHeadedOn
    c''8 d e d c d c4
    g'2 fis
  } \\
  \relative {
    c''2 c8. b16 c4
    e,2 r
  } \\
  \relative {
    \oneVoice
    s1
    e'8 a b c d2
  }
>>

<<
  \relative {
    \mergeDifferentlyHeadedOn
    \mergeDifferentlyDottedOn
    c''8 d e d c d c4
    g'2 fis
  } \\
  \relative {
    c''2 c8. b16 c4
    e,2 r
  } \\
  \relative {
    \oneVoice
    s1
    e'8 a b c d2
  }
>>

<<
  \relative {
    \mergeDifferentlyHeadedOn
    \mergeDifferentlyDottedOn
    c''8 d e d c d c4
    \shiftOn
    g'2 fis
  } \\
  \relative {
    c''2 c8. b16 c4
    e,2 r
  } \\
  \relative {
    \oneVoice
    s1
    e'8 a b c d2
  }
>>

\new Staff \relative {
  %% abbreviated entry
  <<
    { f''2  }  % 1: highest
    \\
    { g,2 }  % 2: lowest
    \\
    { d'2 }  % 3: upper middle
    \\
    { b2  }  % 4: lower middle
  >>
  %% internal expansion of the above
  <<
    \new Voice = "1" { \voiceOne   \shiftOff f'2 }
    \new Voice = "2" { \voiceTwo   \shiftOff g,2 }
    \new Voice = "3" { \voiceThree \shiftOn  d'2 } % shifts right
    \new Voice = "4" { \voiceFour  \shiftOn  b2  } % shifts left
  >>
}

voiceFive = #(context-spec-music (make-voice-props-set 4) 'Voice)

\relative c'' {
  \time 3/4
  \key d \minor
  \partial 2
  <<
    \new Voice  {
      \voiceOne
      a4. a8
      e'4 e4. e8
      f4 d4. c8
    }
    \new Voice {
      \voiceTwo
      d,2
      d4 cis2
      d4 bes2
    }
    \new Voice {
      \voiceThree
      f'2
      bes4 a2
      a4 s2
    }
    \new Voice {
      \voiceFive
      s2
      g4 g2
      f4 f2
    }
  >>
}

\new Staff \relative c' <<
  {
    f2. f4
    \override Staff.NoteCollision.prefer-dotted-right = ##f
    f2. f4
    \override Staff.NoteCollision.prefer-dotted-right = ##t
    f2. f4
  }
  \\
  { e4 e e e e e e e e e e e }
>>

\relative c' <<
  {
    <d g>2 <d g>
  }
  \\
  {
    <b f'>2
    \once \override NoteColumn.force-hshift = 1.7
    <b f'>2
  }
>>

\mergeDifferentlyHeadedOn
<< \relative { c'16 a' b a } \\ \relative { c'2 } >>
\override NoteColumn.ignore-collision = ##t
<< \relative { c'16 a' b a } \\ \relative { c'2 } >>

voiceA = \relative { d''4 r d2 | R1 | }
voiceB = \relative { fis'4 r g2 | R1 | }
\score {
  <<
    \new Staff \with {
      instrumentName = "unmerged"
    }
    <<
      \new Voice { \voiceOne \voiceA }
      \new Voice { \voiceTwo \voiceB }
    >>
    \new Staff \with {
      instrumentName = "merged"
      \consists Merge_rests_engraver
    }
    <<
      \new Voice { \voiceOne \voiceA }
      \new Voice { \voiceTwo \voiceB }
    >>
  >>
}

\partCombine expresión_musical_1 expresión_musical_2

instrumentOne = \relative {
  c'4 d e f |
  R1 |
  d'4 c b a |
  b4 g2 f4 |
  e1 |
}

instrumentTwo = \relative {
  R1 |
  g'4 a b c |
  d4 c b a |
  g4 f( e) d |
  e1 |
}

<<
  \new Staff \instrumentOne
  \new Staff \instrumentTwo
  \new Staff \partCombine \instrumentOne \instrumentTwo
>>

instrumentOne = \relative {
  a4 b c d |
  e f g a |
  b c d e |
}

instrumentTwo = \relative {
  c'4 c c c |
  c c c c |
  c c c c |
}

<<
  \new Staff \partCombine \instrumentOne \instrumentTwo
  \new Staff \partCombine #'(2 . 3) \instrumentOne \instrumentTwo
>>

\partCombine
  \relative … expresión_musical_1
  \relative … expresión_musical_2

instrumentOne = \relative c' {
  \partCombineApart c2^"apart" e |
  \partCombineAutomatic e2^"auto" e |
  \partCombineChords e'2^"chord" e |
  \partCombineAutomatic c2^"auto" c |
  \partCombineApart c2^"apart" \once \partCombineChords e^"chord once" |
  c2 c |
}
instrumentTwo = \relative {
  c'2 c |
  e2 e |
  a,2 c |
  c2 c' |
  c2 c |
  c2 c |
}

<<
  \new Staff { \instrumentOne }
  \new Staff { \instrumentTwo }
  \new Staff { \partCombine \instrumentOne \instrumentTwo }
>>

musicUp = \relative c'' {
  \time 4/4
  a4 c4.( g8) a4 |
  g4 e' g,( a8 b) |
  c b a2.
}

musicDown = \relative c'' {
  g4 e4.( d8) c4 |
  r2 g'4( f8 e) |
  d2 \stemDown a
}

\score {
  <<
    \new Staff \with {
      instrumentName = "standard polyphony"
    } << \musicUp \\ \musicDown >>

    \new Staff \with {
      instrumentName =
        \markup { \typewriter "\\partCombine" without text}
      printPartCombineTexts = ##f
    } \partCombine \musicUp \musicDown

    \new Staff \with {
      instrumentName =
        \markup { \typewriter "\\partCombine" with text}
    } \partCombine \musicUp \musicDown
  >>

  \layout {
    indent = 6.0\cm
    \context {
      \Score
      % Setting this to a large value avoids a bar line at the
      % beginning that would connect the three staves otherwise.
      \override SystemStartBar.collapse-height = 30
    }
  }
}

\new Staff <<
  \set Staff.soloText = "girl"
  \set Staff.soloIIText = "boy"
  \set Staff.aDueText = "together"
  \partCombine
    \relative c'' {
      g4 g r r
      a2 g
    }
    \relative c'' {
      r4 r a( b)
      a2 g
    }
>>

\parallelMusic voiceA,voiceB,voiceC {
  % Bar 1
  r8 g'16 c'' e'' g' c'' e'' r8 g'16 c'' e'' g' c'' e'' |
  r16 e'8.~   4              r16 e'8.~   4              |
  c'2                        c'2                        |

  % Bar 2
  r8 a'16 d'' f'' a' d'' f'' r8 a'16 d'' f'' a' d'' f'' |
  r16 d'8.~   4              r16 d'8.~   4              |
  c'2                        c'2                        |

}
\new StaffGroup <<
  \new Staff << \voiceA \\ \voiceB >>
  \new Staff { \clef bass \voiceC }
>>

\parallelMusic voiceA,voiceB,voiceC {
  % Bar 1
  r8 g16 c e g, c e r8 g,16 c e g, c e  |
  r16 e8.~ 4        r16 e8.~  4         |
  c2                c                   |

  % Bar 2
  r8 a,16 d f a, d f r8 a,16 d f a, d f |
  r16 d8.~  4        r16 d8.~  4        |
  c2                 c                  |

 }
\new StaffGroup <<
  \new Staff << \relative c'' \voiceA \\ \relative c' \voiceB >>
  \new Staff \relative c' { \clef bass \voiceC }
>>

global = {
  \key g \major
  \time 2/4
}

\parallelMusic voiceA,voiceB,voiceC,voiceD {
  % Bar 1
  a8    b     c   d     |
  d4          e         |
  c16 d e fis d e fis g |
  a4          a         |

  % Bar 2
  e8      fis  g     a   |
  fis4         g         |
  e16 fis g  a fis g a b |
  a4           a         |

  % Bar 3 ...
}

\score {
  \new PianoStaff <<
     \new Staff {
       \global
       <<
         \relative c'' \voiceA
         \\
         \relative c'  \voiceB
       >>
     }
     \new Staff {
       \global \clef bass
       <<
         \relative c \voiceC
         \\
         \relative c \voiceD
       >>
     }
  >>
}

\new Staff \relative { c''4 d e f }

\new DrumStaff {
  \drummode { cymc hh ss tomh }
}

\new RhythmicStaff { c4 d e f }

\new TabStaff \relative { c''4 d e f }

\new GregorianTranscriptionStaff \relative { c''4 d e f e d }

<<
  \new Staff \relative { c''1 c }
  \new Staff \relative { c''1 c }
>>

\new StaffGroup <<
  \new Staff \relative { c''1 c }
  \new Staff \relative { c''1 c }
>>

\new ChoirStaff <<
  \new Staff \relative { c''1 c }
  \new Staff \relative { c''1 c }
>>

\new GrandStaff <<
  \new Staff \relative { c''1 c }
  \new Staff \relative { c''1 c }
>>

\new PianoStaff \with { instrumentName = "Piano" }
<<
  \new Staff \relative { c''1 c }
  \new Staff \relative { \clef bass c1 c }
>>

\score {
  \new StaffGroup { <<
  \set StaffGroup.systemStartDelimiter = #'SystemStartSquare
    \new Staff { c'4 d' e' f' }
    \new Staff { c'4 d' e' f' }
  >> }
}

\score {
  \new StaffGroup <<
    % Must be lower than the actual number of staff lines
    \override StaffGroup.SystemStartBracket.collapse-height = 4
    \override Score.SystemStartBar.collapse-height = 4
    \new Staff {
      c'1
    }
  >>
}
\score {
  \new PianoStaff <<
    \override PianoStaff.SystemStartBrace.collapse-height = 4
    \override Score.SystemStartBar.collapse-height = 4
    \new Staff {
      c'1
    }
  >>
}

\paper { tagline = ##f }

\layout {
  \context {
    \Staff
    measureBarType = "-span|"
  }
}

music = \fixed c'' {
  c1
  d2 \section e2
  f1 \fine
}

\new StaffGroup <<
  \new Staff \music
  \new Staff \music
>>

\new StaffGroup <<
  \new Staff \relative { c''2 c | c2 c }
  \new StaffGroup <<
    \new Staff \relative { g'2 g | g2 g }
    \new StaffGroup \with {
      systemStartDelimiter = #'SystemStartSquare
    }
    <<
      \new Staff \relative { e'2 e | e2 e }
      \new Staff \relative { c'2 c | c2 c }
    >>
  >>
>>

\new StaffGroup
\relative c'' <<
  \override StaffGroup.SystemStartSquare.collapse-height = 4
  \set StaffGroup.systemStartDelimiterHierarchy
    = #'(SystemStartSquare (SystemStartBrace (SystemStartBracket a
                             (SystemStartSquare b)  ) c ) d)
  \new Staff { c1 }
  \new Staff { c1 }
  \new Staff { c1 }
  \new Staff { c1 }
  \new Staff { c1 }
>>

\book {
  \score {
    \new StaffGroup <<
      \new Staff {
        \relative {
          c''4 c c c
          \break
          c4 c c c
        }
      }
      \new Staff {
        \relative {
          c''4 c c c
          \break
          c4 c c c
        }
      }
    >>
  }
  \paper {
    system-separator-markup = \slashSeparator
    % following commands are needed only to format this documentation
    paper-width = 100\mm
    paper-height = 100\mm
    tagline = ##f
  }
}

\relative {
  \stopStaff f''4 d \startStaff g, e
  f'4 d \stopStaff g, e
  f'4 d \startStaff g, e
}

\relative {
  f''4 d \stopStaff
  \override Staff.StaffSymbol.line-count = #2
  \startStaff g, e |

  f'4 d \stopStaff
  \revert Staff.StaffSymbol.line-count
  \startStaff g, e |
}

\relative {
  f''4 d \stopStaff
  \override Staff.StaffSymbol.line-positions = #'(1 3 5 -1 -3)
  \startStaff g, e |
  f'4 d \stopStaff
  \override Staff.StaffSymbol.line-positions = #'(8 6.5 -6 -8 -0.5)
  \startStaff g, e |
}

\new Staff \with {
  \override StaffSymbol.thickness = #3
} \relative {
  f''4 d g, e
}

\new Staff \with {
  \override StaffSymbol.thickness = #2
  \override StaffSymbol.ledger-line-thickness = #'(0.5 . 0.4)
} \relative {
  f'''4 a, a,, f
}

\new Staff \with {
  \override StaffSymbol.ledger-positions = #'(-3 -2 -1 2 5 6)
} \relative {
  f'''4 a, a,, f
}

\new Staff \with {
  \override StaffSymbol.ledger-extra = #4
} \relative {
  f'''4 a, d, f,
}

\relative d' {
  \override Staff.StaffSymbol.line-positions = #'(-8 0 2 4)
  d4 e f g
  \stopStaff
  \startStaff
  \override Staff.StaffSymbol.ledger-positions = #'(-8 -6 (-4 -2) 0)
  d4 e f g
}

\new Staff \with {
  \override StaffSymbol.staff-space = #1.5
} \relative {
  f'''4 d, g, e,
}

{
  \override Staff.StaffSymbol.line-positions =
    #'(-4 -2 -0.2 0 0.2 2 4)
  d'4 e' f' g'
}

\new Staff \relative {
  c''4 b d c
  <<
    { c4 b d c }
    \new Staff { e4 d f e }
  >>
  c4 b c2
}

\new Staff = "main" \relative {
  c''4 b d c
  <<
    { c4 b d c }

    \new Staff \with {
      \remove Time_signature_engraver
      alignAboveContext = "main"
      \magnifyStaff #2/3
      firstClef = ##f
    }
    { e4 d f e }
  >>
  c4 b c2
}

<<
  \new Staff = "ossia" \with {
    \remove Time_signature_engraver
    \hide Clef
    \magnifyStaff #2/3
  }
  { \stopStaff s1*6 }

  \new Staff \relative {
    c'4 b c2
    <<
      { e4 f e2 }
      \context Staff = "ossia" {
        \startStaff e4 g8 f e2 \stopStaff
      }
    >>
    g4 a g2 \break
    c4 b c2
    <<
      { g4 a g2 }
      \context Staff = "ossia" {
        \startStaff g4 e8 f g2 \stopStaff
      }
    >>
    e4 d c2
  }
>>

<<
  \new Staff = "ossia" \with {
    \remove Time_signature_engraver
    \hide Clef
    \magnifyStaff #2/3
    \RemoveAllEmptyStaves
  } \relative {
    R1*3
    c''4 e8 d c2
  }
  \new Staff \relative {
    c'4 b c2
    e4 f e2
    g4 a g2 \break
    c4 b c2
    g4 a g2
    e4 d c2
  }
>>

\relative c' <<
  \new Staff = "1" { c4 c s2 }
  \new Staff = "2" { c4 c s2 }
  \new Staff = "3" { c4 c s2 }
  { \skip 2
    <<
      \lyrics {
        \set alignBelowContext = "1"
        lyrics4 below
      }
      \new Staff \with {
        alignAboveContext = "3"
        fontSize = -2
        \override StaffSymbol.staff-space = #(magstep -2)
        \remove "Time_signature_engraver"
      } {
        \tuplet 6/4 {
          \override TextScript.padding = 3
          c8[^"ossia above" d e d e f]
        }
      }
    >>
  }
>>

\paper {
  ragged-right = ##t
}

\new Staff \with {
  \remove Staff_symbol_engraver
}
\relative { a''8 f e16 d c b a2 }

\layout {
  \context {
    \Staff
    \RemoveEmptyStaves
  }
}

\relative <<
  \new Staff {
    e'4 f g a \break
    b1 \break
    a4 b c2
  }
  \new Staff {
    c,4 d e f \break
    R1 \break
    f4 g c,2
  }
>>

\layout {
  \context {
    \StaffGroup
    \RemoveEmptyStaves
    \consists Keep_alive_together_engraver
  }
}

\layout {
  short-indent = 2\cm
  indent = 3\cm
  \context {
    \Staff
    keepAliveInterfaces = #'()
  }
}

violI = {
  \repeat unfold 24 { d'4 }
  \once \unset Staff.keepAliveInterfaces
  <d' g''>2
  \repeat unfold 14 { d'4 }
  \bar "|."
}

violII = {
  \repeat unfold 24 { g4 }
  <g d'>2
  \repeat unfold 14 { g4 }
  \bar "|."
}

\new StaffGroup \with { \consists Keep_alive_together_engraver } <<
  \new Staff \with {
    instrumentName = "Violins"
    shortInstrumentName = "V I & II"
    \override VerticalAxisGroup.remove-layer = 2
  } <<  \violI \\ \violII  >>
  \new Staff \with {
    instrumentName = "Violin I"
    shortInstrumentName = "V I"
    \RemoveAllEmptyStaves
    \override VerticalAxisGroup.remove-layer = 1
  } \violI
  \new Staff \with {
    instrumentName = "Violin II"
    shortInstrumentName = "V II"
    \RemoveAllEmptyStaves
    \override VerticalAxisGroup.remove-layer = 1
  } \violII
>>

\omit StaffSymbol
\override NoteHead.no-ledgers = ##t

\new Staff \with {
  instrumentName = "Violin "
  shortInstrumentName = "Vln. "
} \relative {
  c'4.. g'16 c4.. g'16 \break | c1 |
}

\new Staff \with {
  instrumentName = \markup {
    \column { "Clarinetti"
      \line { "in B" \smaller \flat }
    }
  }
} \relative {
  c''4 c,16 d e f g2
}

<<
  \new Staff \with {
    instrumentName = "Flute"
  } \relative {
    f''2 g4 f
}
  \new Staff \with {
    instrumentName = \markup {
      \center-column { "Clarinet"
        \line { "in B" \smaller \flat }
      }
    }
  } \relative { c''4 b c2 }
>>

<<
  \new Staff \with {
    instrumentName = "Alto Flute in G"
    shortInstrumentName = "Flt."
  } \relative {
    f''2 g4 f \break
    g4 f g2
  }
  \new Staff \with {
    instrumentName = "Clarinet"
    shortInstrumentName = "Clar."
  } \relative {
    c''4 b c2 \break
    c2 b4 c
  }
>>

\layout {
  indent = 3.0\cm
  short-indent = 1.5\cm
}

prepPiccolo = <>^\markup \italic { muta in Piccolo }

prepFlute = <>^\markup \italic { muta in Flauto }

setPiccolo = {
  <>^\markup \bold { Piccolo }
  \transposition c''
}

setFlute = {
  <>^\markup \bold { Flute }
  \transposition c'
}

\new Staff \with {
  instrumentName = "Flute"
  shortInstrumentName = "Flt."
}
\relative {
  g'1 g g g \break
  g1 g \prepPiccolo R R \break
  \set Staff.instrumentName = "Piccolo"
  \set Staff.shortInstrumentName = "Picc."
  \setPiccolo
  g1 g g g \break
  g1 g \prepFlute R R \break
  \set Staff.instrumentName = "Flute"
  \set Staff.shortInstrumentName = "Flt."
  \setFlute
  g1 g g g
}

fluteNotes = \relative {
  a'4 gis g gis | b4^"quoted" r8 ais\p a4( f)
}

oboeNotes = \relative {
  c''4 cis c b \quoteDuring "flute" { s1 }
}

\addQuote "flute" { \fluteNotes }

\score {
  <<
    \new Staff \with { instrumentName = "Flute" } \fluteNotes
    \new Staff \with { instrumentName = "Oboe" } \oboeNotes
  >>
}

fluteNotes = \relative {
  a'4 gis g gis | b4^"quoted" r8 ais\p a4( f)
}

oboeNotes = \relative {
  c''4 cis c b \quoteDuring "flute" { e4 r8 ais b4 a }
}

\addQuote "flute" { \fluteNotes }

\score {
  <<
    \new Staff \with { instrumentName = "Flute" } \fluteNotes
    \new Staff \with { instrumentName = "Oboe" } \oboeNotes
  >>
}

fluteNotes = \relative {
  \repeat volta 2 { a'4 gis g gis }
}

oboeNotesDW = \relative {
  \repeat volta 2 \quoteDuring "incorrect" { s1 }
}

oboeNotesW = \relative {
  \repeat volta 2 \quoteDuring "correct" { s1 }
}

\addQuote "incorrect" { \fluteNotes }

\addQuote "correct" { \unfoldRepeats \fluteNotes }

\score {
  \unfoldRepeats
  <<
    \new Staff \with { instrumentName = "Flute" }
    \fluteNotes
    \new Staff \with { instrumentName = "Oboe (incorrect)" }
    \oboeNotesDW
    \new Staff \with { instrumentName = "Oboe (correct)" }
    \oboeNotesW
  >>
}

clarinetNotes = \relative c'' {
  \transposition bes
  \key d \major
  b4 ais a ais | cis4^"quoted" r8 bis\p b4( f)
}

oboeNotes = \relative {
  c''4 cis c b \quoteDuring "clarinet" { s1 }
}

\addQuote "clarinet" { \clarinetNotes }

\score {
  <<
    \new Staff \with { instrumentName = "Clarinet" } \clarinetNotes
    \new Staff \with { instrumentName = "Oboe" } \oboeNotes
  >>
}

fluteNotes = \relative {
  a'2 g2 |
  b4\<^"quoted" r8 ais a4\f( c->)
 }

oboeNotes = \relative {
  c''2. b4 |
  \quoteDuring "flute" { s1 }
}

\addQuote "flute" { \fluteNotes }

\score {
  <<
    \set Score.quotedEventTypes = #'(note-event articulation-event
                                     crescendo-event rest-event
                                     slur-event dynamic-event)
    \new Staff \with { instrumentName = "Flute" } \fluteNotes
    \new Staff \with { instrumentName = "Oboe" } \oboeNotes
  >>
 }

\relative {
  R1
  <<
    { e'2\rest r4. e8 }
    \new CueVoice {
      \stemUp d'8^"flute" c d e fis2
    }
  >>
  d,4 r a r
}

\relative {
  \clef "bass"
  R1
  <<
    { e'2\rest r4. \cueClefUnset e,8 }
    \new CueVoice {
      \cueClef "treble" \stemUp d''8^"flute" c d e fis2
    }
  >>
  d,,4 r a r
}

\relative {
  \clef "bass"
  R1
  \cueClef "treble"
  d''8^"flute" c d e fis2
  \cueClefUnset
  d,,4 r a r
}

\cueDuring nombre_de_la_cita #dirección música

\cueDuringWithClef nombre_de_la_cita #dirección #clave música

fluteNotes = \relative {
  r2. c''4 | d8 c d e fis2 | g2 d |
}

oboeNotes = \relative c'' {
  R1
  <>^\markup \tiny { flute }
  \cueDuring "flute" #UP { R1 }
  g2 c,
}

\addQuote "flute" { \fluteNotes }

\new Staff {
  \oboeNotes
}

oboeNotes = \relative {
  r2 r8 d''16(\f f e g f a)
  g8 g16 g g2.
}
\addQuote "oboe" { \oboeNotes }

\new Voice \relative c'' {
  \set Score.quotedCueEventTypes = #'(note-event rest-event tie-event
                                      beam-event tuplet-span-event
                                      dynamic-event slur-event)
  \cueDuring "oboe" #UP { R1 }
  g2 c,
}

fluteNotes = \relative {
  r2. c''4 d8 c d e fis2 g2 d2
}

bassoonNotes = \relative c {
  \clef bass
  R1
  \clef treble
  <>^\markup \tiny { flute }
  \cueDuring "flute" #UP { R1 }
  \clef bass
  g4. b8 d2
}

\addQuote "flute" { \fluteNotes }

\new Staff {
  \bassoonNotes
}

fluteNotes = \relative {
  r2. c''4 d8 c d e fis2 g2 d2
}

bassoonNotes = \relative c {
  \clef bass
  R1
  <>^\markup { \tiny "flute" }
  \cueDuringWithClef "flute" #UP "treble" { R1 }
  g4. b8 d2
}

\addQuote "flute" { \fluteNotes }

\new Staff {
  \bassoonNotes
}

piccoloNotes = \relative {
  \clef "treble^8"
  R1
  c'''8 c c e g2
  c4 g g2
}

bassClarinetNotes = \relative c' {
  \key d \major
  \transposition bes,
  d4 r a r
  \transposedCueDuring "piccolo" #UP d { R1 }
  d4 r a r
}

\addQuote "piccolo" { \piccoloNotes }

<<
  \new Staff \piccoloNotes
  \new Staff \bassClarinetNotes
>>

fluteNotes = \relative {
  r2. c''4 d8 c d e fis2 g2 d2
}

bassoonNotes = \relative c {
  \clef bass
  R1
  \tag #'part {
    \clef treble
    <>^\markup \tiny { flute }
  }
  \cueDuring "flute" #UP { R1 }
  \tag #'part \clef bass
  g4. b8 d2
}

\addQuote "flute" { \fluteNotes }

\new Staff {
  \bassoonNotes
}

\new StaffGroup <<
  \new Staff {
    \fluteNotes
  }
  \new Staff {
    \removeWithTag #'part { \killCues { \bassoonNotes } }
  }
>>

\override Score.BarNumber.break-visibility = ##(#f #t #t)
\time 2/4
\compressEmptyMeasures
c'1 d'1. e'\breve
\bar "||"
\expandEmptyMeasures
c'1 d'1. e'\breve

% Default behavior
\time 3/4 r2. | R2.*2 |
\time 2/4 R2 |
\time 4/4
% Rest measures contracted to single measure
\compressEmptyMeasures
r1 | R1*17 | R1*4 |
\expandEmptyMeasures
% Rest measures expanded again
\time 3/4
R2.*2 |

\compressMMRests {
  % Rests are compressed…
  R1*7
  % … but notes can still span multiple measures.
  g'1 a'1*2 d'1
  R1*2
}

{
  \compressEmptyMeasures
  R1 R1*10 R1*11 \bar "||"
  \set restNumberThreshold = 0
  R1 R1*10 R1*11 \bar "||"
  \set restNumberThreshold = 10
  R1 R1*10 R1*11
}

\relative c'' {
  \compressMMRests {
    R1*2 | R1*5 | R1*9
    \override MultiMeasureRest.expand-limit = 3
    R1*2 | R1*5 | R1*9
  }
}

\new Staff <<
  \new Voice \relative {
    \voiceOne
    <e' e'>4 <f f'>8. <g g'>16 <f f'>8 <e e'>4 r8
  }
  \new Voice \relative {
    \voiceTwo
    \magnifyMusic 0.63 {
      \override Score.SpacingSpanner.spacing-increment = #(* 1.2 0.63)
      r32 c'' a c a c a c r c a c a c a c
      r c a c a c a c a c a c a c a c
    }
  }
>>

\new Staff <<
  \key fis \minor
  \mergeDifferentlyDottedOn
  \new Voice \relative {
    \voiceOne
    \magnifyMusic 0.63 {
      \override Score.SpacingSpanner.spacing-increment = #(* 1.2 0.63)
      \once \normalsize cis'32( cis' gis b a fis \once \normalsize d d'
      \once \normalsize cis, cis' gis b a gis \once \normalsize fis fis'
      \once \normalsize fis, fis' ais, cis b gis \once \normalsize eis eis'
      \once \normalsize a, a' bis, d cis b \once \normalsize gis gis')
    }
  }
  \new Voice \relative {
    \voiceTwo
    cis'8. d16 cis8. fis16 fis8. eis16 a8. gis16
  }
>>

\relative {
  % resize a note head
  <f' \tweak font-size -4 b e>-5
  % resize a fingering
  bes-\tweak font-size 0 -3
  % resize an accidental
  \once \override Accidental.font-size = -4 bes!-^
  % resize an articulation
  \once \override Script.font-size = 4 bes!-^
}

\relative {
  \time 3/4
  d''4---5 c8( b a g) |
  \set fontSize = -6
  e'4-- c!8-4( b a g) |
  \set fontSize = 0
  fis4---3 e8( d) fis4 |
  g2.
}

\set fontSize = #(magnification->font-size 0.75)

% the default font-size for NoteHead is 0
% the default font-size for Fingering is -5
c''4-3

\set fontSize = -3
% the effective font size for NoteHead is now -3
% the effective font size for Fingering is now -8
c''4-3

\override Fingering.font-size = 0
% the effective font size for Fingering is now -3
c''4-3

\relative c'' {
  \teeny
  c4.-> d8---3
  \tiny
  c4.-> d8---3
  \small
  c4.-> d8---3
  \normalsize
  c4.-> d8---3
  \large
  c4.-> d8---3
  \huge
  c4.-> d8---3
}

\magnifyMusic mag {
  \newSpacingSection
  \override Score.SpacingSpanner.spacing-increment = #(* 1.2 mag)
  [music]
  \newSpacingSection
  \revert Score.SpacingSpanner.spacing-increment
}

\relative { c''4-1 d-2 f-4 e-3 }

\relative {
  c''4-1 d-2 f\finger \markup \tied-lyric "4~3" c\finger "2 - 3"
}

\relative { <a'_\thumb a'-3>2 <b_\thumb b'-3> }

\relative {
  <c''-1 e-2 g-3 b-5>2 <d-1 f-2 a-3 c-5>
}

\relative c' {
  \set fingeringOrientations = #'(left)
  <c-1 e-3 a-5>4
  \set fingeringOrientations = #'(down)
  <c-1 e-3 a-5>4
  \set fingeringOrientations = #'(down right up)
  <c-1 e-3 a-5>4
  \set fingeringOrientations = #'(up)
  <c-1 e-3 a-5>4
  \set fingeringOrientations = #'(left)
  <c-1>2
  \set fingeringOrientations = #'(down)
  <e-3>2
  \set stringNumberOrientations = #'(up left down)
  <f\3 a\2 c\1>1
  \set strokeFingerOrientations = #'(down right up)
  <c\rightHandFinger 1 e\rightHandFinger 2 c'\rightHandFinger 4 >
}

\relative c' {
  <c-1 e-2 g-3 b-5>2
  \override Fingering.staff-padding = #'()
  <c-1 e-2 g-3 b-5>4 g'-0
  a8[-1 b]-2 g-0 r
  \override Fingering.add-stem-support = ##f
  a[-1 b]-2 g-0 r
  \override Fingering.add-stem-support = ##t
  a[-1 b]-2 g-0 r
  \override Fingering.add-stem-support = #only-if-beamed
  a[-1 b]-2 g-0 r
}

\relative {
  c''4 d
  \hideNotes
  e4 f
  \unHideNotes
  g a
  \hideNotes
  b
  \unHideNotes
  c
}

\relative c'' {
  e8(\p f g a)--
  \hideNotes
  e8(\p f g a)--
}

\override NoteHead.color = #red
c''4 c''
\override NoteHead.color = #(x11-color 'LimeGreen)
d''
\override Stem.color = "deepskyblue"
e''

\override NoteHead.color = "lightsalmon"
\override Flag.color = "#E30074"
\override Beam.color = "#5e45ad"
\override Rest.color = "#3058"
g'8 \huge r4 a'16 f'

\new Staff \with {
  instrumentName = \markup {
    \with-color #(x11-color 'red) "Clarinet"
    }
  }
  \relative c'' {
  \override Staff.StaffSymbol.color = #(x11-color 'SlateBlue2)
  gis8 a
  \override Beam.color = #(x11-color "medium turquoise")
  gis a
  \override Accidental.color = #(x11-color 'DarkRed)
  gis a
  \override NoteHead.color = #(x11-color "LimeGreen")
  gis a
  % this is deliberate nonsense; note that the stems remain black
  \override Stem.color = #(x11-color 'Boggle)
  b2 cis
}

\new Staff \with {
    instrumentName = \markup {
      \with-color #(x11-color 'red) "Clarinet"
      }
    \override Clef.color = #(rgb-color 0 0 0 0.5)
  }
\relative c'' {
  \override Staff.StaffSymbol.color = #(x11-color 'SlateBlue2)
  \override Stem.color = #(rgb-color 0 0 0)
  gis8 a
  \override Stem.color = #(rgb-color 1 1 1)
  gis8 a
  \override Stem.color = #(rgb-color 0 0 0.5)
  gis4 a
}

\relative {
  c''2 \parenthesize d
  c2 \parenthesize <c e g>
  c2 <c \parenthesize e g>
}

\relative {
  c''2-\parenthesize -. d
  c2 \parenthesize r
}

\relative c'' {
  a4 b c b
  \override Stem.neutral-direction = #up
  a4 b c b
  \override Stem.neutral-direction = #down
  a4 b c b
}

\relative c'' {
  \time 3/4
  a8 b g f b g |
  \set suspendMelodyDecisions = ##t
  a  b g f b g |
  \unset suspendMelodyDecisions
  c  b d c b c |
}

\layout {
  \context {
    \Voice
    \consists "Melody_engraver"
    \autoBeamOff
  }
}

\language "italiano"
melody = \relative do'' {
  fad2 si,8 dod re mi fad4. re8 fad2
}

<<
  \new NoteNames { \melody }
  \new Staff { \key si \minor \melody }
  \new NoteNames {
    \set printNotesLanguage = "deutsch"
    \set printAccidentalNames = ##f
    \melody
  }
>>

melody = \relative c'' {
  fis2 b,8 cis d e fis4. d8 fis2
}

<<
  \new NoteNames {
    \set printOctaveNames = ##t
    \set printAccidentalNames = #'lily
    \melody
  }
  \new Staff { \key b \minor \melody }
  \new NoteNames {
    \set printOctaveNames = #'scientific
    \melody
  }
>>

somechords = \relative c' {
  <b d fis>2 <b cis e g> <b d fis> q
}

<<
  \new NoteNames {
    \set noteNameSeparator = "+"
    \somechords
  }
  \new Staff { \key b \minor \somechords }
  \new NoteNames {
    \set noteNameFunction =
      #(lambda (pitch ctx)
         (alteration->text-accidental-markup
          (ly:pitch-alteration pitch)))
    \somechords
  }
>>

\new Voice \with { \consists Balloon_engraver }
\relative c'' {
  \balloonGrobText #'Stem #'(3 . 4) \markup { "Soy una plica" }
  a8
  \balloonGrobText #'Rest #'(-4 . -4) \markup { "Soy un silencio" }
  r
  <c, g'-\balloonText #'(-2 . -2) \markup { "Soy una cabeza" } c>2.
}

\new Voice \with { \consists Balloon_engraver }
\relative c'' {
  \balloonGrobText #'Stem #'(3 . 4) \markup { "Soy una plica" }
  a8
  \balloonGrobText #'Rest #'(-4 . -4) \markup { "Soy un silencio" }
  r
  \balloonLengthOn
  <c, g'-\balloonText #'(-2 . -2) \markup { "Soy una cabeza" } c>2.
}

\layout {
  \context {
    \Staff
    \consists Grid_point_engraver
    gridInterval = \musicLength 4
  }
  \context {
    \Score
    \consists Grid_line_span_engraver
  }
}

\score {
  \new ChoirStaff <<
    \new Staff \relative {
      \stemUp
      c''4. d8 e8 f g4
    }
    \new Staff \relative {
      \clef bass
      \stemDown
      c4 g' f e
    }
  >>
}

\score {
  \new ChoirStaff <<
    \new Staff {
      \relative c'' {
        \stemUp
        c'4. d8 e8 f g4
      }
    }
    \new Staff {
      \relative c {
        % this moves them up one staff space from the default position
        \override Score.GridLine.extra-offset = #'(0.0 . 1.0)
        \stemDown
        \clef bass
        \once \override Score.GridLine.thickness = 5.0
        c4
        \once \override Score.GridLine.thickness = 1.0
        g'4
        \once \override Score.GridLine.thickness = 3.0
        f4
        \once \override Score.GridLine.thickness = 5.0
        e4
      }
    }
  >>
  \layout {
    \context {
      \Staff
      % set up grids
      \consists "Grid_point_engraver"
      % set the grid interval to one quarter note
      gridInterval = \musicLength 4
    }
    \context {
      \Score
      \consists "Grid_line_span_engraver"
      % this moves them to the right half a staff space
      \override NoteColumn.X-offset = -0.5
    }
  }
}

\layout {
  \context {
    \Voice
    \consists Horizontal_bracket_engraver
  }
}
\relative {
  c''2\startGroup
  d\stopGroup
}

\layout {
  \context {
    \Voice
    \consists Horizontal_bracket_engraver
  }
}
\relative {
  c''4\startGroup\startGroup
  d4\stopGroup
  e4\startGroup
  d4\stopGroup\stopGroup
}

\layout {
  \context {
    \Voice
    \consists "Horizontal_bracket_engraver"
  }
}

\relative c'' {
  \once \override HorizontalBracket.direction = #UP
  c2\startGroup
  d2\stopGroup
}

\paper { tagline = ##f }

\layout {
  \context {
    \Voice
    \consists "Horizontal_bracket_engraver"
    \override HorizontalBracket.direction = #UP
  }
}

{
  \once\override HorizontalBracketText.text = "a"
    c''\startGroup d''\stopGroup
    \once\override HorizontalBracketText.text = "a'"
    e''\startGroup d''\stopGroup |
  c''-\tweak HorizontalBracketText.text
        \markup \bold \huge "b" \startGroup
     -\tweak HorizontalBracketText.text "a" \startGroup
    d''\stopGroup
    e''-\tweak HorizontalBracketText.text "a'" \startGroup
    d''\stopGroup\stopGroup |
  c''-\tweak HorizontalBracketText.text foo \startGroup
    d'' e'' f'' | \break
  g'' a'' b'' c'''\stopGroup
}

\header { title = \markup "Header" }

dyn =
#(make-dynamic-script #{ \markup \serif "DynamicText" #})

\markup \box "Top-level markup"

\score {
  <<
    \new ChordNames
    \with {
      majorSevenSymbol = \markup "majorSevenSymbol"
    }
    \chordmode { c1:maj7 }
    \new Staff {
      \tempo \markup "MetronomeMark"
      \mark \markup \smaller "RehearsalMark"
      \once \override TupletNumber.text =
        \markup "TupletNumber"
      \tuplet 3/2 {
        \once \override NoteHead.stencil =
          #ly:text-interface::print
        \once \override NoteHead.text =
          \markup \lower #0.5 "NoteHead"
        c''8^\markup \italic "TextScript"
        a'\finger \markup \serif "Fingering"
        \once \override Rest.stencil =
          #(lambda (grob)
             (grob-interpret-markup grob #{
               \markup  "Rest"
               #}))
        r
      }
    }
    \new Lyrics \lyricmode {
      \markup \smallCaps "LyricText" 1
    }
    \new Dynamics { s1\dyn }
  >>
}

\relative { a'8^"pizz." g f e a4-"scherz." f }

\relative {
  a'8^\markup { \italic pizz. } g f e
  a4_\markup { \tiny scherz. \bold molto } f }

\relative {
  a'8^"pizz." g f e
  \textLengthOn
  a4_"scherzando" f
}

\override Score.PaperColumn.keep-inside-line = ##f

\relative {
  \override TextSpanner.bound-details.left.text = "rit."
  b'1\startTextSpan
  e,\stopTextSpan
}

\relative {
  \override TextSpanner.bound-details.left.text =
    \markup { \upright "rit." }
  b'1\startTextSpan c
  e,\stopTextSpan
}

% Some sample text dynamic spanners, to be used as postfix operators
crpoco =
#(make-music 'CrescendoEvent
             'span-direction START
             'span-type 'text
             'span-text "cresc. poco a poco")

\relative c' {
  c4\cresc d4 e4 f4 |
  g4 a4\! b4\crpoco c4 |
  c4 d4 e4 f4 |
  g4 a4\! b4\< c4 |
  g4\dim a4 b4\decresc c4\!
}

% Two functions for (de)crescendo spanners where you can explicitly
% give the spanner text.
mycresc =
#(define-music-function (mymarkup) (markup?)
   (make-music 'CrescendoEvent
               'span-direction START
               'span-type 'text
               'span-text mymarkup))
mydecresc =
#(define-music-function (mymarkup) (markup?)
   (make-music 'DecrescendoEvent
               'span-direction START
               'span-type 'text
               'span-text mymarkup))

\relative c' {
  c4-\mycresc "custom cresc" c4 c4 c4 |
  c4 c4 c4 c4 |
  c4-\mydecresc "custom decresc" c4 c4 c4 |
  c4 c4\! c4 c4
}

\relative {
  \mark "Verse"
  c'2 g'
  \bar "||"
  \mark "Chorus"
  g2 c,
  \bar "|."
}

\relative {
  <c' e>1
  \mark \markup { \italic { colla parte } }
  <d f>2 <e g>
  <c f aes>1
}

\relative {
  <bes' f>2 <aes d>
  \mark \markup { \musicglyph "scripts.ufermata" }
  <e g>1
}

\relative c'' {
  \mark "Allegro"
  c1 c
  \mark "assai" \break
  c  c
}

\score {
  <<
    \new Staff { \mark \default c''1 \textMark "molto" c'' }
    \new Staff { \mark \default c'1 \textMark "molto" c' }
  >>
  \layout {
    \context {
      \Score
      \remove Mark_engraver
      \remove Text_mark_engraver
      \remove Staff_collecting_engraver
    }
    \context {
      \Staff
      \consists Mark_engraver
      \consists Text_mark_engraver
      \consists Staff_collecting_engraver
    }
  }
}

\markup {
  Tomorrow, and tomorrow, and tomorrow...
}

\score {
  c'1
}
\markup {
  Tomorrow, and tomorrow, and tomorrow...
}
\score {
  c'1
}

\markup {
  \fill-line {
    \hspace #1
    \column {
      \line { O sacrum convivium }
      \line { in quo Christus sumitur, }
      \line { recolitur memoria passionis ejus, }
      \line { mens impletur gratia, }
      \line { futurae gloriae nobis pignus datur. }
      \line { Amen. }
    }
    \hspace #2
    \column \italic {
      \line { O sacred feast }
      \line { in which Christ is received, }
      \line { the memory of His Passion is renewed, }
      \line { the mind is filled with grace, }
      \line { and a pledge of future glory is given to us. }
      \line { Amen. }
    }
    \hspace #1
  }
}

\relative {
  a'1-\markup intenso
  a2^\markup { poco \italic più forte  }
  c e1
  d2_\markup { \italic "string. assai" }
  e
  b1^\markup { \bold { molto \italic  agitato } }
  c
}

\relative {
  a'1^"\italic markup..."
  a_\markup { \italic "... prints \"italic\" letters!" }
  a a
}

\relative c'' {
  c1^\markup { \center-column { a bbb c } }
  c1^\markup { \center-column { a { bbb c } } }
  c1^\markup { \center-column { a \line { bbb c } } }
  c1^\markup { \center-column { a "bbb c" } }
}

allegro = \markup { \bold \large Allegro }

{
  d''8.^\allegro
  d'16 d'4 r2
}

\relative {
  d''1^\markup {
    \bold { Più mosso }
    \italic { non troppo \underline Vivo }
  }
  r2 r4 r8
  d,_\markup { \italic quasi \smallCaps Tromba }
  f1 d2 r
}

\relative b' {
  b1_\markup { \huge Sinfonia }
  b1^\markup { \teeny da }
  b1-\markup { \normalsize camera }
}

\relative b' {
  b1_\markup { \larger Sinfonia }
  b1^\markup { \smaller da }
  b1-\markup { \magnify #0.6  camera }
}

\relative b' {
  b1_\markup { \fontsize #-2 Sinfonia }
  b1^\markup { \fontsize #1 da }
  b1-\markup { \fontsize #3 camera }
}

\relative b' {
  b1_\markup { \abs-fontsize #20 Sinfonia }
  b1^\markup { \abs-fontsize #8 da }
  b1-\markup { \abs-fontsize #14 camera }
}

\markup \fontsize #6 \bold { Sinfonia da camera }
\markup \fontsize #6 \bold { "Sinfonia da camera" }

\markup {
  \column {
    \line { 1 \super st movement }
    \line { 1 \normal-size-super st movement
      \sub { (part two) }  }
  }
}

\markup {
  \column {
    \line { Act \number 1 }
    \line { \sans { Scene I. } }
    \line { \typewriter { Verona. An open place. } }
    \line { Enter \serif Valentine and Proteus. }
  }
}

\markup {
  \column {
    \line {
      \concat { 1 \super st }
      movement
    }
    \line {
      \concat { \dynamic p , }
      \italic { con dolce espressione }
    }
  }
}

\relative {
  d''1-\markup { poco }
  f
  d-\markup { \left-align poco }
  f
  d-\markup { \center-align { poco } }
  f
  d-\markup \right-align { poco }
}

\relative {
  a'1-\markup { \halign #-1 poco }
  e'
  a,-\markup { \halign #0 poco }
  e'
  a,-\markup { \halign #0.5 poco }
  e'
  a,-\markup { \halign #2 poco }
}

\relative {
  d''1-\markup { poco }
  f
  d-\markup { \with-color #darkred \box \hspace #4 poco }
  f
  d-\markup { \with-color #darkred \box \hspace #-4 poco }
  f
  d-\markup { \with-color #darkred \box \hspace #10 poco }
}

\relative {
  d'2^\markup {
    Acte I
    \raise #2 { Scène 1 }
  }
  a'
  g_\markup {
    \lower #4 \bold { Très modéré }
  }
  a
  d,^\markup \raise #4 \italic {
    Une forêt.
  }
  a'4 a g2 a
}

\relative {
  d'2^\markup {
    Acte I
    \translate #'(-1 . 2) "Scène 1"
  }
  a'
  g_\markup {
    \general-align #Y #3.2 \bold "Très modéré"
  }
  a
  d,^\markup \translate-scaled #'(-1 . 2) \teeny {
   "Une forêt."
  }
  a'4 a g2 a
}

\relative {
  d'2^\markup {
    Acte I
    \column {
      \with-color #darkred \box \vspace #-1
      "Scène 1"
    }
  }
  a'
  g_\markup \column {
    \with-color #darkred \box \vspace #1
    "Très modéré"
  }
  a
  d,^\markup \column {
   "Une forêt."
    \with-color #darkred \box \vspace #2
  }
  a'4 a g2 a
}

\markup {
  \column {
    a
    "b c"
    \line { d e f }
  }
  \hspace #10
  \center-column {
    a
    "b c"
    \line { d e f }
  }
}

\markup {
  \fill-line {
    \line { William S. Gilbert }
    \center-column {
      \huge \smallCaps "The Mikado"
      or
      \smallCaps "The Town of Titipu"
    }
    \line { Sir Arthur Sullivan }
  }
}
\markup {
  \fill-line { 1885 }
}

\markup {
  \column {
    \fill-line { left center right }
    \null
    \override #'(line-width . 30)
    \fill-line { left center right }
  }
}

\markup {
  \column {
    \line  \smallCaps { La vida breve }
    \line \bold { Acto I }
    \wordwrap \italic {
      (La escena representa el corral de una casa de
      gitanos en el Albaicín de Granada.  Al fondo una
      puerta por la que se ve el negro interior de
      una Fragua, iluminado por los rojos resplandores
      del fuego.)
    }
    \hspace #0

    \line \bold { Acto II }
    \override #'(line-width . 50)
    \justify \italic {
      (Calle de Granada.  Fachada de la casa de Carmela
      y su hermano Manuel con grandes ventanas abiertas
      a través de las que se ve el patio
      donde se celebra una alegre fiesta)
    }
  }
}

\markup \fill-line {
  \center-column {
    \circle Jack
    \box "in the box"
    \null
    \line {
      Erik Satie
      \hspace #3
      \bracket "1866 - 1925"
    }
    \null
    \rounded-box \bold Prelude
  }
}

\markup \fill-line {
  \center-column {
    \box "Charles Ives (1874 - 1954)"
    \null
    \box \pad-markup #2 "THE UNANSWERED QUESTION"
    \box \pad-x #8 "A Cosmic Landscape"
    \null
  }
}
\markup \column {
  \line {
    \hspace #10
    \box \pad-to-box #'(-5 . 20) #'(0 . 5)
      \bold "Largo to Presto"
  }
  \pad-around #3
      "String quartet keeps very even time,
Flute quartet keeps very uneven time."
}

\markup {
  \combine
    \draw-circle #4 #0.4 ##f
    \filled-box #'(-4 . 4) #'(-0.5 . 0.5) #1
  \hspace #5

  \center-column {
    \triangle ##t
    \combine
      \draw-line #'(0 . 4)
      \arrow-head #Y #DOWN ##f
  }
}

c'1^\markup {
  \combine
    \epsfile #X #10 "./context-example.eps"
    \with-dimensions #'(0 . 6) #'(0 . 10)
    \postscript "
      -2 3 translate
      2.7 2 scale
      newpath
      2 -1 moveto
      4 -2 4 1 1 arct
      4 2 3 3 1 arct
      0 4 0 3 1 arct
      0 0 1 -1 1 arct
      closepath
      stroke"
  }
c'

a'2 a'^\markup {
  \note {4} #1
  =
  \note-by-number #1 #1 #1.5
}
b'1_\markup {
  \natural \semiflat \flat
  \sesquiflat \doubleflat
}
\glissando
a'1_\markup {
  \natural \semisharp \sharp
  \sesquisharp \doublesharp
}
\glissando b'

\relative {
  g1 bes
  ees\finger \markup \tied-lyric "4~1"
  fis_\markup { \dynamic rf }
  bes^\markup {
    \beam #8 #0.1 #0.5
  }
  cis
  d-\markup {
    \markalphabet #8
    \markletter #8
  }
}

\relative {
  c''2
  c'^\markup { \musicglyph "eight" }
  c,4
  c,8._\markup { \musicglyph "clefs.G_change" }
  c16
  c2^\markup { \musicglyph "timesig.neomensural94" }
}

\relative {
  c''1^\markup {
    \fret-diagram-terse "x;x;o;2;3;2;"
  }
  c^\markup {
    \harp-pedal "^-v|--ov^"
  }
  c
  c^\markup {
    \combine
      \musicglyph "accordion.discant"
      \combine
	\raise #0.5 \musicglyph "accordion.dot"
	\raise #1.5 \musicglyph "accordion.dot"
  }
}

\relative {
  c'4 d^\markup {
    \score {
      \relative { c'4 d e f }
    }
  }
  e f |
  c d e f
}

\markuplist {
  \justified-lines {
    Un texto muy largo de líneas justificadas.
    ...
  }
  \wordwrap-lines {
    Otro párrafo muy largo.
    ...
  }
  ...
}

#(ly:font-config-add-font "ruta/hacia/archivo-de-fuente.otf")

#(ly:font-config-add-directory "ruta/hacia/directorio/")

a'1^\markup {
  \vcenter {
    \override #'(font-encoding . fetaBraces)
    \lookup "brace120"
    \override #'(font-encoding . fetaText)
    \column { 1 3 sf }
    \override #'(font-encoding . fetaMusic)
    \lookup "noteheads.s0petrucci"
  }
}

\override Score.RehearsalMark.font-family = #'typewriter
\mark \markup "Ouverture"
\override Voice.TextScript.font-shape = #'italic
\override Voice.TextScript.font-series = #'bold
d''2.^\markup "Allegro"
\override Voice.TextScript.font-size = #-3
c''4^smaller

\markup {
  \column {
    \line {
      \override #'((font-shape . italic) (font-size . 4))
      Idomeneo,
    }
    \line {
      \override #'(font-family . typewriter)
      {
        \override #'(font-series . bold)
        re
        di
      }
      \override #'(font-family . sans)
      Creta
    }
  }
}

% Versalitas auténticas
\markup { Estilo normal: Hola HOLA }
\markup { \caps { Falsa versalita: Hola } }
\markup { \override #'(font-features . ("smcp"))
          { Versalitas auténticas: Hola } }

% Estilos de números
\markup { Cifras de estilo normal: 0123456789 }
\markup { \override #'(font-features . ("onum"))
          { Cifras de estilo antiguo: 0123456789 } }

% Alternativas de estilo
\markup { \override #'(font-features . ("salt 0"))
          { Alternativa de estilo 0: εφπρθ } }
\markup { \override #'(font-features . ("salt 1"))
          { Alternativa de estilo 1: εφπρθ } }

% Acumulación de funcionalidades
\markup { \override #'(font-features . ("onum" "smcp" "salt 1"))
          { Acumulación de funcionalidades: Hola 0123456789 εφπρθ } }

\override Staff.TimeSignature.font-name = "Bitstream Charter"
\override Staff.TimeSignature.font-size = #2
\time 3/4

a'1_\markup {
  \override #'(font-name . "Bitstream Vera Sans,sans-serif, Oblique Bold")
    { Vera Oblique Bold }
}

lilypond -dshow-available-fonts

\paper  {
  property-defaults.fonts.serif = "Linux Libertine O"
  property-defaults.fonts.sans = "Nimbus Sans, Nimbus Sans L"
  property-defaults.fonts.typewriter = "DejaVu Sans Mono"
}

\relative c'{
  c1-\markup {
    roman,
    \sans sans,
    \typewriter typewriter. }
}

\paper {
  #(define fonts
    (set-global-fonts
     #:roman "Linux Libertine O"
     #:sans "Nimbus Sans, Nimbus Sans L"
     #:typewriter "DejaVu Sans Mono"
     #:factor (/ staff-height pt 20) ; innecesario si el tamaño del pentagrama es el predeterminado
    ))
}

\paper {
  #(define fonts
    (set-global-fonts
     #:music "emmentaler"            ; predeterminado
     #:brace "emmentaler"            ; predeterminado
     #:roman "Linux Libertine O"
     #:sans "Nimbus Sans, Nimbus Sans L"
     #:typewriter "DejaVu Sans Mono"
     #:factor (/ staff-height pt 20) ; innecesario si el tamaño del pentagrama es el predeterminado
    ))
}

\paper {
  #(define fonts
    (set-global-fonts
     …
    ))
}
\book {
  …
}

\paper {
  #(define fonts
    (set-global-fonts
     …
    ))
}
\book {
  …
}

\lyricmode { Three4 blind mice,2 three4 blind mice2 }

\lyricmode { la la la}

\lyricmode { la la la }

\relative { d''8 c16 a bes8 f ees' d c4 }
\addlyrics { „Schad’ um das schö -- ne grü -- ne Band, }

\relative { \time 3/4 e'4 e4. e8 d4 e d c2. }
\addlyrics { "\"I" am so lone -- "ly,\"" said she }

mel = \relative c'' { c4 c c c }
lyr = \lyricmode {
  Lyrics \markup { \italic can } \markup { \with-color #red contain }
  \markup { \fontsize #8 \bold Markup! }
}

<<
  \new Voice = melody \mel
  \new Lyrics \lyricsto melody \lyr
>>

\new Lyrics \lyricmode { … }

<<
  \new Staff <<
    \time 2/4
    \new Voice = "one" \relative {
      \voiceOne
      c''4 b8. a16 g4. r8 a4 ( b ) c2
    }
    \new Voice = "two" \relative {
      \voiceTwo
       s2 s4. f'8 e4 d c2
    }
  >>

% takes durations and alignment from notes in "one"
  \new Lyrics \lyricsto "one" {
    Life is __ _ love, live __ life.
  }

% takes durations and alignment from notes in "one" initially
% then switches to "two"
  \new Lyrics \lyricsto "one" {
    No more let
    \set associatedVoice = "two"  % must be set one syllable early
    sins and sor -- rows grow.
  }
>>

<<
  \new Voice = "one" \relative {
    \time 2/4
    c''4 b8. a16 g4. f8 e4 d c2
  }

% uses previous explicit duration of 2;
  \new Lyrics \lyricmode {
    Joy to the earth!
  }

% explicit durations, set to a different rhythm
  \new Lyrics \lyricmode {
    Life4 is love,2. live4 life.2
  }
>>

<<
  \new Voice = "melody" \relative {
    a'1 a4. a8 a2
  }
  \new Lyrics \lyricsto "melody" {
    These are the words
  }
>>

{ MÚSICA }
\addlyrics { LETRA }

\new Voice = "blabla" { MÚSICA }
\new Lyrics \lyricsto "blabla" { LETRA }

{
  \time 3/4
  \relative { c'2 e4 g2. }
  \addlyrics { play the game }
}

{
  \time 3/4
  \relative { c'2 e4 g2. }
  \addlyrics { play the game }
  \addlyrics { speel het spel }
  \addlyrics { joue le jeu }
}

\set associatedVoice = "lala"

<<
  \new Staff <<
    \time 2/4
    \new Voice = "one" \relative {
      \voiceOne
      c''4 b8. a16 g4. r8 a4 ( b ) c2
    }
    \new Voice = "two" \relative {
      \voiceTwo
       s2 s4. f'8 e8 d4. c2
    }
  >>
% takes durations and alignment from notes in "one" initially
% then switches to "two"
  \new Lyrics \lyricsto "one" {
    No more let
    \set associatedVoice = "two"  % must be set one syllable early
    sins and sor -- rows grow.
  }
>>

<<
  \new Voice = "melody" \relative {
    c''2 a f f e e
  }
  \new Lyrics \lyricmode {
    c4. -- a -- f -- f -- e2. -- e
  }
>>

<<
  \new Staff {
    \relative {
      c''2 c2
      d1
    }
  }
  \new Lyrics {
    \lyricmode {
      I2 like4. my8 cat!1
    }
  }
  \new Staff {
    \relative {
      c'8 c c c c c c c
      c8 c c c c c c c
    }
  }
>>

<<
  \new Voice = "melody" \relative {
    \time 3/4
    c'2 e4 g2 f
  }
  \new Lyrics \lyricmode {
    \override LyricText.self-alignment-X = #LEFT
    play1 a4 game4
  }
>>

{
  \relative {
    \autoBeamOff
    r8 b' c fis, fis c' b e,
  }
  \addlyrics
  {
    \override LyricHyphen.minimum-distance = #1.0 % Ensure hyphens are visible
    Che_in ques -- ta_e_in quel -- l'al -- tr'on -- da
  }
  \addlyrics { "Che in" ques -- "ta e in" quel -- l'al -- tr'on -- da }
  \addlyrics { Che~in ques -- ta~e~in quel -- l'al -- tr'on -- da }
}

<<
  \new Voice = "melody" \relative {
    \time 3/4
    f''4 g2 ~ |
    4 e2 ~ |
    8
  }
  \new Lyrics \lyricsto "melody" {
    Ky -- ri -- e __
  }
>>

<<
  \new Voice = "melody" \relative {
    \time 3/4
    f''4 g8 ( f e f )
    e8 ( d e2 )
  }
  \new Lyrics \lyricsto "melody" {
    Ky -- ri -- e __
  }
>>

<<
  \new Voice = "melody" \relative {
    \time 3/4
    \autoBeamOff
    f''4 g8[ f e f]
    e2.
  }
  \new Lyrics \lyricsto "melody" {
    Ky -- ri -- e
  }
>>

<<
  \new Voice = "melody" \relative {
    \time 3/4
    f''4 g8
    \melisma
    f e f
    \melismaEnd
    e2.
  }
  \new Lyrics \lyricsto "melody" {
    Ky -- ri -- e
  }
>>

<<
  \new Voice = "melody" \relative {
    \time 3/4
    f''4 g8 f e f
    e8 d e2
  }
  \new Lyrics \lyricsto "melody" {
    Ky -- ri -- _ _ _ e __ _ _
  }
>>

<<
  \new Voice = "melody" \relative {
    \time 3/4
    \set melismaBusyProperties = #'()
    c'4 d ( e )
    g8 [ f ] f4 ~ 4
  }
  \new Lyrics \lyricsto "melody" {
    Ky -- ri -- e e -- le -- i -- son
  }
>>

<<
  \new Voice = "melody" \relative {
    \time 3/4
    \set melismaBusyProperties = #'()
    c'4 d ( e )
    g8 [ f ] ~ 4 ~ f
  }
  \new Lyrics \lyricsto "melody" {
    Ky -- ri -- _ e __ _ _ _
  }
>>

{
  c'2 c'
  \set melismaBusyProperties = #'()
  c'2 ~ c'
  \time 3/2
  d'4( e' f' e' f'2
  e'2.)
}
\addlyrics
{
  Ah \vowelTransition oh,
  ah \vowelTransition oh,
  ah \vowelTransition _ _ _ _
  oh.
}

musicOne = \relative {
  c''4 b8. a16 g4. f8 e4 d c2
}
verseOne = \lyricmode {
  Joy to the world, the Lord is come.
}
\score {
  <<
    \new Voice = "one" {
      \time 2/4
      \musicOne
    }
    \new Lyrics \lyricsto "one" {
      \verseOne
    }
  >>
}

sopranoMusic = \relative { c''4 c c c }
contraltoMusic = \relative { a'4 a a a }
sopranoWords = \lyricmode { Sop -- ra -- no words }
contraltoWords = \lyricmode { Con -- tral -- to words }

\score {
  \new ChoirStaff <<
    \new Staff {
      \new Voice = "sopranos" {
        \sopranoMusic
      }
    }
    \new Lyrics = "sopranos"
    \new Lyrics = "contraltos"
    \new Staff {
      \new Voice = "contraltos" {
        \contraltoMusic
      }
    }
    \context Lyrics = "sopranos" {
      \lyricsto "sopranos" {
        \sopranoWords
      }
    }
    \context Lyrics = "contraltos" {
      \lyricsto "contraltos" {
        \contraltoWords
      }
    }
  >>
}

\score {
  <<
    \new Staff {
      \new Voice = "melody" {
        \relative { c''4 c c c }
      }
    }
    \new Lyrics {
      \lyricsto "melody" {
        Here are the words
      }
    }
  >>
}

\score {
  <<
    \new Staff = "staff" {
      \new Voice = "melody" {
        \relative { c''4 c c c }
      }
    }
    \new Lyrics \with { alignAboveContext = "staff" } {
      \lyricsto "melody" {
        Here are the words
      }
    }
  >>
}

\score {
  <<
    \new Lyrics = "lyrics" \with {
      % lyrics above a staff should have this override
      \override VerticalAxisGroup.staff-affinity = #DOWN
    }
    \new Staff {
      \new Voice = "melody" {
        \relative { c''4 c c c }
      }
    }
    \context Lyrics = "lyrics" {
      \lyricsto "melody" {
        Here are the words
      }
    }
  >>
}

\score {
  \new ChoirStaff <<
    \new Staff {
      \new Voice = "sopranos" {
        \relative { c''4 c c c }
      }
    }
    \new Lyrics = "sopranos"
    \new Lyrics = "contraltos" \with {
      % lyrics above a staff should have this override
      \override VerticalAxisGroup.staff-affinity = #DOWN
    }
    \new Staff {
      \new Voice = "contraltos" {
        \relative { a'4 a a a }
      }
    }
    \context Lyrics = "sopranos" {
      \lyricsto "sopranos" {
        Sop -- ra -- no words
      }
    }
    \context Lyrics = "contraltos" {
      \lyricsto "contraltos" {
        Con -- tral -- to words
      }
    }
  >>
}

\header { tagline = ##f }

global = {
  \key d \major
  \time 3/4
}

sopMusic = \relative c' {
  % VERSE ONE
  fis4 fis fis | \break
  fis4. e8 e4
}

altoMusic = \relative c' {
  % VERSE ONE
  d4 d d |
  d4. b8 b4 |
}

tenorMusic = \relative c' {
  a4 a a |
  b4. g8 g4 |
}

bassMusic = \relative c {
  d4 d d |
  g,4. g8 g4 |
}

words = \lyricmode {
  Great is Thy faith -- ful -- ness,
}

\score {
  \new ChoirStaff <<
    \new Lyrics = sopranos
    \new Staff = women <<
      \new Voice = "sopranos" {
        \voiceOne
        \global \sopMusic
      }
      \new Voice = "altos" {
        \voiceTwo
        \global \altoMusic
      }
    >>
    \new Lyrics = "altos"
    \new Lyrics = "tenors"
    \new Staff = men <<
      \clef bass
      \new Voice = "tenors" {
        \voiceOne
        \global \tenorMusic
      }
      \new Voice = "basses" {
        \voiceTwo  \global \bassMusic
      }
    >>
    \new Lyrics = basses
    \context Lyrics = sopranos \lyricsto sopranos \words
    \context Lyrics = altos \lyricsto altos \words
    \context Lyrics = tenors \lyricsto tenors \words
    \context Lyrics = basses \lyricsto basses \words
  >>
  \layout {
    \context {
      \Lyrics
      \override VerticalAxisGroup.staff-affinity = ##f
      \override VerticalAxisGroup.staff-staff-spacing =
        #'((basic-distance . 0)
	   (minimum-distance . 2)
	   (padding . 2))
    }
    \context {
      \Staff
      \override VerticalAxisGroup.staff-staff-spacing =
        #'((basic-distance . 0)
	   (minimum-distance . 2)
	   (padding . 2))
    }
  }
}

\relative c' {
  c c c c
  \override Lyrics.LyricSpace.minimum-distance = #1.0
  c c c c
}
\addlyrics {
  longtext longtext longtext longtext
  longtext longtext longtext longtext
}

\score {
  \relative {
  c' c c c
  c c c c
  }
  \addlyrics {
  longtext longtext longtext longtext
  longtext longtext longtext longtext
  }
  \layout {
    \context {
      \Lyrics
      \override LyricSpace.minimum-distance = #1.0
    }
  }
}

\layout { ragged-right = ##f }

\relative c'' {
  c1
  c1
  c1
}
\addlyrics {
  \once \override LyricText.self-alignment-X = #LEFT
  "This is left-aligned"
  \once \override LyricText.self-alignment-X = #CENTER
  "This is centered"
  \once \override LyricText.self-alignment-X = 1
  "This is right-aligned"
}

\override Score.PaperColumn.keep-inside-line = ##f

\layout {
  \context {
    \Lyrics
      \consists Bar_engraver
      \consists Separating_line_group_engraver
      \hide BarLine
  }
}

\score {
  <<
    \new Staff {
      \new Voice = "melody" {
        \relative {
          a'4 a a a
          \repeat volta 2 { b4 b b b }
        }
      }
    }
    \new Lyrics {
      \lyricsto "melody" {
        Not re -- peat -- ed.
        \repeat volta 2 { Re -- peat -- ed twice. }
      }
    }
  >>
}

\score {
  \unfoldRepeats {
    <<
      \new Staff {
        \new Voice = "melody" {
          \relative {
            a'4 a a a
            \repeat volta 2 { b4 b b b }
          }
        }
      }
      \new Lyrics {
        \lyricsto "melody" {
          Not re -- peat -- ed.
          \repeat volta 2 { Re -- peat -- ed twice. }
        }
      }
    >>
  }
}

\score {
  <<
    \new Staff {
      \new Voice = "melody" {
        \relative {
          a'4 a a a
          \repeat unfold 2 { b4 b b b }
        }
      }
    }
    \new Lyrics {
      \lyricsto "melody" {
        Not re -- peat -- ed.
        The first time words.
        Sec -- ond time words.
      }
    }
  >>
}

\score {
  <<
    \new Staff {
      \new Voice = "melody" {
        \relative {
          a'4 a a a
          \repeat volta 2 { b4 b b b }
        }
      }
    }
    \new Lyrics \lyricsto "melody" {
      Not re -- peat -- ed.
      <<
	{ The first time words. }
	\new Lyrics {
	  \set associatedVoice = "melody"
	  Sec -- ond time words.
	}
      >>
    }
  >>
}

\score {
  <<
    \new Staff {
      \new Voice = "singleVoice" {
        \relative {
	  a'4 a a a
	  \repeat volta 3 { b4 b b b }
          c4 c c c
	}
      }
    }
    \new Lyrics \lyricsto "singleVoice" {
      Not re -- peat -- ed.
      <<
        { The first time words.	}
	\new Lyrics {
	  \set associatedVoice = "singleVoice"
	  Sec -- ond time words.
	}
	\new Lyrics {
	  \set associatedVoice = "singleVoice"
	  The third time words.
	}
      >>
      The end sec -- tion.
    }
  >>
}

\score {
  <<
    \new Staff {
      \new Voice = "melody" {
        \relative {
	  a'4 a a a
	  \repeat volta 3 { b4 b b b }
          c4 c c c
	}
      }
    }
    \new Lyrics = "firstVerse" \lyricsto "melody" {
      Not re -- peat -- ed.
      <<
        { The first time words.	}
	\new Lyrics = "secondVerse"
        \with { alignBelowContext = "firstVerse" } {
	  \set associatedVoice = "melody"
	  Sec -- ond time words.
	}
	\new Lyrics = "thirdVerse"
        \with { alignBelowContext = "secondVerse" } {
	  \set associatedVoice = "melody"
	  The third time words.
	}
      >>
      The end sec -- tion.
    }
    \new Voice = "harmony" {
      \relative {
        f'4 f f f \repeat volta 2 { g8 g g4 g2 } a4 a8. a16 a2
      }
    }
  >>
}

\score {
  <<
    \new Staff {
      \time 2/4
      \new Voice = "melody" {
        \relative {
          a'4 a a a
          \repeat volta 2 { b4 b }
          \alternative { { b b } { b c } }
        }
      }
    }
    \new Lyrics {
      \lyricsto "melody" {
        Not re -- peat -- ed.
        \repeat volta 2 { Re -- peat -- }
        \alternative { { ed twice. } { ed twice. } }
      }
    }
  >>
}

\score {
  <<
    \new Staff {
      \time 2/4
      \new Voice = "melody" {
        \relative {
          \repeat volta 2 { b'4 b }
          \alternative { { b b } { b c } }
          c4 c
        }
      }
    }
    \new Lyrics {
      \lyricsto "melody" {
        The first time words.
        \repeat unfold 2 { \skip 1 }
        End here.
      }
    }
    \new Lyrics {
      \lyricsto "melody" {
        Sec -- ond
        \repeat unfold 2 { \skip 1 }
        time words.
      }
    }
  >>
}

\score {
  <<
    \new Staff {
      \time 2/4
      \new Voice = "melody" {
        \relative {
          \set melismaBusyProperties = #'()
          \repeat volta 2 { b'4 b ~}
          \alternative { { b b } { b \repeatTie c } }
          \unset melismaBusyProperties
          c4 c
        }
      }
    }
    \new Lyrics {
      \lyricsto "melody" {
        \repeat volta 2 { Here's a __ }
        \alternative {
          { \skip 1 verse }
          { \skip 1 sec }
        }
        ond one.
      }
    }
  >>
}

\score {
  <<
    \new Staff {
      \time 2/4
      \new Voice = "melody" {
        \relative {
          \repeat volta 2 { b'4 b ~}
          \alternative { { b b } { b \repeatTie c } }
          c4 c
        }
      }
    }
    \new Lyrics {
      \lyricsto "melody" {
        Here's a __ verse.
        \repeat unfold 2 { \skip 1 }
      }
    }
    \new Lyrics {
      \lyricsto "melody" {
        Here's one
        \repeat unfold 2 { \skip 1 }
        more to sing.
      }
    }
  >>
}

\score {
  <<
    \new Staff {
      \time 2/4
      \new Voice = "melody" {
        \relative {
          \repeat volta 2 { b'4 b ~}
          \alternative { { b b } { b \repeatTie c } }
          c4 c
        }
      }
    }
    \new Lyrics {
      \lyricsto "melody" {
        Here's a __ verse.
        \repeat unfold 2 { \skip 1 }
      }
    }
    \new Lyrics {
      \lyricsto "melody" {
        Here's "a_"
        \skip 1
        "_" sec -- ond one.
      }
    }
  >>
}

\score {
  <<
    \new Voice = "melody" {
      \relative c' {
        \set melismaBusyProperties = #'()
        \slurDown
        \slurDashed
        e4 e8 ( e ) c4 c |
        \unset melismaBusyProperties
        c
      }
    }
    \new Lyrics \lyricsto "melody" {
      They shall not o -- ver -- come
    }
    \new Lyrics \lyricsto "melody" {
      We will _
    }
  >>
}

\score {
  <<
    \new Voice = "melody" {
      \relative {
        <<
          {
            \voiceOne
            e'4 e8 e
          }
          \new Voice = "splitpart" {
            \voiceTwo
            c4 c
          }
        >>
        \oneVoice
        c4 c |
        c
      }
    }
    \new Lyrics \lyricsto "melody" {
      They shall not o -- ver -- come
    }
    \new Lyrics \lyricsto "splitpart" {
      We will
    }
  >>
}

soprano = \relative { b'8( c d c) d2 }
alto = \relative { g'2 b8( a g a) }
words = \lyricmode { la __ la __ }

\new Staff <<
  \new Voice = "sopranoVoice" { \voiceOne \soprano }
  \new Voice { \voiceTwo \alto }
  \new Lyrics \lyricsto "sopranoVoice" \words
>>

soprano = \relative { b'8( c d c) d2 }
alto = \relative { g'2 b8( a g a) }
aligner = \relative { b'8( c d c) b( a g a) }
words = \lyricmode { la __ la __ }

\new Staff <<
  \new Voice { \voiceOne \soprano }
  \new Voice { \voiceTwo \alto }
  \new NullVoice = "aligner" \aligner
  \new Lyrics \lyricsto "aligner" \words
>>

soprano = \relative { b'8( c d c) d2 }
alto = \relative { g'2 b8( a g a) }
aligner = \relative { b'8( c d c) b( a g a) }
words = \lyricmode { la __ la __ }

\new Staff <<
  \new Voice \partCombine \soprano \alto
  \new NullVoice = "aligner" \aligner
  \new Lyrics \lyricsto "aligner" \words
>>

soprano = \relative { b'8( c d c) d2 }
altoOne = \relative { g'2 b8( a b4) }
altoTwo = \relative { d'2 g4( fis8 g) }
aligner = \relative { b'8( c d c) d( d d d) }
words = \lyricmode { la __ la __ }

\new ChoirStaff \with {\accepts NullVoice } <<
  \new Staff \soprano
  \new NullVoice = "aligner" \aligner
  \new Lyrics \lyricsto "aligner" \words
  \new Staff \partCombine \altoOne \altoTwo
>>

\new Voice \relative {
  \time 3/4 g'2 e4 a2 f4 g2.
} \addlyrics {
  \set stanza = "1. "
  Hi, my name is Bert.
} \addlyrics {
  \set stanza = "2. "
  Oh, ché -- ri, je t'aime
}

leftbrace = \markup {
  \override #'(font-encoding . fetaBraces)
  \lookup "brace80"
}

stanzaOneOne = \lyricmode {
  \set stanza = \markup {
    \column { \vspace #.33 "1. "}
    \leftbrace
  }
  Child, you’re mine and I love you.
  Lend thine ear to what I say.
}

stanzaOneThree = \lyricmode {
  Child, I have no great -- er joy
  Than to have you walk in truth.
}

\new Voice {
  \repeat volta 2 {
    c'8 c' c' c' c' c' c'4
    c'8 c' c' c' c' c' c'4
  }
}
\addlyrics { \stanzaOneOne }
\addlyrics { \stanzaOneThree }

text = {
  \set stanza = \markup { \dynamic "ff" "1. " }
  \lyricmode {
    Big bang
  }
}

<<
  \new Voice = "tune" {
    \time 3/4
    g'4 c'2
  }
\new Lyrics \lyricsto "tune" \text
>>

\new Voice \relative {
  \time 3/4 g'2 e4 a2 f4 g2.
} \addlyrics {
  \set vocalName = "Bert "
  Hi, my name is Bert.
} \addlyrics {
  \set vocalName = "Ernie "
  Oh, ché -- ri, je t'aime
}

<<
  \relative \new Voice = "lahlah" {
    \set Staff.autoBeaming = ##f
    c'4
    \slurDotted
    f8.[( g16])
    a4
  }
  \new Lyrics \lyricsto "lahlah" {
    more slow -- ly
  }
  \new Lyrics \lyricsto "lahlah" {
    go
    \set ignoreMelismata = ##t
    fas -- ter
    \unset ignoreMelismata
    still
  }
>>

<<
  \new Voice = melody \relative {
    f'4 \appoggiatura a32 b4
    \grace { f16 a16 } b2
    \afterGrace b2 { f16[ a16] }
    \appoggiatura a32 b4
    \acciaccatura a8 b4
  }
  \new Lyrics
  \lyricsto melody {
    normal
    \set includeGraceNotes = ##t
    case,
    gra -- ce case,
    after -- grace case,
    \set ignoreMelismata = ##t
    app. case,
    acc. case.
  }
>>

<<
  \new Voice = melody \relative c' {
    \grace { c16( d e f }
    g1) f
  }
  \new Lyrics \with { includeGraceNotes = ##t }
  \lyricsto melody {
    Ah __ fa
  }
>>

<<
  \relative \new Voice = "lahlah" {
    \set Staff.autoBeaming = ##f
    c'4
    <<
      \new Voice = "alternative" {
        \voiceOne
        \tuplet 3/2 {
          % show associations clearly.
          \override NoteColumn.force-hshift = #-3
          f8 f g
        }
      }
      {
        \voiceTwo
        f8.[ g16]
        \oneVoice
      } >>
    a8( b) c
  }
  \new Lyrics \lyricsto "lahlah" {
    Ju -- ras -- sic Park
  }
  \new Lyrics \lyricsto "lahlah" {
    % Tricky: need to set associatedVoice
    % one syllable too soon!
    \set associatedVoice = "alternative" % applies to "ran"
    Ty --
    ran --
    no --
    \set associatedVoice = "lahlah" % applies to "rus"
    sau -- rus Rex
  } >>

\set associatedVoice = "alternative" % se aplica a "ran"
Ty --
ran --
no --
\set associatedVoice = "lahlah" % se aplica a "rus"
sau -- rus Rex

melody = \relative {
e' d c d | e e e e |
d d e d | c1 |
}

text = \lyricmode {
\set stanza = "1." Ma- ry had a lit- tle lamb,
its fleece was white as snow.
}

\score {
  <<
    \new Voice = "one" { \melody }
    \new Lyrics \lyricsto "one" \text
  >>
  \layout { }
}
\markup {
  \column {
    \line { Verse 2. }
    \line { All the children laughed and played }
    \line { To see a lamb at school. }
  }
}
\markup {
  \wordwrap-string "
  Verse 3.

  Mary took it home again,

  It was against the rule."
}

melody = \relative {
  c'4 c c c | d d d d
}

text = \lyricmode {
  \set stanza = "1." This is verse one.
  It has two lines.
}

\score {
  <<
    \new Voice = "one" { \melody }
    \new Lyrics \lyricsto "one" \text
  >>
  \layout { }
}

\markup {
  \fill-line {
    \hspace #0.1 % moves the column off the left margin;
     % can be removed if space on the page is tight
     \column {
      \line { \bold "2."
        \column {
          "This is verse two."
          "It has two lines."
        }
      }
      \combine \null \vspace #0.1 % adds vertical spacing between verses
      \line { \bold "3."
        \column {
          "This is verse three."
          "It has two lines."
        }
      }
    }
    \hspace #0.1 % adds horizontal spacing between columns;
    \column {
      \line { \bold "4."
        \column {
          "This is verse four."
          "It has two lines."
        }
      }
      \combine \null \vspace #0.1 % adds vertical spacing between verses
      \line { \bold "5."
        \column {
          "This is verse five."
          "It has two lines."
        }
      }
    }
  \hspace #0.1 % gives some extra space on the right margin;
  % can be removed if page space is tight
  }
}

<<
  \chords { c2 g:sus4 f e }
  \new Staff \relative c'' {
    a4 e c8 e r4
    b2 c4( d)
  }
  \addlyrics { One day this shall be free __ }
>>

\score {
  \new ChoirStaff <<
    \new Staff {
      \new Voice {
        \relative { g'4\f g g g }
      }
    }
    \new Staff {
      \new Voice {
        \relative { d'4 d d\p d }
      }
    }
  >>
  \layout {
    \context {
      \Score
      \override DynamicText.direction = #UP
      \override DynamicLineSpanner.direction = #UP
    }
  }
}

\include "english.ly"

\score {
  \relative c'' {
    \key a \major
    \time 2/2
    <<
      \new Voice = "upper"
      <<
        { \voiceOne \arpeggioBracket
          a2( b2
          <b d>1\arpeggio)
          <cs e>\arpeggio ~
          <cs e>4
        }
        \addlyrics { \lyricmode { A -- men. } }
      >>
      \new Voice = "lower"
      { \voiceTwo
        a1 ~
        a
        a ~
        a4 \bar "|."
      }
    >>
  }
  \layout { ragged-right = ##t }
}

\score {
  <<
    \new Staff {
      \set Staff.vocalName = \markup \smallCaps Kaspar
      \set Staff.shortVocalName = \markup \smallCaps Kas.
      \relative {
        \clef "G_8"
        c'4 c c c
        \break
        c4 c c c
      }
    }
    \new Staff {
      \set Staff.vocalName = \markup \smallCaps Melchior
      \set Staff.shortVocalName = \markup \smallCaps Mel
      \clef "bass"
      \relative {
        a4 a a a
        a4 a a a
      }
    }
  >>
}

\relative c' {
  \clef "G_8"
  c4^\markup \fontsize #1 \smallCaps Kaspar
  c c c
  \clef "bass"
  a4^\markup \fontsize #1 \smallCaps Melchior
  a a a
  \clef "G_8"
  c4^\markup \fontsize #1 \smallCaps Kaspar
  c c c
}

kaspar = {
  \clef "G_8"
  \set Staff.shortVocalName = "Kas."
  \set Staff.midiInstrument = "voice oohs"
  <>^\markup \smallCaps "Kaspar"
}

melchior = {
  \clef "bass"
  \set Staff.shortVocalName = "Mel."
  \set Staff.midiInstrument = "choir aahs"
  <>^\markup \smallCaps "Melchior"
}

\relative c' {
  \kaspar
  c4 c c c
  \melchior
  a4 a a a
  \kaspar
  c4 c c c
}

flute = \relative {
  s4 s4 e'' g
}
\addQuote "flute" { \flute }

pianoRH = \relative {
  c''4. g8
  % position name of cue-ing instrument just before the cue notes,
  % and above the staff
  <>^\markup { \right-align { \tiny "Flute" } }
  \cueDuring "flute" #UP { g4 bes4 }
}
pianoLH = \relative { c4 <c' e> e, <g c> }

\score {
  \new PianoStaff <<
    \new Staff {
      \pianoRH
    }
    \new Staff {
      \clef "bass"
      \pianoLH
    }
  >>
}

clarinet = \relative c' {
  \transposition bes
  fis4 d d c
}
\addQuote "clarinet" { \clarinet }

pianoRH = \relative c'' {
  \transposition c'
  % position name of cue-ing instrument below the staff
  <>_\markup { \right-align { \tiny "Clar." } }
  \cueDuring "clarinet" #DOWN { c4. g8 }
  g4 bes4
}
pianoLH = \relative { c4 <c' e> e, <g c> }

\score {
  <<
    \new PianoStaff <<
      \new Staff {
        \new Voice {
          \pianoRH
        }
      }
      \new Staff {
        \clef "bass"
        \pianoLH
      }
    >>
  >>
}

cueWhile =
#(define-music-function
   (instrument name dir music)
   (string? string? ly:dir? ly:music?)
   #{
     \cueDuring $instrument #dir {
       \once \override TextScript.self-alignment-X = #RIGHT
       \once \override TextScript.direction = $dir
       <>-\markup { \tiny #name }
       $music
     }
   #})

flute = \relative c'' {
  \transposition c'
  s4 s4 e g
}
\addQuote "flute" { \flute }

clarinet = \relative c' {
  \transposition bes
  fis4 d d c
}
\addQuote "clarinet" { \clarinet }

singer = \relative c'' { c4. g8 g4 bes4 }
words = \lyricmode { here's the lyr -- ics }

pianoRH = \relative c'' {
  \transposition c'
  \cueWhile "clarinet" "Clar." #DOWN { c4. g8 }
  \cueWhile "flute" "Flute" #UP { g4 bes4 }
}
pianoLH = \relative c { c4 <c' e> e, <g c> }

\score {
  <<
    \new Staff {
      \new Voice = "singer" {
        \singer
      }
    }
    \new Lyrics {
      \lyricsto "singer"
      \words
    }
    \new PianoStaff <<
      \new Staff {
        \new Voice {
          \pianoRH
        }
      }
      \new Staff {
        \clef "bass"
        \pianoLH
      }
    >>
  >>
}

\relative {
  a'4^\markup { \smallCaps { Alex - } \italic { He's gone } } a a a
  a4 a a^\markup { \smallCaps { Bethan - } \italic Where? } a
  a4 a a a
}

music = \relative {
  \repeat unfold 3 { a'4 a a a }
}

dialogue = \lyricmode {
  \markup {
    \fontsize #1 \upright \smallCaps Abe:
    "Say this over measures one and"
  }4*7
  "two"4 |
  \break
  "and this over measure"4*3
  "three"4 |
}

\score {
  <<
    \new Lyrics \with {
      \override LyricText.font-shape = #'italic
      \override LyricText.self-alignment-X = #LEFT
    }
    { \dialogue }
    \new Staff {
      \new Voice { \music }
    }
  >>
}

stemOff = { \hide Staff.Stem }

\relative c' {
  \stemOff
  a'4 b c2 |
}

\score {
  \new StaffGroup <<
    \new Staff {
      \relative {
        a'4 b c2 |
        a4 b c2 |
        a4 b c2 |
      }
    }
    \new Staff {
      \relative {
        a'4 b c2 |
        a4 b c2 |
        a4 b c2 |
      }
    }
  >>
  \layout {
    \context {
      \Staff
      \remove Bar_engraver
    }
  }
}

\score {
  \new ChoirStaff <<
    \new Staff
    \with { \remove Bar_engraver } {
      \relative {
        a'4 b c2 |
        a4 b c2 |
        a4 b c2 |
      }
    }
    \new Staff {
      \relative {
        a'4 b c2 |
        a4 b c2 |
        a4 b c2 |
      }
    }
  >>
}

\relative a' {
  a4 b c2 |
  \cadenzaOn
  a4 b c2
  a4 b c2
  \bar ""
  a4 b c2
  a4 b c2
  \cadenzaOff
  a4 b c2 |
  a4 b c2 |
}

\relative a' {
  a4
  \cadenzaOn
  b c2
  a4 b c2
  \bar "'"
  a4 b c2
  a4 b c2
  \bar ";"
  a4 b c2
  \bar "!"
  a4 b c2
  \bar "||"
}

divisioMinima = {
  \once \override BreathingSign.stencil = #ly:breathing-sign::divisio-minima
  \once \override BreathingSign.Y-offset = #0
  \breathe
}
divisioMaior = {
  \once \override BreathingSign.stencil = #ly:breathing-sign::divisio-maior
  \once \override BreathingSign.Y-offset = #0
  \breathe
}
divisioMaxima = {
  \once \override BreathingSign.stencil = #ly:breathing-sign::divisio-maxima
  \once \override BreathingSign.Y-offset = #0
  \breathe
}
finalis = {
  \once \override BreathingSign.stencil = #ly:breathing-sign::finalis
  \once \override BreathingSign.Y-offset = #0
  \breathe
}

\score {
  \relative {
    g'2 a4 g
    \divisioMinima
    g2 a4 g
    \divisioMaior
    g2 a4 g
    \divisioMaxima
    g2 a4 g
    \finalis
  }
  \layout {
    \context {
      \Staff
      \remove Bar_engraver
    }
  }
}

\score {
  \new Staff {
    \relative {
      a'4 b c2 |
      a4 b c2 |
      a4 b c2 |
    }
  }
  \layout {
    \context {
      \Staff
      \remove Bar_engraver
      \remove Time_signature_engraver
      \remove Clef_engraver
    }
  }
}

SopranoMusic = \relative {
  g'1 | c2 b | a1 | \bar "||"
  a1 | d2 c | c b | c1 | \bar "||"
}

AltoMusic = \relative {
  e'1 | g2 g | f1 |
  f1 | f2 e | d d | e1 |
}

TenorMusic = \relative {
  c'1 | c2 c | c1 |
  d1 | g,2 g | g g | g1 |
}

BassMusic =  \relative {
  c1 | e2 e | f1 |
  d1 | b2 c | g' g | c,1 |
}

global = {
  \time 2/2
}

% Use markup to center the chant on the page
\markup {
  \fill-line {
    \score {  % centered
      <<
        \new ChoirStaff <<
          \new Staff <<
            \global
            \clef "treble"
            \new Voice = "Soprano" <<
              \voiceOne
              \SopranoMusic
            >>
            \new Voice = "Alto" <<
              \voiceTwo
              \AltoMusic
            >>
          >>
          \new Staff <<
            \clef "bass"
            \global
            \new Voice = "Tenor" <<
              \voiceOne
              \TenorMusic
            >>
            \new Voice = "Bass" <<
              \voiceTwo
              \BassMusic
            >>
          >>
        >>
      >>
      \layout {
        \context {
          \Score
          \override SpacingSpanner.base-shortest-duration = \musicLength 2
        }
        \context {
          \Staff
          \remove Time_signature_engraver
        }
      }
    }  % End score
  }
}  % End markup

stemOff = \hide Staff.Stem
stemOn  = \undo \stemOff

\score {
  \new Staff \with { \remove "Time_signature_engraver" }
  {
    \key g \minor
    \cadenzaOn
    \stemOff a'\breve bes'4 g'4
    \stemOn a'2 \section
    \stemOff a'\breve g'4 a'4
    \stemOn f'2 \section
    \stemOff a'\breve^\markup { \italic flexe }
    \stemOn g'2 \fine
  }
}

chant = \relative c' {
  \set Score.timing = ##f
  f4 a2 \divisioMinima
  g4 b a2 f2 \divisioMaior
  g4( f) f( g) a2 \finalis
}

verba = \lyricmode {
  Lo -- rem ip -- sum do -- lor sit a -- met
}

\score {
  \new GregorianTranscriptionStaff <<
    \new GregorianTranscriptionVoice = "melody" \chant
    \new GregorianTranscriptionLyrics = "one" \lyricsto melody \verba
  >>
}

\markup {
  \fill-line {
    \column {
      \left-align {
        \line { O come let us sing | unto the | Lord : let }
        \line { us heartily rejoice in the | strength of | our }
        \line { sal- | -vation. }
      }
    }
  }
}

tick = \markup {
  \raise #1 \fontsize #-5 \musicglyph "scripts.rvarcomma"
}
\markup {
  \fill-line {
    \column {
      \left-align {
        \line { O come let us sing \tick unto the \tick Lord : let }
        \line {
          us heartily rejoice in the \tick strength of \tick our
        }
        \line { sal \tick vation. }
      }
    }
  }
}

dot = \markup {
  \raise #0.7 \musicglyph "dots.dot"
}
tick = \markup {
  \raise #1 \fontsize #-5 \musicglyph "scripts.rvarcomma"
}
\markup {
  \fill-line {
    \column {
      \left-align {
        \line {
          O come let us sing \tick unto \dot the \tick Lord : let
        }
        \line {
          us heartily rejoice in the \tick strength of \tick our
        }
        \line { sal \tick vation. }
      }
    }
  }
}

dot = \markup {
  \raise #0.7 \musicglyph "dots.dot"
}
tick = \markup {
  \raise #1 \fontsize #-5 \musicglyph "scripts.rvarcomma"
}
\markup {
  \fill-line {
    \column {
      \left-align {
        \line { Today if ye will hear his voice * }
        \line {
          \concat { \bold hard en }
          | not your | hearts : as in the pro-
        }
        \line { vocation * and as in the \bold day of tempt- | }
        \line { -ation | in the | wilderness. }
      }
    }
  }
}

tick = \markup {
  \raise #2 \fontsize #-5 \musicglyph "scripts.rvarcomma"
}
\markup {
  \fill-line {
    \column {
      \left-align {
        \line {
          O come let us \concat {
            si \combine \tick ng
          }
          | unto the | Lord : let
        }
        \line {
          us heartily \concat {
            rejo \combine \tick ice
          }
          in the | strength of | our
        }
        \line { sal- | -vation. }
      }
    }
  }
}

Timeline = {
  \time 4/4
  \tempo 4=96
  \partial 2
  s2 | s1 | s2 \breathe s2 | s1 | s2 \caesura \break
  s2 | s1 | s2 \breathe s2 | s1 | s2 \fine
}

SopranoMusic = \relative g' {
  g4 g | g g g g | g g g g | g g g g | g2
  g4 g | g g g g | g g g g | g g g g | g2
}

AltoMusic = \relative c' {
  d4 d | d d d d | d d d d | d d d d | d2
  d4 d | d d d d | d d d d | d d d d | d2
}

TenorMusic = \relative a {
  b4 b | b b b b | b b b b | b b b b | b2
  b4 b | b b b b | b b b b | b b b b | b2
}

BassMusic =  \relative g {
  g4 g | g g g g | g g g g | g g g g | g2
  g4 g | g g g g | g g g g | g g g g | g2
}

global = {
 \key g \major
}

\score {  % Start score
  <<
    \new PianoStaff <<  % Start pianostaff
      \new Staff <<  % Start Staff = RH
        \global
        \clef "treble"
        \new Voice = "Soprano" <<  % Start Voice = "Soprano"
          \Timeline
          \voiceOne
          \SopranoMusic
        >>  % End Voice = "Soprano"
        \new Voice = "Alto" <<  % Start Voice = "Alto"
          \Timeline
          \voiceTwo
          \AltoMusic
        >>  % End Voice = "Alto"
      >>  % End Staff = RH
      \new Staff <<  % Start Staff = LH
        \global
        \clef "bass"
        \new Voice = "Tenor" <<  % Start Voice = "Tenor"
          \Timeline
          \voiceOne
          \TenorMusic
        >>  % End Voice = "Tenor"
        \new Voice = "Bass" <<  % Start Voice = "Bass"
          \Timeline
          \voiceTwo
          \BassMusic
        >>  % End Voice = "Bass"
      >>  % End Staff = LH
    >>  % End pianostaff
  >>
}  % End score

\markup {
  \fill-line {
    ""
    {
      \column {
        \left-align {
          "This is line one of the first verse"
          "This is line two of the same"
          "And here's line three of the first verse"
          "And the last line of the same"
        }
      }
    }
    ""
  }
}

\layout {
  \context {
    \Score
    caesuraType = #'((bar-line . "||"))
    fineBarType = "||"
  }
}

\paper {  % Start paper block
  indent = 0     % don't indent first system
  line-width = 130   % shorten line length to suit music
  tagline = ##f % Don't print tag line, can be removed
}  % End paper block

\change Staff = nombre_del_pentagrama

\new PianoStaff <<
  \new Staff = "up" {
    % enforce creation of all contexts at this point of time
    <>
    \change Staff = "down" c2
    \change Staff = "up" c'2
  }
  \new Staff = "down" {
    \clef bass
    % keep staff alive
    s1
  }
>>

\new PianoStaff <<
  \new Staff = "up" {
    <e' c'>8
    \change Staff = "down"
    g8 fis g
    \change Staff = "up"
    <g'' c''>8
    \change Staff = "down"
    e8 dis e
    \change Staff = "up"
  }
  \new Staff = "down" {
    \clef bass
    % keep staff alive
    s1
  }
>>

\new PianoStaff <<
  \new Staff = "up" {
    \voiceOne
    % Make space for fingering in the cross-staff voice
    \once\override DynamicLineSpanner.staff-padding = #4
    e''2\p\< d''\>
    c''1\!
  }
  \new Staff = "down" <<
    {
      \clef bass
      s4. e,8\rest g,2\rest
      c1
    } \\ {
      c8\( g c'
      \change Staff = "up"
      e' g' b'-3 a' g'\)
      f'1
    }
  >>
>>

\autoChange …música…

\new PianoStaff {
  \autoChange {
    g4 a b c'
    d'4 r a g
  }
}

music = {
  g8 b a c' b8 d' c'8 e'
  d'8 r f' g' a'2
}

\autoChange d' \music
\autoChange b \with { \clef soprano } \music
\autoChange d' \with { \clef alto } \with { \clef tenor } \music

\new PianoStaff <<
  \new Staff = "up" {
    \new Voice = "melodiaUno" {
      \key g \major
      \autoChange \relative {
        g8 b a c b d c e
        d8 r fis, g a2
      }
    }
  }
  \new Staff = "down" {
    \key g \major
    \clef bass
  }
>>

\new PianoStaff <<
  \new Staff = "one" {
    \showStaffSwitch
    c'1
    \change Staff = "two"
    b2 a
  }
  \new Staff = "two" {
    \clef bass
    s1*2
  }
>>

\new PianoStaff <<
  \new Staff = "one" {
    <c' e' g'>1
    \showStaffSwitch
    \change Staff = "two"
    <a c' f>1
    \hideStaffSwitch
    \change Staff = "one"
    <e' g' c'>1
    \showStaffSwitch
    \change Staff = "two"
    <f a c'>1
  }
  \new Staff = "two" {
    \clef bass
    s1*4
  }
>>

\layout {
  \context {
    \PianoStaff
    \consists "Span_stem_engraver"
  }
}

\new PianoStaff <<
  \new Staff {
    <b d'>4 r d'16\> e'8. g8 r\! |
    e'8 f' g'4
      \voiceTwo
      % Down to lower staff
      \crossStaff { e'8 e'8 } e'4 |
  }

  \new Staff {
    \clef bass
    \voiceOne
    % Up to upper staff
    \crossStaff { <e g>4 e, g16 a8. c8 } d |
    g8 f g4 \voiceTwo g8 g g4 |
  }
>>

\new PianoStaff <<
  \set PianoStaff.connectArpeggios = ##t
  \override PianoStaff.Arpeggio.stencil =
    #ly:arpeggio::brew-chord-bracket
  \new Staff {
    \relative c' {
      \key b \major
      \time 6/8
      b8-.(\arpeggio fis'-.\> cis-.
        e-. gis-. b-.)\!\fermata^\laissezVibrer \bar "||"
    }
  }
  \new Staff {
    \relative c' {
      \clef bass
      \key b \major
      <<
        {
          <a e cis>2.\arpeggio
        }
        \\
        {
          <a, e a,>2.
        }
      >>
    }
  }
>>

\relative {
  c''4\sustainOn d e g
  <c, f a>1\sustainOff
  c4\sostenutoOn e g c,
  <bes d f>1\sostenutoOff
  c4\unaCorda d e g
  <d fis a>1\treCorde
}

\relative {
  c''4\sustainOn g c2\sustainOff
  \set Staff.pedalSustainStyle = #'mixed
  c4\sustainOn g c d
  d\sustainOff\sustainOn g, c2\sustainOff
  \set Staff.pedalSustainStyle = #'bracket
  c4\sustainOn g c d
  d\sustainOff\sustainOn g, c2
  \bar "|."
}

#(use-modules (lily accreg))

\new PianoStaff
<<
  \new Staff \relative {
    \clef treble
    \discant "10"
    r8 s32 f'[ bes f] s e[ a e] s d[ g d] s16 e32[ a]
    <<
      { r16 <f bes> r <e a> r <d g> }
      \\
      { d r a r bes r }
    >> |
    <cis e a>1
  }

  \new Staff \relative {
    \clef treble
    \freeBass "1"
    r8 d'32 s16. c32 s16. bes32 s16. a32[ cis] s16
    \clef bass \stdBass "Master"
    <<
      { r16 <f, bes d>^"b" r <e a c>^"am" r <d g bes>^"gm" |
      <e a cis>1^"a" }
      \\
      { d8_"D" c_"C" bes_"B" | a1_"A" }
    >>
  }
>>

\textLengthOn
cis''1_\markup \concat \vcenter {
  [D \flat C \sharp B|E \sharp F \sharp G A \flat] }
c''!1_\markup \concat \vcenter {
  [ C \natural ] }

\textLengthOn
cis''1_\markup { \harp-pedal "^v-|vv-^" }
c''!1_\markup { \harp-pedal "^o--|vv-^" }

\relative { c''4(\downbow d) e(\upbow f) }

a'4 \open
\romanStringNumbers
a'\2
a'2^\markup { \small "sul A" }

\relative d'' {
  d4 e4.
  \harmonicsOn
  d8 e e
  d4 e4.
  \harmonicsOff
  d8 e e
}

d''2^\flageolet d''_\flageolet

\relative e' {
  <e a\harmonic>2.  <c g'\harmonic>4
  \set harmonicDots = ##t
  <e a\harmonic>2.  <c g'\harmonic>4
}

\relative {
  c'4\snappizzicato
  <c' e g>4\snappizzicato
  <c' e g>4^\snappizzicato
  <c, e g>4_\snappizzicato
}

\clef "treble_8"
c4\5 e\4 g2\3
<c\5 e\4 g\3>1

\clef "treble_8"
g4\3-0
g-0\3
<g\3-0>
<g-0\3>

\clef "treble_8"
c'2\2
a\3
\romanStringNumbers
c'\2
\set stringNumberOrientations = #'(down)
a\3
\arabicStringNumbers
g1\4

\relative c' {
  \set fingeringOrientations = #'(left)
  <c-1 e-3 a-5>4
  \set fingeringOrientations = #'(down)
  <c-1 e-3 a-5>4
  \set fingeringOrientations = #'(down right up)
  <c-1 e-3 a-5>4
  \set fingeringOrientations = #'(up)
  <c-1 e-3 a-5>4
  \set fingeringOrientations = #'(left)
  <c-1>2
  \set fingeringOrientations = #'(down)
  <e-3>2
  \set stringNumberOrientations = #'(up left down)
  <f\3 a\2 c\1>1
  \set strokeFingerOrientations = #'(down right up)
  <c\rightHandFinger 1 e\rightHandFinger 2 c'\rightHandFinger 4 >
}

\relative c' {
  <c-1 e-2 g-3 b-5>2
  \override Fingering.staff-padding = #'()
  <c-1 e-2 g-3 b-5>4 g'-0
  a8[-1 b]-2 g-0 r
  \override Fingering.add-stem-support = ##f
  a[-1 b]-2 g-0 r
  \override Fingering.add-stem-support = ##t
  a[-1 b]-2 g-0 r
  \override Fingering.add-stem-support = #only-if-beamed
  a[-1 b]-2 g-0 r
}

\new TabStaff \relative {
  a,8 a' <c e> a
  d,8 a' <d f> a
}

symbols = {
  \time 3/4
  c4-.^"Allegro" d( e)
  f4-.\f g a^\fermata
  \mark \default
  c8_.\<\( c16 c~ 2\!
  c'2.\prall\)
}

\score {
  <<
    \new Staff { \clef "G_8" \symbols }
    \new TabStaff { \symbols }
  >>
}

symbols = {
  \time 3/4
  c4-.^"Allegro" d( e)
  f4-.\f g a^\fermata
  \mark \default
  c8_.\<\( c16 c~ 2\!
  c'2.\prall\)
}

\score {
  \new TabStaff {
    \tabFullNotation
    \symbols
  }
}

\layout { \omit Voice.StringNumber }
\new StaffGroup <<
   \new Staff \relative {
     \clef "treble_8"
     \time 2/4
     c16 d e f g4
     c,16\5 d\5 e\4 f\4 g4\4
     c,16 d e f g4
   }
   \new TabStaff \relative {
     c16 d e f g4
     c,16\5 d\5 e\4 f\4 g4\4
     \set TabStaff.minimumFret = #5
     \set TabStaff.restrainOpenStrings = ##t
     c,16 d e f g4
   }
>>

\chordRepeats #'(string-number-event fingering-event)

guitar = \relative {
  r8 <gis-2 cis-3 b-0>~ q4 q8~ 8 q4
}

\new StaffGroup <<
  \new Staff {
    \clef "treble_8"
    \guitar
  }
  \new TabStaff {
    \tabChordRepeats \guitar
  }
>>

ties = \relative {
  \repeat volta 2 {
    e'2. f4~
    2 g2~
  }
  \alternative {
     { g4 f2. }
     { g4\repeatTie c,2. }
  }
  b1~
  \break
  b1
  \bar "|."
}

\score {
  <<
    \new StaffGroup  <<
      \new Staff {
        \clef "treble_8"
        \ties
      }
      \new TabStaff {
        \ties
      }
    >>
  >>
  \layout {
  indent = #0
  ragged-right = ##t
  }
}

ties = \relative {
  \repeat volta 2 {
    e'2. f4~
    2 g2~ }
  \alternative {
    { g4 f2. }
    { g4\repeatTie c,2. }
  }
  b1~
  \break
  b1
  \bar "|."
}

\score {
  <<
    \new StaffGroup  <<
      \new Staff {
        \clef "treble_8"
        \ties
      }
      \new TabStaff {
      \hideSplitTiedTabNotes
        \ties
      }
    >>
  >>
  \layout {
  indent = #0
  ragged-right = ##t
  }
}

\layout { \omit Voice.StringNumber }
firstHarmonic = {
  d'4\4\harmonic
  g'4\3\harmonic
  b'2\2\harmonic
}
\score {
  <<
    \new Staff {
      \clef "treble_8"
      \firstHarmonic
    }
    \new TabStaff { \firstHarmonic }
  >>
}

fretHarmonics = {
  \harmonicByFret #5 d16\4
  \harmonicByFret #4 d16\4
  \harmonicByFret #3 d8\4
  \harmonicByFret #5 <g\3 b\2>2.
}
\score {
  <<
    \new Staff {
      \clef "treble_8"
      \fretHarmonics
    }
    \new TabStaff { \fretHarmonics }
  >>
}

ratioHarmonics = {
  \harmonicByRatio #1/2 <g\3 b\2 e'\1>4
  \harmonicByRatio #1/3 <g\3 b\2 e'\1>4
  \harmonicByRatio #1/4 { g8\3 b8\2 e'4\1 }
}
\score {
  <<
    \new Staff {
      \clef "treble_8"
      \ratioHarmonics
    }
    \new TabStaff { \ratioHarmonics }
  >>
}

\new TabStaff {
  \relative c {
    \tabFullNotation
    g16 b d g b d g b
    \stemDown
    \override Beam.concaveness = 10000
    g,,16 b d g b d g b
  }
}

upper = \relative c' {
  \time 12/8
  \key e \minor
  \voiceOne
  r4. r8 e, fis g16 b g e e' b c b a g fis e
}

lower = \relative c {
  \key e \minor
  \voiceTwo
  r16 e d c b a g4 fis8 e fis g a b c
}

\score {
  <<
    \new StaffGroup = "tab with traditional" <<
      \new Staff = "guitar traditional" <<
        \clef "treble_8"
        \new Voice = "upper" \upper
        \new Voice = "lower" \lower
      >>
      \new TabStaff = "guitar tab" <<
        \new TabVoice = "upper" \upper
        \new TabVoice = "lower" \lower
      >>
    >>
  >>
}

openStringHarmonics = {
  \textSpannerDown
  \override TextSpanner.staff-padding = 3
  \override TextSpanner.dash-fraction = 0.3
  \override TextSpanner.dash-period = 1

  %first harmonic
  \override TextSpanner.bound-details.left.text =
    \markup\small "1st harm. "
  \harmonicByFret 12 e,2\6\startTextSpan
  \harmonicByRatio #1/2 e,\6\stopTextSpan

  %second harmonic
  \override TextSpanner.bound-details.left.text =
    \markup\small "2nd harm. "
  \harmonicByFret 7 e,\6\startTextSpan
  \harmonicByRatio #1/3 e,\6
  \harmonicByFret 19 e,\6
  \harmonicByRatio #2/3 e,\6\stopTextSpan
  %\harmonicByFret 19 < e,\6 a,\5 d\4 >
  %\harmonicByRatio #2/3 < e,\6 a,\5 d\4 >

  %third harmonic
  \override TextSpanner.bound-details.left.text =
    \markup\small "3rd harm. "
  \harmonicByFret 5 e,\6\startTextSpan
  \harmonicByRatio #1/4 e,\6
  \harmonicByFret 24 e,\6
  \harmonicByRatio #3/4 e,\6\stopTextSpan
  \break

  %fourth harmonic
  \override TextSpanner.bound-details.left.text =
    \markup\small "4th harm. "
  \harmonicByFret 4 e,\6\startTextSpan
  \harmonicByRatio #1/5 e,\6
  \harmonicByFret 9 e,\6
  \harmonicByRatio #2/5 e,\6
  \harmonicByFret 16 e,\6
  \harmonicByRatio #3/5 e,\6\stopTextSpan

  %fifth harmonic
  \override TextSpanner.bound-details.left.text =
    \markup\small "5th harm. "
  \harmonicByFret 3 e,\6\startTextSpan
  \harmonicByRatio #1/6 e,\6\stopTextSpan
  \break

  %sixth harmonic
  \override TextSpanner.bound-details.left.text =
    \markup\small "6th harm. "
  \harmonicByFret 2.7 e,\6\startTextSpan
  \harmonicByRatio #1/7 e,\6\stopTextSpan

  %seventh harmonic
  \override TextSpanner.bound-details.left.text =
    \markup\small "7th harm. "
  \harmonicByFret 2.3 e,\6\startTextSpan
  \harmonicByRatio #1/8 e,\6\stopTextSpan

  %eighth harmonic
  \override TextSpanner.bound-details.left.text =
    \markup\small "8th harm. "
  \harmonicByFret 2 e,\6\startTextSpan
  \harmonicByRatio #1/9 e,\6\stopTextSpan
}

\score {
  <<
    \new Staff
    \with { \omit StringNumber } {
      \new Voice {
        \clef "treble_8"
        \openStringHarmonics
      }
    }
    \new TabStaff {
      \new TabVoice {
        \openStringHarmonics
      }
    }
  >>
}

\paper { tagline = ##f }

pinchedHarmonics = {
  \textSpannerDown
  \override TextSpanner.bound-details.left.text =
    \markup {\halign #-0.5 \teeny "PH" }
  \override TextSpanner.style = #'dashed-line
  \override TextSpanner.dash-period = 0.6
  \override TextSpanner.bound-details.right.attach-dir = 1
  \override TextSpanner.bound-details.right.text =
    \markup { \draw-line #'(0 . 1) }
  \override TextSpanner.bound-details.right.padding = -0.5
}

harmonics = {
  % artificial harmonics (AH)
  \textLengthOn
  <\parenthesize b b'\harmonic>4_\markup { \teeny "AH 16" }
  <\parenthesize g g'\harmonic>4_\markup { \teeny "AH 17" }
  <\parenthesize d' d''\harmonic>2_\markup { \teeny "AH 19" }

  % pinched harmonics (PH)
  \pinchedHarmonics
  <a'\harmonic>2\startTextSpan
  <d''\harmonic>4
  <e'\harmonic>4\stopTextSpan

  % tapped harmonics (TH)
  <\parenthesize g\4 g'\harmonic>4_\markup { \teeny "TH 17" }
  <\parenthesize a\4 a'\harmonic>4_\markup { \teeny "TH 19" }
  <\parenthesize c'\3 c''\harmonic>2_\markup { \teeny "TH 17" }

  % touch harmonics (TCH)
  a4( <e''\harmonic>2. )_\markup { \teeny "TCH" }
}

frettedStrings = {
  % artificial harmonics (AH)
  \harmonicByFret 4 g4\3
  \harmonicByFret 5 d4\4
  \harmonicByFret 7 g2\3

  % pinched harmonics (PH)
  \harmonicByFret 7 d2\4
  \harmonicByFret 5 d4\4
  \harmonicByFret 7 a4\5

  % tapped harmonics (TH)
  \harmonicByFret 5 d4\4
  \harmonicByFret 7 d4\4
  \harmonicByFret 5 g2\3

  % touch harmonics (TCH)
  a4 \harmonicByFret 9 g2.\3
}

\score {
  <<
    \new Staff
    \with { \omit StringNumber } {
      \new Voice {
        \clef "treble_8"
        \harmonics
      }
    }
    \new TabStaff {
      \new TabVoice {
        \frettedStrings
      }
    }
  >>
}

slides = {
  c'8\3(\glissando d'8\3)
  c'8\3\glissando d'8\3
  \hideNotes
  \grace { g16\glissando }
  \unHideNotes
  c'4\3
  \afterGrace d'4\3\glissando {
  \stemDown \hideNotes
  g16 }
  \unHideNotes
}

\score {
  <<
    \new Staff { \clef "treble_8" \slides }
    \new TabStaff { \slides }
  >>
  \layout {
    \context {
      \Score
      \override Glissando.minimum-length = 4
      \override Glissando.springs-and-rods =
                          #ly:spanner::set-spacing-rods
      \override Glissando.thickness = 2
      \omit StringNumber
      % or:
      %\override StringNumber.stencil = ##f
    }
  }
}

myMusic = \relative c' {
  <c e g>1 \glissando <f a c>
  <cis, eis gis>1 \glissando <f a c>
  <cis eis gis>1 \glissando <f a c\3>
}

\score {
  <<
    \new Staff {
      \clef "treble_8"
      \omit StringNumber
      \myMusic
    }
    \new TabStaff \myMusic
  >>
}

\score {
  <<
    \new Staff {
      \clef "treble_8"
      \omit StringNumber
      \myMusic
    }
    \new TabStaff \with { \override Glissando.style = #'none } {
      \myMusic
    }
  >>
}

\paper { tagline = ##f }

\new TabStaff {
  \relative c' {
    d4( e\2)
    a( g)
  }
}

\new TabStaff {
  \relative c' {
    << { \voiceOne g2( a) }
    \\ { \voiceTwo a,( b) }
    >> \oneVoice
  }
}

\new TabStaff {
  \relative c' {
    % chord hammer-on and pull-off
    \set doubleSlurs = ##t
    <g' b>8( <a c> <g b>)
  }
}

melodia = \partCombine { e4 g g g } { e4 e e e }
<<
  \new TabStaff <<
    \new TabVoice = "one" s1
    \new TabVoice = "two" s1
    \new TabVoice = "shared" s1
    \new TabVoice = "solo" s1
    { \melodia }
  >>
>>

<<
  \new Voice \with {
    \omit StringNumber
  } {
    \clef "bass_8"
    \relative {
      c,4 d e f
    }
  }
  \new TabStaff \with {
    stringTunings = #bass-tuning
  } {
    \relative {
      c,4 d e f
    }
  }
>>

mynotes = {
  c'4 e' g' c'' |
  e''4 g'' b'' c'''
}

<<
  \new Staff {
    \clef treble
    \mynotes
  }
  \new TabStaff {
    \set Staff.stringTunings = \stringTuning <c' g' d'' a''>
    \mynotes
  }
>>

custom-tuning = \stringTuning <c' g' d'' a''>

mynotes = {
  c'4 e' g' c'' |
  e''4 g'' b'' c'''
}

<<
  \new Staff {
    \clef treble
    \mynotes
  }
  \new TabStaff {
    \set TabStaff.stringTunings = #custom-tuning
    \mynotes
  }
>>

\layout {
  \context {
    \TabStaff
    stringTunings = \stringTuning <c' g' d'' a''>
  }
}

\new TabStaff {
  \clef moderntab
  <a, e a>1
  \break
  \clef tab
  <a, e a>1
}

\layout {
  \context {
    \Score
    supportNonIntegerFret = ##t
  }
}

custom-tuning = \stringTuning <e, a, d ges beh eeh'>

mus = \relative {
  eeses'4
  eeseh
  ees
  eeh
  e
  eih
  eis
  eisih
  eisis
}

<<
  \new Staff << \clef "G_8" \mus >>
  \new TabStaff \with { stringTunings = \custom-tuning } \mus
>>

<<
  \new ChordNames {
    \chordmode {
      c1 d:m
    }
  }
  \new Staff {
    \clef "treble_8"
    <c e g c' e'>1^\markup {
      \fret-diagram "6-x;5-3;4-2;3-o;2-1;1-o;"
    }
    <d a d' f'>1^\markup {
      \fret-diagram "6-x;5-x;4-o;3-2;2-3;1-1;"
    }
  }
>>

<<
  \new ChordNames {
     \chordmode {
       f1 g
     }
  }
  \new Staff {
    \clef "treble_8"
    <f, c f a c' f'>1^\markup {
      \fret-diagram "c:6-1-1;6-1;5-3;4-3;3-2;2-1;1-1;"
    }
    <g, d g b d' g'>1^\markup {
      \fret-diagram "c:6-1-3;6-3;5-5;4-5;3-4;2-3;1-3;"
    }
  }
>>

<<
  \new ChordNames {
     \chordmode {
       f1 g
     }
  }
  \new Staff {
    \clef "treble_8"
    <f, c f a c' f'>1^\markup {
      \fret-diagram "s:1.5;c:6-1-1;6-1;5-3;4-3;3-2;2-1;1-1;"
    }
    <g, b, d g b g'>1^\markup {
      \fret-diagram "h:6;6-3;5-2;4-o;3-o;2-o;1-3;"
    }
  }
>>

<<
  \new ChordNames {
    \chordmode {
      a1
    }
  }
  \new Staff {
    % An 'A' chord for ukulele
    a'1^\markup {
      \fret-diagram "w:4;4-2-2;3-1-1;2-o;1-o;"
    }
  }
>>

<<
  \new ChordNames {
    \chordmode {
      c1 d:m
    }
  }
  \new Staff {
    \clef "treble_8"
    <c e g c' e'>1^\markup {
      \fret-diagram "f:1;6-x;5-3-3;4-2-2;3-o;2-1-1;1-o;"
    }
    <d a d' f'>1^\markup {
      \fret-diagram "f:2;6-x;5-x;4-o;3-2-2;2-3-3;1-1-1;"
    }
  }
>>

<<
  \new ChordNames {
    \chordmode {
      c1 d:m
    }
  }
  \new Staff {
    \clef "treble_8"
    <c e g c' e'>1^\markup {
      \fret-diagram "d:0.35;6-x;5-3;4-2;3-o;2-1;1-o;"
    }
    <d a d' f'>1^\markup {
      \fret-diagram "p:0.2;6-x;5-x;4-o;3-2;2-3;1-1;"
    }
  }
>>

\markup
  \center-column {
    "C"
    "(left-handed)"
     \override #`(fret-diagram-details . ((handedness . ,LEFT)))
     \fret-diagram "6-x;5-3-3;4-2-2;3-o;2-1;1-o;"
  }

<<
  \new ChordNames {
    \chordmode {
      c1 d:m
    }
  }
  \new Staff {
    \clef "treble_8"
    <c e g c' e'>1^\markup {
      \fret-diagram-terse "x;3;2;o;1;o;"
    }
    <d a d' f'>1^\markup {
      \fret-diagram-terse "x;x;o;2;3;1;"
    }
  }
>>

<<
  \new ChordNames {
    \chordmode {
      f1 g
    }
  }
  \new Staff {
    \clef "treble_8"
    <f, c f a c' f'>1^\markup {
      \fret-diagram-terse "1-(;3;3;2;1;1-);"
    }
    <g, d g b d' g'>1^\markup {
      \fret-diagram-terse "3-(;5;5;4;3;3-);"
    }
  }
>>

<<
  \new ChordNames {
    \chordmode {
      c1 d:m
    }
  }
  \new Staff {
    \override Voice.TextScript.fret-diagram-details.finger-code = #'below-string
    \clef "treble_8"
    <c e g c' e'>1^\markup {
      \fret-diagram-terse "x;3-3;2-2;o;1-1;o;"
    }
    <d a d' f'>1^\markup {
      \fret-diagram-terse "x;x;o;2-2;3-3;1-1;"
    }
  }
>>

<<
    \new ChordNames {
      \chordmode {
        c1 d:m
      }
    }
  \new Staff {
    \clef "treble_8"
    <c e g c' e'>1^\markup {
      \fret-diagram-verbose #'(
        (mute 6)
        (place-fret 5 3)
        (place-fret 4 2)
        (open 3)
        (place-fret 2 1)
        (open 1)
      )
    }
    <d a d' f'>1^\markup {
      \fret-diagram-verbose #'(
        (mute 6)
        (mute 5)
        (open 4)
        (place-fret 3 2)
        (place-fret 2 3)
        (place-fret 1 1)
      )
    }
  }
>>

<<
    \new ChordNames {
      \chordmode {
        f1 g c c b
      }
    }
  \new Staff {
    \clef "treble_8"
    \override Voice.TextScript
      .fret-diagram-details.finger-code = #'below-string
    <f, c f a c' f'>1^\markup {
      \fret-diagram-verbose #'(
        (place-fret 6 1)
        (place-fret 5 3)
        (place-fret 4 3)
        (place-fret 3 2)
        (place-fret 2 1)
        (place-fret 1 1)
        (barre 6 1 1)
      )
    }
    <g, b, d g b g'>1^\markup {
      \fret-diagram-verbose #'(
        (place-fret 6 3 2)
        (place-fret 5 2 1)
        (open 4)
        (open 3)
        (open 2)
        (place-fret 1 3 3)
      )
    }
    <c g c' e' g'>1^\markup {
      \fret-diagram-verbose #'(
        (capo 3)
        (mute 6)
        (place-fret 4 5 1)
        (place-fret 3 5 2)
        (place-fret 2 5 3)
      )
    }
    \override Voice.TextScript.size = 1.4
    <c g c' e' g'>1^\markup {
      \fret-diagram-verbose #'(
        (place-fret 6 3 1 red parenthesized default-paren-color)
        (place-fret 5 3 1 inverted)
        (place-fret 4 5 2 blue parenthesized)
        (place-fret 3 5 3 blue)
        (place-fret 2 5 4 blue)
        (place-fret 1 3 1 inverted)
      )
    }
    \override Voice.TextScript.size = 1.5
    <b, fis b dis' fis'>1^\markup
      \override #'(fret-diagram-details . ((finger-code . in-dot)))
      \fret-diagram-verbose #`(
        (place-fret 5 2 1)
        (place-fret 4 4 "fis" red)
        (place-fret 3 4 "b" red)
        (place-fret
          2 4
          ,#{ \markup
                \concat {
                  \vcenter "d"
                  \fontsize #-5
                  \musicglyph "accidentals.sharp"} #}
          red)
        (place-fret 1 2 1)
      )
  }
>>

\include "predefined-guitar-fretboards.ly"

<<
  \chords {
    c1
    c1
    c1
  }
  \new FretBoards {
    \chordmode {
      c1
      \override FretBoard.fret-diagram-details.orientation =
        #'landscape
      c1
      \override FretBoard.fret-diagram-details.orientation =
        #'opposing-landscape
      c1
    }
  }
  \new Voice {
    c'1
    c'1
    c'
  }
>>

<<
  \chords { c1 | c | c | d }

  \new Voice = "mel" {
    \textLengthOn
    % Set global properties of fret diagram
    \override TextScript.size = 1.2
    \override TextScript.fret-diagram-details.finger-code = #'in-dot
    \override TextScript.fret-diagram-details.dot-color = #'white

    %% C major for guitar, no barre, using defaults
       % terse style
    c'1^\markup { \fret-diagram-terse "x;3-3;2-2;o;1-1;o;" }

    %% C major for guitar, barred on third fret
       % verbose style
       % size 1.0
       % roman fret label, finger labels below string, straight barre
    c'1^\markup {
      % standard size
      \override #'(size . 1.0) {
        \override #'(fret-diagram-details . (
                     (number-type . roman-lower)
                     (finger-code . in-dot)
                     (barre-type . straight))) {
          \fret-diagram-verbose #'((mute 6)
                                   (place-fret 5 3 1)
                                   (place-fret 4 5 2)
                                   (place-fret 3 5 3)
                                   (place-fret 2 5 4)
                                   (place-fret 1 3 1)
                                   (barre 5 1 3))
        }
      }
    }

    %% C major for guitar, barred on third fret
       % verbose style
       % landscape orientation, arabic numbers, M for mute string
       % no barre, fret label down or left, small mute label font
    c'1^\markup {
      \override #'(fret-diagram-details . (
                   (finger-code . below-string)
                   (number-type . arabic)
                   (label-dir . -1)
                   (mute-string . "M")
                   (orientation . landscape)
                   (barre-type . none)
                   (xo-font-magnification . 0.4)
                   (xo-padding . 0.3))) {
        \fret-diagram-verbose #'((mute 6)
                                 (place-fret 5 3 1)
                                 (place-fret 4 5 2)
                                 (place-fret 3 5 3)
                                 (place-fret 2 5 4)
                                 (place-fret 1 3 1)
                                 (barre 5 1 3))
      }
    }

    %% simple D chord
       % terse style
       % larger dots, centered dots, fewer frets
       % label below string
    d'1^\markup {
      \override #'(fret-diagram-details . (
                   (finger-code . below-string)
                   (dot-radius . 0.35)
                   (dot-position . 0.5)
                   (fret-count . 3))) {
        \fret-diagram-terse "x;x;o;2-1;3-2;2-3;"
      }
    }
  }
>>

\include "predefined-guitar-fretboards.ly"
\new FretBoards {
  \chordmode {
    c1 d
  }
}

\include "predefined-ukulele-fretboards.ly"

myChords = \chordmode { a1 a:m a:aug }

\new ChordNames {
  \myChords
}

\new FretBoards {
  \set Staff.stringTunings = #ukulele-tuning
  \myChords
}

\include "predefined-mandolin-fretboards.ly"

myChords = \chordmode { c1 c:m7.5- c:aug }

\new ChordNames {
  \myChords
}

\new FretBoards {
  \set Staff.stringTunings = #mandolin-tuning
  \myChords
}

\include "predefined-guitar-fretboards.ly"
\new FretBoards {
  \chordmode { c1 }
  <c' e' g'>1
}

\include "predefined-guitar-fretboards.ly"
mychords = \chordmode {
  c1 f g
}

<<
  \new ChordNames {
    \mychords
  }
  \new FretBoards {
    \mychords
  }
>>

\include "predefined-guitar-fretboards.ly"
mychords = \chordmode{
  c1 f g
}

mychordlist = {
  \mychords
  \transpose c e { \mychords }
}
<<
  \new ChordNames {
    \mychordlist
  }
  \new FretBoards {
    \mychordlist
  }
>>

\include "predefined-guitar-fretboards.ly"
mychords = \chordmode {
  c1 c:maj9
}

<<
  \new ChordNames {
    \mychords
  }
  \new FretBoards {
    \mychords
  }
>>

\include "predefined-guitar-fretboards.ly"

\storePredefinedDiagram #default-fret-table
                        \chordmode { c:maj9 }
                        #guitar-tuning
                        "x;3-2;o;o;o;o;"

mychords = \chordmode {
  c1 c:maj9
}

<<
  \new ChordNames {
    \mychords
  }
  \new FretBoards {
    \mychords
  }
>>

\include "predefined-guitar-fretboards.ly"

\storePredefinedDiagram #default-fret-table
                        \chordmode { c'' }
                        #guitar-tuning
                        #(offset-fret 2 (chord-shape 'bes guitar-tuning))

mychords = \chordmode {
  c1 c''
}

<<
  \new ChordNames {
    \mychords
  }
  \new FretBoards {
    \mychords
  }
>>

\include "predefined-guitar-fretboards.ly"

% Add a new chord shape

\addChordShape #'powerf #guitar-tuning "1-1;3-3;3-4;x;x;x;"

% add some new chords based on the power chord shape

\storePredefinedDiagram #default-fret-table
                        \chordmode { f'' }
                        #guitar-tuning
                        #(chord-shape 'powerf guitar-tuning)
\storePredefinedDiagram #default-fret-table
                        \chordmode { g'' }
                        #guitar-tuning
                        #(offset-fret 2 (chord-shape 'powerf guitar-tuning))

mychords = \chordmode {
  f1 f'' g g''
}

<<
  \new ChordNames {
    \mychords
  }
  \new FretBoards {
    \mychords
  }
>>

\include "predefined-guitar-fretboards.ly"

\storePredefinedDiagram #default-fret-table \chordmode { c' }
                        #guitar-tuning
                        "x;1-1-(;3-2;3-3;3-4;1-1-);"

% shorthand
oo = #(define-music-function
       (grob-path value)
       (list? scheme?)
       #{ \once \override $grob-path = #value #})

<<
  \new ChordNames {
    \chordmode { c1 | c | c | d }
  }
  \new FretBoards {
    % Set global properties of fret diagram
    \override FretBoards.FretBoard.size = 1.2
    \override FretBoard.fret-diagram-details.finger-code = #'in-dot
    \override FretBoard.fret-diagram-details.dot-color = #'white
    \chordmode {
      c
      \oo FretBoard.size #1.0
      \oo FretBoard.fret-diagram-details.barre-type #'straight
      \oo FretBoard.fret-diagram-details.dot-color #'black
      \oo FretBoard.fret-diagram-details.finger-code #'below-string
      c'
      \oo FretBoard.fret-diagram-details.barre-type #'none
      \oo FretBoard.fret-diagram-details.number-type #'arabic
      \oo FretBoard.fret-diagram-details.orientation #'landscape
      \oo FretBoard.fret-diagram-details.mute-string "M"
      \oo FretBoard.fret-diagram-details.label-dir #LEFT
      \oo FretBoard.fret-diagram-details.dot-color #'black
      c'
      \oo FretBoard.fret-diagram-details.finger-code #'below-string
      \oo FretBoard.fret-diagram-details.dot-radius #0.35
      \oo FretBoard.fret-diagram-details.dot-position #0.5
      \oo FretBoard.fret-diagram-details.fret-count #3
      d
    }
  }
  \new Voice {
    c'1 | c' | c' | d'
  }
>>

% add FretBoards for the Cuatro
%   Note: This section could be put into a separate file
%      predefined-cuatro-fretboards.ly
%      and \included into each of your compositions

cuatroTuning = #`(,(ly:make-pitch 0 6 0)
                  ,(ly:make-pitch 1 3 SHARP)
		  ,(ly:make-pitch 1 1 0)
		  ,(ly:make-pitch 0 5 0))

dSix = { <a\4 b\1 d\3 fis\2> }
dMajor = { <a\4 d\1 d\3 fis \2> }
aMajSeven = { <a\4 cis\1 e\3 g\2> }
dMajSeven = { <a\4 c\1 d\3 fis\2> }
gMajor = { <b\4 b\1 d\3 g\2> }

\storePredefinedDiagram #default-fret-table \dSix
                        #cuatroTuning
                        "o;o;o;o;"
\storePredefinedDiagram #default-fret-table \dMajor
                        #cuatroTuning
                        "o;o;o;3-3;"
\storePredefinedDiagram #default-fret-table \aMajSeven
                        #cuatroTuning
                        "o;2-2;1-1;2-3;"
\storePredefinedDiagram #default-fret-table \dMajSeven
                        #cuatroTuning
                        "o;o;o;1-1;"
\storePredefinedDiagram #default-fret-table \gMajor
                        #cuatroTuning
                        "2-2;o;1-1;o;"

% end of potential include file /predefined-cuatro-fretboards.ly

#(set-global-staff-size 16)

primerosNames = \chordmode {
  d:6 d a:maj7 d:maj7
  g
}
primeros = {
  \dSix \dMajor \aMajSeven \dMajSeven
  \gMajor
}

\score {
  <<
    \new ChordNames {
      \set chordChanges = ##t
      \primerosNames
    }

    \new Staff {
      \new Voice \with {
        \remove "New_fingering_engraver"
      }
      \relative c'' {
        \primeros
      }
    }

    \new FretBoards {
      \set Staff.stringTunings = #cuatroTuning
%      \override FretBoard
%        #'(fret-diagram-details string-count) = 4
      \override FretBoard.fret-diagram-details.finger-code = #'in-dot
      \primeros
    }

    \new TabStaff \relative c'' {
      \set TabStaff.stringTunings = #cuatroTuning
      \primeros
    }

  >>

  \layout {
    \context {
      \Score
      \override SpacingSpanner.base-shortest-duration =
        \musicLength 16
    }
  }
  \midi { }
}

\include "predefined-guitar-fretboards.ly"

\paper { tagline = ##f }

myChords = \chordmode {
  c1 c1 \break
  \set chordChanges = ##t
  c1 c1 \break
  c1 c1
}

<<
  \new ChordNames { \myChords }
  \new FretBoards { \myChords }
  \new Staff { \myChords }
>>

\include "predefined-guitar-fretboards.ly"

% Make a blank new fretboard table
#(define custom-fretboard-table-one
   (make-fretboard-table))

% Make a new fretboard table as a copy of default-fret-table
#(define custom-fretboard-table-two
   (make-fretboard-table default-fret-table))

% Add a chord to custom-fretboard-table-one
\storePredefinedDiagram #custom-fretboard-table-one
                        \chordmode {c}
                        #guitar-tuning
                        "3-(;3;5;5;5;3-);"

% Add a chord to custom-fretboard-table-two
\storePredefinedDiagram #custom-fretboard-table-two
                        \chordmode {c}
                        #guitar-tuning
                        "x;3;5;5;5;o;"

<<
  \chords {
    c1 | d1 |
    c1 | d1 |
    c1 | d1 |
  }
  \new FretBoards {
    \chordmode {
      \set predefinedDiagramTable = #default-fret-table
      c1 | d1 |
      \set predefinedDiagramTable = #custom-fretboard-table-one
      c1 | d1 |
      \set predefinedDiagramTable = #custom-fretboard-table-two
      c1 | d1 |
    }
  }
  \new Staff {
    \clef "treble_8"
    <<
      \chordmode {
        c1 | d1 |
        c1 | d1 |
        c1 | d1 |
      }
      {
        s1_\markup "Default table" | s1 |
        s1_\markup \column {"New table" "from empty"} | s1 |
        s1_\markup \column {"New table" "from default"} | s1 |
      }
    >>
  }
>>

<<
  \new ChordNames {
    \chordmode {
      f1 g
    }
  }
  \new FretBoards {
    <f, c f a c' f'>1
    <g,\6 b, d g b g'>1
  }
  \new Staff {
    \clef "treble_8"
    <f, c f a c' f'>1
    <g, b, d g b' g'>1
  }
>>

\storePredefinedDiagram #default-fret-table
                        <c e g c' e'>
                        #guitar-tuning
                        "x;3-1-(;5-2;5-3;5-4;3-1-1-);"
<<
  \new ChordNames {
    \chordmode {
      c1 c c
    }
  }
  \new FretBoards {
    <c e g c' e'>1
    \predefinedFretboardsOff
    <c e g c' e'>1
    \predefinedFretboardsOn
    <c e g c' e'>1
  }
  \new Staff {
    \clef "treble_8"
    <c e g c' e'>1
    <c e g c' e'>1
    <c e g c' e'>1
  }
>>

<<
  \new ChordNames {
    \chordmode {
      c1 d:m
    }
  }
  \new FretBoards {
    <c-3 e-2 g c'-1 e'>1
    <d a-2 d'-3 f'-1>1
  }
  \new Staff {
    \clef "treble_8"
    <c e g c' e'>1
    <d a d' f'>1
  }
>>

<<
  \new ChordNames {
    \chordmode {
      d1:m d:m
    }
  }
  \new FretBoards {
    <d a d' f'>1
    \set FretBoards.minimumFret = #5
    <d a d' f'>1
  }
  \new Staff {
    \clef "treble_8"
    <d a d' f'>1
    <d a d' f'>1
  }
>>

\clef "treble_8"
c4\rightHandFinger #1
e\rightHandFinger #2
g\rightHandFinger #3
c'\rightHandFinger #4
<c\rightHandFinger #1 e\rightHandFinger #2
 g\rightHandFinger #3 c'\rightHandFinger #4 >1

RH=#rightHandFinger

#(define RH rightHandFinger)

\relative c {
  \clef "treble_8"

  \set strokeFingerOrientations = #'(up down)
  <c\RH 1 e\RH 2 g\RH 3 c\RH 4 >4

  \set strokeFingerOrientations = #'(up right down)
  <c\RH 1 e\RH 2 g\RH 3 c\RH 4 >4

  \set strokeFingerOrientations = #'(left)
  <c\RH 1 e\RH 2 g\RH 3 c\RH 4 >2

  \set strokeFingerOrientations = #'(right)
  c\RH 1
}

#(define RH rightHandFinger)

\relative c {
  \clef "treble_8"
  <c-3\5\RH 1 >4
  <e-2\4\RH 2 >4
  <g-0\3\RH 3 >4
  <c-1\2\RH 4 >4
}

\relative {
  \clef "treble_8"
  b,16 d g b e
  \textSpannerDown
  \override TextSpanner.bound-details.left.text = "XII "
  g16\startTextSpan
  b16 e g e b g\stopTextSpan
  e16 b g d
}

\relative {
  \clef "treble_8"
  \override NoteHead.style = #'harmonic-mixed
  d'8^\markup { \italic \fontsize #-2 "harm. 12" } <g b>4
}

music = \relative {
  < a\3 \deadNote c\2 a'\1 >4
  < b\3 \deadNote d\2 b'\1 >
  < c\3 \deadNote e\2 c'\1 >
  \deadNotesOn
  \tuplet 3/2 { g8 b e }
  \deadNotesOff
  < a,\3 c\2 e\1 >1
}
\new StaffGroup <<
  \new Staff {
    \clef "treble_8"
    \music
  }
  \new TabStaff {
    \music
  }
>>

\new Voice { % Warning: explicit Voice instantiation is
             %    required to have palmMuteOff work properly
             %    when palmMuteOn comes at the beginning of
             %    the piece.
  \relative c, {
    \clef "G_8"
    \palmMuteOn
    e8^\markup { \musicglyph "noteheads.s2do"  = palm mute }
    < e b' e > e
    \palmMuteOff
    e e  \palmMute e e e |
    e8 \palmMute { e e e } e e e e |
    < \palmMute e b' e >8 \palmMute { e e e } < \palmMute e b' e >2
  }
}

ChordsAndSymbols = {
  \chordmode {
    e,,1:5
    a,,:5.8
    \set TabStaff.restrainOpenStrings = ##t
    \set minimumFret = #8
    c,:5
    f,:5.8
  }
  \set minimumFret = #2
  \set restrainOpenStrings = ##f
  <a, e> <a cis' e'>
  <g d' g'>
}
\score {
  <<
    \new ChordNames {
    \ChordsAndSymbols
    }
    \new Staff {
      \clef "treble_8"
      \ChordsAndSymbols
    }
    \new TabStaff {
      \ChordsAndSymbols
    }
  >>
}

music = {
  g8 d' g'\5 a b g e d' |
  g4 d''8\5 b' a'\2 g'\5 e'\2 d' |
  g4
}

<<
  \new Staff \with { \omit StringNumber }
  { \clef "treble_8"  \music }
  \new TabStaff \with {
    tablatureFormat = #fret-number-tablature-format-banjo
    stringTunings = #banjo-open-g-tuning
  }
  { \music }
>>

\set TabStaff.stringTunings = #(four-string-banjo banjo-c-tuning)

m = { f'4 d' a f d a, g, fis, e, d, c,  \bar "|." }

\score {
  <<
    \new Staff { \clef bass \cadenzaOn  \m }
    \new TabStaff \m
  >>
  \layout {
    \context {
      \Score
      tablatureFormat = #fret-letter-tablature-format
    }
    \context {
      \TabStaff
      stringTunings = \stringTuning <a, d f a d' f'>
      additionalBassStrings = \stringTuning <c, d, e, fis, g,>
      fretLabels = #'("a" "b" "r" "d" "e" "f" "g" "h" "i" "k")
    }
  }
}

\drums {
  hihat4 hh bassdrum bd
}

\new DrumStaff \drummode {
  hihat4 hh bassdrum bd
}

\drums {
  \clef percussion
  bd4 4 4 4
  \clef treble
  hh4 4 4 4
}

\drums {
  \time 2/4
  sn16 8 16 8 8:32 ~
  8 8 4:32 ~
  4 8 16 16
  4 r4
}

\drums {
  \repeat unfold 2 {
    sn16^"L" 16^"R" 16^"L" 16^"L" 16^"R" 16^"L" 16^"R" 16^"R"
    \stemUp
    sn16_"L" 16_"R" 16_"L" 16_"L" 16_"R" 16_"L" 16_"R" 16_"R"
  }
}

up = \drummode {
  crashcymbal4 hihat8 halfopenhihat hh hh hh openhihat
}
down = \drummode {
  bassdrum4 snare8 bd r bd sn4
}
\new DrumStaff <<
  \new DrumVoice { \voiceOne \up }
  \new DrumVoice { \voiceTwo \down }
>>

\new DrumStaff <<
  \drummode {
    bd4 sn4 bd4 sn4
    << {
      \repeat unfold 16 hh16
    } \\ {
      bd4 sn4 bd4 sn4
    } >>
  }
>>

#(define mydrums '(
         (bassdrum        default   #f           -1)
         (snare           default   #f           0)
         (hihat           cross     #f           1)
         (halfopenhihat   cross     halfopen     1)
         (pedalhihat      xcircle   stopped      2)
         (lowtom          diamond   #f           3)))

up = \drummode { hh8 hh hhho hhho hhp4 hhp }
down = \drummode { bd4 sn bd toml8 toml }

\new DrumStaff <<
  \set DrumStaff.drumStyleTable = #(alist->hash-table mydrums)
  \new DrumVoice { \voiceOne \up }
  \new DrumVoice { \voiceTwo \down }
>>

drumPitchNames =
  #(append
    '((leftsnap . sidestick)
      (rightsnap . ridecymbal))
    drumPitchNames)

drumPitchNames.ls = #'sidestick
drumPitchNames.rs = #'ridecymbal

\drums {
  leftsnap4. rightsnap8 leftsnap4 rightsnap
  ls8 rs ls rs ls4 rs
}

drumPitchNames.dbass      = #'dbass
drumPitchNames.dba        = #'dbass  % 'db is in use already
drumPitchNames.dbassmute  = #'dbassmute
drumPitchNames.dbm        = #'dbassmute
drumPitchNames.do         = #'dopen
drumPitchNames.dopenmute  = #'dopenmute
drumPitchNames.dom        = #'dopenmute
drumPitchNames.dslap      = #'dslap
drumPitchNames.ds         = #'dslap
drumPitchNames.dslapmute  = #'dslapmute
drumPitchNames.dsm        = #'dslapmute

#(define djembe-style
  '((dbass      default  #f         -2)
    (dbassmute  default  stopped    -2)
    (dopen      default  #f          0)
    (dopenmute  default  stopped     0)
    (dslap      default  #f          2)
    (dslapmute  default  stopped     2)))

midiDrumPitches.dbass     = g
midiDrumPitches.dbassmute = fis
midiDrumPitches.dopen     = a
midiDrumPitches.dopenmute = gis
midiDrumPitches.dslap     = b
midiDrumPitches.dslapmute = ais

test = \drummode { dba4 do ds dbm dom dsm }

\score {
  \new DrumStaff \with {
    \override StaffSymbol.line-count = #3
    instrumentName = "Djembé "
    drumStyleTable = #(alist->hash-table djembe-style)
    drumPitchTable = #(alist->hash-table midiDrumPitches)
  } {
    \time 3/4
    \test
  }
  \layout {}
  \midi {}
}

\new DrumStaff <<
  \new DrumVoice  = "1" { s1 }
  \new DrumVoice  = "2" { s1 }
  \drummode {
    <<
      {
        hh8[ 8] <hh sn> hh16
        \parenthesize sn  hh
        \parenthesize sn  hh8 <hh sn> hh
      } \\
      {
        bd4 r4 bd8 8 r8 bd
      }
    >>
  }
>>

mymarkup = {
  \once \override TextScript.outside-staff-padding = 0
  \once \override TextScript.staff-padding = 0
  \once \override TextScript.padding = 0.2
  \once \override TextScript.X-offset =
    #(lambda (g)
       (+ (ly:self-alignment-interface::centered-on-x-parent g)
          (ly:self-alignment-interface::x-aligned-on-self g)))
}

\relative c' {
  g\open
  \mymarkup
  g^\markup \combine
      \musicglyph "scripts.open"
      \musicglyph "scripts.tenuto"
  \mymarkup
  g^\markup \combine
      \musicglyph "scripts.open"
      \musicglyph "scripts.stopped"
  g\stopped
}

% range chart for paetzold contrabass recorder

centermarkup = {
  \once \override TextScript.self-alignment-X = #CENTER
  \once \override TextScript.X-offset = #(lambda (g)
    (+ (ly:self-alignment-interface::centered-on-x-parent g)
       (ly:self-alignment-interface::x-aligned-on-self g)))
}

\score {
  \new Staff \with {
    \remove "Time_signature_engraver"
    \omit Stem
    \omit Flag
    \consists "Horizontal_bracket_engraver"
  }
  {
    \clef bass
    \set Score.timing = ##f
    f,1*1/4 \glissando
    \clef violin
    gis'1*1/4
    \stemDown a'4^\markup "1)"
    \centermarkup
    \once \override TextScript.padding = 2
    bes'1*1/4_\markup \override #'(baseline-skip . 1.7) \column
      { \fontsize #-5 \slashed-digit #0 \finger 1 \finger 2
        \finger 3 \finger 4 \finger 5 \finger 6 \finger 7 }
    b'1*1/4
    c''4^\markup "1)"
    \centermarkup
    \once \override TextScript.padding = 2
    cis''1*1/4
    deh''1*1/4
    \centermarkup
    \once \override TextScript.padding = 2
    \once \override Staff.HorizontalBracket.direction = #UP
    e''1*1/4_\markup \override #'(baseline-skip . 1.7) \column
      { \fontsize #-5 \slashed-digit #0 \finger 1 \finger 2
        \finger 4 \finger 5}\startGroup
    f''1*1/4^\markup "2)"\stopGroup
  }
}

\include "bagpipe.ly"

\grace { \small G32[ d G e] }

\include "bagpipe.ly"
{ \grg G4 \grg a \grg b \grg c \grg d \grg e \grg f \grA g A }

\include "bagpipe.ly"
\layout {
  indent = 0.0\cm
  \context { \Score \remove Bar_number_engraver }
}

\header {
  title = "Amazing Grace"
  meter = "Hymn"
  arranger = "Trad. arr."
}

{
  \hideKeySignature
  \time 3/4
  \grg \partial 4 a8. d16
  \slurd d2 \grg f8[ e32 d16.]
  \grg f2 \grg f8 e
  \thrwd d2 \grg b4
  \grG a2 \grg a8. d16
  \slurd d2 \grg f8[ e32 d16.]
  \grg f2 \grg e8. f16
  \dblA A2 \grg A4
  \grg A2 f8. A16
  \grg A2 \hdblf f8[ e32 d16.]
  \grg f2 \grg f8 e
  \thrwd d2 \grg b4
  \grG a2 \grg a8. d16
  \slurd d2 \grg f8[ e32 d16.]
  \grg f2 e4
  \thrwd d2.
  \slurd d2
  \bar "|."
}

c''1^\markup {
  \woodwind-diagram #'piccolo #'((lh . (gis))
                                 (cc . (one three))
                                 (rh . (ees)))
}

\textLengthOn
c''1^\markup {
  \center-column {
    "one quarter"
    \woodwind-diagram #'flute #'((cc . (one1q))
                                 (lh . ())
                                 (rh . ()))
  }
}

c''1^\markup {
  \center-column {
    "one half"
    \woodwind-diagram #'flute #'((cc . (one1h))
                                 (lh . ())
                                 (rh . ()))
  }
}

c''1^\markup {
  \center-column {
    "three quarter"
    \woodwind-diagram #'flute #'((cc . (one3q))
                                 (lh . ())
                                 (rh . ()))
  }
}

c''1^\markup {
  \center-column {
    "ring"
    \woodwind-diagram #'flute #'((cc . (oneR))
                                 (lh . ())
                                 (rh . ()))
  }
}

c''1^\markup {
  \center-column {
    "full"
    \woodwind-diagram #'flute #'((cc . (oneF two))
                                 (lh . ())
                                 (rh . ()))
  }
}

c''1^\markup {
  \woodwind-diagram #'bass-clarinet
                    #'((cc . (threeT four))
                       (lh . ())
                       (rh . (b fis)))
}

\textLengthOn
c''1^\markup {
  \center-column {
    "one quarter to ring"
    \woodwind-diagram #'flute #'((cc . (one1qTR))
                                 (lh . ())
                                 (rh . ()))
  }
}

c''1^\markup {
  \center-column {
    "ring to shut"
    \woodwind-diagram #'flute #'((cc . (oneTR))
                                 (lh . ())
                                 (rh . ()))
  }
}

c''1^\markup {
  \center-column {
    "ring to open"
    \woodwind-diagram #'flute #'((cc . (oneRT))
                                 (lh . ())
                                 (rh . ()))
  }
}

c''1^\markup {
  \center-column {
    "open to shut"
    \woodwind-diagram #'flute #'((cc . (oneT))
                                 (lh . ())
                                 (rh . ()))
  }
}

c''1^\markup {
  \center-column {
    "one quarter to three quarters"
    \woodwind-diagram #'flute #'((cc . (one1qT3q))
                                 (lh . ())
                                 (rh . ()))
  }
}

\layout {
  indent = 0
}

\relative c' {
  \textLengthOn
  c1^
  \markup {
    \center-column {
      'tin-whistle
      " "
       \woodwind-diagram
                  #'tin-whistle
                  #'()
    }
  }

  c1^
  \markup {
    \center-column {
      'piccolo
      " "
       \woodwind-diagram
                  #'piccolo
                  #'()
    }
  }

  c1^
  \markup {
    \center-column {
       'flute
       " "
       \woodwind-diagram
          #'flute
          #'()
    }
  }
  c1^\markup {
    \center-column {
      'oboe
      " "
      \woodwind-diagram
        #'oboe
        #'()
    }
  }

  c1^\markup {
    \center-column {
      'clarinet
      " "
      \woodwind-diagram
        #'clarinet
        #'()
    }
  }

  c1^\markup {
    \center-column {
      'bass-clarinet
      " "
      \woodwind-diagram
        #'bass-clarinet
        #'()
    }
  }

  c1^\markup {
    \center-column {
      'saxophone
      " "
      \woodwind-diagram
        #'saxophone
        #'()
    }
  }

  c1^\markup {
    \center-column {
      'bassoon
      " "
      \woodwind-diagram
        #'bassoon
        #'()
    }
  }

  c1^\markup {
    \center-column {
      'contrabassoon
      " "
      \woodwind-diagram
        #'contrabassoon
        #'()
    }
  }
}

\relative c'' {
  \textLengthOn
  c1^\markup
    \woodwind-diagram
      #'piccolo
      #'((cc . (one three))
         (lh . (gis))
         (rh . (ees)))

  c^\markup
    \override #'(graphical . #f) {
      \woodwind-diagram
        #'piccolo
        #'((cc . (one three))
           (lh . (gis))
           (rh . (ees)))
    }
}

\relative c'' {
  \textLengthOn
  c1^\markup
    \woodwind-diagram
      #'piccolo
      #'()

  c^\markup
    \override #'(size . 1.5) {
      \woodwind-diagram
        #'piccolo
        #'()
    }
  c^\markup
    \override #'(thickness . 0.15) {
      \woodwind-diagram
        #'piccolo
        #'()
    }
}

#(print-keys-verbose 'piccolo (current-error-port))
#(print-keys-verbose 'flute (current-error-port))
#(print-keys-verbose 'flute-b-extension (current-error-port))
#(print-keys-verbose 'tin-whistle (current-error-port))
#(print-keys-verbose 'oboe (current-error-port))
#(print-keys-verbose 'clarinet (current-error-port))
#(print-keys-verbose 'bass-clarinet (current-error-port))
#(print-keys-verbose 'low-bass-clarinet (current-error-port))
#(print-keys-verbose 'saxophone (current-error-port))
#(print-keys-verbose 'soprano-saxophone (current-error-port))
#(print-keys-verbose 'alto-saxophone (current-error-port))
#(print-keys-verbose 'tenor-saxophone (current-error-port))
#(print-keys-verbose 'baritone-saxophone (current-error-port))
#(print-keys-verbose 'bassoon (current-error-port))
#(print-keys-verbose 'contrabassoon (current-error-port))

\score {c''1}

\chordmode { c1 g a g c }

\relative {
  <c' e g>2 <g b d>
  \chordmode { c2 f }
  <c e g>2 <g' b d>
  \chordmode { f2 g }
}

\chordmode { c2 f4 g }

\chordmode { c2:m f4:aug g:dim }

\chordmode { c1:7 c:m7 c:maj7 c:dim7 c:aug7 }

\chordmode {
  c1:2 c:3 c:4 c:5
  c1:6 c:7 c:8 c:9
  c1:10 c:11 c:12 c:13
  c1:14
}

\chordmode {
  c1:13 c:13.11 c:m13
}

\chordmode {
  c1:3.5.6 c:3.7.8 c:3.6.13
}

\chordmode {
  c4:3.5.15 c:3.5.20 c:3.5.25 c:3.5.30
}

\chordmode {
  c1:7+ c:5+.3- c:3-.5-.7-
}

\chordmode {
  c1^3 c:7^5 c:9^3 c:9^3.5 c:13.11^3.7
}

\chordmode {
  c1:sus c:sus2 c:sus4 c:5.4
}

\chordmode {
  c'1 c'/e c'/f
}

\chordmode {
  c'1 c'/g c'/+e
}

\chordmode { c1:3.5.5-.5+ }

\chordmode {
  \dropNote 2 {
    c2:maj7 d:m7
  }
  \invertChords 1 d1:maj7
}

\new ChordNames {
  \chordmode {
    c2 f4. g8
  }
}

chordmusic = \relative {
  <c' e g>2 <f bes c>
  <f c' e g>1
  \chordmode {
    c2 f:sus4 c1:/f
  }
}
<<
  \new ChordNames {
    \chordmusic
  }
  {
    \chordmusic
  }
>>

<<
  \new ChordNames \chordmode {
    c1
    r1
    g1
    c1
  }
  \chordmode {
    c1
    r1
    g1
    c1
  }
>>

\chords {
  c2 f4.:m g8:maj7
}

\new ChordNames {
  \chordmode {
    c2 f4.:m g8:maj7
  }
}

harmonies = \chordmode {
  c1:m c:m \break c:m c:m d
}

<<
  \new ChordNames {
    \set chordChanges = ##t
    \harmonies
  }
  \new Staff {
    \relative c' { \harmonies }
  }
>>

<<
  \chords { c2 g:sus4 f e }
  \new Staff \relative c'' {
    a4 e c8 e r4
    b2 c4( d)
  }
  \addlyrics { One day this shall be free __ }
>>

\chords {
  \set chordNameLowercaseMinor = ##t
  c2 d:m e:m f
}

\new ChordNames {
  <c e g d'>    % add9
  \set additionalPitchPrefix = "add"
  <c e g d'>    % add9
}

\chords {
  c4:7.9- c:7.9-/g
  \set chordNameSeparator = \markup { "/" }
  \break
  c4:7.9- c:7.9-/g
}

\chords {
  c4:7.9- c:7.9-/g
  \set slashChordSeparator = \markup { " over " }
  \break
  c4:7.9- c:7.9-/g
}

\chords {
  c4:min f:min7
  \set minorChordModifier = \markup { "-" }
  \break
  c4:min f:min7
}

% modify maj9 and 6(add9)
% Exception music is chords with markups
chExceptionMusic = {
  <c e g b d'>1-\markup { \super "maj9" }
  <c e g a d'>1-\markup { \super "6(add9)" }
}

% Convert music to list and prepend to existing exceptions.
chExceptions = #(append
  (sequential-music-to-chord-exceptions chExceptionMusic #t)
  ignatzekExceptions)

theMusic = \chordmode {
  g1:maj9 g1:6.9
  \set chordNameExceptions = #chExceptions
  g1:maj9 g1:6.9
}

\layout {
  ragged-right = ##t
}

<<
   \new ChordNames \theMusic
   \new Voice \theMusic
>>

\chords {
  c:7+
  \set majorSevenSymbol = \markup { j7 }
  c:7+
}

\new ChordNames \with {
  \override BarLine.bar-extent = #'(-2 . 2)
  \consists "Bar_engraver"
}

\chordmode {
  f1:maj7 f:7 bes:7
}

\score {
  <<
    \chords {
      c1
      c1
    }
    \new Staff \with {
      \consists "Volta_engraver"
    }
    {
      \repeat volta 2 { c'1 }
      \alternative { c' }
    }
  >>
  \layout {
    \context {
      \Score
      \remove "Volta_engraver"
    }
  }
}

\chords {
  c:7sus4
  \set chordNameSeparator
    = \markup { \typewriter | }
  c:7sus4
}

myChords = \relative c' {
  \chordmode { c1 c/g c/f }
  <c e g>1 <g c e> <f c' e g>
}
<<
  \new ChordNames { \myChords }
  \new Staff { \myChords }
>>

<<
  \new Voice { \clef bass dis4 c d ais g fis}
  \new FiguredBass {
    \figuremode {
      < 6 >4 < 7\+ >8 < 6+ [_!] >
      < 6 >4 <6 5 [3+] >
      < _ >4 < 6 5/>4
    }
  }
>>

\new FiguredBass {
  \figuremode {
    <6 4>2
  }
}

\figures {
  <7! 6+ 4-> <5++> <3--> < _+ > < 7 _!>
}

\figures {
  <6\+ 5/> <7/>
}

\figures {
  <6> <6\\>
}

\figures {
  <[12] 8 [6  4]>
}

\figures {
  <\markup { \tiny \number 6 \super (1) } 5>
}

<<
  {
    \clef bass
    e4 d c b,
    e4 d c b,
  }
  \figures {
    \bassFigureExtendersOn
    <6 4>4 <6 3> <7 3> <7 3>
    \bassFigureExtendersOff
    <6 4>4 <6 3> <7 3> <7 3>
  }
>>

<<
  \figures {
    \bassFigureExtendersOn
    <6 4>4 <6 4> <6\! 4\!> <6 4>
  }
  {
    \clef bass
    d4 d c c
  }
>>

\figures {
  <5\+> <5+ 4\+> <6 4- 2\+> r
  \set figuredBassAlterationDirection = #RIGHT
  <5\+> <5+ 4\+> <6 4- 2\+> r
  \set figuredBassPlusDirection = #RIGHT
  <5\+> <5+ 4\+> <6 4- 2\+> r
  \set figuredBassAlterationDirection = #LEFT
  <5\+> <5+ 4\+> <6 4- 2\+> r
}

<<
  \relative {
    c''4 c'8 r8 c,4 c'
  }
  \new FiguredBass {
    \figuremode {
      <4>4 <10 6>8 s8
      <6 4>4 <6 4>
    }
  }
>>

<<
  \new Staff = "myStaff"
  \figuremode {
    <4>4 <10 6>8 s8
    <6 4>4 <6 4>
  }
  %% Put notes on same Staff as figures
  \context Staff = "myStaff" {
    \clef bass
    c4 c'8 r8 c4 c'
  }
>>

<<
  \new Staff = "myStaff"
  \figuremode {
    <4>4 <10 6>8 s8
    \bassFigureStaffAlignmentDown
    <6 4>4 <6 4>
  }
  %% Put notes on same Staff as figures
  \context Staff = "myStaff" {
    \clef bass
    c4 c'8 r8 c4 c'
  }
>>

<<
  {
    \clef bass
    \repeat unfold 4 { f16. g32 } f8. es16 d8 es
  }
  \figures {
    \bassFigureExtendersOn
    % The extenders are correct here, with the same rhythm as the bass
    \repeat unfold 4 { <6 4->16. <6 4->32 }
    <5>8. r16 <6>8 <6\! 5->
  }
>>
<<
  {
    \clef bass
    \repeat unfold 4 { f16. g32 } f8. es16 d8 es
  }
  \figures {
    \bassFigureExtendersOn
    % The extenders are incorrect here, even though the timing is the same
    <6 4->4 <6 4->4
    <5>8. r16 <6>8 <6\! 5->
  }
>>

\relative {
  \[ g' c, a' f d' \]
  a g f
  \[ e f a g \]
}

\score {
  \relative {
    a'1
    \break
    g
  }
  \layout {
    \context {
      \Staff
      \consists Custos_engraver
      \override Custos.style = #'mensural
    }
  }
}

\new Lyrics \lyricmode {
  \markup { \column {
    \typewriter "vaticana "
    \line { " " \musicglyph "custodes.vaticana.u0" }
  } }
  \markup { \column {
    \typewriter "medicaea "
    \line { " " \musicglyph "custodes.medicaea.u0" }
  }}
  \markup { \column {
    \typewriter "hufnagel "
    \line { " " \musicglyph "custodes.hufnagel.u0" }
  }}
  \markup { \column {
    \typewriter "mensural "
    \line { " " \musicglyph "custodes.mensural.u0" }
  }}
}

\score {
  <<
    \new MensuralVoice = "discantus" \relative {
      \hide Score.BarNumber {
        c''1\melisma bes a g\melismaEnd
        f\breve
        \[ f1\melisma a c\breve d\melismaEnd \]
        c\longa
        c\breve\melisma a1 g1\melismaEnd
        fis\longa^\signumcongruentiae
      }
    }
    \new Lyrics \lyricsto "discantus" {
      San -- ctus, San -- ctus, San -- ctus
    }
  >>
}

\override NoteHead.style = #'vaticana.punctum
\clef "vaticana-do1"
c'1

\override NoteHead.style = #'medicaea.punctum
\clef "medicaea-do3"
c'1

\override NoteHead.style = #'hufnagel.punctum
\clef "hufnagel-fa2"
c'1

\override NoteHead.style = #'neomensural
\clef "neomensural-c4"
c'1

breveTP = #(ly:make-duration -1 0 3/2)
…
{ c\breveTP f1 }

\compressEmptyMeasures
\autoBeamOff
\override NoteHead.style = #'petrucci
a'\maxima a'\longa a'\breve a'1 a'2 a'4 a'8 a'16 a'
\override NoteHead.style = #'semipetrucci
a'\breve*5/6
\override NoteHead.style = #'blackpetrucci
a'8*4/3 a'
\override NoteHead.style = #'petrucci
a'\longa

\relative c' {
  \override Flag.style = #'mensural
  \override Stem.thickness = #1.0
  \override NoteHead.style = #'mensural
  \autoBeamOff
  c8 d e f c16 d e f c32 d e f s8
  c'8 d e f c16 d e f c32 d e f
}

\compressEmptyMeasures
\override Rest.style = #'mensural
r\longa^"mensural" r\breve r1 r2 r4 r8 r16 s \break
\override Rest.style = #'neomensural
r\longa^"neomensural" r\breve r1 r2 r4 r8 r16

\override Staff.Accidental.alteration-glyph-name-alist =
  #alteration-mensural-glyph-name-alist

\relative {
  fis' gis
  \set suggestAccidentals = ##t
  ais bis
}

ficta = { \once \set suggestAccidentals = ##t }
\score { \relative
  \new MensuralVoice  {
    \once \set suggestAccidentals = ##t
    bes'4 a2 g2 \ficta fis8 \ficta e! fis2 g1
  }
}

\layout {
  \context {
    \Voice
    \remove Ligature_bracket_engraver
    \consists Mensural_ligature_engraver
  }
}

\score {
  \relative {
    \set Score.timing = ##f
    \set Score.measureBarType = ""
    \override NoteHead.style = #'petrucci
    \override Staff.TimeSignature.style = #'mensural
    \clef "petrucci-g"
    \[ c''\maxima g \]
    \[ d'\longa
       \override NoteHead.ligature-flexa = ##t
       \once \override NoteHead.flexa-width = #3.2
       c\breve f e d \]
    \[ c\maxima d\longa \]
    \[ e1 a, g\breve \]
  }
  \layout {
    \context {
      \Voice
      \remove Ligature_bracket_engraver
      \consists Mensural_ligature_engraver
    }
  }
}

\new VaticanaScore {
  <<
    \new VaticanaVoice = "cantus" {
      \[ c'\melisma c' \flexa a \]
      \[ a \flexa \deminutum g\melismaEnd \]
      f \divisioMinima
      \[ f\melisma \pes a c' c' \pes d'\melismaEnd \]
      c' \divisioMinima \break
      \[ c'\melisma c' \flexa a \]
      \[ a \flexa \deminutum g\melismaEnd \] f \divisioMinima
    }
    \new Lyrics \lyricsto "cantus" {
      San- ctus, San- ctus, San- ctus
    }
  >>
}

\layout {
  indent = 0
  ragged-last = ##t
}

\override Staff.Accidental.alteration-glyph-name-alist =
  #alteration-mensural-glyph-name-alist

\new VaticanaScore {
  \new VaticanaVoice {
    \override TextScript.font-family = #'typewriter
    \override TextScript.font-shape = #'upright
    \override Script.padding = #-0.1
    a\ictus_"ictus " \bar "" \break
    a\circulus_"circulus " \bar "" \break
    a\semicirculus_"semicirculus " \bar "" \break
    a\accentus_"accentus " \bar "" \break
    \[ a_"episema" \episemInitium \pes b \flexa a b \episemFinis \flexa a \]
  }
}

\layout {
  indent = 0
  ragged-last = ##t
}

\new VaticanaScore {
  \new VaticanaVoice {
    \[ \augmentum a \flexa \augmentum g \]
    \augmentum g
  }
}

% Font settings for Cyrillic
\paper {
  property-defaults.fonts.serif = "Linux Libertine O,serif"
}

\score {
  <<
    \new KievanVoice = "melody" \relative c' {
      \cadenzaOn
        c4 c c c c2 b\longa
        \bar "k"
    }
    \new Lyrics \lyricsto "melody" {
      Го -- спо -- ди по -- ми -- луй.
    }
  >>
}

  \clef "kievan-do"
  \kievanOn
  c'

\autoBeamOff
\cadenzaOn
\kievanOn
b'1 b'2 b'4 b'8 b'\breve b'\longa
\kievanOff
b'2

\clef "kievan-do"
\override Accidental.alteration-glyph-name-alist =
 #alteration-kievan-glyph-name-alist
bes' dis'

  \kievanOn
  \clef "kievan-do"
  c' \bar "k"

\layout {
  \context {
    \Voice
    \remove Ligature_bracket_engraver
    \consists Kievan_ligature_engraver
  }
}

% Font settings for Cyrillic
\paper {
  property-defaults.fonts.serif = "Linux Libertine O,serif"
}

\score {
  <<
    \new KievanVoice = "melody" \relative c' {
      \cadenzaOn
        e2 \[ e4( d4 ) \] \[ c4( d e  d ) \] e1 \bar "k"
    }
    \new Lyrics \lyricsto "melody" {
      Га -- врі -- и -- лу
    }
  >>
}

\score {
  \new Staff <<
    \new Voice = Tenor {
      \set Staff.instrumentName = "Tenor"
      \override Staff.InstrumentName.self-alignment-X = #RIGHT
      \incipit { \clef "mensural-c4" \key f \major r\breve r1 c'1 }
      \clef "treble_8"
      \key f \major
      R1 r2 c'2 |
      a4. c'8
    }
    \new Lyrics \lyricsto Tenor { Cyn -- thia your }
  >>
  \layout
  {
    indent = 5\cm
    incipit-width = 3\cm
  }
}

\layout {
  \context {
    \Staff
    measureBarType = "-span|"
  }
}

music = \fixed c'' {
  c1
  d2 \section e2
  f1 \fine
}

\new StaffGroup <<
  \new Staff \music
  \new Staff \music
>>

\layout {
  …
  \context {
    \Voice
      \remove Stem_engraver
  }
}

chant = \relative {
  \clef "G_8"
  c'\breve c4 b4 a c2 c4  \divisioMaior
  c\breve c4 c f, f \finalis
}

verba = \lyricmode {
  \once \override LyricText.self-alignment-X = #-1
  "Noctem quietam et" fi -- nem per -- fec -- tum
  \once \override LyricText.self-alignment-X = #-1
  "concedat nobis Dominus" om -- ni -- po -- tens.
}
\score {
  \new Staff <<
  \new Voice = "melody" \chant
  \new Lyrics = "one" \lyricsto melody \verba
  >>
  \layout {
    \context {
      \Staff
      \remove Time_signature_engraver
      \remove Bar_engraver
    }
    \context {
      \Voice
      \remove Stem_engraver
    }
  }
}

chant = \relative {
  \clef "G_8"
  \set Score.timing = ##f
  \hide Stem
  c'\breve \hide NoteHead  c c c c c
  \undo \hide NoteHead
  \undo \hide Stem \stemUp c4 b4 a
  \hide Stem c2 c4  \divisioMaior
  c\breve \hide NoteHead c c c c c c c
  \undo \hide NoteHead c4 c f, f \finalis
}

verba = \lyricmode {
  No -- ctem qui -- e -- tam et fi -- nem per -- fec -- tum
  con -- ce -- dat no -- bis Do -- mi -- nus om -- ni -- po -- tens.
}

\score {
  \new Staff <<
    \new Voice = "melody" \chant
    \new Lyrics \lyricsto "melody" \verba
  >>
  \layout {
    \context {
      \Staff
      \remove Time_signature_engraver
      \hide BarLine
    }
  }
}

spiritus = \relative {
  \time 1/4
  \override Lyrics.LyricText.X-extent  = #'(0 . 3)
  d'4 \tuplet 3/2 { f8 a g } g a a4 g f8 e
  d4 f8 g g8 d f g a g f4 g8 a a4  s
  \tuplet 3/2 { g8 f d } e f g a g4
}

spirLyr = \lyricmode {
  Spi -- ri -- _ _ tus  _ Do -- mi -- ni  _ re -- ple -- _ vit _
  or -- _ bem _  ter -- ra -- _ rum, al -- _ _ le -- _ lu
  -- _ ia.
}
\score {
  \new Staff <<
    \new Voice = "chant" \spiritus
    \new Lyrics = "one" \lyricsto "chant" \spirLyr
  >>
  \layout {
    \context {
      \Staff
      \remove Time_signature_engraver
      \override BarLine.X-extent = #'(-1 . 1)
      \hide Stem
      \hide Beam
      \hide BarLine
      \hide TupletNumber
    }
  }
}

\header { tagline = ##f }

menrest =
#(define-music-function (note)
  (ly:music?)
    #{
      \tag #'mens $(make-music 'RestEvent note)
      \tag #'mod $(make-music 'RestEvent note 'pitch '())
    #})

MenStyle = {
  \autoBeamOff
  \override NoteHead.style = #'petrucci
  \override Score.BarNumber.transparent = ##t
  \override Stem.neutral-direction = #up
}

finalis = \section

Music = \relative c'' {
  \set Score.tempoHideNote = ##t
  \key f \major
  \time 4/4
  g1 d'2 \menrest bes4 bes2 a2 r4 g4 fis2.
  \finalis
}

MenLyr = \lyricmode { So farre, deere life, deare life }
ModLyr = \lyricmode { So far, dear life, dear life }

\score {
  \keepWithTag #'mens {
    <<
      \new MensuralStaff
      {
        \new MensuralVoice = Cantus
          \clef "mensural-c1" \MenStyle \Music
      }
      \new Lyrics \lyricsto Cantus \MenLyr
    >>
  }
}

\score {
  \keepWithTag #'mod {
    \new ChoirStaff <<
      \new Staff
      {
        \new Voice = Sop \with {
          \remove "Note_heads_engraver"
          \consists "Completion_heads_engraver"
          \remove "Rest_engraver"
          \consists "Completion_rest_engraver" }
        {
          \shiftDurations 1 0 { \autoBeamOff \Music }
        }
      }
      \new Lyrics \lyricsto Sop \ModLyr
    >>
  }
}

\include "hel-arabic.ly"
\language "arabic"
\language "english"
\relative {
\key c \rast
  c' d eqf f | g a bqf c | c bf a g | f d c
}

\include "arabic.ly"
\relative {
  do' re misb fa | sol la sisb do | sisb la sol fa | misb re do
}

\include "arabic.ly"
\relative {
  \set Staff.extraNatural = ##f
  dod' dob dosd \dwn dob dobsb dodsd do do
}

\key re \bayati

\key sol \bayati

\include "arabic.ly"
\relative do' {
  \set Staff.keyAlterations = #`((0 . ,SEMI-FLAT)
                                 (1 . ,SEMI-FLAT)
                                 (2 . ,FLAT)
                                 (5 . ,FLAT)
                                 (6 . ,SEMI-FLAT))
%\set Staff.extraNatural = ##f
  re reb \dwn reb resd
  dod dob dosd \dwn dob |
  dobsb dodsd do do |
}

\include "arabic.ly"

\relative sol' {
  \key re \kurd
  \accidentalStyle forget
  \cadenzaOn
  sol4 sol sol sol fad mib sol1 fad8 mib re4. r8 mib1 fad sol
}

\include "arabic.ly"
\score {
  \header {
    title = "Semai Muhayer"
    composer = "Jamil Bek"
  }
  \relative {
    \set Staff.extraNatural = ##f
    \set Staff.autoBeaming = ##f
    \key re \bayati
    \time 10/8

    re'4 re'8 re16 [misb re do] sisb [la sisb do] re4 r8
    re16 [misb do re] sisb [do] la [sisb sol8] la [sisb] do [re] misb
    fa4 fa16 [misb] misb8. [re16] re8 [misb] re  [do] sisb
    do4 sisb8 misb16 [re do sisb] la [do sisb la] la4 r8
  }
}

\key g \rast

\paper { tagline = ##f }

% Initialize makam settings
\include "turkish-makam.ly"

\header {
    title = "Hüseyni Saz Semaisi"
    composer = "Lavtacı Andon"
}

\relative {
  \set Staff.extraNatural = ##f
  \set Staff.autoBeaming = ##f

  \key a \huseyni
  \time 10/8

  a'4 g'16 [fb] e8. [d16] d [c d e] c [d c8] bfc |
  a16 [bfc a8] bfc c16 [d c8] d16 [e d8] e4 fb8 |
  d4 a'8 a16 [g fb e] fb8 [g] a8. [b16] a16 [g] |
  g4 g16 [fb] fb8. [e16] e [g fb e] e4 r8 |
}

\score {
  …
}

{ c'4 c' c' c' }

{
  { c'4 c' c' c' }
  { d'4 d' d' d' }
}

<<
  \new Staff { c'4 c' c' c' }
  \new Staff { d'4 d' d' d' }
>>

{
  \new GrandStaff <<
    \new StaffGroup <<
      \new Staff { \flute }
      \new Staff { \oboe }
    >>
    \new StaffGroup <<
      \new Staff { \violinI }
      \new Staff { \violinII }
    >>
  >>
}

\score {
  …música…
}

\markup {
  …texto…
}

\score {
  …
}
\markup {
  …
}
\score {
  …
}

\header {
  title = "Ocho miniaturas"
  composer = "Igor Stravinsky"
}
\score {
  \header { piece = "Romanze" }
  …
}
\markup {
   …texto de la segunda estrofa…
}
\markup {
   …texto de la tercera estrofa…
}
\score {
  \header { piece = "Menuetto" }
  …
}

\bookpart {
  \header {
    title = "Título del libro"
    subtitle = "Primera parte"
  }
  \score { … }
  …
}
\bookpart {
  \header {
    subtitle = "Segunda parte"
  }
  \score { … }
  …
}

\book {
  \score { … }
  \paper { … }
}
\book {
  \score { … }
  \paper { … }
}
\book {
  \score { … }
  \paper { … }
}

\book {
  \bookOutputSuffix "Romanze"
  \score { … }
  \paper { … }
}
\book {
  \bookOutputSuffix "Menuetto"
  \score { … }
  \paper { … }
}
\book {
  \bookOutputSuffix "Nocturne"
  \score { … }
  \paper { … }
}

\book {
  \bookOutputName "Romanze"
  \score { … }
  \paper { … }
}
\book {
  \bookOutputName "Menuetto"
  \score { … }
  \paper { … }
}
\book {
  \bookOutputName "Nocturne"
  \score { … }
  \paper { … }
}

{ c'4 d' e'2 }

\book {
  \score {
    \new Staff {
      \new Voice {
        { c'4 d' e'2 }
      }
    }
    \layout { }
  }
  \paper { }
  \header { }
}

\markup {
   2.  Estrofa dos, línea uno
}

fulano = { c4 d e d }

\layout {
  % No justificar la salida
  ragged-right = ##t
}

\header {
   title = "Do-re-mi"
}

{ c'4 d' e2 }

\header {
  title = "SUITE I."
  composer = "J. S. Bach."
}

\score {
  \header {
    piece = "Prélude."
  }
  \new Staff \relative {
    \clef bass
    \key g \major
    \repeat unfold 2 { g,16( d' b') a b d, b' d, } |
    \repeat unfold 2 { g,16( e' c') b c e, c' e, } |
  }
}

\score {
  \header {
    piece = "Allemande."
  }
  \new Staff \relative {
    \clef bass
    \key g \major
    \partial 16 b16 |
    <g, d' b'~>4 b'16 a( g fis) g( d e fis) g( a b c) |
    d16( b g fis) g( e d c) b(c d e) fis( g a b) |
  }
}

\book {
  \paper {
    print-all-headers = ##t
  }
  \header {
    title = "DAS WOHLTEMPERIRTE CLAVIER"
    subtitle = "TEIL I"
    % Do not display the default LilyPond footer for this book
    tagline = ##f
  }
  \markup { \vspace #1 }
  \score {
    \header {
      title = "PRAELUDIUM I"
      opus = "BWV 846"
      % Do not display the subtitle for this score
      subtitle = ##f
    }
    \new PianoStaff <<
      \new Staff { s1 }
      \new Staff { \clef "bass" s1 }
    >>
  }
  \score {
    \header {
      title = "FUGA I"
      subsubtitle = "A 4 VOCI"
      opus = "BWV 846"
      % Do not display the subtitle for this score
      subtitle = ##f
    }
    \new PianoStaff <<
      \new Staff { s1 }
      \new Staff { \clef "bass" s1 }
    >>
  }
}

\book {
  \header {
      % Los siguientes campos están centrados
    dedication = "Dedication (dedicatoria)"
    title = "Title (título)"
    subtitle = "Subtitle (subtítulo)"
    subsubtitle = "Subsubtitle (sub-subtítulo)"
      % Los siguientes campos se distribuyen regularmente sobre una línea
      % el campo "instrument" también aparece en las siguientes páginas
    instrument = \markup \with-color #green "Instrument (instrumento)"
    poet = "Poet (poeta)"
    composer = "Composer (autor)"
      % Los siguientes campos se sitúan en los extremos opuestos de la misma línea
    meter = "Meter (metro)"
    arranger = "Arranger (arreglista)"
      % Los siguientes campos están centrados en la parte inferior
    tagline = "La tagline o línea de etiqueta va al final de la última página"
    copyright = "El copyright va al final de la primera página"
  }
  \score {
    \header {
        % Los siguientes campos se colocan en los extremos de una línea
      piece = "Piece (pieza) 1"
      opus = "Opus 1"
    }
    { s1 }
  }
  \score {
    \header {
        % Los siguientes campos se sitúan en los extremos de una línea
      piece = "Piece (pieza) 2 en la misma página"
      opus = "Opus 2"
    }
    { s1 }
  }
  \pageBreak
  \score {
    \header {
        % Los siguientes campos se sitúan en los extremos de una línea
      piece = "Piece (pieza) 3 en una página nueva"
      opus = "Opus 3"
    }
    { s1 }
  }
}

\book {
  \header {
    title = "Este es mi Title (título)"
    subtitle = "Este es mi Subtitle (subtítulo)"
    copyright = "Este es el final de la primera página"
  }
  \score {
    \header {
      piece = "Esto es la música"
      breakbefore = ##t
    }
    \repeat unfold 4 { e'' e'' e'' e'' }
  }
}

\book {
  \header {
    tagline = "... music notation for Everyone"
  }
  \score {
    \relative {
      c'4 d e f
    }
  }
}

\score {
  \header {
    piece = \markup { \fontsize #4 \bold "PRAELUDIUM I" }
    opus = \markup { \italic "BWV 846" }
  }
  { s1 }
}

scoreTitleMarkup = \markup { \column {
  \if \should-print-all-headers { \bookTitleMarkup \hspace #1 }
  \fill-line {
    \fromproperty #'header:piece
    \fromproperty #'header:opus
  }
}
}

\score {
  \header {
    piece = "PRAELUDIUM I"
    opus = "BWV 846"
  }
  { s1 }
}

\book {
  \paper {
    indent = 0\mm
    scoreTitleMarkup = \markup {
      \fill-line {
        \null
        \fontsize #4 \bold \fromproperty #'header:piece
        \fromproperty #'header:opus
      }
    }
  }
  \header { tagline = ##f }
  \score {
    \header {
      piece = "PRAELUDIUM I"
      opus = "BWV 846"
    }
    { s1 }
  }
}

\book {
  \paper {
    indent = 0\mm
    scoreTitleMarkup = \markup {
      \fill-line {
        \null
        \fontsize #4 \bold \fromproperty #'header:piece
        \fromproperty #'header:composer
      }
    }
  }
  \header { tagline = ##f }
  \score {
    \header {
      piece = "MENUET"
      composer = "Christian Petzold"
    }
    { s1 }
  }
  \score {
    \header {
      piece = "RONDEAU"
      composer = "François Couperin"
    }
    { s1 }
  }
}

\book {
  \paper {
    indent = 0\mm
    scoreTitleMarkup = \markup {
      \fill-line {
        \null
        \override #`(direction . ,UP)
        \dir-column {
          \center-align \fontsize #-1 \bold
            \fromproperty #'header:mycustomtext %% User-defined field
          \center-align \fontsize #4 \bold
            \fromproperty #'header:piece
        }
        \fromproperty #'header:opus
      }
    }
  }
  \header { tagline = ##f }
  \score {
    \header {
      piece = "FUGA I"
      mycustomtext = "A 4 VOCI" %% User-defined field
      opus = "BWV 846"
    }
    { s1 }
  }
}

variable = \markup {
  …
  \on-the-fly  \procedimiento  marcado
  …
}

\book {
  \paper {
    print-page-number = ##t
    print-first-page-number = ##t
    oddHeaderMarkup = \markup \null
    evenHeaderMarkup = \markup \null
    oddFooterMarkup = \markup {
      \fill-line {
        \if \should-print-page-number
        \fromproperty #'page:page-number-string
      }
    }
    evenFooterMarkup = \oddFooterMarkup
  }
  \score {
    \new Staff { s1 \break s1 \break s1 }
  }
}

  \if \on-first-page
  \if \on-last-page
  { \markup … \fromproperty #'header: … }

\header {
  title = "Sinfonía núm. 1"
}

\header {
  title = "Sinfonía núm. 1"
  pdftitle = "Sinfonía núm. 1 de Beethoven"
}

[dirección] \footnote [marca] desplazamiento texto-de-la-nota música

\footnote [marca] desplazamiento texto-de-la-nota [Contexto].Nombre-del-Grob

\footnote [marca] desplazamiento texto-de-la-nota música

\book {
  \header { tagline = ##f }
  \relative c'' {
    \footnote #'(-1 . 3) "Una nota" a4
    a4
    \footnote #'(2 . 2) "Un silencio" r4
    a4
  }
}

\book {
  \header { tagline = ##f }
  \relative c'' {
    \footnote #'(2 . 3) "No funciona" <a-3>2
    <\footnote #'(-2 . -3) "Funciona" a-3>4
    <a-3 \footnote #'(3 . 1/2) "También funciona" c-5>4
  }
}

dirección \footnote [marca] desplazamiento texto-de-la-nota música

\book {
  \header { tagline = ##f }
  \relative {
    a'4_\footnote #'(0 . -1) "Ligadura forzada hacia abajo" (
    b8^\footnote #'(1 . 0.5) "Barra manual forzada hacia arriba" [
    b8 ]
    c4 )
    c-\footnote #'(1 . 1) "Tenuto" --
  }
}

\book {
  \header { tagline = ##f }
  \relative c'' {
    \footnote #'(-1 . -3) "Un bemol" Accidental
    aes4 c
    \footnote #'(-1 . 0.5) "Otro bemol" Accidental
    ees
    \footnote #'(1 . -2) "Una plica" Stem
    aes
  }
}

\book {
  \header { tagline = ##f }
  \relative c' {
    \footnote #'(-1 . 3) "Un bemol" Accidental
    <ees ges bes>4
    \footnote #'(2 . 0.5) "Articulación" Script
    c'->-.
  }
}

\book {
  \header { tagline = ##f }
  \relative c'' {
    < \footnote #'(1 . -2) "Un La" a
      \single \footnote #'(-1 . -1) "Un sostenido" Accidental
      cis
      \single \footnote #'(0.5 . 0.5) "Un bemol" Accidental
      ees fis
    >2
  }
}

\book {
  \header { tagline = ##f }
  \relative c'' {
    r1 |
    \footnote #'(-0.5 . -1) "Cambio de compás" Staff.TimeSignature
    \time 3/4
    \footnote #'(1 . -1) "Plica de acorde" Stem
    <c e g>4 q q
    \footnote #'(-0.5 . 1) "Línea divisoria" Staff.BarLine
    q q
    \footnote #'(0.5 . -1) "Cambio de tonalidad" Staff.KeySignature
    \key c\minor
    q
  }
}

\book {
  \header { tagline = ##f }
  \relative c' {
    \footnote "*" #'(0.5 . -2) \markup { \italic "* La primera nota" } a'4
    b8
    \footnote \markup { \super "$" } #'(0.5 . 1)
      \markup { \super "$" \italic " La segunda nota" } e
    c4
    \once \override Score.Footnote.annotation-line = ##f
    b-\footnote \markup \tiny "+" #'(0.1 . 0.1)
      \markup { \super "+" \italic " Editorial" } \p
  }
}

\markup { … \footnote texto nota … }

\book {
  \header { tagline = ##f }
  \markup {
    "A simple"
    \footnote "tune" \italic " By me"
    "is shown below.  It is a"
    \footnote "recent" \italic " Aug 2012"
    "composition."
  }
  \relative {
    a'4 b8 e c4 d
  }
}

\markup { … \footnote marca nota … }

\book {
  \paper { #(include-special-characters) }
  \header { tagline = ##f }
  \markup {
    "A simple tune"
    \footnote "*" \italic "* By me"
    "is shown below.  It is a recent"
    \footnote \super &dagger; \concat {
      \super &dagger; \italic " Aug 2012"
    }
    "composition."
  }
  \relative {
    a'4 b8 e c4 d
  }
}

\book {
  \header { tagline = ##f }
  \markup {
    "A simple tune"
    \footnote \super \char##x00a7 \concat {
      \super \char##x00a7 \italic " By me"
    }
    "is shown below.  It is a recent"
    \footnote \super \char##x00b6 \concat {
      \super \char##x00b6 \italic " Aug 2012"
    }
    "composition."
  }
  \relative {
    a'4 b8 e c4 d
  }
}

\header { tagline = ##f }
\book {
  \label #'firstScore
  \score {
    {
      c'1
      \pageBreak \mark A \label #'markA
      c'1
    }
  }
  \markup { La primera partitura comienza en la página \page-ref #'firstScore "0" "?" }
  \markup { La marca A está en la página \page-ref #'markA "0" "?" }
}

\markuplist \table-of-contents
\pageBreak

\tocItem \markup "Primera partitura"
\score {
  {
    c'4  % ...
    \tocItem \markup "Un punto concreto dentro de la primera partitura"
    d'4  % ...
  }
}

\tocItem \markup "Segunda partitura"
\score {
  {
    e'4 % ...
    \tocItem actI \markup "Act I"
    f'4 % ...
    \tocItem actI.sceneI \markup "Scene 1"
    g'4 % ...
    \tocItem actI.sceneI.recitativo \markup "Recit."
    a'4 % ...
  }
}

tocTitleMarkup = \markup \huge \column {
  \fill-line { \null "Índice general" \null }
  \null
}

tocItemMarkup = \markup \fill-line {
  \fromproperty #'toc:text \fromproperty #'toc:page
}

tocFormatMarkup = #make-bold-markup

tocIndentMarkup = \markup \hspace #4

\paper {
  tocTitleMarkup = \markup \huge \column {
    \fill-line { \null "Table des matières" \null }
    \hspace #1
  }

tocItemMarkup = \markup \large \fill-line {
  \fromproperty #'toc:text \fromproperty #'toc:page
}

\header { tagline = ##f }
\paper {
  tocItemMarkup = \tocItemWithDotsMarkup
}

\book {
  \markuplist \table-of-contents
  \tocItem \markup { Allegro }
  \tocItem \markup { Largo }
  \markup \null
}

\paper {
  tocActMarkup = \markup \large \column {
    \hspace #1
    \fill-line { \null \italic \fromproperty #'toc:text \null }
    \hspace #1
  }
}

tocAct =
  #(define-music-function (label text) (symbol? markup?)
     (add-toc-item! 'tocActMarkup text label))

\include "otroarchivo.ly"

\include "../material.ly"

\include "partes/VI.ly"
\include "partes/VII.ly"
… etc.

bibA/
  bibA.ly
  A1.ly
  A2.ly
  …

\include "A1.ly"
\include "A2.ly"
…

\include "~/bibA/bibA.ly"

lilypond --include=partes principal.ly

\include "VI.ly"
\include "VII.ly"
… etc.

sopranoMusic = \relative { a'4 b c b8( a) }
altoMusic = \relative { e'4 e e f }
tenorMusic = \relative { c'4 b e d8( c) }
bassMusic = \relative { a4 gis a d, }
allLyrics = \lyricmode { King of glo -- ry }
<<
  \new Staff = "Soprano" \sopranoMusic
  \new Lyrics \allLyrics
  \new Staff = "Alto" \altoMusic
  \new Lyrics \allLyrics
  \new Staff = "Tenor" {
    \clef "treble_8"
    \tenorMusic
  }
  \new Lyrics \allLyrics
  \new Staff = "Bass" {
    \clef "bass"
    \bassMusic
  }
  \new Lyrics \allLyrics
  \new PianoStaff <<
    \new Staff = "RH" {
      \partCombine \sopranoMusic \altoMusic
    }
    \new Staff = "LH" {
      \clef "bass"
      \partCombine \tenorMusic \bassMusic
    }
  >>
>>

music = \relative {
  g'8. c32 d
  \tag #'trills { d8.\trill }
  \tag #'expand { \repeat unfold 3 { e32 d } }
  c32 d
 }

\score {
  \keepWithTag #'trills \music
}
\score {
  \keepWithTag #'expand \music
}

music = \relative {
  g'8. c32 d
  \tag #'trills { d8.\trill }
  \tag #'expand {\repeat unfold 3 { e32 d } }
  c32 d
 }

\score {
  \removeWithTag #'expand
  \music
}
\score {
  \removeWithTag #'trills
  \music
}

-\tag #'mi-etiqueta

c1-\tag #'finger ^4
c1-\tag #'warn ^"¡Ojo!"

music = \relative c'' {
  \tag #'a \tag #'both { a4 a a a }
  \tag #'(b both) { b4 b b b }
}
<<
\keepWithTag #'a \music
\keepWithTag #'b \music
\keepWithTag #'both \music
>>

music = \relative c'' {
  \tag #'A { a4 a a a }
  \tag #'B { b4 b b b }
  \tag #'C { c4 c c c }
  \tag #'D { d4 d d d }
}
\new Voice {
  \removeWithTag #'B
  \removeWithTag #'C
  \music
  \removeWithTag #'(B C)
  \music
}

music = \relative c'' {
  \tag #'violinI { a4 a a a }
  \tag #'violinII { b4 b b b }
  \tag #'viola { c4 c c c }
  \tag #'cello { d4 d d d }
}

\new Staff {
  \keepWithTag #'(violinI violinII)
  \music
}

\tagGroup #'(violinI violinII viola cello)

\keepWithTag #'violinI …

music = \relative {
  \tagGroup #'(violinI violinII viola cello)
  \tag #'violinI { c''4^"violinI" c c c }
  \tag #'violinII { a2 a }
  \tag #'viola { e8 e e2. }
  \tag #'cello { d'2 d4 d }
  R1^"untagged"
}

\new Voice {
  \keepWithTag #'violinI
  \music
}

music = { \tag #'here { \tag #'here <<c''>> } }

{
  \pushToTag #'here c'
  \pushToTag #'here e'
  \pushToTag #'here g' \music
  \appendToTag #'here c'
  \appendToTag #'here e'
  \appendToTag #'here g' \music
}

lilypond -dinclude-settings=MIS_AJUSTES.ly MI_PARTITURA.ly

FT_Get_Glyph_Name () error: argumento inválido

\score {
  \relative {
    c''1 \mark \markup { \char ##x03A8 }
    c1_\markup { \tiny { \char ##x03B1 " to " \char ##x03C9 } }
  }
  \addlyrics { O \markup { \concat { Ph \char ##x0153 be! } } }
}
\markup { "Copyright 2008--2023" \char ##x00A9 }

\header {
  copyright = \markup { \char ##x00A9 "2008" }
}

\paper {
  #(include-special-characters)
}

\markup "&flqq; &ndash; &OE;uvre incomplète&hellip; &frqq;"

\score {
  \new Staff { \repeat unfold 9 a'4 }
  \addlyrics {
    This is al -- so wor -- kin'~in ly -- rics: &ndash;_&OE;&hellip;
  }
}

\markup \column {
  "The replacement can be disabled:"
  "&ndash; &OE; &hellip;"
  \override #'(replacement-alist . ()) "&ndash; &OE; &hellip;"
}

\paper {
  #(add-text-replacements!
    '(("100" . "hundred")
      ("dpi" . "dots per inch")))
}
\markup "A 100 dpi."

\markup \replace #'(("100" . "hundred")
                    ("dpi" . "dots per inch")) "A 100 dpi."

\layout {
  clip-regions
  = #(list
      (cons
       (make-rhythmic-location 5 1 2)
       (make-rhythmic-location 7 3 4)))
}

showLastLength = R1*5
\score { … }

\relative c' {
  c4 c c c
  \set Score.skipTypesetting = ##t
  d4 d d d
  \tempo 4 = 80
  e4 e e e
  \set Score.skipTypesetting = ##f
  f4 f f f
}

{
  \once \override NoteHead.output-attributes =
  #'((id . 123)
     (class . "esto aquello")
     (data-lo-que-sea . algo))
  c
}

<g id="123" class="esto aquello" data-lo-que-sea="algo">
  ...elementos del SVG de objetos gráficos como cabezas de nota...
</g>

http://www.chiark.greenend.org.uk/~sgtatham/gonville/

\paper {
  property-defaults.fonts.music = "gonville"
}

\paper {
  #(define fonts
    (set-global-fonts
     #:music "tipoletra" ; nombre del archivo de fuente sin el sufijo ni la extensión
     #:brace "tipoletra" ; nombre del archivo de fuente sin el sufijo ni la extensión
   ))
}

\appoggiatura c8 d2.

\score {
  … música …
  \layout { }
  \midi { }
}

lilypond -dmidi-extension=mid Archivo.ly

#(ly:set-option 'midi-extension "mid")

\midi {
  \context {
    \Score
    \remove Timing_translator
  }
  \context {
     \Staff
     \consists Timing_translator
  }
}

#(define (myDynamics dynamic)
    (if (equal? dynamic "rfz")
      0.9
      (default-dynamic-absolute-volume dynamic)))

\score {
  \new Staff {
    \set Staff.midiInstrument = "cello"
    \set Score.dynamicAbsoluteVolumeFunction = #myDynamics
    \new Voice {
      \relative {
        a'4\pp b c-\rfz
      }
    }
  }
  \layout {}
  \midi {}
}

midiMinimumVolume + (midiMaximumVolume - midiMinimumVolume) * fracción

\score {
  <<
    \new Staff {
      \set Staff.midiInstrument = "flute"
      … music …
    }
    \new Staff {
      \set Staff.midiInstrument = "clarinet"
      … music …
    }
  >>
  \midi {
    \context {
      \Score
      midiMinimumVolume = #0.2
      midiMaximumVolume = #0.5
    }
  }
}

\score {
  \new Staff {
    \set Staff.midiInstrument = "flute"
    \set Staff.midiMinimumVolume = #0.7
    \set Staff.midiMaximumVolume = #0.9
    … music …
  }
  \midi { }
}

\score {
  <<
    \new Staff {
      \set Staff.midiInstrument = "flute"
      \set Staff.midiMinimumVolume = #0.7
      \set Staff.midiMaximumVolume = #0.9
      … music …
    }
    \new Staff {
      \set Staff.midiInstrument = "clarinet"
      \set Staff.midiMinimumVolume = #0.3
      \set Staff.midiMaximumVolume = #0.6
      … music …
    }
  >>
  \midi { }
}

#(define my-instrument-equalizer-alist '())

#(set! my-instrument-equalizer-alist
  (append
    '(
      ("flute" . (0.7 . 0.9))
      ("clarinet" . (0.3 . 0.6)))
    my-instrument-equalizer-alist))

#(define (my-instrument-equalizer s)
  (let ((entry (assoc s my-instrument-equalizer-alist)))
    (if entry
      (cdr entry))))

\score {
  <<
    \new Staff {
      \key g \major
      \time 2/2
      \set Score.instrumentEqualizer = #my-instrument-equalizer
      \set Staff.midiInstrument = "flute"
      \new Voice \relative {
        r2 g''\mp g fis~
        4 g8 fis e2~
        4 d8 cis d2
      }
    }
    \new Staff {
      \key g \major
      \set Staff.midiInstrument = "clarinet"
      \new Voice \relative {
        b'1\p a2. b8 a
        g2. fis8 e
        fis2 r
      }
    }
  >>
  \layout { }
  \midi {  }
}

\score {
  … music …
  \midi {
    \tempo 4 = 72
  }
}

\score {
  … music …
  \midi {
    \context {
      \Voice
      \remove Dynamic_performer
    }
  }
}

\score {
  \new Staff {
    \set Staff.midiInstrument = "glockenspiel"
    … music …
  }
  \midi { }
}

\score {
  \new Staff \with {midiInstrument = "cello"} {
    … music …
  }
  \midi { }
}

\score {
  \unfoldRepeats {
    \repeat tremolo 8 { c'32 e' }
    \repeat percent 2 { c''8 d'' }
    \repeat volta 2 { c'4 d' e' f' }
    \alternative {
      { g' a' a' g' }
      { f' e' d' c' }
    }
  }
  \midi { }
}

\score {
  … music …
  \layout { }
}
\score {
  \unfoldRepeats {
    … music …
  }
  \midi { }
}

\score {
  ...music...
  \midi {
    \context {
      \Score
      midiChannelMapping = #'instrument
    }
  }
}

\score {
  \new Staff <<
    \new Voice \relative c''' {
      \set midiInstrument = "flute"
      \voiceOne
      \key g \major
      \time 2/2
      r2 g-"Flute" ~
      g fis ~
      fis4 g8 fis e2 ~
      e4 d8 cis d2
    }
    \new Voice \relative c'' {
      \set midiInstrument = "clarinet"
      \voiceTwo
      b1-"Clarinet"
      a2. b8 a
      g2. fis8 e
      fis2 r
    }
  >>
  \layout { }
  \midi {
    \context {
      \Staff
      \remove "Staff_performer"
    }
    \context {
      \Voice
      \consists "Staff_performer"
    }
    \tempo 2 = 72
  }
}

\include "articulate.ly"

\score {
  \articulate <<
    … music …
  >>
  \midi { }
}

{
  \displayLilyMusic \transpose c a, { c4 e g a bes }
}

{ a,4 cis e fis g }

lilypond archivo.ly >resultado.txt

{
  \void \displayLilyMusic \transpose c a, { c4 e g a bes }
  c1
}

\include "event-listener.ly"

0.000   note     57       4   p-c 2 12
0.000   dynamic  f
0.250   note     62       4   p-c 7 12
0.500   note     66       8   p-c 9 12
0.625   note     69       8   p-c 14 12
0.750   rest     4
0.750   breathe

tiempo tipo …parámetros…

\paper {
  top-margin = 10
}

\paper {
  top-margin = 0.5\in
}

\paper {
  #(define top-margin (* 0.5 in))
}

#(set-default-paper-size "quarto")

\paper {
  #(set-paper-size "tabloid")
}

#(set! paper-alist (cons '("mi tamaño" . (cons (* 15 in) (* 3 in))) paper-alist))

\paper {
  #(set-paper-size "mi tamaño")
}

#(set-default-paper-size "a6" 'landscape)

#(set-default-paper-size "a6landscape")

\paper {
  system-system-spacing.basic-distance = #8
  score-system-spacing =
    #'((basic-distance . 12)
       (minimum-distance . 6)
       (padding . 1)
       (stretchability . 12))
}

#(set-default-paper-size "a8")

\book {
  \paper {
    system-separator-markup = \slashSeparator
  }
  \header {
    tagline = ##f
  }
  \score {
    \relative { c''1 \break c1 \break c1 }
  }
}

\layout {
  indent = 2\cm
  \context {
    \StaffGroup
    \override StaffGrouper.staff-staff-spacing.basic-distance = #8
  }
  \context {
    \Voice
    \override TextScript.padding = #1
    \override Glissando.thickness = #3
  }
}

\layout {
  \context {
    \Voice
    \override TextScript.color = #magenta
    \override Glissando.thickness = #1.5
  }
}

variable_de_Layout = \layout {
  \context {
    \Voice
    \override NoteHead.font-size = #4
  }
}

\layout {
  \variable_de_layout
  \context {
    \Voice
    \override NoteHead.color = #red
  }
}

  TextScript.padding = #1
  TextScript.color = #magenta
  Glissando.thickness = #1.5
  NoteHead.font-size = #4
  NoteHead.color = #red

  NoteHead.font-size= #4 % (escrita en la definición de la variable)
  NoteHead.color = #red % (añadida después del uso de la variable)

#(set-global-staff-size 14)

\score {
  …
  \layout {
    #(layout-set-staff-size 14)
  }
}

\score {
  <<
    \new Staff \with {
      \magnifyStaff #5/7
    } { … }
    \new PianoStaff { … }
  >>
}

\score {
  <<
    \new Staff \with {
      \magnifyStaff #(magstep -3)
    } { … }
    \new PianoStaff { … }
  >>
}

\relative c'' {
  c4 c c c | \break
  c4 c c c |
}

\relative c'' {
  c4 c c
  \bar ""
  \break
  c |
  c4 c c c |
}

\new Voice \with {
  \remove Forbid_line_break_engraver
} \relative {
  <<
    { c''2. \tuplet 3/2 { c4 c c } c2. | }
    { s1 | \break s1 | }
  >>
}

\relative c'' {
  \override Beam.breakable = ##t
  c2. c8[ c | \break
  c8 c] c2. |
}

\layout {
  indent = 0\mm
  line-width = 150\mm
  ragged-last = ##t
}

<<
  \repeat unfold 7 {
    s1 \noBreak s1 \noBreak
    s1 \noBreak s1 \break
  }
  { la música real… }
>>

\paper { tagline = ##f }

music = \relative c'' { c4 c c c }

\score {
  \new Staff <<
    \new Voice {
      s1 * 2 \break
      s1 * 3 \break
      s1 * 6 \break
      s1 * 5 \break
    }
    \new Voice {
      \repeat unfold 2 { \music }
      \repeat unfold 3 { \music }
      \repeat unfold 6 { \music }
      \repeat unfold 5 { \music }
    }
  >>
}

\paper {
  page-breaking = #ly:page-turn-breaking
}

\bookpart {
  \header {
    subtitle = "Prefacio"
  }
  \paper {
     %% En una parte que consiste en texto principalmente,
     %% puede ser preferible ly:minimal-breaking
     page-breaking = #ly:minimal-breaking
  }
  \markup { … }
  …
}
\bookpart {
  %% En esta parte, consistente en música, se usa la función
  %% óptima predeterminada de saltos de página.
  \header {
    subtitle = "Primer movimiento"
  }
  \score { … }
  …
}

\paper {
  page-breaking = #ly:minimal-breaking
}

\new Staff \with { \consists Page_turn_engraver }
{
  a4 b c d |
  R1 | % aquí se permite un salto de página
  a4 b c d |
  \set Staff.minimumPageTurnLength = \musicLength 2*5
  R1 | % aquí no se permite un salto de página
  a4 b r2 |
  R1*2 | % aquí se permite un salto de página
  a1
}

\new Staff \with {
  \override VerticalAxisGroup.default-staff-staff-spacing.basic-distance = #10
} { … }

\new Staff \with {
  \override VerticalAxisGroup.default-staff-staff-spacing =
    #'((basic-distance . 10)
       (minimum-distance . 9)
       (padding . 1)
       (stretchability . 10))
} { … }

\layout {
  \context {
    \Staff
    \override VerticalAxisGroup.default-staff-staff-spacing.basic-distance = #10
  }
}

\layout {
  \context {
    \Staff
    \override VerticalAxisGroup.default-staff-staff-spacing =
      #'((basic-distance . 8)
         (minimum-distance . 7)
         (padding . 1))
  }
}

<<
  % The very low note here needs more room than 'basic-distance
  % can provide, so the distance between this staff and the next
  % is determined by 'padding.
  \new Staff { b,2 r | }

  % Here, 'basic-distance provides enough room, and there is no
  % need to compress the space (towards 'minimum-distance) to make
  % room for anything else on the page, so the distance between
  % this staff and the next is determined by 'basic-distance.
  \new Staff { \clef bass g2 r | }

  % By setting 'padding to a negative value, staves can be made to
  % collide.  The lowest acceptable value for 'basic-distance is 0.
  \new Staff \with {
    \override VerticalAxisGroup.default-staff-staff-spacing =
      #'((basic-distance . 3.5)
         (padding . -10))
  } { \clef bass g2 r | }
  \new Staff { \clef bass g2 r | }
>>

\layout {
  \context {
    \Score
    \override StaffGrouper.staff-staff-spacing.padding = #0
    \override StaffGrouper.staff-staff-spacing.basic-distance = #1
  }
}

<<
  \new PianoStaff \with {
    \override StaffGrouper.staffgroup-staff-spacing.basic-distance = #20
  } <<
    \new Staff { c'1 }
    \new Staff { c'1 }
  >>

  \new StaffGroup <<
    \new Staff { c'1 }
    \new Staff { c'1 }
  >>
>>

\layout {
  \context {
    \Lyrics
    \override VerticalAxisGroup.nonstaff-nonstaff-spacing.stretchability = #1000
  }
}

\new StaffGroup
<<
  \new Staff \with {
    \override VerticalAxisGroup.staff-staff-spacing = #'((basic-distance . 30))
  } { c'1 }
  \new Lyrics \with {
    \override VerticalAxisGroup.staff-affinity = #UP
  } \lyricmode { up }
  \new Lyrics \with {
    \override VerticalAxisGroup.staff-affinity = #CENTER
  } \lyricmode { center }
  \new Lyrics \with {
    \override VerticalAxisGroup.staff-affinity = #DOWN
  } \lyricmode { down }
  \new Staff { c'1 }
>>

\overrideProperty NonMusicalPaperColumn.line-break-system-details
  #'((X-offset . 20))

\overrideProperty NonMusicalPaperColumn.line-break-system-details
  #'((Y-offset . 40))

\overrideProperty NonMusicalPaperColumn.line-break-system-details
  #'((X-offset . 20)
     (Y-offset . 40))

\overrideProperty NonMusicalPaperColumn.line-break-system-details
  #'((alignment-distances . (15)))

\overrideProperty NonMusicalPaperColumn.line-break-system-details
  #'((X-offset . 20)
     (Y-offset . 40)
     (alignment-distances . (15)))

\header { tagline = ##f }
\paper { left-margin = 0\mm }
\book {
  \score {
    <<
      \new Staff <<
        \new Voice {
          s1*5 \break
          s1*5 \break
          s1*5 \break
        }
        \new Voice { \repeat unfold 15 { c'4 c' c' c' } }
      >>
      \new Staff {
        \repeat unfold 15 { d'4 d' d' d' }
      }
    >>
  }
}

\header { tagline = ##f }
\paper { left-margin = 0\mm }
\book {
  \score {
    <<
      \new Staff <<
        \new Voice {
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
            #'((Y-offset . 0))
          s1*5 \break
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
            #'((Y-offset . 40))
          s1*5 \break
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
            #'((Y-offset . 60))
          s1*5 \break
        }
        \new Voice { \repeat unfold 15 { c'4 c' c' c' } }
      >>
      \new Staff {
        \repeat unfold 15 { d'4 d' d' d' }
      }
    >>
  }
}

\header { tagline = ##f }
\paper { left-margin = 0\mm }
\book {
  \score {
    <<
      \new Staff <<
        \new Voice {
          s1*5 \break
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
            #'((extra-offset . (0 . 10)))
          s1*5 \break
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
            #'((extra-offset . (0 . 10)))
          s1*5 \break
        }
        \new Voice { \repeat unfold 15 { c'4 c' c' c' } }
      >>
      \new Staff {
        \repeat unfold 15 { d'4 d' d' d' }
      }
    >>
  }
}

\header { tagline = ##f }
\paper { left-margin = 0\mm }
\book {
  \score {
    <<
      \new Staff <<
        \new Voice {
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
            #'((Y-offset . 20)
               (alignment-distances . (10)))
          s1*5 \break
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
            #'((Y-offset . 60)
               (alignment-distances . (15)))
          s1*5 \break
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
          #'((Y-offset . 85)
             (alignment-distances . (20)))
          s1*5 \break
        }
        \new Voice { \repeat unfold 15 { c'4 c' c' c' } }
      >>
      \new Staff {
        \repeat unfold 15 { d'4 d' d' d' }
      }
    >>
  }
}

\header { tagline = ##f }
\paper { left-margin = 0\mm }
\book {
  \score {
    <<
      \new Staff <<
        \new Voice {
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
            #'((Y-offset . 0)
               (alignment-distances . (30 10)))
          s1*5 \break
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
            #'((Y-offset . 60)
               (alignment-distances . (10 10)))
          s1*5 \break
          \overrideProperty Score.NonMusicalPaperColumn.line-break-system-details
            #'((Y-offset . 100)
               (alignment-distances . (10 30)))
          s1*5 \break
        }
        \new Voice { \repeat unfold 15 { c'4 c' c' c' } }
      >>
      \new StaffGroup <<
        \new Staff { \repeat unfold 15 { d'4 d' d' d' } }
        \new Staff { \repeat unfold 15 { e'4 e' e' e' } }
      >>
    >>
  }
}

\relative c'' {
  c4_"Text"\pp
  r2.
  \once \override TextScript.outside-staff-priority = #1
  c4_"Text"\pp % this time the text will be closer to the staff
  r2.
  % by setting outside-staff-priority to a non-number,
  % we disable the automatic collision avoidance
  \once \override TextScript.outside-staff-priority = ##f
  \once \override DynamicLineSpanner.outside-staff-priority = ##f
  c4_"Text"\pp % now they will collide
}

\relative {
  \once \override TextScript.outside-staff-padding = #0
  a'4-"outside-staff-padding = #0"
  \once \override TextScript.outside-staff-padding = #3
  d-"outside-staff-padding = #3"
  c-"default outside-staff-padding"
  b-"default outside-staff-padding"
  R1
}

\relative {
  c''4^"Word" c c''2
  R1
  \once \override TextScript.outside-staff-horizontal-padding = #1
  c,,4^"Word" c c''2
}

\relative c' {
  c2 c4. c8
  c4. c8 c4. c8
  c8 c c4 c c
}

\relative { c''2 c4. c8 | c4. c16[ c] c4. c8 | c8 c c4 c c }

 \override Score.NonMusicalPaperColumn.padding = #10

\relative c' {
  \time 2/4
  c4 c8 c
  c8 c c4 c16[ c c8] c4
  \newSpacingSection
  \time 4/16
  c16[ c c8]
}

\relative c' {
  \time 4/16
  c16[ c c8]
  \newSpacingSection
  \override Score.SpacingSpanner.spacing-increment = #2
  c16[ c c8]
  \newSpacingSection
  \revert Score.SpacingSpanner.spacing-increment
  c16[ c c8]
}

\score {
  \relative {
    g'4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
    g4 e e2 | f4 d d2 | c4 e g g | c,1 |
    d4 d d d | d4 e f2 | e4 e e e | e4 f g2 |
    g4 e e2 | f4 d d2 | c4 e g g | c,1 |
  }
}

\score {
  \relative {
    g'4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
    g4 e e2 | f4 d d2 | c4 e g g | c,1 |
    d4 d d d | d4 e f2 | e4 e e e | e4 f g2 |
    g4 e e2 | f4 d d2 | c4 e g g | c,1 |
  }
  \layout {
    \context {
      \Score
      \override SpacingSpanner.base-shortest-duration = \musicLength 16
    }
  }
}

\score {
  <<
    \new Staff \relative c' {
      \tuplet 5/4 { c8 c c c c } c8 c c c
    }
    \new Staff \relative c' {
      c8 c c c \tuplet 5/4 { c8 c c c c }
    }
  >>
  \layout {
    \context {
      \Score
      \override SpacingSpanner.uniform-stretching = ##t
    }
  }
}

\override Score.SpacingSpanner.strict-note-spacing = ##t
\new Staff \relative {
  c''8[ c \clef alto c \grace { c16 c } c8 c c]  c32[ c] }

\layout {
  indent = #0
  line-width = #150
  ragged-last = ##t
}

\score {
  <<
    \new RhythmicStaff {
      c2 16 16 16 16 \tuplet 5/4 { 16 16 16 16 16 }
    }
  >>
}

\score {
  <<
    \new RhythmicStaff {
      c2 16 16 16 16 \tuplet 5/4 { 16 16 16 16 16 }
    }
  >>
 \layout {
    \context {
      \Score
      proportionalNotationDuration = \musicLength 1*1/20
    }
  }
}

\score {
  <<
    \new RhythmicStaff {
      c2 16 16 16 16 \tuplet 5/4 { 16 16 16 16 16 }
    }
  >>
  \layout {
    \context {
      \Score
      proportionalNotationDuration = \musicLength 8
    }
  }
}

\score {
  <<
    \new RhythmicStaff {
      c2 16 16 16 16 \tuplet 5/4 { 16 16 16 16 16 }
    }
  >>
  \layout {
    \context {
      \Score
      proportionalNotationDuration = \musicLength 16
    }
  }
}

\score {
  <<
    \new RhythmicStaff {
      c2 16 16 16 16 \tuplet 5/4 { 16 16 16 16 16 }
    }
  >>
  \layout {
    \context {
      \Score
      proportionalNotationDuration = \musicLength 32
    }
  }
}

\score {
  <<
    \new RhythmicStaff {
      c2 16 16 16 16 \tuplet 5/4 { 16 16 16 16 16 }
    }
    \new RhythmicStaff {
      \tuplet 9/8 { c8 8 8 8 8 8 8 8 8 }
    }
  >>
}

\score {
  <<
    \new RhythmicStaff {
      c2 16 16 16 16 \tuplet 5/4 { 16 16 16 16 16 }
    }
    \new RhythmicStaff {
      \tuplet 9/8 { c8 8 8 8 8 8 8 8 8 }
    }
  >>
  \layout {
    \context {
      \Score
      proportionalNotationDuration = \musicLength 1*1/20
    }
  }
}

\score {
  <<
    \new RhythmicStaff {
      c2 16 16 16 16 \tuplet 5/4 { 16 16 16 16 16 }
    }
    \new RhythmicStaff {
      \tuplet 9/8 { c8 8 8 8 8 8 8 8 8 }
    }
  >>
  \layout {
    \context {
      \Score
      proportionalNotationDuration = \musicLength 1*1/20
      \override SpacingSpanner.uniform-stretching = ##t
    }
  }
}

\paper {
  indent = #0
}

\new Staff {
  c'1
  \break
  c'1
}

\paper {
  indent = #0
}

\new Staff \with {
  \remove Separating_line_group_engraver
} {
  c'1
  \break
  c'1
}

\new Staff {
  \set Score.proportionalNotationDuration = \musicLength 16
  c''8 8 8 \clef alto d'2 2
}

\new Staff {
  \set Score.proportionalNotationDuration = \musicLength 16
  \override Score.SpacingSpanner.strict-note-spacing = ##t
  c''8 8 8 \clef alto d'2 2
}

\book {
  \score { { c4 } }
  \paper { annotate-spacing = ##t }
}

\paper {
  system-system-spacing = #'((basic-distance . 0.1) (padding . 0))
  ragged-last-bottom = ##f
  ragged-bottom = ##f
}

\paper {
  system-count = #10
}

\paper {
  page-count = #2
}

\relative e' {
  e4 c g\f c
  e4 c g-\tweak X-offset #-2.7 \f c
}

\score {
  \relative {
    g'4 e e2 |
    f4 d d2 |
    c4 d e f |
    g4 g g2 |
    g4 e e2 |
  }
}

\score {
  \relative {
    g'4 e e2 |
    f4 d d2 |
    c4 d e f |
    g4 g g2 |
    g4 e e2 |
  }
  \layout {
    \context {
      \Score
      \override SpacingSpanner.common-shortest-duration =
        \musicLength 2
    }
  }
}

[\new | \context] Contexto [ = nombre] [expresión_musical]

<<
  \new Staff \relative {
    % leave the Voice context to be created implicitly
    c''4 c
  }
  \new Staff \relative {
    d''4 d
  }
>>

\new Staff <<
  \new Voice \relative {
    \voiceOne
    c''8 c c4 c c
  }
  \new Voice \relative {
    \voiceTwo
    g'4 g g g
  }
>>

\new Staff <<
  \new Voice = "A" \relative {
    \voiceOne
    c''8 c c4 c c
  }
  \new Voice = "A" \relative {
    \voiceTwo
    g'4 g g g
  }
>>

\score {
  <<
    % score layout
    \new Staff <<
      \new Voice = "one" {
        \voiceOne
      }
      \new Voice = "two" {
        \voiceTwo
      }
    >>

    % musical content
    \context Voice = "one" {
      \relative {
        c''4 c c c
      }
    }
    \context Voice = "two" {
      \relative {
        g'8 g g4 g g
      }
    }
  >>
}

\score {
  <<
    % score layout
    \new Staff <<
      \context Voice = "one" {
        \voiceOne
      }
      \context Voice = "two" {
        \voiceTwo
      }
    >>

    % musical content
    \context Voice = "one" {
      \relative {
        c''4 c c c
      }
    }
    \context Voice = "two" {
      \relative {
        g'8 g g4 g g
      }
    }
  >>
}

\new Staff \relative {
  c'1
  \context Timing
  \applyContext #(lambda (ctx)
                   (newline)
                   (display (ly:context-current-moment ctx)))
  c1
}

\new Voice = "tenor" música
…
\new Lyrics \lyricsto "tenor" letra

musicA = \relative { d''4 d d d }
musicB = \relative { g'4 g g g }
keepVoicesAlive = {
  <<
    \new Voice = "A" { s1*5 }  % Keep Voice "A" alive for 5 bars
    \new Voice = "B" { s1*5 }  % Keep Voice "B" alive for 5 bars
  >>
}

music = {
  \context Voice = "A" {
    \voiceOneStyle
    \musicA
  }
  \context Voice = "B" {
    \voiceTwoStyle
    \musicB
  }
  \context Voice = "A" { \musicA }
  \context Voice = "B" { \musicB }
  \context Voice = "A" { \musicA }
}

\score {
  \new Staff <<
    \keepVoicesAlive
    \music
  >>
}

melody = \relative { a'4 a a a }
accompaniment = \relative { d'4 d d d }
words = \lyricmode { These words fol -- low the mel -- o -- dy }
\score {
  <<
    \new Staff = "music" {
      <<
        \new Voice = "melody" {
          \voiceOne
          s1*4  % Keep Voice "melody" alive for 4 bars
        }
        {
          \new Voice = "accompaniment" {
            \voiceTwo
            \accompaniment
          }
          <<
            \context Voice = "melody" { \melody }
            \context Voice = "accompaniment" { \accompaniment }
          >>
          \context Voice = "accompaniment" { \accompaniment }
          <<
            \context Voice = "melody" { \melody }
            \context Voice = "accompaniment" { \accompaniment }
          >>
        }
      >>
    }
    \new Lyrics \with { alignAboveContext = "music" }
    \lyricsto "melody" { \words }
  >>
}

melody = \relative {
  s1  % skip a bar
  a'4 a a a
  s1  % skip a bar
  a4 a a a
}
accompaniment = \relative {
  d'4 d d d
  d4 d d d
  d4 d d d
  d4 d d d
}
words = \lyricmode { These words fol -- low the mel -- o -- dy }

\score {
  <<
    \new Staff = "music" {
      <<
        \new Voice = "melody" {
          \voiceOne
          \melody
        }
        \new Voice = "accompaniment" {
          \voiceTwo
          \accompaniment
        }
      >>
    }
    \new Lyrics \with { alignAboveContext = "music" }
    \lyricsto "melody" { \words }
  >>
}

\new contexto \with {
  \consists …
  \consists …
  \remove …
  \remove …
  etc.
}
{
  …música…
}

<<
  \new Staff \relative {
    f'2 g
  }
  \new Staff \with {
     \remove Time_signature_engraver
     \remove Clef_engraver
  } \relative {
    f'2 g2
  }
>>

\score {
  <<
    \new Staff \with {
      \consists Timing_translator
    }
    \relative {
        \time 3/4
        c''4 c c c c c
    }
  \new Staff \with {
    \consists Timing_translator
  }
  \relative {
      \time 2/4
      c''4 c c c c c
  }
>>
\layout {
  \context {
    \Score
    \remove Timing_translator
    }
  }
}

\layout {
  \context {
    \Voice
    [ajustes de contexto para todos los contextos Voice]
  }
  \context {
    \Staff
    [ajustes de contexto para todos los contextos Staff]
  }
}

\score {
  \relative {
    a'4^"Thicker stems" a a a
    a4 a a\ff a
  }
  \layout {
    \context {
      \Staff
      \override Stem.thickness = #4.0
    }
  }
}

\score {
  \relative {
    a'4^"Smaller font" a a a
    a4 a a\ff a
  }
  \layout {
    \context {
      \Staff
      fontSize = #-4
    }
  }
}

\score {
  \relative {
    a'4^"Dynamics above" a a a
    a4 a a\ff a
  }
  \layout {
    \context {
      \Voice
      \dynamicUp
    }
    \context {
      \Staff
      \accidentalStyle dodecaphonic
    }
  }
}

StaffDefaults = \with {
  fontSize = #-4
}

\score {
  \new Staff {
    \relative {
      a'4^"Smaller font" a a a
      a4 a a a
    }
  }
  \layout {
    \context {
      \Staff
      \StaffDefaults
    }
  }
}

\score {
  \new Staff {
    \relative {
      a'4^"Smaller font" a a a
      a4 a a a
    }
  }
  \layout {
    \accidentalStyle dodecaphonic
    \set fontSize = #-4
    \override Voice.Stem.thickness = #4.0
  }
}

\new Staff \with { [ajustes de contexto para esta instancia de contexto solamente] }
{
  …
}

\chords \with { [ajustes de contexto para esta instancia de contexto (implícita) solamente] }
{
  …
}

\score {
  \new Staff {
    \new Voice \with { \override Stem.thickness = #4.0 }
    {
      \relative {
        a'4^"Thick stems" a a a
        a4 a a a
      }
    }
  }
}

\score {
  <<
    \new Staff {
      \relative {
        a'4^"Default font" a a a
        a4 a a a
      }
    }
    \new Staff \with { fontSize = #-4 }
    {
      \relative {
        a'4^"Smaller font" a a a
        a4 a a a
      }
    }
  >>
}

\score {
  <<
    \new Staff {
      \new Voice {
        \relative {
          a'4^"Dynamics below" a a a
          a4 a a\ff a
        }
      }
    }
    \new Staff \with { \accidentalStyle dodecaphonic }
    {
      \new Voice \with { \dynamicUp }
      {
        \relative {
          a'4^"Dynamics above" a a a
          a4 a a\ff a
        }
      }
    }
  >>
}

\layout {
  \context {
    …
  }
}

\name ImproVoice

\alias Voice

\consists Note_heads_engraver
\consists Text_engraver
\consists Rhythmic_column_engraver

\consists Pitch_squash_engraver
squashedPosition = #0

\override NoteHead.style = #'slash
\hide Stem

\type Engraver_group

\context {
  \name ImproVoice
  \type Engraver_group
  \consists Note_heads_engraver
  \consists Text_engraver
  \consists Rhythmic_column_engraver
  \consists Pitch_squash_engraver
  squashedPosition = #0
  \override NoteHead.style = #'slash
  \hide Stem
  \alias Voice
}

\context {
  \Staff
  \accepts ImproVoice
}

\layout {
  …
  \inherit-acceptability to from
}

\layout {
  …
  \inherit-acceptability "ImproVoice" "Voice"
}

\layout {
  \context {
    \name ImproVoice
    …
  }
  \inherit-acceptability "ImproVoice" "Voice"
}

\relative {
  a'4 d8 bes8
  \new ImproVoice {
    c4^"ad lib" c
    c4 c^"desvístete"
    c c_"mientras tocas :)"
  }
  a1
}

\score {
  \new GrandStaff <<
    \new StaffGroup <<
      \new Staff { c'1 }
      \new Staff { d'1 }
    >>
    \new Staff { \set Staff.instrumentName = bottom f'1 }
  >>
}

\score {
  \new GrandStaff <<
    \new StaffGroup <<
      \new Staff { c'1 }
      \new Staff { d'1 }
    >>
    \new Staff { \set Staff.instrumentName = bottom f'1 }
  >>
  \layout {
    \context {
      \GrandStaff
      \accepts StaffGroup
    }
  }
}

\new Staff \with { alignAboveContext = "principal" }

c''-2

(Fingering
  . ((padding . 0.5)
     (avoid-slur . around)
     (slur-padding . 0.2)
     (staff-padding . 0.5)
     (self-alignment-X . 0)
     (self-alignment-Y . 0)
     (script-priority . 100)
     (stencil . ,ly:text-interface::print)
     (direction . ,ly:script-interface::calc-direction)
     (font-encoding . fetaText)
     (font-size . -5) 		; don't overlap when next to heads.
     (meta . ((class . Item)
     (interfaces . (finger-interface
                    font-interface
                    text-script-interface
                    text-interface
                    side-position-interface
                    self-alignment-interface
                    item-interface))))))

c''-2

\once \override Voice.Fingering.padding = #3

\once \override Voice.Fingering.padding = #3
c''-2

\set contexto.propiedad = #valor

R1*2
\set Score.skipBars = ##t
R1*2

\set Score.autoBeaming = ##f
\relative {
  e''8 e e e
  \set autoBeaming = ##t
  e8 e e e
} \\
\relative {
  c''8 c c c c8 c c c
}

R1*2
\set skipBars = ##t
R1*2

\unset contexto.propiedad

\set Score.autoBeaming = ##t
\relative {
  \unset autoBeaming
  e''8 e e e
  \unset Score.autoBeaming
  e8 e e e
} \\
\relative {
  c''8 c c c c8 c c c
}

\set Voice.autoBeaming = ##t
\set autoBeaming = ##t

c''4
\once \set fontSize = #4.7
c''4
c''4

\override [contexto.]NombreDelGrob.propiedad = #valor

c''4 c''
\override Voice.Stem.thickness = #3.0
c''4 c''

\override Staff.Stem.thickness = #3.0
<<
  \relative {
    e''4 e
    \override Stem.thickness = #0.5
    e4 e
  } \\
  \relative {
    c''4 c c c
  }
>>

\override Stem.details.beamed-lengths = #'(4 4 3)

\override TextSpanner.bound-details.left.text = "left text"
\override TextSpanner.bound-details.right.text = "right text"

\revert [Contexto.]NombreDelGrob.propiedad

\relative {
  c''4
  \override Voice.Stem.thickness = #3.0
  c4 c
  \revert Voice.Stem.thickness
  c4
}

<<
  \relative {
    e''4
    \override Staff.Stem.thickness = #3.0
    e4 e e
  } \\
  \relative {
    c''4 c c
    \revert Staff.Stem.thickness
    c4
  }
>>

<<
  \relative c {
    \override Stem.thickness = #3.0
    e''4 e e e
  } \\
  \relative {
    c''4
    \once \override Stem.thickness = #3.0
    c4 c c
  }
>>

\tweak [objeto-de-presentación.]propiedad-del-grob valor

< c''
  \tweak color #red
  d''
  g''
  \tweak duration-log #1
  a''
> 4

\relative { c'-\tweak thickness #5 ( d e f) }

\tweak color #red c''4
\tweak color #red <c'' e''>4
<\tweak color #red c'' e''>4

\tweak Stem.color #red
\tweak Beam.color #green c''8 e''
<c'' e'' \tweak Accidental.font-size #-3 ges''>4

c'
  -\tweak style #'dashed-line
  -\tweak dash-fraction #0.2
  -\tweak thickness #3
  -\tweak color #red
  \glissando
f''

[-]\offset propiedad incrementos elemento

\offset propiedad incremento [contexto.]NombreDeGrob

arpeggioMusic = {
  <c' e' g'>\arpeggio <a' c'' e''>\arpeggio
  <d' f' a' c''>\arpeggio <c' e' g' b' d'' f'' a''>\arpeggio
}

{
  \arpeggioMusic
  \bar "||"
  \offset positions #'(-0.5 . 0.5) Arpeggio
  \arpeggioMusic
  \bar "||"
  \once \override Arpeggio.positions = #'(-3.5 . -0.5)
  <c' e' g'>1\arpeggio
  \bar "||"
}

music = { c'8\< d' e' f'\! }

{
  \music
  \offset height 1 Hairpin
  \music
  \music
  \revert Hairpin.height
  \music
  \bar "||"
  \once \offset height 1 Hairpin
  \music \music
  \bar "||"
  \override Hairpin.height = 0.2
  \music
  \temporary \offset height 2 Hairpin
  \music
  \music
  \revert Hairpin.height
  \music
  \bar "||"
}

longStem = \offset length 6 Stem

{
 \longStem c'4 c''' c' c''
 \bar "||"
 \undo \longStem c'4 c''' c' c''
 \bar "||"
 \single \longStem c'4 c''' c' c''
 \bar "||"
}

[-]\offset [NombreDeGrob.]propiedad incrementos expresión-musical

{
  c''4
  \breathe
  c''4
  \offset Y-offset 2 \breathe
  c''2
  \tweak Y-offset 3 \breathe
}

{
  c''8 g'' e'' d''
  \offset Beam.positions #'(-2 . -2)
  c''8 g'' e'' d''
  c''8 g'' e'' d''
  c''8-\offset positions #-2 [ g'' e'' d'']
}

{
  \offset staff-padding #'(0 3) Staff.OttavaBracket
  \ottava #1
  c'''2 c'''
  \break
  c'''2 c'''
}

{
  c'4-\offset control-points #'(
               ((0 . 0) (0 . 0) (0 . 0) (0 . 1))
               ((0.5 . 1.5) (1 . 0) (0 . 0) (0 . -1.5))
              ) ( f'4 g' c''
  \break
  d'4 c'' f' c')
}

'((clave1 . valor1)
  (clave2 . valor2)
  (clave3 . valor3)
  …)

'((basic-distance . 9)
  (minimum-distance . 7)
  (padding . 1)
  (stretchability . 5))

% default space between staves
\new PianoStaff <<
  \new Staff { \clef treble c''1 }
  \new Staff { \clef bass   c1   }
>>

% reduced space between staves
\new PianoStaff \with {
  % this is the nested declaration
  \override StaffGrouper.staff-staff-spacing.basic-distance = #7
} <<
  \new Staff { \clef treble c''1 }
  \new Staff { \clef bass   c1   }
>>

\new PianoStaff \with {
  \override StaffGrouper.staff-staff-spacing =
    #'((basic-distance . 0)
       (minimum-distance . 0)
       (padding . 0)
       (stretchability . 0))
} <<
  \new Staff { \clef treble c''1 }
  \new Staff { \clef bass   c1   }
>>

\override StaffGrouper.staff-staff-spacing =
  #'((basic-distance . 7))

\override StaffGrouper.staff-staff-spacing =
  #'((basic-distance . 7)
     (minimum-distance . 0)
     (padding . 0)
     (stretchability . 7))

\relative {
  c''2( c)
  c2_( c)
  c2( c)
  c2^( c)
}

\xxxUp, \xxxDown o \xxxNeutral

\relative {
  c''2( c)
  \slurDown
  c2( c)
  c2( c)
  \slurNeutral
  c2( c)
}

\with-dimensions #'(-5 . 10) #'(-3 . 15) arg

\new Staff \with {
  \override StaffSymbol.line-positions = #'(7 3 0 -4 -6 -7)
}
\relative { a4 e' f b | d1 }

\new Staff \with {
  \override StaffSymbol.width = #23
}
\relative { a4 e' f b | d1 }

a'~ a'
a'
% increase the length of the tie
-\tweak minimum-length #5
~ a'

\relative \compressMMRests {
  a'1
  R1*23
  % increase the length of the rest bar
  \once \override MultiMeasureRest.minimum-length = #20
  R1*23
  a1
}

\relative {
  a' \< a a a \!
  % increase the length of the hairpin
  \override Hairpin.minimum-length = #20
  a \< a a a \!
}

\relative {
  a'( g)
  a
  -\tweak minimum-length #5
  ( g)

  a\( g\)
  a
  -\tweak minimum-length #5
  \( g\)
}

% default
e' \glissando c''

% not effective alone
\once \override Glissando.minimum-length = #20
e' \glissando c''

% effective only when both overrides are present
\once \override Glissando.minimum-length = #20
\once \override Glissando.springs-and-rods = #ly:spanner::set-spacing-rods
e' \glissando c''

% not effective alone
\once \override Beam.minimum-length = #20
e'8 e' e' e'

% effective only when both overrides are present
\once \override Beam.minimum-length = #20
\once \override Beam.springs-and-rods = #ly:spanner::set-spacing-rods
e'8 e' e' e'

\relative {
  a' \< a a a a \! a a a \break
  \override Hairpin.to-barline = ##f
  a \< a a a a \! a a a
}

e''2 \glissando b'
\once \override Glissando.bound-details.left.Y = #3
\once \override Glissando.bound-details.right.Y = #-2
e''2 \glissando b'

\override Glissando.breakable = ##t
\override Glissando.bound-details.right-broken.Y = #-3
c''1 \glissando \break
f''1

\override TextSpanner.bound-details.left.text
   = \markup { \small \bold Slower }
\relative { c''2\startTextSpan b c a\stopTextSpan }

\override TextSpanner.bound-details.left.stencil-align-dir-y = #-2
\override TextSpanner.bound-details.right.stencil-align-dir-y = #UP

\override TextSpanner.bound-details.left.text = "ggg"
\override TextSpanner.bound-details.right.text = "hhh"

\relative { c'4^\startTextSpan c c c \stopTextSpan }

\relative c'' {
  \endSpanners
  c2 \startTextSpan c2 c2
  \endSpanners
  c2 \< c2 c2
}

a1 a
\override Score.BarLine.stencil = ##f
a a
\revert Score.BarLine.stencil
a a a

a1 a
\omit Score.BarLine
a a
\undo \omit Score.BarLine
a a a

a'4 a'
\once \override NoteHead.transparent = ##t
a' a'

a'4 a'
\once \hide NoteHead
a' a'

\override Staff.Clef.color = #white
a'1

\override Staff.Clef.color = #white
\override Staff.Clef.layer = #-1
a'1

\relative {
  f'4 g a b
  f4 g a b
  % Remove bar line at the end of the current line
  \once \override Score.BarLine.break-visibility = ##(#f #t #t)
  \break
  f4 g a b
  f4 g a b
}

\relative {
  \key g \major
  f'4 g a b
  % Try to remove all key signatures
  \override Staff.KeySignature.break-visibility = #all-invisible
  \key bes \major
  f4 g a b
  \break
  f4 g a b
  f4 g a b
}

\relative {
  \key g \major
  f'4 g a b
  \set Staff.explicitKeySignatureVisibility = #all-invisible
  \override Staff.KeySignature.break-visibility = #all-invisible
  \key bes \major
  f4 g a b \break
  f4 g a b
  f4 g a b
}

\relative {
  \key g \major
  f'4 g a b
  \set Staff.explicitKeySignatureVisibility = #all-invisible
  \set Staff.printKeyCancellation = ##f
  \override Staff.KeySignature.break-visibility = #all-invisible
  \key bes \major
  f4 g a b \break
  f4 g a b
  f4 g a b
}

\relative {
  \key g \major
  f'4 g a b
  \set Staff.explicitKeySignatureVisibility = #all-invisible
  \set Staff.printKeyCancellation = ##f
  \key c \major
  f4 g a b \break
  f4 g a b
  f4 g a b
}

\relative {
  \key g \major
  f'4 g a b
  \set Staff.explicitKeySignatureVisibility = #all-invisible
  \override Staff.KeyCancellation.break-visibility = #all-invisible
  \key c \major
  f4 g a b \break
  f4 g a b
  f4 g a b
}

\relative {
  d''2 \glissando d'2
  \once \override Glissando.style = #'dashed-line
  d,2 \glissando d'2
  \override Glissando.style = #'dotted-line
  d,2 \glissando d'2
  \override Glissando.style = #'zigzag
  d,2 \glissando d'2
  \override Glissando.style = #'trill
  d,2 \glissando d'2
}

\relative {
  e''2 \glissando f
  \once \override Glissando.bound-details.right.Y = #-2
  e2 \glissando f
}

g4\< e' d'' f''\!
\override Hairpin.rotation = #'(15 -1 0)
g4\< e' d'' f''\!

\override TextScript.outside-staff-priority = ##f
g4^\markup { \rotate #30 "a G" }
b^\markup { \rotate #30 "a B" }
des'^\markup { \rotate #30 "a D-Flat" }
fis'^\markup { \rotate #30 "an F-Sharp" }

a'-3
a'
-\tweak X-offset #0
-\tweak Y-offset #0
-3
a'
-\tweak X-offset #-1
-\tweak Y-offset #1
-3

a'
-\tweak self-alignment-X #-1
^"left-aligned"
-\tweak self-alignment-X #0
^"center-aligned"
-\tweak self-alignment-X #RIGHT
^"right-aligned"
-\tweak self-alignment-X #-2.5
^"aligned further to the right"

a'
-\tweak self-alignment-X #0.5  % move horizontally left
-\tweak Y-offset #ly:self-alignment-interface::y-aligned-on-self
-\tweak self-alignment-Y #-1  % move vertically up
-3  % third finger

% The rehearsal mark will be aligned to the right edge of the Clef
\override Score.RehearsalMark.break-align-symbols = #'(clef)
\key a \major
\clef treble
\mark "↓"
e'1
% The rehearsal mark will be aligned to the left edge of the Time Signature
\override Score.RehearsalMark.break-align-symbols = #'(time-signature)
\key a \major
\clef treble
\time 3/4
\mark "↓"
e'2.
% The rehearsal mark will be centered above the Breath Mark
\override Score.RehearsalMark.break-align-symbols = #'(breathing-sign)
\key a \major
\clef treble
\time 4/4
e'1
\breathe
\mark "↓"

% The rehearsal mark will be aligned to the right edge of the Key Signature
\override Score.RehearsalMark.break-align-symbols = #'(key-signature clef)
\key a \major
\clef treble
\mark "↓"
e'1
% The rehearsal mark will be aligned to the right edge of the Clef
\set Staff.explicitKeySignatureVisibility = #all-invisible
\override Score.RehearsalMark.break-align-symbols = #'(key-signature clef)
\key a \major
\clef bass
\mark "↓"
gis,1
% The rehearsal mark will be centered above the Bar Line
\set Staff.explicitKeySignatureVisibility = #all-invisible
\set Staff.explicitClefVisibility = #all-invisible
\override Score.RehearsalMark.break-align-symbols = #'(key-signature clef)
\key a \major
\clef treble
\mark "↓"
e'1

% The RehearsalMark will be aligned with the right edge of the Key Signature
\override Score.RehearsalMark.break-align-symbols = #'(key-signature)
\key a \major
\clef treble
\time 4/4
\mark "↓"
e'1
% The RehearsalMark will be centered above the Key Signature
\once \override Score.KeySignature.break-align-anchor-alignment = #CENTER
\mark "↓"
\key a \major
e'1
% The RehearsalMark will be aligned with the left edge of the Key Signature
\once \override Score.KeySignature.break-align-anchor-alignment = #LEFT
\key a \major
\mark "↓"
e'1

% The RehearsalMark will be aligned with the left edge of the Key Signature
% and then shifted right by 3.5 staff-spaces
\override Score.RehearsalMark.break-align-symbols = #'(key-signature)
\once \override Score.KeySignature.break-align-anchor = #3.5
\key a \major
\mark "↓"
e'1
% The RehearsalMark will be aligned with the left edge of the Key Signature
% and then shifted left by 2 staff-spaces
\once \override Score.KeySignature.break-align-anchor = #-2
\key a \major
\mark "↓"
e'1

XinO = {
  \once \override NoteHead.stencil = #ly:text-interface::print
  \once \override NoteHead.text = \markup {
    \combine
      \halign #-0.7 \draw-circle #0.85 #0.2 ##f
      \musicglyph "noteheads.s2cross"
  }
}
\relative {
  a' a \XinO a a
}

<<
  { e'1~ 1 }
\\
  \relative { r4 <g' c,> <g c,> <g c,> }
>>

[-]\shape desplazamientos elemento

<<
  {
    \shape #'((0 . 0.5) (0 . 0.5) (0 . 0.5) (0 . 0.5)) Tie
    e'1~ 1
  }
\\
  \relative { r4 <g' c,> <g c,> <g c,> }
>>

<<
  {
    e'1-\shape #'((0 . 0.5) (0 . 1) (0 . 1) (0 . 0.5)) ~ e'
  }
\\
  \relative { r4 <g' c,> <g c,> <g c,> }
>>

\relative {
  c''8(\( a) a'4 e c\)
  \shape #'((0.7 . -0.4) (0.5 . -0.4) (0.3 . -0.3) (0 . -0.2)) Slur
  \shape #'((0 . 0) (0 . 0.5) (0 . 0.5) (0 . 0)) PhrasingSlur
  c8(\( a) a'4 e c\)
}

\relative {
  c'4( f g c
  \break
  d,4 c' f, c)
}

% () may be used as a shorthand for ((0 . 0) (0 . 0) (0 . 0) (0 . 0))
% if any of the segments does not need to be changed
\relative c' {
  \shape #'(
             (( 0 . 0) (0 . 0) (0 . 0) (0 . 1))
             ((0.5 . 1.5) (1 . 0) (0 . 0) (0 . -1.5))
           ) Slur
  c4( f g c
  \break
  d,4 c' f, c)
}

\relative c'' {
  c8( e b-> f d' a e-> g)
  \shape #'((0 . -1) (5.5 . -0.5) (-5.5 . -10.5) (0 . -5.5)) PhrasingSlur
  c8\( e b-> f d' a e-> g\)
}

\relative {
  c''1
  \repeat volta 3 { c4 d( e f }
  \alternative {
    { g2) d }
    {
      g2
      % create a slur and move it to a new position
      % the <> is just an empty chord to carry the slur termination
      -\tweak control-points #'((-2 . 3.8) (-1 . 3.9) (0 . 4) (1 . 3.4)) ( <> )
      f,
    }
    {
      e'2
      % create a slur and move it to a new position
      -\tweak control-points #'((-2 . 3) (-1 . 3.1) (0 . 3.2) (1 . 2.4)) ( <> )
      f,
    }
  }
}

\relative c'' {
  r2
  \once\override Slur.thickness = 10
  c8( d e f
  \break
  g8 f e d) r2
}

[-]\alterBroken propiedad valores elemento

\relative c'' {
  r2
  \alterBroken thickness #'(10 1) Slur
  c8( d e f
  \break
  g8 f e d) r2
}

% The empty list is conveniently used below, because it is the
% default setting of dash-definition, resulting in a solid curve.
\relative {
  c''2-\alterBroken dash-definition #'(() ((0 1.0 0.4 0.75))) \(e
  \break
  g2 e\)
}

#(define (square-line-circle-space grob)
(let* ((pitch (ly:event-property (ly:grob-property grob 'cause) 'pitch))
      (notename (ly:pitch-notename pitch)))
 (if (= 0 (modulo notename 2))
     (make-circle-stencil 0.5 0.0 #t)
     (make-filled-box-stencil '(0 . 1.0)
                              '(-0.5 . 0.5)))))

squareLineCircleSpace = {
  \override NoteHead.stencil = #square-line-circle-space
}

smartSquareLineCircleSpace = {
  \squareLineCircleSpace
  \override NoteHead.Y-extent =
   #(ly:make-unpure-pure-container
      ly:grob::stencil-height
      (lambda (grob start end) (ly:grob::stencil-height grob)))
}

\new Voice \with { \remove Stem_engraver }
\relative c'' {
  \squareLineCircleSpace
  cis4 ces disis d
  \smartSquareLineCircleSpace
  cis4 ces disis d
}

funcion =
#(define-music-function
     (arg1 arg2 …)
     (type1? type2? …)
   #{
     …música…
   #})

boolean?
cheap-list?  (utilizar en lugar de ‘list?’ para un procesado más rápido)
ly:duration?
ly:music?
ly:pitch?
markup?
number?
pair?
string?
symbol?

padText =
#(define-music-function
     (padding)
     (number?)
   #{
     \once \override TextScript.padding = #padding
   #})

\relative {
  c''4^"piu mosso" b a b
  \padText #1.8
  c4^"piu mosso" b a b
  \padText #2.6
  c4^"piu mosso" b a b
}

custosNote =
#(define-music-function
     (note)
     (ly:music?)
   #{
     \tweak NoteHead.stencil #ly:text-interface::print
     \tweak NoteHead.text
        \markup \musicglyph "custodes.mensural.u0"
     \tweak Stem.stencil ##f
     #note
   #})

\relative { c'4 d e f \custosNote g }

padText =
  \once \override TextScript.padding = \etc

\relative {
  c''4^"piu mosso" b a b
  \padText #1.8
  c4^"piu mosso" b a b
  \padText #2.6
  c4^"piu mosso" b a b
}

custosNote =
  \tweak NoteHead.stencil #ly:text-interface::print
  \tweak NoteHead.text
     \markup \musicglyph "custodes.mensural.u0"
  \tweak Stem.stencil ##f
  \etc

\relative { c'4 d e f \custosNote g }

tempoPadded =
#(define-music-function
     (padding tempotext)
     (number? markup?)
   #{
     \once \override Score.MetronomeMark.padding = #padding
     \tempo \markup { \bold #tempotext }
   #})

\relative {
  \tempo \markup { "Low tempo" }
  c''4 d e f g1
  \tempoPadded #4.0 "High tempo"
  g4 f e d c1
}

acoustic grand            contrabass           lead 7 (fifths)
bright acoustic           tremolo strings      lead 8 (bass+lead)
electric grand            pizzicato strings    pad 1 (new age)
honky-tonk                orchestral harp      pad 2 (warm)
electric piano 1          timpani              pad 3 (polysynth)
electric piano 2          string ensemble 1    pad 4 (choir)
harpsichord               string ensemble 2    pad 5 (bowed)
clav                      synthstrings 1       pad 6 (metallic)
celesta                   synthstrings 2       pad 7 (halo)
glockenspiel              choir aahs           pad 8 (sweep)
music box                 voice oohs           fx 1 (rain)
vibraphone                synth voice          fx 2 (soundtrack)
marimba                   orchestra hit        fx 3 (crystal)
xylophone                 trumpet              fx 4 (atmosphere)
tubular bells             trombone             fx 5 (brightness)
dulcimer                  tuba                 fx 6 (goblins)
drawbar organ             muted trumpet        fx 7 (echoes)
percussive organ          french horn          fx 8 (sci-fi)
rock organ                brass section        sitar
church organ              synthbrass 1         banjo
reed organ                synthbrass 2         shamisen
accordion                 soprano sax          koto
harmonica                 alto sax             kalimba
concertina                tenor sax            bagpipe
acoustic guitar (nylon)   baritone sax         fiddle
acoustic guitar (steel)   oboe                 shanai
electric guitar (jazz)    english horn         tinkle bell
electric guitar (clean)   bassoon              agogo
electric guitar (muted)   clarinet             steel drums
overdriven guitar         piccolo              woodblock
distorted guitar          flute                taiko drum
guitar harmonics          recorder             melodic tom
acoustic bass             pan flute            synth drum
electric bass (finger)    blown bottle         reverse cymbal
electric bass (pick)      shakuhachi           guitar fret noise
fretless bass             whistle              breath noise
slap bass 1               ocarina              seashore
slap bass 2               lead 1 (square)      bird tweet
synth bass 1              lead 2 (sawtooth)    telephone ring
synth bass 2              lead 3 (calliope)    helicopter
violin                    lead 4 (chiff)       applause
viola                     lead 5 (charang)     gunshot
cello                     lead 6 (voice)

black       white          red           green
blue        cyan           magenta       yellow
grey        darkred        darkgreen     darkblue
darkcyan    darkmagenta    darkyellow

aliceblue       darkturquoise        lightsalmon        papayawhip
antiquewhite    darkviolet           lightseagreen      peachpuff
aqua            deeppink             lightskyblue       peru
aquamarine      deepskyblue          lightslategray     pink
azure           dimgray              lightslategrey     plum
beige           dimgrey              lightsteelblue     powderblue
bisque          dodgerblue           lightyellow        purple
black           firebrick            lime               rebeccapurple
blanchedalmond  floralwhite          limegreen          red
blue            forestgreen          linen              rosybrown
blueviolet      fuchsia              magenta            royalblue
brown           gainsboro            maroon             saddlebrown
burlywood       ghostwhite           mediumaquamarine   salmon
cadetblue       gold                 mediumblue         sandybrown
chartreuse      goldenrod            mediumorchid       seagreen
chocolate       gray                 mediumpurple       seashell
coral           green                mediumseagreen     sienna
cornflowerblue  greenyellow          mediumslateblue    silver
cornsilk        grey                 mediumspringgreen  skyblue
crimson         honeydew             mediumturquoise    slateblue
cyan            hotpink              mediumvioletred    slategray
darkblue        indianred            midnightblue       slategrey
darkcyan        indigo               mintcream          snow
darkgoldenrod   ivory                mistyrose          springgreen
darkgray        khaki                moccasin           steelblue
darkgreen       lavender             navajowhite        tan
darkgrey        lavenderblush        navy               teal
darkkhaki       lawngreen            oldlace            thistle
darkmagenta     lemonchiffon         olive              tomato
darkolivegreen  lightblue            olivedrab          turquoise
darkorange      lightcoral           orange             violet
darkorchid      lightcyan            orangered          wheat
darkred         lightgoldenrodyellow orchid             white
darksalmon      lightgray            palegoldenrod      whitesmoke
darkseagreen    lightgreen           palegreen          yellow
darkslateblue   lightgrey            paleturquoise      yellowgreen
darkslategray   lightpink            palevioletred
darkslategrey

AliceBlue       LawnGreen             OrangeRed      firebrick
AntiqueWhite    LemonChiffon          PaleGoldenrod  gainsboro
BlanchedAlmond  LightBlue             PaleGreen      gold
BlueViolet      LightCoral            PaleTurquoise  goldenrod
CadetBlue       LightCyan             PaleVioletRed  green
CornflowerBlue  LightGoldenrod        PapayaWhip     grey
DarkBlue        LightGoldenrodYellow  PeachPuff      honeydew
DarkCyan        LightGreen            PowderBlue     ivory
DarkGoldenrod   LightGrey             RosyBrown      khaki
DarkGreen       LightPink             RoyalBlue      lavender
DarkGrey        LightSalmon           SaddleBrown    linen
DarkKhaki       LightSeaGreen         SandyBrown     magenta
DarkMagenta     LightSkyBlue          SeaGreen       maroon
DarkOliveGreen  LightSlateBlue        SkyBlue        moccasin
DarkOrange      LightSlateGrey        SlateBlue      navy
DarkOrchid      LightSteelBlue        SlateGrey      orange
DarkRed         LightYellow           SpringGreen    orchid
DarkSalmon      LimeGreen             SteelBlue      peru
DarkSeaGreen    MediumAquamarine      VioletRed      pink
DarkSlateBlue   MediumBlue            WhiteSmoke     plum
DarkSlateGrey   MediumOrchid          YellowGreen    purple
DarkTurquoise   MediumPurple          aquamarine     red
DarkViolet      MediumSeaGreen        azure          salmon
DeepPink        MediumSlateBlue       beige          seashell
DeepSkyBlue     MediumSpringGreen     bisque         sienna
DimGrey         MediumTurquoise       black          snow
DodgerBlue      MediumVioletRed       blue           tan
FloralWhite     MidnightBlue          brown          thistle
ForestGreen     MintCream             burlywood      tomato
GhostWhite      MistyRose             chartreuse     turquoise
GreenYellow     NavajoWhite           chocolate      violet
HotPink         NavyBlue              coral          wheat
IndianRed       OldLace               cornsilk       white
LavenderBlush   OliveDrab             cyan           yellow

AntiqueWhiteN    LightSkyBlueN    SteelBlueN   khakiN
CadetBlueN       LightSteelBlueN  VioletRedN   magentaN
DarkGoldenrodN   LightYellowN     aquamarineN  maroonN
DarkOliveGreenN  MediumOrchidN    azureN       orangeN
DarkOrangeN      MediumPurpleN    bisqueN      orchidN
DarkOrchidN      MistyRoseN       blueN        pinkN
DarkSeaGreenN    NavajoWhiteN     brownN       plumN
DeepPinkN        OliveDrabN       burlywoodN   purpleN
DeepSkyBlueN     OrangeRedN       chartreuseN  redN
DodgerBlueN      PaleGreenN       chocolateN   salmonN
HotPinkN         PaleTurquoiseN   coralN       seashellN
IndianRedN       PaleVioletRedN   cornsilkN    siennaN
LavenderBlushN   PeachPuffN       cyanN        snowN
LemonChiffonN    RosyBrownN       firebrickN   tanN
LightBlueN       RoyalBlueN       goldN        thistleN
LightCyanN       SeaGreenN        goldenrodN   tomatoN
LightGoldenrodN  SkyBlueN         greenN       turquoiseN
LightPinkN       SlateBlueN       honeydewN    wheatN
LightSalmonN     SpringGreenN     ivoryN       yellowN

greyN

g^\markup {\musicglyph "scripts.segno" }

\markup {\musicglyph "five"}

\markup {
  default text font size
  \hspace #2
  \abs-fontsize #16 { text font size 16 }
  \hspace #2
  \abs-fontsize #12 { text font size 12 }
}

\markup {
  default
  \hspace #2
  \bold bold
}

\markup {
  \override #'(box-padding . 0.5)
  \box \line { V. S. }
}

\markup {
  \override #'(box-padding . 1.5)
  \column {
    "text"
    \box "text"
    \left-align \box "text"
  }
}

\markup {
  default
  \hspace #2
  \caps {
    Text in small caps
  }
}

\markup {
  \dynamic {
    sfzp
  }
}

\markup {
  \figured-bass {
    2 3 4+ 7 "9\\"
  }
}

\markup {
  \finger {
    1 2 3 4 5
  }
}

\markup \fontCaps "Small caps"

\markup {
  default
  \hspace #2
  \fontsize #-1.5 smaller
}

\markup {
  default
  \hspace #2
  \huge huge
}

\markup {
  default
  \hspace #2
  \italic italic
}

\markup {
  default
  \hspace #2
  \large large
}

\markup {
  default
  \hspace #2
  \larger larger
}

\markup {
  default
  \hspace #2
  \magnify #1.5 {
    50% larger
  }
}

\markup {
  default
  \normal-size-sub {
    subscript in standard size
  }
}

\markup {
  default
  \normal-size-super {
    superscript in standard size
  }
}

\markup {
  \huge \bold \sans \fontCaps {
    huge bold sans caps
    \hspace #2
    \normal-text {
      huge normal
    }
    \hspace #2
    as before
  }
}

\markup {
  \bold {
    some bold text
    \hspace #2
    \normal-weight {
      normal font series
    }
    \hspace #2
    bold again
  }
}

\markup {
  \teeny {
    this is very small
    \hspace #2
    \normalsize {
      normal size
    }
    \hspace #2
    teeny again
  }
}

\markuplist
  \number
  \fontsize #4.5
  \override #'((padding . 2)
               (baseline-skip . 4)
               (box-padding . 0)
               (thickness . 0.1))
  \table #'(-1 -1 -1 -1) {
      0123456789 \box 147 \concat { \box 1 \box 4 \box 7 }
    \normal-text \normalsize "(time signatures)"
    \override #'(font-features .("cv47")) {
      0123456789 \box 147 \concat { \box 1 \box 4 \box 7 } }
    \normal-text \normalsize "(alternatives)"
    \override #'(font-features .("tnum" "cv47" "-kern")) {
      0123456789 \box 147 \concat { \box 1 \box 4 \box 7 } }
    \normal-text \normalsize "(fixed-width)"
    \override #'(font-features . ("tnum" "cv47" "ss01")) {
      0123456789 \box 147 \concat { \box 1 \box 4 \box 7 } }
    \normal-text \normalsize "(figured bass)"
    \override #'(font-features . ("cv47" "ss01")) {
      0123456789 \box 147 \concat { \box 1 \box 4 \box 7 } }
    \normal-text \normalsize "(fingering)"
  }

\markup \line {
  \overtie "overtied"
  \override #'((offset . 5) (thickness . 1))
  \overtie "overtied"
  \override #'((offset . 1) (thickness . 5))
  \overtie "overtied"
}

\markup \replace #'(("2nd" . "Second"))
  "2nd time"
\markup \replace
  #`(("2nd" . ,#{ \markup \concat { 2 \super nd } #}))
  \center-column {
    \line { Play only }
    \line { the 2nd time }
  }

\markup {
  default
  \hspace #2
  \sans {
    sans serif
  }
}

\markup {
  \sans \bold {
    sans serif, bold
    \hspace #2
    \serif {
      text in serif font
    }
    \hspace #2
    return to sans
  }
}

\markup {
  default
  \hspace #2
  \small small
}

\markup {
  default
  \hspace #2
  \smallCaps {
    Text in small caps
  }
}

\markup {
  \fontsize #3.5 {
    large text
    \hspace #2
    \smaller { smaller text }
    \hspace #2
    large text
  }
}

\markup { \concat { H \sub 2 O } }

\markup { E = \concat { mc \super 2 } }

\markup {
  default
  \hspace #2
  \teeny teeny
}

\markup {
  \override #'(direction . 1)
  \tie "above"
  \override #'(direction . -1)
  \tie "below"
}

\markup {
  default
  \hspace #2
  \tiny tiny
}

\markup {
  "default fi ff"
  \hspace #2
  \typewriter "typewriter fi ff"
}

\markup \justify-line {
  \underline "underlined"
  \override #'(offset . 5)
  \override #'(thickness . 1)
  \underline "underlined"
  \override #'(offset . 1)
  \override #'(thickness . 5)
  \underline "underlined"
  \override #'(offset . 5)
  \override #'(underline-skip . 4)
  \underline \underline \underline "underlined thrice"
}

\markup \line {
  \undertie "undertied"
  \override #'((offset . 5) (thickness . 1))
  \undertie "undertied"
  \override #'((offset . 1) (thickness . 5))
  \undertie "undertied"
}

\markup {
  \italic {
    italic text
    \hspace #2
    \upright {
      upright text
    }
    \hspace #2
    italic again
  }
}

\markup \volta-number "4."

\markup \with-string-transformer
  #(lambda (layout props str)
     (string-upcase str))
  \concat { "abc" \larger "def" }

\markup {
  one
  \abs-hspace #20
  two
  \abs-hspace #40
  three
}

\markup {
    \center-column {
    one
    \abs-vspace #20
    two
    \abs-vspace #40
    three
  }
}

\markup \column {
  12
  \align-on-other #X #RIGHT 12
                     #LEFT 12345
  \align-on-other #X #RIGHT 123
                     #LEFT \fermata
  123
  \align-on-other #X #RIGHT 123
                     ##f \fermata
}

\markup {
  \column {
    one
    \center-align two
    three
  }
}

\markup {
  \center-column {
    one
    two
    three
  }
}

\markup {
  \column {
    one
    two
    three
  }
}

\markup {
  \fontsize #5
  \override #'(thickness . 2)
  \combine
    \draw-line #'(0 . 4)
    \arrow-head #Y #DOWN ##f
}

\markup {
  \concat {
    one two three
  }
}

\markup {
  \override #`(direction . ,UP)
  \dir-column {
    going up
  }
  \hspace #1
  \dir-column {
    going down
  }
  \hspace #1
  \override #'(direction . 1)
  \dir-column {
    going up
  }
}

\markup {
  \column {
    \fill-line {
      Words evenly spaced across the page
    }
    \null
    \fill-line {
      \line { Text markups }
      \line {
        \italic { evenly spaced }
      }
      \line { across the page }
    }
    \null
    \override #'(line-width . 50)
    \fill-line {
      Width explicitly specified
    }
  }
}

\markup \column {
  "right-aligned:"
  \fill-with-pattern #1 #RIGHT . first right
  \fill-with-pattern #1 #RIGHT . second right
  \null
  "center-aligned:"
  \fill-with-pattern #1.5 #CENTER - left right
  \null
  "left-aligned:"
  \override #'(line-width . 50) {
    \fill-with-pattern #2 #LEFT : left first
    \fill-with-pattern #2 #LEFT : left second
  }
}

\markup {
  \column {
    one
    \general-align #X #LEFT two
    three
    \null
    one
    \general-align #X #CENTER two
    three
    \null
    \line {
      one
      \general-align #Y #UP two
      three
    }
    \null
    \line {
      one
      \general-align #Y #3.2 two
      three
    }
  }
}

\markup {
  \column {
    one
    \halign #LEFT two
    three
    \null
    one
    \halign #CENTER two
    three
    \null
    one
    \halign #RIGHT two
    three
    \null
    one
    \halign #-5 two
    three
  }
}

\new StaffGroup <<
  \new Staff {
    \set Staff.instrumentName = \markup {
      \hcenter-in #12 Oboe
    }
    c''1
  }
  \new Staff {
    \set Staff.instrumentName = \markup {
      \hcenter-in #12 Bassoon
    }
    \clef tenor
    c'1
  }
>>

\markup {
  one
  \hspace #2
  two
  \hspace #8
  three
}

\markup {
  \justify {
    Lorem ipsum dolor sit amet, consectetur adipisicing elit,
    sed do eiusmod tempor incididunt ut labore et dolore
    magna aliqua.  Ut enim ad minim veniam, quis nostrud
    exercitation ullamco laboris nisi ut aliquip ex ea
    commodo consequat.
  }
}

\header {
  title = "My title"
  myText = "Lorem ipsum dolor sit amet, consectetur
    adipisicing elit, sed do eiusmod tempor incididunt
    ut labore et dolore magna aliqua.  Ut enim ad minim
    veniam, quis nostrud exercitation ullamco laboris
    nisi ut aliquip ex ea commodo consequat."
}

\paper {
  bookTitleMarkup = \markup {
    \column {
      \fill-line { \fromproperty #'header:title }
      \null
      \justify-field #'header:myText
    }
  }
}

\markup {
  \null
}

\markup {
  \justify-line {
    Constant space between neighboring words
  }
}

\markup {
  \override #'(line-width . 40)
  \justify-string "Lorem ipsum dolor sit amet, consectetur
      adipisicing elit, sed do eiusmod tempor incididunt ut
      labore et dolore magna aliqua.

      Ut enim ad minim veniam, quis nostrud exercitation
      ullamco laboris nisi ut aliquip ex ea commodo
      consequat.

      Excepteur sint occaecat cupidatat non proident, sunt
      in culpa qui officia deserunt mollit anim id est
      laborum"
}

\markup {
  \column {
    one
    \left-align two
    three
  }
}

\markup {
  \left-column {
    one
    two
    three
  }
}

\markup
  \override #'(word-space . 3)
  \column {
    \line { "A B" "C D" "E F" }
    \override #'(text-direction . -1)
    \line { "A B" "C D" "E F" }
  }

\markup {
  one
  \lower #3 two
  three
}

\markup {
  \fontsize #5
  \override #'(thickness . 2)
  \overlay {
    \draw-line #'(0 . 4)
    \arrow-head #Y #DOWN ##f
    \translate #'(0 . 4) \arrow-head #Y #UP ##f
  }
}

\markup {
  \box {
    default
  }
  \hspace #2
  \box {
    \pad-around #0.5 {
      padded
    }
  }
}

\markup {
  \box {
    default
  }
  \hspace #2
  \box {
    \pad-markup #1 {
      padded
    }
  }
}

\markup {
  \box {
    default
  }
  \hspace #4
  \box {
    \pad-to-box #'(0 . 10) #'(0 . 3) {
      padded
    }
  }
}

\markup {
  \box {
    default
  }
  \hspace #4
  \box {
    \pad-x #2 {
      padded
    }
  }
}

\markup \column {
  text
  \put-adjacent #X #LEFT text *
  text
}

\markup { C \small \bold \raise #1.0 9/7+ }

\markup {
  \column {
    one
    \right-align two
    three
  }
}

\markup {
  \right-column {
    one
    two
    three
  }
}

\markup {
  default
  \hspace #2
  \rotate #45
  \line {
    rotated 45°
  }
}

\markup {
  *
  \translate #'(2 . 3)
    \line { translated two spaces right, three up }
}

\markup {
  \fontsize #5 {
    * \translate #'(2 . 3) translate
    \hspace #2
    * \translate-scaled #'(2 . 3) translate-scaled
  }
}

\markup {
  one
  \vcenter two
  three
}

\markup {
    \center-column {
    one
    \vspace #2
    two
    \vspace #5
    three
  }
}

\markup {
  \wordwrap {
    Lorem ipsum dolor sit amet, consectetur adipisicing elit,
    sed do eiusmod tempor incididunt ut labore et dolore
    magna aliqua.  Ut enim ad minim veniam, quis nostrud
    exercitation ullamco laboris nisi ut aliquip ex ea
    commodo consequat.
  }
}

\header {
  title = "My title"
  myText = "Lorem ipsum dolor sit amet, consectetur
    adipisicing elit, sed do eiusmod tempor incididunt ut
    labore et dolore magna aliqua.  Ut enim ad minim
    veniam, quis nostrud exercitation ullamco laboris nisi
    ut aliquip ex ea commodo consequat."
}

\paper {
  bookTitleMarkup = \markup {
    \column {
      \fill-line { \fromproperty #'header:title }
      \null
      \wordwrap-field #'header:myText
    }
  }
}

\markup {
  \null
}

\markup {
  \override #'(line-width . 40)
  \wordwrap-string "Lorem ipsum dolor sit amet,
      consectetur adipisicing elit, sed do eiusmod tempor
      incididunt ut labore et dolore magna aliqua.

      Ut enim ad minim veniam, quis nostrud exercitation
      ullamco laboris nisi ut aliquip ex ea commodo
      consequat.

      Excepteur sint occaecat cupidatat non proident,
      sunt in culpa qui officia deserunt mollit anim id
      est laborum"
}

\markup {
  \fontsize #5 {
    \general-align #Y #DOWN {
      \arrow-head #Y #UP ##t
      \arrow-head #Y #DOWN ##f
      \hspace #2
      \arrow-head #X #RIGHT ##f
      \arrow-head #X #LEFT ##f
    }
  }
}

\markup {
  \beam #5 #1 #2
}

\markup {
  \bracket {
    \note {2.} #UP
  }
}

\markup {
  \circle {
    Hi
  }
}

\markup {
  \draw-circle #2 #0.5 ##f
  \hspace #2
  \draw-circle #2 #0 ##t
}

\markup {
  \override #'((on . 0.3) (off . 0.5))
  \draw-dashed-line #'(6 . 2)

  \draw-dashed-line #'(6 . 2)

  \override #'(full-length . #f)
  \draw-dashed-line #'(6 . 2)

  \override #'(phase . 0.5)
  \draw-dashed-line #'(6 . 2)

  \override #'((full-length . #f) (phase . 0.5))
  \draw-dashed-line #'(6 . 2)
}

\markup {
  \draw-dotted-line #'(5.1 . 2.3)
  \override #'((thickness . 2) (off . 0.2))
  \draw-dotted-line #'(5.1 . 2.3)
}

\markup {
  \column {
    \draw-hline
    \override #'(span-factor . 1/3)
    \draw-hline
  }
}

\markup {
  \draw-line #'(4 . 4)
  \override #'(thickness . 5)
  \draw-line #'(-3 . 0)
}

\markup
  \column {
    \draw-squiggle-line #0.5 #'(6 . 0) ##t
    \override #'(orientation . -1)
    \draw-squiggle-line #0.5 #'(6 . 0) ##t
    \draw-squiggle-line #0.5 #'(6 . 0) ##f
    \override #'(height . 1)
    \draw-squiggle-line #0.5 #'(6 . 0) ##t
    \override #'(thickness . 5)
    \draw-squiggle-line #0.5 #'(6 . -2) ##t
    \override #'(angularity . 2)
    \draw-squiggle-line #0.5 #'(6 . 2) ##t
  }

\markup {
  \ellipse {
    Hi
  }
}

\markup \epsfile axis size file-name

\markup
  \override #'(background-color . #f)
  \image axis size file-name

\filled-box #'(-.3 . 1.8) #'(-.3 . 1.8) #0

\markup {
  \filled-box #'(0 . 4) #'(0 . 4) #0
  \filled-box #'(0 . 2) #'(-4 . 2) #0.4
  \combine
    \filled-box #'(1 . 8) #'(0 . 7) #0.2
    \with-color #white
      \filled-box #'(3.6 . 5.6) #'(3.5 . 5.5) #0.7
}

\markup {
  \hbracket {
    \line {
      one two three
    }
  }
}

\markup {
  \oval {
    Hi
  }
}

\markup {
  \parenthesize
  \column {
    foo
    bar
  }
  \override #'(angularity . 2)
  \parenthesize
  \column {
    bah
    baz
  }
}

samplePath =
  #'((lineto -1 1)
     (lineto 1 1)
     (lineto 1 -1)
     (curveto -5 -5 -5 5 -1 0)
     (closepath))

\markup \scale #'(2 . 2) {
  \path #0.25 #samplePath

  \override #'(line-join-style . miter)
  \path #0.25 #samplePath

  \override #'(filled . #t)
  \path #0.25 #samplePath
}

regularPentagon =
  #'((1 . 0) (0.31 . 0.95) (-0.81 . 0.59)
     (-0.81 . -0.59) (0.31 . -0.95))

\markup \scale #'(2 . 2) {
  \polygon #'((-1 . -1) (0 . -3) (2 . 2) (1 . 2))
  \override #'(filled . #f)
    \override #'(thickness . 2)
      \combine
        \with-color #(universal-color 'blue)
          \polygon #regularPentagon
        \with-color #(universal-color 'vermillion)
          \override #'(extroversion . 1)
            \polygon #regularPentagon
}

gsave currentpoint translate 0.1 setlinewidth

grestore

ringsps = "
  0.15 setlinewidth
  0.9 0.6 moveto
  0.4 0.6 0.5 0 361 arc
  stroke
  1.0 0.6 0.5 0 361 arc
  stroke
  "

rings = \markup {
  \with-dimensions #'(-0.2 . 1.6) #'(0 . 1.2)
  \postscript #ringsps
}

\relative c'' {
  c2^\rings
  a2_\rings
}

c4^\markup {
  \rounded-box {
    Overtura
  }
}
c,8. c16 c4 r

\markup {
  \override #'(box-padding . 1.5)
  \column {
    "text"
    \rounded-box "text"
    \left-align \rounded-box "text"
  }
}

\markup {
  \line {
    \scale #'(2 . 1)
    stretched
    \scale #'(1 . -1)
    mirrored
  }
}

\markup {
  \triangle ##t
  \triangle ##f
  \override #'(font-size . 5)
  \override #'(thickness . 5) {
    \override #'(extroversion . 1)
    \triangle ##f
    \override #'(extroversion . -1)
    \triangle ##f
  }
}

\markup {
  \with-url "https://lilypond.org/" {
    LilyPond ... \italic {
      music notation for everyone
    }
  }
}

\markup {
  text
  \tiny { \accidental #1/2 \accidental #-1/2 }
  text
  \tiny { \text-accidental #1/2 \text-accidental #-1/2 }
  text
}

\markup {
   \override #'(word-space . 2)
   \column {
      \line {
        Examples
        \fontsize #-5 \translate-scaled #'(0 . 2) {
          \bar-line ":|.|:"
          \bar-line ";!S!;"
          \bar-line "]{|}["
        }
      }
      \line {
        Examples
        \fontsize #0 \translate-scaled #'(0 . 2) {
          \bar-line ":|.|:"
          \bar-line ";!S!;"
          \bar-line "]{|}["
        }
      }
      \line {
        Examples
        \fontsize #5 \translate-scaled #'(0 . 2) {
          \bar-line ":|.|:"
          \bar-line ";!S!;"
          \bar-line "]{|}["
        }
      }
   }
}

\markup {
  \coda
}

\markup {
  \override #'(baseline-skip . 4.5)
  \column {
    \line { Single number:
               \compound-meter #3 }
    \line { Conventional:
               \compound-meter #'(4 . 4) or
               \compound-meter #'(4 4) }
    \line { Compound:
               \compound-meter #'(2 3 5 8) }
    \line { Single-number compound:
               \compound-meter #'((2) (3)) }
    \line { Complex compound:
               \compound-meter #'((2 3 8) (3 4)) }
  }
}

\markup {
  \customTabClef #4 #1
}

\markup {
  \doubleflat
}

\markup {
  \doublesharp
}

{ c''1^\markup \fermata d''1_\markup \fermata }

\markup { \fermata \override #`(direction . ,DOWN) \fermata }

\markup {
  \flat
}

\markup {
  Multi-measure rests may look like
  \multi-measure-rest-by-number #12
  or
  \override #'(multi-measure-rest-number . #f)
    \multi-measure-rest-by-number #7
  (church rests)
}

\markup {
  \musicglyph "f"
  \musicglyph "rests.2"
  \musicglyph "clefs.G_change"
}

\markup {
  \natural
}

\markup {
  \note {4..} #UP
  \hspace #2
  \override #'(style . cross)
  \note {4..} #0.75
  \hspace #2
  \note {\breve} #0
}

\markup {
  \note-by-number #3 #0 #DOWN
  \hspace #2
  \note-by-number #1 #2 #0.8
  \hspace #2
  \override #'(style . petrucci)
  \note-by-number #3 #0 #UP
  \hspace #2
  \override #'(flag-style . modern-straight-flag)
  \note-by-number #4 #0 #DOWN
}

\markup {
  Rests:
  \hspace #2
  \rest { 4.. }
  \hspace #2
  \rest { \breve }
  \hspace #2
  Multi-measure rests:
  \override #'(multi-measure-rest . #t)
  {
    \hspace #2
    \rest { 1*7 }
    \hspace #2
    \rest { 1*12 }
  }
}

\markup {
  \rest-by-number #3 #2
  \hspace #2
  \rest-by-number #0 #1
  \hspace #2
  \rest-by-number #-1 #0
  \hspace #2
  \override #'(ledgers . ())
  \rest-by-number #-1 #0
}

\relative {
  \tempo \markup {
    Swing
    \hspace #0.4
    \rhythm { 8[ 8] } = \rhythm { \tuplet 3/2 { 4 8 } }
  }
  b8 g' c, d ees d16 ees d c r8
}

\markup {
  The rhythmic pattern \rhythm { 16[ 8 16] } is
  a type of syncopation.
}

\markup \rhythm { \stemDown 8 16 8 }

\layout {
  \context {
    \StandaloneRhythmVoice
    \xNotesOn
  }
}

\markup \rhythm { 8 16 8 }

\markup {
  Text before the score.
  \score {
    \new PianoStaff <<
      \new Staff \relative c' {
        \key f \major
        \time 3/4
        \mark \markup { Allegro }
        f2\p( a4)
      }
      \new Staff \relative c {
        \clef bass
        \key f \major
        \time 3/4
        f8( a c a c a
      }
    >>

    \layout {
      indent = 0.0\cm
    }
  }
  Text after the score.
}

\markup {
  \segno
}

\markup {
  \semiflat
}

\markup {
  \semisharp
}

\markup {
  \sesquiflat
}

\markup {
  \sesquisharp
}

\markup {
  \sharp
}

\markup {
  text
  \tiny { \text-accidental #1/2 \text-accidental #-1/2 }
  text
}

\markup {
  \text-doubleflat
}

\markup {
  \text-doublesharp
}

\markup {
  \text-flat
}

\markup {
  \text-natural
}

\markup {
  \text-sharp
}

\markup \column {
  \tied-lyric
    "Siam navi~all'onde~algenti Lasciate~in abbandono"
  \tied-lyric
    "Impetuosi venti I nostri~affetti sono"
  \tied-lyric
    "Ogni diletto~e scoglio Tutta la vita~e~un mar."
}

\markup {
  \varcoda
}

\paper {
  oddHeaderMarkup =
    \markup \fill-line {
      ""
      \if #print-page-number
           \bold \fromproperty #'page:page-number-string
    }
  evenHeaderMarkup =
    \markup \fill-line {
      \if #print-page-number
           \bold \fromproperty #'page:page-number-string
      ""
    }
}

\paper {
  oddFooterMarkup = \markup {
    \unless #on-last-page-of-part \fill-line {
      \fromproperty #'header:copyright
    }
  }
}

\header {
  copyright = "© LilyPond Authors. License: GFDL."
  tagline = "© LilyPond Authors.  Documentation placed
under the GNU Free Documentation License
version 1.3."
}

\markup \fret-diagram "s:1.25;6-x;5-x;4-o;3-2;2-3;1-2;"

\markup \fret-diagram-terse "x;x;o;2;3;2;"

\markup \scale #'(1.5 . 1.5)
  \fret-diagram-verbose
    #'((mute 6) (mute 5) (open 4)
       (place-fret 3 2) (place-fret 2 3) (place-fret 1 2))

\markup \scale #'(1.5 . 1.5)
  \fret-diagram-verbose #'(
    (place-fret 6 3 1 red parenthesized default-paren-color)
    (place-fret 5 3 1 inverted)
    (place-fret 4 5 2 blue parenthesized)
    (place-fret 3 5 3 blue)
    (place-fret 2 5 4 blue)
    (place-fret 1 3 1 inverted)
  )

\markup \harp-pedal "^-v|--ov^"

\markup {
  \override #'((size . 1.5)
               (harp-pedal-details . ((box-width . 1)
                                      (box-offset . 2))))
  \harp-pedal "^-v|--ov^"
}

\override Voice.TextScript.harp-pedal-details.box-width = 1

\markup \woodwind-diagram
  #'oboe #'((lh . (d ees))
            (cc . (five3qT1q))
            (rh . (gis)))

\markup \woodwind-diagram #'flute #'()

#(use-modules (lily accreg))

#(use-modules (lily accreg))

#(use-modules (lily accreg))

#(use-modules (lily accreg))

#(use-modules (lily accreg))

#(use-modules (lily accreg))

\markup {
  \auto-footnote a b
  \override #'(padding . 0.2)
  \auto-footnote c d
}

\markup {
  \backslashed-digit #5
  \hspace #2
  \override #'(thickness . 3)
  \backslashed-digit #7
}

\markup {
  \char #65 \char ##x00a9
}

\markup { \eyeglasses }

\markup {
  \first-visible {
    \fromproperty #'header:composer
    \italic Unknown
  }
}

\markup {
  \footnote a b
  \override #'(padding . 0.2)
  \footnote c d
}

\markup {
  π ≈ \fraction 355 113
}

\header {
  myTitle = "myTitle"
  title = \markup {
    from
    \italic
    \fromproperty #'header:myTitle
  }
}
\markup {
  \null
}

\markup {
  \left-brace #35
  \hspace #2
  \left-brace #45
}

\markup \lookup "brace200"

\markup {
  \markalphabet #8
  \hspace #2
  \markalphabet #26
}

\markup {
  \markletter #8
  \hspace #2
  \markletter #26
}

\markup {
  \null
}

\markup {
  \undertie "undertied"
  \override #'(offset . 15)
  \undertie "offset undertied"
  \override #'((offset . 15) (thickness . 3))
  \undertie "offset thick undertied"
}

\markup {
  \page-link #2 { \italic { This links to page 2... } }
}

\markup \column {
  "Horizontally repeated:"
  \pattern #7 #X #2 \flat
  \null
  "Vertically repeated:"
  \pattern #3 #Y #0.5 \flat
}

\markup \vcenter {
  \center-column { Engraved with LilyPond }
  \hspace #1.5
  \qr-code #10.0 "https://lilypond.org"
}

\markup \vcenter {
  \center-column { Engraved with LilyPond }
  \hspace #1.5
  \override #'(error-correction-level . high)
    \qr-code #10.0 "https://lilypond.org"
}

\markup {
  \right-brace #45
  \hspace #2
  \right-brace #35
}

\markup {
  \slashed-digit #5
  \hspace #2
  \override #'(thickness . 3)
  \slashed-digit #7
}

\markup {
  \stencil #(make-circle-stencil 2 0 #t)
}

\markup {
  \transparent {
    invisible text
  }
}

\markup {
  \verbatim-file "en/included/simple.ly"
}

\markup {
  \combine
    \filled-box #'(-1 . 15) #'(-3 . 4) #1
    \override #'(thickness . 1.5)
    \whiteout whiteout-box
}
\markup {
  \combine
    \filled-box #'(-1 . 24) #'(-3 . 4) #1
    \override #'((style . rounded-box) (thickness . 3))
    \whiteout whiteout-rounded-box
}
\markup {
  \combine
    \filled-box #'(-1 . 18) #'(-3 . 4) #1
    \override #'((style . outline) (thickness . 3))
    \whiteout whiteout-outline
}

\markup {
  \with-color #red red
  \hspace #2
  \with-color #green green
  \hspace #2
  \with-color "#0000ff" blue
}

\markup {
  \with-link #'label {
    \italic { This links to the page
               containing the label... }
  }
}

\markup {
  text
  \fontsize #10
  \override #'((box-padding . 0) (thickness . 0.2))
  \box
    \musicglyph "scripts.trill"
  text
}

\markup {
  text
  \fontsize #10
  \override #'((box-padding . 0) (thickness . 0.2))
  \box
    \with-true-dimension #X
    \musicglyph "scripts.trill"
  text
}

\markup \with-true-dimensions arg

\markup
  \with-true-dimension #X
  \with-true-dimension #Y
  arg

\markup {
  \column
    \string-lines
     "foo, foo,
     bar, bar,
     buzz, buzz!"
}

% A markup command to print a fixed-width number.
\markup fwnum =
  \markup \override #'(font-features . ("ss01" "-kern"))
    \number \etc

\markuplist {
  \override #'(padding . 2)
  \table #'(0 1 0 -1) {
    \underline { center-aligned right-aligned
                 center-aligned left-aligned }
    one      \fwnum    1 thousandth \fwnum 0.001
    eleven   \fwnum   11 hundredth  \fwnum 0.01
    twenty   \fwnum   20 tenth      \fwnum 0.1
    thousand \fwnum 1000 one        \fwnum 1.0
  }
}

\autoChange d' \with { \clef alto } { g4 d' g' }

{
  \initialContextFrom \originalMusic
  \prependedMusic
  \originalMusic
  \appendedMusic
}

\markupMap
  text
  \markup \with-color #red \etc
  { \tempo "Largo" g'2_"arco" c'' }

\parallelMusic A,B,C {
  c c | d d | e e |
  d d | e e | f f |
}

A = { c c | d d }
B = { d d | e e }
C = { e e | f f }

\tuplet 3/2 4 { c8 c c c c c }

\tupletSpan \default

\tweak Accidental.color #red cis'

<< … \\ … \\ … >>

\voices 1,2,3 << … \\ … \\ … >>

\markup { \image #X #3 \withRelativeDir "test.png" }

\fixed c' { c\=1( d\=2( e\=1) f\=2) }

\fixed c' { c\glide \= #'foo -1 d\= #'foo -2 }

Copyright © 2000, 2001, 2002, 2007, 2008 Free Software Foundation, Inc.
https://fsf.org/

Everyone is permitted to copy and distribute verbatim copies
of this license document, but changing it is not allowed.

  Copyright (C)  year  your name.
  Permission is granted to copy, distribute and/or modify this document
  under the terms of the GNU Free Documentation License, Version 1.3
  or any later version published by the Free Software Foundation;
  with no Invariant Sections, no Front-Cover Texts, and no Back-Cover
  Texts.  A copy of the license is included in the section entitled ``GNU
  Free Documentation License''.

    with the Invariant Sections being list their titles, with
    the Front-Cover Texts being list, and with the Back-Cover Texts
    being list.

Apéndices
1 Notación musical		Notación que se utiliza en casi todos los proyectos.
2 Notación especializada		Notación que sólo se usa para cometidos específicos.
3 Entrada y salida generales		Información general sobre la entrada y la salida de LilyPond.
4 Problemas de espaciado		Presentación del resultado en papel.
5 Cambiar los valores por omisión		Ajuste fino del resultado.
Appendix A Tablas del manual sobre notación		Tablas y cuadros.
Appendix B Hoja de referencia rápida		Resumen de la sintaxis de LilyPond.
Appendix C GNU Free Documentation License		Licencia de este documento.
Appendix D Índice de instrucciones de LilyPond
Appendix E Índice de LilyPond

[ << Top ]	[Top][Contents][Index]	[ Notación especializada >> ]
[ < Top ]	[ Up : Top ]	[ Alturas > ]

1.1 Alturas		Escritura y presentación de la altura de las notas.
1.2 Duraciones		Escritura y presentación de las duraciones de las notas.
1.3 Expresiones		Añadir expresión a las notas.
1.4 Repeticiones		Repetir música.
1.5 Notas simultáneas		Más de una nota a la vez.
1.6 Notación de los pentagramas		Imprimir pentagramas.
1.7 Anotaciones editoriales		Notación especial para aumentar la legibilidad.
1.8 Texto		Añadir texto a las partituras.

[ << Notación musical ]	[Top][Contents][Index]	[ Notación especializada >> ]
[ < Notación musical ]	[ Up : Notación musical ]	[ Escritura de notas > ]

1.1.1 Escritura de notas
1.1.2 Modificación de varias notas a la vez
1.1.3 Imprimir las alturas
1.1.4 Cabeza de las notas

Escritura de octava absoluta
Escritura de octava relativa
Alteraciones accidentales
Nombres de las notas en otros idiomas

Idioma	Nombre de las notas
`nederlands`	`c` `d` `e` `f` `g` `a` `bes` `b`
`català` o `catalan`	`do` `re` `mi` `fa` `sol` `la` `sib` `si`
`deutsch`	`c` `d` `e` `f` `g` `a` `b` `h`
`english`	`c` `d` `e` `f` `g` `a` `bf`/`b-flat` `b`
`español` o `espanol`	`do` `re` `mi` `fa` `sol` `la` `sib` `si`
`français`	`do` `ré`/`re` `mi` `fa` `sol` `la` `sib` `si`
`italiano`	`do` `re` `mi` `fa` `sol` `la` `sib` `si`
`norsk`	`c` `d` `e` `f` `g` `a` `b` `h`
`português` o `portugues`	`do` `re` `mi` `fa` `sol` `la` `sib` `si`
`suomi`	`c` `d` `e` `f` `g` `a` `b` `h`
`svenska`	`c` `d` `e` `f` `g` `a` `b` `h`
`vlaams`	`do` `re` `mi` `fa` `sol` `la` `sib` `si`

Idioma	sostenido	bemol	doble sostenido	doble bemol
`nederlands`	`is`	`es`	`isis`	`eses`
`català` o `catalan`	`d`/`s`	`b`	`dd`/`ss`	`bb`
`deutsch`	`is`	`es`	`isis`	`eses`
`english`	`s`/`-sharp`	`f`/`-flat`	`ss`/`x`/`-sharpsharp`	`ff`/`-flatflat`
`español` o `espanol`	`s`	`b`	`ss`/`x`	`bb`
`français`	`d`	`b`	`dd`/`x`	`bb`
`italiano`	`d`	`b`	`dd`	`bb`
`norsk`	`iss`/`is`	`ess`/`es`	`ississ`/`isis`	`essess`/`eses`
`português` o `portugues`	`s`	`b`	`ss`	`bb`
`suomi`	`is`	`es`	`isis`	`eses`
`svenska`	`iss`	`ess`	`ississ`	`essess`
`vlaams`	`k`	`b`	`kk`	`bb`

Idioma	semi-sostenido	semi-bemol	sesqui-sostenido	sesqui-bemol
`nederlands`	`ih`	`eh`	`isih`	`eseh`
`català` o `catalan`	`qd`/`qs`	`qb`	`tqd`/`tqs`	`tqb`
`deutsch`	`ih`	`eh`	`isih`	`eseh`
`english`	`qs`	`qf`	`tqs`	`tqf`
`español` o `espanol`	`cs`	`cb`	`tcs`	`tcb`
`français`	`sd`	`sb`	`dsd`	`bsb`
`italiano`	`sd`	`sb`	`dsd`	`bsb`
`norsk`	`ih`	`eh`	`issih`/`isih`	`esseh`/`eseh`
`português` o `portugues`	`sqt`	`bqt`	`stqt`	`btqt`
`suomi`	`ih`	`eh`	`isih`	`eseh`
`svenska`	`ih`	`eh`	`issih`	`esseh`
`vlaams`	`hk`	`hb`	`khk`	`bhb`

Comprobación de octava
Transposición
Inversión
Retrogradación
Transformaciones modales

Clave
Armadura de la tonalidad
Corchetes de octava
Transposición de los instrumentos
Alteraciones accidentales automáticas
Tesitura

Cabezas de nota especiales
Cabezas de notas de Notación Fácil
Cabezas de notas con formas diversas
Improvisación

1.2.1 Escritura de las duraciones (valores rítmicos)
1.2.2 Escritura de silencios
1.2.3 Impresión de las duraciones
1.2.4 Barras
1.2.5 Compases
1.2.6 Asuntos rítmicos especiales

Duración de las notas
Grupos especiales
Escalar las duraciones
Ligaduras de unión

Indicación de compás
Indicaciones metronómicas
Anacrusas
Música sin compasear
Notación polimétrica
División automática de las notas
Mostrar los ritmos de la melodía

Barras automáticas
Establecer el comportamiento de las barras automáticas
Barras manuales
Barras progresivas

Barras de compás
Numeración de compases
Comprobación de compás y de número de compás
Llamadas de ensayo

1.3.1 Expresiones adosadas a las notas
1.3.2 Expresiones como curvas
1.3.3 Expresiones como líneas

Articulaciones y ornamentos
Matices dinámicos
Indicaciones dinámicas nuevas

Ligaduras de expresión
Ligaduras de fraseo
Marcas de respiración
Caídas y elevaciones

Repeticiones normales
Marcas de repetición manual
Repeticiones explícitas

Repeticiones de compás o parte de ellos
Repeticiones de trémolo

Notas en acorde
Repetición de acordes
Expresiones simultáneas
Racimos (clusters)

Polifonía en un solo pentagrama
Estilos de voz
Resolución de las colisiones
Combinación de silencios
Combinación automática de las partes
Escribir música en paralelo

1.6.1 Impresión de los pentagramas
1.6.2 Modificación de pentagramas sueltos
1.6.3 Escritura de las particellas

LilyPond — Referencia de la notación

1 Notación musical

1.1 Alturas

1.1.1 Escritura de notas

Escritura de octava absoluta

Véase también

Escritura de octava relativa

Véase también

Alteraciones accidentales

Fragmentos de código seleccionados

Ocultar las alteraciones sobre notas ligadas al principio de un sistema nuevo

Evitar que se añadan becuadros adicionales automáticamente

Véase también

Advertencias y problemas conocidos

Nombres de las notas en otros idiomas

Véase también

1.1.2 Modificación de varias notas a la vez

Comprobación de octava

Véase también

Transposición

Fragmentos de código seleccionados

Transportar música con el menor número de alteraciones

Véase también

Advertencias y problemas conocidos

Inversión

Véase también

Retrogradación

Advertencias y problemas conocidos

Véase también

Transformaciones modales

Transposición modal

Inversión modal

Véase también

1.1.3 Imprimir las alturas

Clave

Fragmentos de código seleccionados

Trucaje de las propiedades de clave

Véase también

Advertencias y problemas conocidos

Armadura de la tonalidad

Fragmentos de código seleccionados

Evitar que se impriman becuadros cuando cambia la armadura

Armaduras de tonalidad no tradicionales

Véase también

Corchetes de octava

Fragmentos de código seleccionados

Changing ottava text

Añadir una indicación de octava alta a una sola voz

Modifying the Ottava spanner slope

Véase también

Transposición de los instrumentos

Véase también

Alteraciones accidentales automáticas

Véase también

Advertencias y problemas conocidos

Tesitura

Fragmentos de código seleccionados

Añadir un ámbito por voz

Ámbitos con varias voces

Modificación de la separación en las indicaciones de tesitura

Véase también

Advertencias y problemas conocidos

1.1.4 Cabeza de las notas

Cabezas de nota especiales

Instrucciones predefinidas

Véase también

Cabezas de notas de Notación Fácil

Instrucciones predefinidas

Fragmentos de código seleccionados

Números como notas de notación fácil

Véase también

Cabezas de notas con formas diversas

Instrucciones predefinidas

Fragmentos de código seleccionados

Aiken head thin variant noteheads

Aplicar estilos de cabeza según la nota de la escala

Véase también

Improvisación

Instrucciones predefinidas

Véase también

Crear instancias de pentagramas nuevos
Agrupar pentagramas
Grupos de pentagramas anidados
Separación de sistemas

El símbolo del pentagrama
Pentagramas de Ossia
Ocultar pentagramas

Nombres de instrumentos
Citar otras voces
Formateo de las notas guía
Compresión de los compases vacíos

Seleccionar el tamaño de la tipografía para la notación
Indicaciones de digitación
Notas ocultas
Colorear objetos
Paréntesis
Plicas

Instrucción	Equivalente a	Tamaño relativo
`\teeny`	`\set fontSize = -3`	71%
`\tiny`	`\set fontSize = -2`	79%
`\small`	`\set fontSize = -1`	89%
`\normalsize`	`\set fontSize = 0`	100%
`\large`	`\set fontSize = 1`	112%
`\huge`	`\set fontSize = 2`	126%

Nombre de las notas
Globos de ayuda
Líneas de rejilla
Corchetes de análisis

1.8.1 Escritura del texto
1.8.2 Formatear el texto
1.8.3 Tipografías

Panorámica de los objetos de texto
Guiones de texto
Extensiones de texto
Indicaciones de texto
Texto separado

Introducción al marcado de texto
Seleccionar la tipografía y su tamaño
Alineación de texto
Notación gráfica dentro de elementos de marcado
Notación musical dentro de elementos de marcado
Elementos de marcado de varias páginas

Explicación de las fuentes tipográficas
Fuentes de un solo elemento
Fuentes tipográficas del documento completo